Music and dictatorship in Europe and Latin America:

In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteenth nations under totalitarian regimes: Argentina, B...

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Bibliographische Detailangaben
Format: Buch
Sprache:English
French
German
Italian
Spanish
Veröffentlicht: Turnhout Brepols 2009
Schriftenreihe:Speculum musicae 14
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Zusammenfassung:In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteenth nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco's Spain, Salazar's Portugal, or in Revolutionary Cuba).
Beschreibung:Beitr. teilw. franz., teilw. engl., teilw. dt., teilw. ital., teilw. span., teilw. portug.
Beschreibung:XIV, 767 S. Ill., Notenbeisp.
ISBN:9782503527796

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