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Film theory: an introduction through the senses

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Bibliographische Detailangaben
1. Verfasser:	Elsaesser, Thomas 1943-2019 (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	New York, NY ; London Routledge 2010
Ausgabe:	1. publ.
Schlagworte:	Motion pictures Film Filmtheorie Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Literaturverz. S. 207 - 213
Beschreibung:	VIII, 222 S. Ill. 23 cm
ISBN:	0415801001 041580101X 9780415801003 9780415801010

Internformat

MARC


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300			\|a VIII, 222 S. \|b Ill. \|c 23 cm
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500			\|a Literaturverz. S. 207 - 213
505	0		\|a Introduction : film theory, cinema, the body and the senses -- Cinema as window and frame -- Cinema as door : screen and threshold -- Cinema as mirror and face -- Cinema as eye : look and gaze -- Cinema as skin and contact -- Cinema as ear : acoustic and space -- Cinema as brain : mind and brain -- Conclusion : digital cinema : the body and the senses refigured?
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Datensatz im Suchindex

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adam_text	Contents Acknowledgments vii Introduction: film theory, cinema, the body and the senses 1 1 Cinema as window and frame 13 Rear Window -- Constructivism — Realism — Open and closed film forms (Leo Braudj) — Classical cinema — Central perspective — Rudolf Arnheim — Sergej Eisenstein - André Bazin — David Bordwell - Cinema as shop-window and display 2 Cinema as door — screen and threshold 35 The SEARCHERS — Entry into theßlm — Etymology of screen - Thresholds of the cinema /movie theater — Beginnings: credits and credit sequences — Neo- jormalism (Bordwell I Thompson) — Post-structuralism (Thierry Kuntzel) — Michail Bachtin — Door Iscreen as filmic motif in Buster Keaton andWoody Allen 3 Cinema as mirror and face 55 PERSONA — Béla Balázs - The close-up — The face — Tace as mirror of the unconscious — Christian Metz Jean-Louis Baudry Apparatus-theory Early cinema and the close-up (Tom Gunning) - Reflexive doubling in modern (art) cinema — Mirror neurons - Paradoxes of the mirror 4 Cinema as eye — look and gaze 82 BLADE RUNNER —Active and passive eye The mobile eye of early cinema — Dziga Vertov - Apparatus-theory — Suture — Continuity-editing Laura Mulvcy — Peministfilm theories - ТНН SILENCE OF THE LAMBS - Historicity of modes of perception — Regimes oj the gaze — The big Other (Jacques Lacan) — Slavoj ¿ižek — The panoptic gaze (Michel Toucault) — Niklas Luhmann and self- monitoring 5 Cinema as skin and touch 108 CRASH Critique of ocularcentrism Skin and identity - TlIE Nl- W WORLD- Vivian Sobchack Phenomenology The (re-)turn to the body - Avant-qarde practices Body and genre (Linda Williams, Barbara Creed) - The skin of film (Laura Alarks) Accented cinema (Hamid Naficy) Siegfried Kracauer 6 Cinema as ear — acoustics and space 129 Singin IN ГИП RAIN Sound as spatial phenomenon Silent cinema and the introduction of sound - Sound in classical cinema The acousmctrc (Michel Chion) - Keversals in the hierarchy oí imane ana sound Surround-systcms — Materiality and plasticity of sound 7 Cinema as brain — mind and body 149 Eternai. Sunshine of run Spotless Mind — Propaganda and cultfilms Live concepts for connecting mind and cinema — Gilles Deleuze - Annette Michelson Torben Grodal — Mind-game films Mind and hody, spectator and film Cognitivism Phenomenology Empathy — Embodiment and disembodied vision Conclusion: digital cinema — the body and the senses refigured? 170 TOY STORY -Animation and (photo-)graphics The future of projection ■- Screens: bigger and smaller - The new body norm: face or hand? — Productive contradictions: digital cinema, virtual reality, media convergence — Interface and portal instead of window, door and screen MONSTERS INC. and doors Public and private — Mobility and hybridity - Tilm theory and philosophy: radical reformulations or rescue missions? Notes 188 Bibliography 207 Index 214
any_adam_object	1
author	Elsaesser, Thomas 1943-2019
author_GND	(DE-588)122695682 (DE-588)121582892
author_facet	Elsaesser, Thomas 1943-2019
author_role	aut
author_sort	Elsaesser, Thomas 1943-2019
author_variant	t e te
building	Verbundindex
bvnumber	BV035977806
callnumber-first	P - Language and Literature
callnumber-label	PN1994
callnumber-raw	PN1994
callnumber-search	PN1994
callnumber-sort	PN 41994
callnumber-subject	PN - General Literature
classification_rvk	AP 45000 AP 45100
contents	Introduction : film theory, cinema, the body and the senses -- Cinema as window and frame -- Cinema as door : screen and threshold -- Cinema as mirror and face -- Cinema as eye : look and gaze -- Cinema as skin and contact -- Cinema as ear : acoustic and space -- Cinema as brain : mind and brain -- Conclusion : digital cinema : the body and the senses refigured?
ctrlnum	(OCoLC)317928107 (DE-599)BVBBV035977806
dewey-full	791.43
dewey-hundreds	700 - The arts
dewey-ones	791 - Public performances
dewey-raw	791.43
dewey-search	791.43
dewey-sort	3791.43
dewey-tens	790 - Recreational and performing arts
discipline	Allgemeines
edition	1. publ.
format	Book
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spelling	Elsaesser, Thomas 1943-2019 Verfasser (DE-588)122695682 aut Film theory an introduction through the senses Thomas Elsaesser and Malte Hagener 1. publ. New York, NY ; London Routledge 2010 VIII, 222 S. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 207 - 213 Introduction : film theory, cinema, the body and the senses -- Cinema as window and frame -- Cinema as door : screen and threshold -- Cinema as mirror and face -- Cinema as eye : look and gaze -- Cinema as skin and contact -- Cinema as ear : acoustic and space -- Cinema as brain : mind and brain -- Conclusion : digital cinema : the body and the senses refigured? Motion pictures Film Filmtheorie (DE-588)4071216-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Filmtheorie (DE-588)4071216-3 s DE-604 Film (DE-588)4017102-4 s 2\p DE-604 Hagener, Malte 1971- Sonstige (DE-588)121582892 oth Erscheint auch als Online-Ausgabe 0-203-87687-3 Erscheint auch als Online-Ausgabe 978-0-203-87687-9 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018871754&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Elsaesser, Thomas 1943-2019 Film theory an introduction through the senses Introduction : film theory, cinema, the body and the senses -- Cinema as window and frame -- Cinema as door : screen and threshold -- Cinema as mirror and face -- Cinema as eye : look and gaze -- Cinema as skin and contact -- Cinema as ear : acoustic and space -- Cinema as brain : mind and brain -- Conclusion : digital cinema : the body and the senses refigured? Motion pictures Film Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd
subject_GND	(DE-588)4071216-3 (DE-588)4017102-4 (DE-588)4151278-9
title	Film theory an introduction through the senses
title_auth	Film theory an introduction through the senses
title_exact_search	Film theory an introduction through the senses
title_full	Film theory an introduction through the senses Thomas Elsaesser and Malte Hagener
title_fullStr	Film theory an introduction through the senses Thomas Elsaesser and Malte Hagener
title_full_unstemmed	Film theory an introduction through the senses Thomas Elsaesser and Malte Hagener
title_short	Film theory
title_sort	film theory an introduction through the senses
title_sub	an introduction through the senses
topic	Motion pictures Film Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd
topic_facet	Motion pictures Film Filmtheorie Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018871754&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT elsaesserthomas filmtheoryanintroductionthroughthesenses AT hagenermalte filmtheoryanintroductionthroughthesenses

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