Rethinking curating: art after new media
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge, Mass. [u.a.]
MIT Press
2010
|
Schriftenreihe: | Leonardo books
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XV, 354 Seiten Illustrationen |
ISBN: | 9780262013888 9780262528429 |
Internformat
MARC
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490 | 0 | |a Leonardo books | |
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Datensatz im Suchindex
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adam_text |
Contents
Acknowledgments
ix
Series Foreword
xi
Foreword by Steve Dietz
xiii
1
Introduction
1
What Is New Media Art?
2
What Is Curating?
10
The Structure of the Book
11
1 Art After New Media—Histories, Theories, and Behaviors
17
2
The Art Formerly Known as "New Media"
19
The Hype of the New
22
New Media Art
—
Modernist or
Avant-Garde? 27
From Postmodernism to
a Postmedium
Condition
29
Art Example: Cornelia
Sollfrank,
Net Art Generators), and Female Extension
32
Rethinking Curating
38
Exhibition Example: Harwood@Mongrel, Uncomfortable Proximity
43
Summary: Curating in
a Postmedium
Condition?
47
3
Space and Materiality
51
Dematerialization
—
From Conceptual Art to Systems Art
52
How New Media Art Is Different
60
Art Example: Thomson
&
Craighead, Light from Tomorrow
67
Rethinking Curating
69
Exhibition Example: Let's Entertain and Art Entertainment Network, WaikerArt Center
73
Summary: Dematerialized or Just Distributed?
83
4
Time
87
Time-Based Arts
—
Video and Performance
88
How New Media Art Is Different
92
Art Example: Rachel Reupke, Pico
Mirador
94
vi
Contents
Rethinking Curating
99
Exhibition Example:
Medialounge,
the Media Centre
103
Summary: Curating in Real Time?
109
5
Participative Systems
111
Interaction, Participation, and Collaboration
112
How New Media Art Is Different
117
Art Example: Harrell Fletcher and Miranda July, Learning to Love You More
120
Rethinking Curating
124
Exhibition Example: Serious Games, Laing Art Gallery
134
Summary: How Participatory Are These Systems?
138
II Rethinking Curating
—
Contexts, Practices, and Processes
145
6
Introduction to Rethinking Curating
147
Curating in Context
—
In and Out of the Institution
148
Models and Modes
—
The Practice of Curating
153
Summary: Curating Now
—
Distributed Processes?
157
7
On Interpretation, on Display, on Audience
161
Education, Interpretation, and Curating
162
Example:
Tate
Media
164
On Display
170
Audiences
177
Summary: A Useful Confusion?
184
8
Curating in an Art Museum
189
Why Would a New Media Artist Want to Exhibit in an Art Museum?
189
The Building or the Immaterial Systems?
192
Working across Departments
194
Example:
010101,
San Francisco Museum of Modern Art
194
Documentation and Archiving
200
On Collections
202
Summary: Networking the Museum
210
9
Other Modes of Curating
215
Festivals
—
New, Hybrid, and (Upwardly?) Mobile
216
Example:
Vuk Ćosić,
Documenta
Done and Net.art per me
218
Arts Agencies and Public Art
—
Located, Engaged, and Flexible
224
Example: New Media Scotland
227
Publishing and Broadcast
—
Distributed, Reproducible, and Networked
230
Example: Kate Rich
233
The Lab
—
Experimental, Interdisciplinary, and Research-Led
234
Example: V2_, Rotterdam
238
Summary: From Production to Distribution and Beyond
242
Contents
vii
10
Collaboration
in Curating
247
Artist-Run—
Alternative
Spaces
and Independent Organizations
247
Swapping Roles
—
Artists as Curators
253
Example: NODE.London
260
Collaborative Practices
—
Networks and Audiences
266
Summary: Artist-Led or Audience-Led?
275
III Conclusions
281
11
Conclusions: Histories, Vocabularies, Modes
283
A Set of Histories
285
Critical Vocabularies—Which Verbs, Which Systems?
288
Beyond Novelty
—
Curatorial Modes
299
The Task at Hand
—
Translation
302
References
307
Index
339
Exhibitions Index
353 |
any_adam_object | 1 |
author | Graham, Beryl Cook, Sarah 1974- |
author_GND | (DE-588)134041917 (DE-588)14102139X |
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bvnumber | BV036076196 |
callnumber-first | N - Fine Arts |
callnumber-label | NX456 |
callnumber-raw | NX456.5.N49 |
callnumber-search | NX456.5.N49 |
callnumber-sort | NX 3456.5 N49 |
callnumber-subject | NX - Arts in General |
classification_rvk | LH 29960 LH 65829 |
ctrlnum | (OCoLC)699980365 (DE-599)BVBBV036076196 |
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dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.04/07075 |
dewey-search | 709.04/07075 |
dewey-sort | 3709.04 47075 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Book |
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id | DE-604.BV036076196 |
illustrated | Illustrated |
indexdate | 2025-01-28T11:12:36Z |
institution | BVB |
isbn | 9780262013888 9780262528429 |
language | English |
lccn | 2009018942 |
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physical | XV, 354 Seiten Illustrationen |
publishDate | 2010 |
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publisher | MIT Press |
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spelling | Graham, Beryl Verfasser (DE-588)134041917 aut Rethinking curating art after new media Beryl Graham and Sarah Cook ; foreword by Steve Dietz Cambridge, Mass. [u.a.] MIT Press 2010 XV, 354 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Leonardo books Includes bibliographical references and index New media art Museums Curatorship Museumskunde (DE-588)4170787-4 gnd rswk-swf Medienkunst (DE-588)4113418-7 gnd rswk-swf Medienkunst (DE-588)4113418-7 s Museumskunde (DE-588)4170787-4 s DE-604 Cook, Sarah 1974- Verfasser (DE-588)14102139X aut Dietz, Steve wpr Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018967368&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Graham, Beryl Cook, Sarah 1974- Rethinking curating art after new media New media art Museums Curatorship Museumskunde (DE-588)4170787-4 gnd Medienkunst (DE-588)4113418-7 gnd |
subject_GND | (DE-588)4170787-4 (DE-588)4113418-7 |
title | Rethinking curating art after new media |
title_auth | Rethinking curating art after new media |
title_exact_search | Rethinking curating art after new media |
title_full | Rethinking curating art after new media Beryl Graham and Sarah Cook ; foreword by Steve Dietz |
title_fullStr | Rethinking curating art after new media Beryl Graham and Sarah Cook ; foreword by Steve Dietz |
title_full_unstemmed | Rethinking curating art after new media Beryl Graham and Sarah Cook ; foreword by Steve Dietz |
title_short | Rethinking curating |
title_sort | rethinking curating art after new media |
title_sub | art after new media |
topic | New media art Museums Curatorship Museumskunde (DE-588)4170787-4 gnd Medienkunst (DE-588)4113418-7 gnd |
topic_facet | New media art Museums Curatorship Museumskunde Medienkunst |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018967368&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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