Stilevye metamorfozy roka:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Sankt-Peterburg
Izdat. "Kompozitor"
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | In kyrill. Schr., russ. - Zsfassung und Inh.-Verz. in engl. Sprache |
| Beschreibung: | 308 S. graph. Darst., Notenbeisp. |
| ISBN: | 9785737903602 |
Internformat
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| 245 | 1 | 0 | |a Stilevye metamorfozy roka |c Valerij Syrov |
| 264 | 1 | |a Sankt-Peterburg |b Izdat. "Kompozitor" |c 2008 | |
| 300 | |a 308 S. |b graph. Darst., Notenbeisp. | ||
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| 338 | |b nc |2 rdacarrier | ||
| 500 | |a In kyrill. Schr., russ. - Zsfassung und Inh.-Verz. in engl. Sprache | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Rock music |x History and criticism | |
| 650 | 4 | |a Style, Musical |x History |y 20th century | |
| 650 | 0 | 7 | |a Rockmusik |0 (DE-588)4115774-6 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804141121463386112 |
|---|---|
| adam_text | Содержание
Введение
........................................................................................................4
Глава
I.
ПРЕДПОСЫЛКИ ЖАНРОВЫХ КОНТАКТОВ
.....................13
Джаз: на пути к диалогу
..............................................................21
Глава
II.
ЭВОЛЮЦИЯ. МЕТАМОРФОЗЫ «АРТИЗАЦИИ»
................36
Прото-арт 60-х годов
...................................................................51
Арт-рок 70-х. Концепции и направления
....................................64
Пост-арт 80-90-х годов. Современность
................................100
Глава
III.
АУДИТОРИЯ И КОММУНИКАЦИЯ
..................................120
Глава
IV.
МУЗЫКАЛЬНЫЕ ЖАНРЫ И ФОРМЫ
...............................133
Глава
V.
ДИНАМИЧЕСКИЕ РЕЛЬЕФЫ. ПОЭТИКА ТИШИНЫ
.....171
Глава
VI.
ЛАД И ГАРМОНИЯ
...............................................................186
Блюз и ладовое мышление рока
..................................................187
Натурально-ладовые формы
.......................................................200
Европейские классические модели
..............................................221
Глава
VII.
СТИЛЕВЫЕ ДИАЛОГИ
.......................................................234
Эклектика или полистилистика?
...............................................239
Претворение или воссоздание?
...................................................244
Лексический уровень стиля
.........................................................248
«Третья» музыка в зеркале стилевых контактов
..................252
Новая жизнь классических произведений
.................................253
От ассимиляции
—
к регенерации
.............................................257
Заключение.
...............................................................................................269
Литература
.................................................................................................274
Избранная дискография
...........................................................................282
Именной указатель
..................................................................................301
Summary
..........................................................................................308
Contents
Introduction
....................................................................................................4
Chapter I. BACKGROUND OF GENRE CONTACTS
.............................13
Jazz: on the Way to the Dialogue
...................................................21
Chapter II. Evolution. Metamorphoses of Artification
...........................36
Proto-art of the
60s..........................................................................51
Art-rock of the
70s.
Conceptions and Trends
.................................64
Post-art of the
вО-СОѕ.
Contemporaneity
.....................................100
Chapter
Ш.
AUDIENCE AND COMMUNICATION
..............................120
Chapter IV. MUSICAL GENRES AND FORMS
.....................................133
Chapter V. DYNAMIC OUTLINE. POETICS OF SILENCE
.................171
Chapter VI. MODE AND HARMONY
....................................................186
Blues and Mode Thinking of Rock
................................................187
Diatonic-Mode Forms
....................................................................200
Classical European Models
...........................................................221
Chapter
VII.
STYLE DIALOGUES
..........................................................234
Eclectic or Polystylistics?
..............................................................239
Creation or Re-creation?
...............................................................244
Lexical Level of Style
.....................................................................248
The Third Music in the Reflection of Style Contacts
...............252
New Existence of Classics
..............................................................253
From Assimilation to Regeneration
...............................................257
Conclusion
..................................................................................................269
Bibliography
...............................................................................................274
Selected Discography
.................................................................................282
Index
...........................................................................................................301
Summary
.....................................................................................................308
Summary
This book is the first investigation of rock as a musical and style
phenomenon in Russian musicology. Rock music and its style trends
are considered in a wide context of modern culture, in the context of
transition from counter-cultural orientation to pan-cultural in parti¬
cular. The intensification of artistic qualities is reflected in style thin¬
king as well as in diversity of cultural, style and genre contacts. The
connection of rock with the surrounding world, with the music of
European tradition in particular is the main idea of the book. It is
studied in different aspects from the typology of style trends to com¬
positional structures and musical language.
First the author investigates non-commercial rock classics and
contemporary music. Rock is considered in contrast with entertaining
variety art. It was necessary to undertake a great and purposeful selec¬
tion of a musical material to single out talented and original examples
of rock that were the best to incarnate the idea of a cultural dialogue
and widening of genre-style boundaries (The Beatles, Pink Floyd,
King Crimson, Genesis, Jethro
Tull,
Yes, Van
Der Graaf
Gene¬
rator, Emerson, Lake
&
Palmer, etc.). The process of cultural,
genre and style integration is especially active in art-rock ( progres¬
sive-rock ). It forms different style modifications ( European-like ,
vanguard, ballad, oriental, Renaissance , electronic and others). Style
thinking is realized as a collective creation of dialogue forms. The
style individualization process distinguishes art rock from pop-variety
art, which submits to the principle of homogenization.
The book includes Introduction, seven chapters and Conclusion.
The Introduction outlines a range of problems and is devoted to sub¬
stantiation of the investigation ground and the review of scientific
works in this sphere. The first two chapters provide a review of his¬
torical material. Prehistory of genre contact of music is given in the
first chapter. Realization of this contact in jazz (in fusion-jazz in
particular) is given special attention. The basic stages of ctrtification
of rock, its leading trends as well as the creative activity of the grea-
308
Summary
test representatives of art-rock, are defined in details in the second
chapter. Chapters
3-6
are of theoretical trend. They make clear the
principal idea in compositional-structural and mode harmonic aspects.
Chapter
7
generalizes the observations from the point of view of style
and style contacts and typology of contacts, and also gives a detailed
analysis of some methods of work with models (assimilation, styli-
zation, parody, etc.). A special type of style in rock-music (collective-
individual) is noted here. The way to a wide musical sphere is
undertaken in the Conclusion. A universal contradiction between
a structure-forming style tendency and an entropy-homogenized one
becomes the object of attention. The preponderance of the second
tendency is connected with a deep intonation crisis that con¬
temporary music experiences now. The integrated, hybrid, the third
and other forms become one of the ways out of this crisis. Many of
them are considered in this book.
|
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| spelling | Syrov, Valerij N. 1947- Verfasser (DE-588)123718643 aut Stilevye metamorfozy roka Valerij Syrov Sankt-Peterburg Izdat. "Kompozitor" 2008 308 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier In kyrill. Schr., russ. - Zsfassung und Inh.-Verz. in engl. Sprache Geschichte 1900-2000 Geschichte Rock music History and criticism Style, Musical History 20th century Rockmusik (DE-588)4115774-6 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Rockmusik (DE-588)4115774-6 s Musikalischer Stil (DE-588)4170806-4 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018961885&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018961885&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Syrov, Valerij N. 1947- Stilevye metamorfozy roka Geschichte Rock music History and criticism Style, Musical History 20th century Rockmusik (DE-588)4115774-6 gnd Musikalischer Stil (DE-588)4170806-4 gnd |
| subject_GND | (DE-588)4115774-6 (DE-588)4170806-4 |
| title | Stilevye metamorfozy roka |
| title_auth | Stilevye metamorfozy roka |
| title_exact_search | Stilevye metamorfozy roka |
| title_full | Stilevye metamorfozy roka Valerij Syrov |
| title_fullStr | Stilevye metamorfozy roka Valerij Syrov |
| title_full_unstemmed | Stilevye metamorfozy roka Valerij Syrov |
| title_short | Stilevye metamorfozy roka |
| title_sort | stilevye metamorfozy roka |
| topic | Geschichte Rock music History and criticism Style, Musical History 20th century Rockmusik (DE-588)4115774-6 gnd Musikalischer Stil (DE-588)4170806-4 gnd |
| topic_facet | Geschichte Rock music History and criticism Style, Musical History 20th century Rockmusik Musikalischer Stil |
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