Iskusstvo srednevekovych kočevnikov Evrazii: očerki
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Moskva [u.a.]
Kuzbassvuzizdat
2008
|
| Schriftenreihe: | Trudy SAIPI
5 |
| Schlagworte: | |
| Online-Zugang: | Abstract Inhaltsverzeichnis |
| Beschreibung: | PST: The art of medieval Eurasian nomads. - In kyrill. Schr., russ. - Inh.-Verz. und Zsfassung in engl. Sprache |
| Beschreibung: | 330 S. Ill. |
| ISBN: | 5202002394 |
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Datensatz im Suchindex
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| adam_text | G. G. Korol’
THE ART OF MEDIEVAL EURASIAN NOMADS.
ESSAYS
Abstract
The book is the outcome of many years of research and analysis of Eurasian nomad art of the end of
the 1 st - beginning of the 2nd millenniums AD, based on numerous archeological finds — small toreutics,
represented mainly by belt ornaments for equestrian warriors (bridle and belt sets of non-ferrous metal),
and also by decorations on equipment and weaponry (saddles, belt and saddle bags) and clothes. Most
of the items in question have characteristic shape and decor. They reflect the Early Medieval Eurasian
style of decorative and applied art, which has been named “steppe omamentalism”. It is characterized by
geometrized floral ornament which prevails over other types of decor: zoomorphic, anthropomorphic,
and sometimes geometric motifs.
Stylistic affinity (in the broad sense) in the decor of small toreutics comprises regional peculiari-
ties, which can be observed both throughout major state formations (Khazar Khaganate, Bulgaria Volga,
Ancient Rus in Eastern Europe; Kyrgyz Khaganate, the Kimak-Kypchak ethnic and political formation
in the Sayan-Altai, or Southern Siberia) and within their local territorial entities, reflecting the ethnic and
cultural traditions of the population and its relations with the outside world. Decorative features can be
relatively simple and easily recognizable (e.g., mid-8th ֊ 9th cc. materials from the Khazar Khaganate
and materials from Sayan-Altai cultures of the mid-9th — beginning of the 11th cc.), or complex, indica-
ting the functioning of various production centers within a major region (e.g., Ancient Rus culture of the
10th ֊ 13th cc.). In both cases, decorative features supply information about the prevailing influences of
artistic traditions from neighboring and even far-away countries and peoples. Tradition is understood as
a steady complex of interrelated elements which influence each other.
Decorative and applied art is considered as part of folk art, another aspect whereof is oral tradition,
epos first and foremost. The present work formulates the factors which reveal the development patterns
for decorative art and epos; defines these general development patterns for the two branches of art, and
reveals a certain affinity of their stylistics and images.
The essays deal mainly with materials from two major regions, ֊ the south of Eastern Europe and
the Sayan-Altai (Southern Siberia). Research was concerned primarily with the structural elements of
decor which give the opportunity to correlate decorative art with the spiritual aspect of social life.
Anthropomorphic decor is the most important structural element in this respect. The author correlates
decorative “topics” primarily with epos (Nart epos for the south of Eastern Europe, Turkic epos for the
Sayan-Altai); also with mythological and religious heritage, rituals and other aspects of the traditional
culture of the peoples descended from the Medieval inhabitants of the territories in question.
It is interesting to compare anthropomorphic decor from two major Eurasian steppe regions and the
piedmonts, to reveal their common and individual features. Other codes of decorative art are considered
as well, on the example of Sayan-Altai art. Zoomorphic and floral codes of visual art are compared with
327
corresponding codes of verbal art (on the basis of academic publications of epos of peoples from diffe-
rent regions in the Sayan-Altai: the Altaians, Khakassians, Tuvins and Shors).
The author identifies and analyses serial groups of small toreutics from the Sayan-Altai. These com-
prise the most popular decorative compositions and motifs, which are encountered quite frequently in all
the regions of the Sayan-Altai. Some of the motifs are symbolic and go back to Buddhist iconographie
prototypes which are widely used in Manichean art. Starting from the time of the Uighur Khaganate
(745-840 AD), Manicheanism penetrated the territory in question; the fact that it found favor with the
Khagans played an important role in the development of a syncretic decorative art in subsequent peri-
ods. Identifying the semantics of the motifs, and the reason why they became the most popular ones,
also allows to correlate material works of art with the spiritual life of the societies which used the ob-
jects in question. The most popular patterns of floral and geometric décor are used for analyzing the
development and modification of traditions, revealing the roots of Early Medieval art, identifying the
features that show, first and foremost, the historical and cultural relations of the local peoples, and the
main directions of these relations.
Another important aspect of the book is that it brings together the main results of an integrated
study of belt ornaments, which included research into decorative features, morphology of the items and
production technique, including metal composition. This was a joint study with L.V. Kon’kova, whose
article on the Tyukhtyaty hoard, the eponymous site, tables listing the metal composition, the main ob-
servations and conclusions is an appendix to the present book.
The chapter about the two major collections of the items under investigation - the Tyukhtyaty from
the Minusinsk basin in the Middle Yenisei (stored in the Minusinsk regional museum) and P. K. Frolov’s
collection from the Altai region (first third of the 19th c.; stored in the Oriental section of the State Her-
mitage, St. Petersburg) - is of interest from the point of view of source studies. The collections differ
as to origin, yet the structure of their material is similar. For the first time, the décor of belt ornaments
from these collections has been studied and analyzed in detail against a wide background of Eurasian
analogies, known to the author from museum collections and publications.
Besides illustrating the stages of the research, the herein presented material is a first publication of
little-known, and sometimes unknown items. Much attention is given to those; the author investigates
the sometimes complicated stories behind the artifacts, and elucidates some of the “scientific myths”.
One should also note the appendix which contains the original tables of V. V. Radlov’s handwritten Al-
bum (1861), stored in the St. Petersburg Museum of Ethnography and Anthropology (the Kunstkammer)
named after Peter the Great.
The book shall be of interest for both specialists and readers interested in the history of Medieval
nomads of steppe Eurasia and adjacent territories.
328
ОГЛАВЛЕНИЕ
Предисловие.................................................................... 3
Глава 1. Декоративное искусство евразийских кочевников конца I - начала II тыс. н.э.
и духовный аспект жизни общества: возможности сопоставлений
Условия формирования декоративного стиля эпохи.......................... 9
Художественные стили в декоративном искусстве и их цикличность............. 11
Проблема связи декоративного искусства с эпосом............................ 13
Проблема формирования и развития тюркского эпоса........................... 14
Особенности формирования и развития стиля «степного орнаментализма»........ 16
Комплексное изучение особенностей саяно-алтайского варианта стиля....... 18
Художественная система декоративного искусства и возможности сопоставления с
эпосом.................................................................. 23
Факторы выявления закономерностей развития декоративного искусства и эпоса. 26
Общие черты и некоторые закономерности развития декоративного искусства и
эпоса................................................................... 27
Глава 2. Изобразительный антропоморфный декор в искусстве Восточной Европы....... 30
«Восточная сказка» или древняя легенда.................................. 31
История эпического героя или путешествие в страну мертвых.................. 39
Всадник на парных конях и «пляшущий» человек............................ 64
Глава 3. Изобразительный антропоморфный декор в искусстве Саяно-Алтая............ 73
«Хойцегорский портрет» и манихейство..................................... 75
Женские образы и традиционное мировоззрение тюрков...................... 85
Глава 4. Личины Саяно-Алтая и Восточной Европы. Всадники
Личины Саяно-Алтая...................................................... 95
Личины Восточной Европы................................................ 112
Всадники............................................................... 123
Глава 5. Зооморфный и растительный коды искусства Саяно-Алтая. «Серийные»
группы торевтики малых форм
Зооморфный код......................................................... 137
Растительный код....................................................... 150
«Серийные» группы торевтики малых форм.................................. 157
Глава 6. Тюхтятский клад из Минусинского края и собрание П.К. Фролова
из Алтайского края
Тюхтятский клад из Минусинского края................................... 177
Собрание П. К. Фролова из Алтайского края.............................. 192
Вместо заключения. Искусство средневековых кочевников: единство
материального и духовного.................................................... 221
Литература................................................................... 227
Таблицы...................................................................... 257
Приложения
Приложения 1—7. Каталог находок «серийных» художественных групп.............. 289
Приложение 8. Тюхтятский клад: технология изготовления и состав металла
ременных украшений (Л. В. Конькова).......................................... 301
Приложение 9. Интерпретация некоторых композиций и мотивов................... 312
Приложение 10. Альбом В. В. Радлова 1861 г. Отдельные таблицы................ 316
Список сокращений............................................................ 325
Abstract..................................................................... 327
329
CONTENTS
Introduction.............................................................................. 3
Chapter 1. Decorative art of Eurasian nomads at the end of the 1st - beginning of
the 2nd millennia AD and the spiritual dimension: their correlation
Background and environment for the development of the epoch’s decorative style..... 9
Artistic styles in decorative art, their cyclicity................................. 11
Connecting decorative art and epos................................................. 13
Emergence and development of Turkic epos........................................... 14
Emergence and development of “steppe omamentalism” style........................... 16
Integrated study of the Sayan-Altai variant of the style and its specific features. 18
The artistic system of decorative art and the means for correlation with epos...... 23
Identifying the regularities in the development of decorative art and epos......... 26
Common features and certain regularities in the development of decorative art
and epos.......................................................................... 27
Chapter 2. Anthropomorphic decor in the art of Eastern Europe............................. 30
“Oriental fairy-tale” or ancient legend............................................. 31
The story of the epic hero or journey to the realm of the dead..................... 39
The rider on paired horses and the “dancing” man................................... 64
Chapter 3. Anthropomorphic decor in Sayan-Altai art....................................... 73
The “Khoitzegor portrait” and Manicheanism......................................... 75
Female images and traditional Turkic outlook...................................... 85
Chapter 4. Mask-faces from the Sayan-Altai and Eastern Europe. Riders
Mask-faces from the Sayan-Altai................................................... 95
Mask-faces from Eastern Europe................................................... 112
Riders........................................................................... 123
Chapter 5. Zoomorphic and vegetative codes of Sayan-Altai art. “Serial” groups
of small toreutics
Zoomorphic code.................................................................. 137
Vegetative code.................................................................. 150
“Serial” groups of small toreutics................................................ 157
Chapter 6. The Tyukhtyaty hoard from the Minusinsk region and P.K. Frolov’s collection
from the Altai region
The Tyukhtyaty hoard from the Minusinsk region................................... 177
R K. Frolov’s collection from the Altai region................................... 192
In lieu of conclusion. The art of Medieval nomads: unity of matter and spirit............. 221
Bibliography........................................................................... 227
Tables.................................................................................. 257
Appendices
Appendices 1-7. Catalogue of finds belonging to “serial” art groups....................... 289
Appendix 8. The Tyukhtyaty hoard: manufacturing technology and metal composition
for belt ornaments (L.V. Kon’kova)...................................................... 301
Appendix 9. Interpretating some of the compositions and motifs.......................... 312
Appendix 10. V.V. Radlov’s 1861 Album. Selected tables.................................. 316
Abbreviations........................................................................... 325
Abstract................................................................................ 327
330
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| publisher | Kuzbassvuzizdat |
| record_format | marc |
| series | Trudy SAIPI |
| series2 | Trudy SAIPI |
| spelling | Korolʹ, Galina Georgievna 1955- Verfasser (DE-588)103695125 aut Iskusstvo srednevekovych kočevnikov Evrazii očerki G. G. Korolʹ The art of medieval Eurasian nomads Moskva [u.a.] Kuzbassvuzizdat 2008 330 S. Ill. txt rdacontent n rdamedia nc rdacarrier Trudy SAIPI 5 PST: The art of medieval Eurasian nomads. - In kyrill. Schr., russ. - Inh.-Verz. und Zsfassung in engl. Sprache Geschichte 750-1300 gnd rswk-swf Kunsthandwerk (DE-588)4073883-8 gnd rswk-swf Nomade (DE-588)4042452-2 gnd rswk-swf Sibirien (DE-588)4054780-2 gnd rswk-swf Eurasien (DE-588)4015685-0 gnd rswk-swf Eurasien (DE-588)4015685-0 g Sibirien (DE-588)4054780-2 g Nomade (DE-588)4042452-2 s Kunsthandwerk (DE-588)4073883-8 s Geschichte 750-1300 z DE-604 Trudy SAIPI 5 (DE-604)BV035673061 5 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018961128&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018961128&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Korolʹ, Galina Georgievna 1955- Iskusstvo srednevekovych kočevnikov Evrazii očerki Trudy SAIPI Kunsthandwerk (DE-588)4073883-8 gnd Nomade (DE-588)4042452-2 gnd |
| subject_GND | (DE-588)4073883-8 (DE-588)4042452-2 (DE-588)4054780-2 (DE-588)4015685-0 |
| title | Iskusstvo srednevekovych kočevnikov Evrazii očerki |
| title_alt | The art of medieval Eurasian nomads |
| title_auth | Iskusstvo srednevekovych kočevnikov Evrazii očerki |
| title_exact_search | Iskusstvo srednevekovych kočevnikov Evrazii očerki |
| title_full | Iskusstvo srednevekovych kočevnikov Evrazii očerki G. G. Korolʹ |
| title_fullStr | Iskusstvo srednevekovych kočevnikov Evrazii očerki G. G. Korolʹ |
| title_full_unstemmed | Iskusstvo srednevekovych kočevnikov Evrazii očerki G. G. Korolʹ |
| title_short | Iskusstvo srednevekovych kočevnikov Evrazii |
| title_sort | iskusstvo srednevekovych kocevnikov evrazii ocerki |
| title_sub | očerki |
| topic | Kunsthandwerk (DE-588)4073883-8 gnd Nomade (DE-588)4042452-2 gnd |
| topic_facet | Kunsthandwerk Nomade Sibirien Eurasien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018961128&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018961128&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV035673061 |
| work_keys_str_mv | AT korolʹgalinageorgievna iskusstvosrednevekovychkocevnikovevraziiocerki AT korolʹgalinageorgievna theartofmedievaleurasiannomads |