How Dostoevsky portrays women in his novels: a feminist analysis
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lewiston, N.Y. [u.a.]
Mellen
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | IX, 325 S. |
| ISBN: | 9780773437746 0773437746 |
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Datensatz im Suchindex
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Titel: How Dostoevsky portrays women in his novels
Autor: Briggs, Katherine Jane
Jahr: 2009
CONTENTS
Acknowledgements .
Transliteration and references. iii
Chronology of Dostoevsky's life and publications .
Foreword. vii
by Professor Joe Andrew
1 Introduction. 1
1.1: Rationale and methodology . 1
1.2: A 'new word' for feminist theologians . 4
1.3: Theology and literature . 5
1.4: Feminist theology and women's experience . 15
1.5: Thematic development . 24
1.6: Literary theory and interpretation of the text. 26
1.7: Structure and development. 30
1.8: A new conversation . 32
2 Dostoevsky's life: a biographical sketch . 33
2.1: Status of the biography of the writer . 33
2.2: Dostoevsky's early years . 35
2.3: Formative adult experiences . 37
2.4: Dostoevsky's wives, daughters, and friends . 38
2.5: The Decembrist wives . 44
2.6: Dostoevsky's view of art . 46
2.7: Dostoevsky's artistic response to the influence of women. 48
3 Development of a theological perspective in the early novels. 49
3.1: Introduction . 49
3.2: Poor Folk . 49
3.3: Netochka Nezvanova . 55
3.4: Notes from Underground . 65
3.5: Conclusion. 71
4 Crime and Punishment. 73
I: INTRODUCTION. 73
4.1: Critical views of Crime and Punishment . 73
4.2: Critical views of Sonya . 74
II: SONYA AND RASKOLNIKOV: THE PORTRAIT OF A
RELATIONSHIP . 80
4.3: Introducing Sonya . 80
4.4: Enter Sonya . 81
4.5: Sonya visits Raskolnikov . 84
4.6: Raskolnikov's first visitto Sonya . 86
4.7: Raskolnikov's second visit to Sonya. 89
4.8: Raskolnikov's third visit to Sonya. 92
III: MOTHERS, DAUGHTERS, AND SISTERS. 95
4.9: Women's voices. 95
4.10: The sister: Avdotya Romanovna (Dunya) . 96
4.11: The mother, Pulcheria Alexandrovna . 99
4.12: The mother writes to her son . 103
4.13: The stepmother, Katerina Ivanovna. 105
IV: THE SYMBOLIC SIGNIFICANCE OF CLOTHING . 110
4.14: The role of the seamstress . 110
V: THE EPILOGUE TO CRIME AND PUNISHMENT . 113
4.15: Metanoia: conversion or change of heart? . 113
VI: CONCLUSION . 119
4.16: Sonya's 'new word' for Raskolnikov . 119
5 Idiot . 121
I: INTRODUCTION. 121
5.1: A 'perfectly beautiful' human being . 121
5.2: Social context and setting . 123
5.3: Female relationships: a feminist theological perspective . 124
5.4: Woman as heroine or victim?. 128
II: ICONIC REPRESENTATION. 131
5.5: Images of Christ. 131
5.6: Portrayal of beauty in women . 137
5.7: The disappearing heroine . 138
III: WOMEN IN IDIOT. 140
5.8: Lizaveta Prokofyevna Yepanchina. 140
5.9: Nastasya Filippovna and Aglaya . 141
5.10: Letters and meetings. 150
5.11: Nastasya Filippovna's letters to Aglaya . 153
IV: MOTHERS AND DAUGHTERS; SISTERS AND RIVALS. 156
5.12: Mimesis and the art of conversation. 156
5.13: Part One . 157
5.14: Part Two . 159
5.15: Part Three. 159
5.16: Part Four . 160
V: CONCLUSION. 168
5.17: Development of the concept of beauty in human relationships 168
6 Krotkaya . 171
6.1: Introduction . 171
6.2: Questions of form . 173
6.3: Questions of translation and intertextuality . 178
6.4: Chapter headings . 181
6.5: Questions raised by the Pawnbroker . 182
6.6: Setting. 184
6.7: Duality (antithetical pairs) . 187
6.8: Points of view. 188
6.9: Time . 191
6.10: Peripeteia. 192
6.11: The duel . 194
6.12: The Pawnbroker as the'double'-the split personality . 196
6.13: Dreams. 200
6.14: The song and the voice. 201
6.15: Power and revenge . 205
6.16: The icon . 206
6.17: Iconic representation in Krotkaya . 209
6.18: Conclusion . 214
7 Brothers Karamazov. 217
I: INTRODUCTION. 217
7.1: The concept of personal sacrifice in loving relationships . 217
II:'A NICE LITTLE FAMILY'. 219
7.2: Family relationships . 219
III: 'WOMEN OF FAITH' . 223
7.3: The sacrificial love of the mother . 223
IV:LIZAKHOKHLAKOVA. 232
7.4: The daughter's point of view. 232
7.5: The mother's point of view . 238
7.6: Liza confronts her demons. 241
V:KATERINAANDGRUSHENKA . 248
7.7: 'Sisters and rivals' in Brothers Karamazov . 248
7.8: Katerina and Grushenka meet Alyosha . 251
7.9: Character of Katerina. 254
7.10: Character of Grushenka . 258
VI: DREAMS . 262
7.11: Grushenka's dream . 262
7.12: Dmitri's dream. 263
7.13: Liza's dreams . 264
VII: THE TRIAL . 265
7.14: The final confrontation between Katerina and Grushenka . 265
VIII: CONCLUSION . 267
7.15: The example of the Mother of God in personal and family
relationships . 267
7.16: Maternal grief and Christian forgiveness. 269
8 Conclusion . 273
8.1: Summary of thematic references and questions. 273
8.2: A feminist theological response. 274
8.3: Diaries and letters . 275
8.4: Dostoevsky as journalist and novelist . 278
8.5: Mothers and daughters . 283
8.6: What is new for feminist theologians in this study? . 286
8.7: Concluding remarks . 288
Appendix A: Child abuse themes. 291
Appendix B: Matryosha (Devils). 297
Bibliography . 303
Index . 317 |
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| spelling | Briggs, Katherine Jane 1945- Verfasser (DE-588)140916962 aut How Dostoevsky portrays women in his novels a feminist analysis Katherine Jane Briggs with a foreword by Joe Andrew Lewiston, N.Y. [u.a.] Mellen 2009 IX, 325 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Dostoyevsky, Fyodor 1821-1881 Characters Women Dostoyevsky, Fyodor 1821-1881 Religion Dostoevskij, Fëdor Michajlovič 1821-1881 (DE-588)118527053 gnd rswk-swf Dostoyevsky, Fyodor - 1821-1881 - Criticism and interpretation Feminism and literature Theology in literature Women in literature Frau Dostoyevsky, Fyodor 1821-1881 Criticism and interpretation Frau Motiv (DE-588)4113617-2 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Dostoevskij, Fëdor Michajlovič 1821-1881 (DE-588)118527053 p Roman (DE-588)4050479-7 s Frau Motiv (DE-588)4113617-2 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018902657&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Briggs, Katherine Jane 1945- How Dostoevsky portrays women in his novels a feminist analysis Dostoyevsky, Fyodor 1821-1881 Characters Women Dostoyevsky, Fyodor 1821-1881 Religion Dostoevskij, Fëdor Michajlovič 1821-1881 (DE-588)118527053 gnd Dostoyevsky, Fyodor - 1821-1881 - Criticism and interpretation Feminism and literature Theology in literature Women in literature Frau Dostoyevsky, Fyodor 1821-1881 Criticism and interpretation Frau Motiv (DE-588)4113617-2 gnd Roman (DE-588)4050479-7 gnd |
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| title | How Dostoevsky portrays women in his novels a feminist analysis |
| title_auth | How Dostoevsky portrays women in his novels a feminist analysis |
| title_exact_search | How Dostoevsky portrays women in his novels a feminist analysis |
| title_full | How Dostoevsky portrays women in his novels a feminist analysis Katherine Jane Briggs with a foreword by Joe Andrew |
| title_fullStr | How Dostoevsky portrays women in his novels a feminist analysis Katherine Jane Briggs with a foreword by Joe Andrew |
| title_full_unstemmed | How Dostoevsky portrays women in his novels a feminist analysis Katherine Jane Briggs with a foreword by Joe Andrew |
| title_short | How Dostoevsky portrays women in his novels |
| title_sort | how dostoevsky portrays women in his novels a feminist analysis |
| title_sub | a feminist analysis |
| topic | Dostoyevsky, Fyodor 1821-1881 Characters Women Dostoyevsky, Fyodor 1821-1881 Religion Dostoevskij, Fëdor Michajlovič 1821-1881 (DE-588)118527053 gnd Dostoyevsky, Fyodor - 1821-1881 - Criticism and interpretation Feminism and literature Theology in literature Women in literature Frau Dostoyevsky, Fyodor 1821-1881 Criticism and interpretation Frau Motiv (DE-588)4113617-2 gnd Roman (DE-588)4050479-7 gnd |
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