Shakespearean verse speaking: text and theatre practice
Summary: "Using evidence from theatrical hand-books, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical exploration in the rehearsal room. In looking at t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2009
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Cover image Inhaltsverzeichnis |
| Zusammenfassung: | Summary: "Using evidence from theatrical hand-books, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical exploration in the rehearsal room. In looking at theatrical interaction with early printed and modern edited texts, Rokison investigates the potential impact of editorial principles of lineation and punctuation on theatrical delivery. The book alerts editors to ways in which actors may interpret editorial emendations, and theatre practitioners to diverse authorial, editorial and compositional methods. It contains suggestions for a 'theatrical text' which makes clear the metrical structure of a scene whilst also indicating areas of ambiguous lineation. Providing a fresh perspective on Renaissance actors' parts, the book includes detailed analysis of the structural properties of the verse, in particular short lines, shared lines, end-stopping and enjambment in a range of Shakespearean texts"--Provided by publisher Summary: "This book is concerned with the analysis of contemporary responses to the Shakespearean text, as evidenced in performance practice and drama training. Through examination of published accounts and interview material from leading actors and directors, it explores current approaches to Shakespearean verse speaking in rehearsal rooms, drama schools and university drama departments. By examining assertions made in the theatrical handbooks against the findings of Renaissance scholarship, I contest some of the claims made by leading theatre practitioners and reiterated by actors and students looking for guidance in speaking Shakespearean verse"--Provided by publisher |
| Beschreibung: | XIV, 234 S. Ill |
| ISBN: | 9780521764346 |
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| 520 | |a Summary: "Using evidence from theatrical hand-books, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical exploration in the rehearsal room. In looking at theatrical interaction with early printed and modern edited texts, Rokison investigates the potential impact of editorial principles of lineation and punctuation on theatrical delivery. The book alerts editors to ways in which actors may interpret editorial emendations, and theatre practitioners to diverse authorial, editorial and compositional methods. It contains suggestions for a 'theatrical text' which makes clear the metrical structure of a scene whilst also indicating areas of ambiguous lineation. Providing a fresh perspective on Renaissance actors' parts, the book includes detailed analysis of the structural properties of the verse, in particular short lines, shared lines, end-stopping and enjambment in a range of Shakespearean texts"--Provided by publisher | ||
| 520 | |a Summary: "This book is concerned with the analysis of contemporary responses to the Shakespearean text, as evidenced in performance practice and drama training. Through examination of published accounts and interview material from leading actors and directors, it explores current approaches to Shakespearean verse speaking in rehearsal rooms, drama schools and university drama departments. By examining assertions made in the theatrical handbooks against the findings of Renaissance scholarship, I contest some of the claims made by leading theatre practitioners and reiterated by actors and students looking for guidance in speaking Shakespearean verse"--Provided by publisher | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | SHAKESPEAREAN VERSE SPEAKING: TEXT AND THEATRE PRACTICE ABIGAIL ROKISON
CAMBRIDGE UNIVERSITY PRESS CONTENTS LIST OF FIGURES PAGE IX
ACKNOWLEDGMENTS X LIST OF ABBREVIATIONS AND CONVENTIONS XII INTRODUCTION
I 1 CURRENT THEATRICAL THEORIES AND PRACTICE REGARDING SHAKESPEAREAN
VERSE SPEAKING 8 SHARED LINES 15 SHORT LINES 18 LINE-ENDINGS 23 ORIGINS
OF THE THEORIES 28 WILLIAM POEL AND THE SHAKESPEAREAN TEXT 35 2
THEATRICAL ENGAGEMENT WITH THE EARLY PRINTED TEXT OR MODERN EDITED TEXT
AND MODERN EDITORIAL PRINCIPLES OF LINEATION AND PUNCTUATION 37 EDITING
AND THE AUTHORIAL TEXT 37 TEXTS IN THE MODERN THEATRE 39 FOLIO
LINEATION 41 FOLIO PUNCTUATION 50 MODERN FOLIO EDITIONS 54 MODERN EDITED
TEXTS 59 SPECIALLY PREPARED THEATRICAL TEXTS 69 THEATRICAL INTERACTION
WITH THE PRINTED TEXT 70 CONCLUSION 77 3 HISTORICAL EVIDENCE:
DOCUMENTARY, ANECDOTAL AND TEXTUAL 78 INFLUENCES ON SHAKESPEARE S
PROSODY 79 ELIZABETHAN EDUCATION 79 SHAKESPEARE S READING AND THEATRICAL
EXPERIENCE 81 VIII LIST OF CONTENTS LINE-ENDINGS 83 SHARED AND SHORT
LINES 95 CONCLUSION 123 4 INTERNAL EVIDENCE: A STUDY OF NINE
SHAKESPEAREAN PLAYS 126 SHARED LINES 127 SHORT LINES 134 AMBIGUOUS
STRUCTURES 146 LINE-ENDINGS 153 CONCLUSION 167 5 THE REHEARSAL ROOM TEXT
170 CONCLUSION 177 APPENDIX: REHEARSAL TEXT OF MEASURE FOR MEASURE 2.4
185 NOTES 194 BIBLIOGRAPHY 215 INDEX 225
|
| any_adam_object | 1 |
| author | Rokison, Abigail 1975- |
| author_GND | (DE-588)14075542X |
| author_facet | Rokison, Abigail 1975- |
| author_role | aut |
| author_sort | Rokison, Abigail 1975- |
| author_variant | a r ar |
| building | Verbundindex |
| bvnumber | BV036037504 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3091 |
| callnumber-raw | PR3091 |
| callnumber-search | PR3091 |
| callnumber-sort | PR 43091 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HI 3381 |
| ctrlnum | (OCoLC)489011326 (DE-599)BVBBV036037504 |
| dewey-full | 822.3/3 822.3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 822.3 |
| dewey-search | 822.3/3 822.3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| format | Thesis Book |
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| spelling | Rokison, Abigail 1975- Verfasser (DE-588)14075542X aut Shakespearean verse speaking text and theatre practice Abigail Rokison 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2009 XIV, 234 S. Ill txt rdacontent n rdamedia nc rdacarrier Zugl.: Cambridge, Univ., Diss. Summary: "Using evidence from theatrical hand-books, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical exploration in the rehearsal room. In looking at theatrical interaction with early printed and modern edited texts, Rokison investigates the potential impact of editorial principles of lineation and punctuation on theatrical delivery. The book alerts editors to ways in which actors may interpret editorial emendations, and theatre practitioners to diverse authorial, editorial and compositional methods. It contains suggestions for a 'theatrical text' which makes clear the metrical structure of a scene whilst also indicating areas of ambiguous lineation. Providing a fresh perspective on Renaissance actors' parts, the book includes detailed analysis of the structural properties of the verse, in particular short lines, shared lines, end-stopping and enjambment in a range of Shakespearean texts"--Provided by publisher Summary: "This book is concerned with the analysis of contemporary responses to the Shakespearean text, as evidenced in performance practice and drama training. Through examination of published accounts and interview material from leading actors and directors, it explores current approaches to Shakespearean verse speaking in rehearsal rooms, drama schools and university drama departments. By examining assertions made in the theatrical handbooks against the findings of Renaissance scholarship, I contest some of the claims made by leading theatre practitioners and reiterated by actors and students looking for guidance in speaking Shakespearean verse"--Provided by publisher Shakespeare, William <1564-1616> Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Acting Drama - Technique Oral interpretation Drama Technique Aufführung (DE-588)4143388-9 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Sprache (DE-588)4056449-6 s Aufführung (DE-588)4143388-9 s DE-604 http://assets.cambridge.org/97805217/64346/cover/9780521764346.jpg Cover image HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018929449&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rokison, Abigail 1975- Shakespearean verse speaking text and theatre practice Shakespeare, William <1564-1616> Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd Acting Drama - Technique Oral interpretation Drama Technique Aufführung (DE-588)4143388-9 gnd Sprache (DE-588)4056449-6 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4143388-9 (DE-588)4056449-6 (DE-588)4113937-9 |
| title | Shakespearean verse speaking text and theatre practice |
| title_auth | Shakespearean verse speaking text and theatre practice |
| title_exact_search | Shakespearean verse speaking text and theatre practice |
| title_full | Shakespearean verse speaking text and theatre practice Abigail Rokison |
| title_fullStr | Shakespearean verse speaking text and theatre practice Abigail Rokison |
| title_full_unstemmed | Shakespearean verse speaking text and theatre practice Abigail Rokison |
| title_short | Shakespearean verse speaking |
| title_sort | shakespearean verse speaking text and theatre practice |
| title_sub | text and theatre practice |
| topic | Shakespeare, William <1564-1616> Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd Acting Drama - Technique Oral interpretation Drama Technique Aufführung (DE-588)4143388-9 gnd Sprache (DE-588)4056449-6 gnd |
| topic_facet | Shakespeare, William <1564-1616> Shakespeare, William 1564-1616 Dramatic production Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 Acting Drama - Technique Oral interpretation Drama Technique Aufführung Sprache Hochschulschrift |
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