A philosophy of cinematic art:
"A Philosophy of cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentiona...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2010
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | "A Philosophy of cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentionalist and constructivist theories of interpretation, cinematic narration, the role of emotions in responses to films, the possibility of identification with characters, and the nature of the cinematic medium." "Groundbreaking in its coverage of a wide range of contemporary cinematic media, it analyses not only traditional photographic films, but also digital cinema, and a variety of interactive cinematic works, including videogames, written in a clear and accessible style, the book examines the work of leading film theorists and philosophers of film, and develops a powerful framework with which to think about cinema as an art."--BOOK JACKET. |
| Beschreibung: | XIII, 324 S. Ill. 24 cm |
| ISBN: | 9780521529648 |
Internformat
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| 505 | 0 | |a Includes bibliogr. references and index | |
| 520 | 1 | |a "A Philosophy of cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentionalist and constructivist theories of interpretation, cinematic narration, the role of emotions in responses to films, the possibility of identification with characters, and the nature of the cinematic medium." "Groundbreaking in its coverage of a wide range of contemporary cinematic media, it analyses not only traditional photographic films, but also digital cinema, and a variety of interactive cinematic works, including videogames, written in a clear and accessible style, the book examines the work of leading film theorists and philosophers of film, and develops a powerful framework with which to think about cinema as an art."--BOOK JACKET. | |
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Datensatz im Suchindex
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| adam_text | a Philosophy of cinematic Art
¡s a
systematic study of cinema as an art form,
showing how the medium conditions fundamental features of cinematic
artworks, it discusses the status of cinema as an art form, whether there is a
language of film, realism in cinema, cinematic authorship,
intentionalist
and
constructivist
theories of interpretation, cinematic narration, the role of
emotions in responses to films, the possibility of identification with characters,
and the nature of the cinematic medium. Groundbreaking in its coverage of a
wide range of contemporary cinematic media, it analyses not only traditional
photographic films, but also digital cinema, and a variety of interactive
cinematic works, including videogames. Written in a clear and accessible style,
the book examines the work of leading film theorists and philosophers of film,
and develops a powerful framework with which to think about cinema as an art.
A PHILOSOPHY OF CINEMATIC ART BERYS GAUT CAMBRIDGE UNIVERSITY PRESS
CONTENTS LIST OF ILLUSTRATIONS PAGE IX PREFACE XI INTRODUCTION I 1.1
FILM THEORY AND PHILOSOPHY 2 1.2 MOVING IMAGE TECHNOLOGIES 6 1. THE
CHALLENGES TO CINEMA AS AN ART 21 1.1 THE CAUSAL CHALLENGE 22 1.2 THE
REPRODUCTION CHALLENGE 34 1.3 FILM AND COMMUNICATION 42 1.4 DIGITAL
CINEMA AS ART 43 2. LANGUAGE AND REALISM 51 2.1 FILM AS A LANGUAGE 5 1
2.2 DIGITAL CINEMA AND LANGUAGE 56 2.3 REALISM: TRADITIONAL AND DIGITAL
CINEMA 60 2.4 TRANSPARENCY: TRADITIONAL AND DIGITAL CINEMA 78 3.
CINEMATIC AUTHORSHIP 98 3.1 TWO PUZZLES 98 3.2 VARIETIES OF AUTEURISM 99
3.3 MINIMAL AUTEURISM IO2 3.4 THREE STRATEGIES FOR SINGLE AUTHORSHIP 105
3.5 CINEMATIC UTTERANCE AND SINGLE AUTHORSHIP IL8 3.6 ONTOLOGY AND
MULTIPLE AUTHORSHIP 125 3.7 THE MULTIPLE-AUTHORSHIP VIEW REFINED 128 3.8
DIGITAL CINEMA AND AUTHORSHIP 133 3.9 INTERACTIVITY AND AUTHORSHIP 14O
4. UNDERSTANDING CINEMA 152 4.1 INTENTIONALISM 152 4.2 CONSTRUCTIVISM
164 VIII CONTENTS 4.3 THE PATCHWORK THEORY 180 4.4 DIGITAL CINEMA AND
INTERPRETATION 192 5. CINEMATIC NARRATION 197 5.1 SYMMETRY OR ASYMMETRY?
197 5.2 THE A PRIORI ARGUMENT 199 5.3 THREE MODELS OF IMPLICIT CINEMATIC
NARRATORS 2O2 5.4 ABSURD IMAGININGS AND SILLY QUESTIONS 209 5.5 LITERARY
NARRATORS 2L8 5.6 OTHER NARRATIVE FEATURES 221 5.7 INTERACTIVE NARRATION
224 6. EMOTION AND IDENTIFICATION 244 6.1 EMOTION AND CINEMA ^44 6.1 THE
CONCEPT OF IDENTIFICATION 252 6.3 IDENTIFICATION AND FILM TECHNIQUES 263
6.4 IDENTIFICATION AND EMOTIONAL LEARNING 268 6.5 EMOTION AND
INTERACTION 272 7. THE ROLE OF THE MEDIUM 282 7.1 TWO TENDENCIES IN THE
PHILOSOPHY OF ART 282 7.2 MEDIUM-SPECIFICITY CLAIMS 286 7.3 EVALUATING
ARTWORKS 292 7.4 EXPLAINING ARTISTIC FEATURES 296 7.5 MEDIA AND ART
FORMS 300 7.6 CONCLUSION BIBLIOGRAPHY 308 INDEX 318
|
| any_adam_object | 1 |
| author | Gaut, Berys Nigel 1958- |
| author_GND | (DE-588)140752862 |
| author_facet | Gaut, Berys Nigel 1958- |
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| author_sort | Gaut, Berys Nigel 1958- |
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| building | Verbundindex |
| bvnumber | BV035981421 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.25 |
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| classification_rvk | AP 45400 |
| contents | Includes bibliogr. references and index |
| ctrlnum | (OCoLC)428024365 (DE-599)BVBBV035981421 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1. publ. |
| format | Book |
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| language | English |
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| spelling | Gaut, Berys Nigel 1958- Verfasser (DE-588)140752862 aut A philosophy of cinematic art Berys Gaut 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2010 XIII, 324 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliogr. references and index "A Philosophy of cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentionalist and constructivist theories of interpretation, cinematic narration, the role of emotions in responses to films, the possibility of identification with characters, and the nature of the cinematic medium." "Groundbreaking in its coverage of a wide range of contemporary cinematic media, it analyses not only traditional photographic films, but also digital cinema, and a variety of interactive cinematic works, including videogames, written in a clear and accessible style, the book examines the work of leading film theorists and philosophers of film, and develops a powerful framework with which to think about cinema as an art."--BOOK JACKET. Motion pictures and the arts Motion pictures / Aesthetics Film Ästhetik Motion pictures Aesthetics Philosophie (DE-588)4045791-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Ästhetik (DE-588)4000626-8 s Philosophie (DE-588)4045791-6 s DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018875331&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018875331&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gaut, Berys Nigel 1958- A philosophy of cinematic art Includes bibliogr. references and index Motion pictures and the arts Motion pictures / Aesthetics Film Ästhetik Motion pictures Aesthetics Philosophie (DE-588)4045791-6 gnd Ästhetik (DE-588)4000626-8 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4045791-6 (DE-588)4000626-8 (DE-588)4017102-4 |
| title | A philosophy of cinematic art |
| title_auth | A philosophy of cinematic art |
| title_exact_search | A philosophy of cinematic art |
| title_full | A philosophy of cinematic art Berys Gaut |
| title_fullStr | A philosophy of cinematic art Berys Gaut |
| title_full_unstemmed | A philosophy of cinematic art Berys Gaut |
| title_short | A philosophy of cinematic art |
| title_sort | a philosophy of cinematic art |
| topic | Motion pictures and the arts Motion pictures / Aesthetics Film Ästhetik Motion pictures Aesthetics Philosophie (DE-588)4045791-6 gnd Ästhetik (DE-588)4000626-8 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures and the arts Motion pictures / Aesthetics Film Ästhetik Motion pictures Aesthetics Philosophie |
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