Romantics and modernists in British cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2010
|
| Schriftenreihe: | Edinburgh studies in film
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VI, 195 S. Ill. |
| ISBN: | 9780748640140 |
Internformat
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Datensatz im Suchindex
| _version_ | 1806054618294124544 |
|---|---|
| adam_text |
Contents
Acknowledgements
vii
List of figures
ix
Introduction: romantics versus modernists?
1
1. 1929:
romantics and modernists on the cusp of sound
5
The documentary legacy: Drifters
7
The forging of the fugitive film: A. Cottage on Dartmoor
11
Transgressing triangles: Piccadilly and The Manxman
14
Blackmail and transition
18
Constructive and deconstructive: Number Seventeen
23
2.
The running man: Hitchcock's fugitives and The Bourne
Ultimatum
25
Jason's Waterloo: Hitchcock, Greengrass and deepest fears
25
The fugitive kind: pre-war, wartime, post-war
28
British Hitchcock: from romance thriller to post-romantic
fable
32
The poetics of treachery: Dickinson and
Cavalcanti
34
The triumph of the short film: Bon Voyage and
Aventure
malgache
Ъ1
Post-romantic fugitives: Stage Fright and Frenzy
40
Epilogue: the Frenzy murders
42
3.
Running man
2:
Carol Reed and his contemporaries
44
Fable versus romance: The Third Man and They Made Me a Fugitive
54
Reed and subterfuge: The Man Between and Our Man in Havana
57
Reed's successors
62
4.
David Lean: the troubled romantic and the end of empire
64
Forgotten Lean: the Ann Todd trilogy
64
Madeleine: the perverse unveiled
70
vi
Contents
The Sound Barrier, the faltering sublime and the end of empire
77
Enthusiast or fanatic? The paradox of Lean's 'Lawrence'
79
5.
The trauma film from romantic to modern: A Matter of Life and
Death to Don't Look Now
86
Prelude: Thorold Dickinson and Anton Walbrook
88
Juxtaposition: A Matter of Life and Death and Dead of Night
89
Powellian trauma: Black Narcissus, The Small Back Room,
Peeping Tom
94
Female 'madness' and modernism: The Innocents and Repulsion
101
The trauma double bill: Don't Look Now and The Wicker Man
108
The neo-romantic turn and death in Venice: Don't Ij)ok Now
110
Romantic symbol and modernist edit
112
6.
Joseph Losey and Michelangelo Antonioni: the expatriate eye
and the parallax view
115
Losey and Pinter: the modernist moment in The Servant and
Accident
119
Coda: Providence as Resnais's riposte to Losey
128
Antonioni's parallax view: Blow-Up and The Passenger
129
What's in a tide? The Passenger or Profession: Reporter
135
Coda: the native eye in Radio On
139
7.
Expatriate eye
2:
Stanley Kubrick and
Jerzy
Skolimowski
141
Freedom and fate: Barry Lyndon
148
Skolimowski and running water: or, Deep End and Cul-de-Sac
152
Rise and fall: The Shout, Moonlighting, Success is the Best Revenge
156
Bringing it all back home: Moonlighting and Success is the Best
Revenge
159
8.
Terence Davies and Bill Douglas: the poetics of memory
164
Mimetic modernism and family mysteries: the Douglas trilogy
167
Davies: the romantic imagist and the poetry of memory
171
Floating through space and time: The IumgDay Closes
173
The past as present: The House of Mirth and The Wings of the Dove
177
9.
Conclusion: into the new century
180
Select bibliography
185
Index
189 |
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| spelling | Orr, John 1943-2010 Verfasser (DE-588)1259767914 aut Romantics and modernists in British cinema John Orr Edinburgh Edinburgh Univ. Press 2010 VI, 195 S. Ill. txt rdacontent n rdamedia nc rdacarrier Edinburgh studies in film Geschichte gnd rswk-swf Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Film Geschichte Ästhetik Art and motion pictures Great Britain Modernism (Aesthetics) Great Britain Motion pictures Aesthetics Motion pictures Great Britain History Romanticism Great Britain Film (DE-588)4017102-4 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Film (DE-588)4017102-4 s Geschichte z DE-604 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018861520&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Orr, John 1943-2010 Romantics and modernists in British cinema Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Film Geschichte Ästhetik Art and motion pictures Great Britain Modernism (Aesthetics) Great Britain Motion pictures Aesthetics Motion pictures Great Britain History Romanticism Great Britain Film (DE-588)4017102-4 gnd |
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| title | Romantics and modernists in British cinema |
| title_auth | Romantics and modernists in British cinema |
| title_exact_search | Romantics and modernists in British cinema |
| title_full | Romantics and modernists in British cinema John Orr |
| title_fullStr | Romantics and modernists in British cinema John Orr |
| title_full_unstemmed | Romantics and modernists in British cinema John Orr |
| title_short | Romantics and modernists in British cinema |
| title_sort | romantics and modernists in british cinema |
| topic | Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Film Geschichte Ästhetik Art and motion pictures Great Britain Modernism (Aesthetics) Great Britain Motion pictures Aesthetics Motion pictures Great Britain History Romanticism Great Britain Film (DE-588)4017102-4 gnd |
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