The prostitute in Italian society, art and literature:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | Italian |
| Veröffentlicht: |
Melbourne
2000
|
| Schriftenreihe: | Spunti e ricerche
15 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Einzelaufnahme eines Zeitschr.-Bd. |
| Beschreibung: | 132 S. |
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Datensatz im Suchindex
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|---|---|
| adam_text |
SPUNTI E RICERCHE
Volume
15 -
The Prostitute in
Italian
Art and Literature
Raffaele Lampugnani
INTRODUCTION
Not Merely the Oldest Profession
5
ARTICLES
Amalia
Signorelłi
Alcune riflessioni antropologiche sulla
storia della prostituzione in Italia
13
Rodney
Lokaj
Mary Magdalene:
One of Petrarch's Muses?
43
Robert Buranello
Figura meretrici?.
Tullía
d'Aragona
in
Sperone Speroni
's Pialogo
d'amore
53
Ernest Hampson
Visconti's II Gattopardo:
Aspects of a Literary Adaptation
69
Antonella Gramone
Nonostante 'chesta ccà': femmine
disgraziate e cortigiane in
Matilde
Serao
79
Nadia
Castronuovo
Influenze psicologiche e letterarie nel
personaggio della prostituta nel romanzo
La romana di Alberto
Moravia
93
Emilio
Giordano
'Quella gran
soldatara'.
La prostituta
marina di Horcynus Orca
103
DugaldMclellan,
Laura Baffoni-Iicata
Flavia Coassin
Tim Curnow
REVIEWS
The Key to Meaning?'Recent Publications
on the
Orvieto
Frescoes of
Luca
Signoreili
La Cappella
Nova o
di San Brizio nel
Duomo di Orvieto,
edited by Giusi
Testa,
Milano, Rizzoli,
1996, 495
pp, ili.
Jonathan
В.
Riess,
The Renaissance
Antichrist.
Luca Signorellì's Orvieto
Frescoes, Princeton, Princeton University
Press,
1995,
XV,
191
pp,
Ш.
117
La poesia di Vittorio Sereni
-
Se ne scrivono
ancora,
edited by
Alfredo
Luzi,
Grottamare,
Stamperia dell'Arancio,
1997,204
pp.
124
Giampaolo
Borghello,
II getto tremulo dei
violini. -Percorsi montaliani, Torino,
Paravia
Scriptorium,
1999,130
pp.
126
John
Hajek,
Universals
of Sound Change in
Nasalization, Publications of the
Philological Society,
31,
Oxford,
Blackwell,
1997,254
pp.
128
The financial support by the School of European Languages and Cultures, Monash
University, is gratefully acknowledged.
Istituto
Italiano
di
Cultura
The editors wish to express their gratitude to
Prof.
Campanaro,
Director of the Italian
Institute of Culture in Melbourne for the
support given to
Spunti e Ricerche. |
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