National visions, national blindness: Canadian art and identities in the 1920s

"In the early decades of the twentieth century, Canada sought to define itself as an independent dominion with allegiance to the British Empire. The visual arts were considered central to the formation of a distinct national identity, and the Group of Seven's landscapes became part of a la...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Dawn, Leslie 1950- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Vancouver UBC Press 2006
Schlagworte:
Online-Zugang:Table of contents only
Inhaltsverzeichnis
Zusammenfassung:"In the early decades of the twentieth century, Canada sought to define itself as an independent dominion with allegiance to the British Empire. The visual arts were considered central to the formation of a distinct national identity, and the Group of Seven's landscapes became part of a larger program to unify the nation and assert its uniqueness. National Visions, National Blindness traces the development of this program and illuminates its conflicted history." "Using newly discovered archival evidence, Leslie Dawn revises common interpretations of several well-known events and rescues others from obscurity. He problematizes conventional perceptions of the Group as a national school and underscores the contradictions inherent in international exhibitions showing unpeopled landscapes alongside Northwest Coast Native arts and the "Indian" paintings of Langdon Kihn and Emily Carr. Dawn examines how this dichotomy forced a re-evaluation of the place of First Nations in both Canadian art and nationalism."--BOOK JACKET.
Beschreibung:Limited edition of 500 copies.
Includes bibliographical references and index
Beschreibung:viii, 446 p. ill. 24 cm
ISBN:0774812176
9780774812177
9780774812184

Es ist kein Print-Exemplar vorhanden.

Fernleihe Bestellen Achtung: Nicht im THWS-Bestand! Inhaltsverzeichnis