Hindi action cinema: industries, narratives, bodies
This book examines the connections between the ways in which a film is made and circulated within a given socio-economic juncture, and the various strategies by which it addresses us. Focusing exclusively on the cinema produced in Bombay between, roughly, the 1910s and the early 2000s, the book expl...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New Delhi
Oxford Univ. Press
2008
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This book examines the connections between the ways in which a film is made and circulated within a given socio-economic juncture, and the various strategies by which it addresses us. Focusing exclusively on the cinema produced in Bombay between, roughly, the 1910s and the early 2000s, the book explores moments in the history of a cinema in which a category that can be found in all the cinemas of the world the action ingredient acquired prominence as a narrative element and as a means to make and sell films. It examines the action cinema as a structural category, and seeks to find the reasons why some filmmakers in certain sectors of the industry were moved to prioritize one selected narrative ingredient (action), as well as for the diverse ways this ingredient was mobilized at different times in India. Among other things the book traces the emergence of the stunt film which began to be made in the 1920s; examines the presence and function of women in action roles from the mid-1920s to the end of the 1930s; explores the wrestling films of Dara Singh; and revisits the films of Amitabh Bachchan. The final chapter examines the interconnections between, on the one hand, real estate and the emergence, in India, of multiplex cinemas in shopping malls, and, on the other hand, changes in the filmic representation of urban environments, contemporary actors bodies as sites of display, and the cinematic rendition of those bodies movements in that changing environment. |
Beschreibung: | Includes bibliographical references (p. [245]-259) and index |
Beschreibung: | XXXIII, 266 S. Ill. 22 cm |
ISBN: | 9780195692440 0195692446 |
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520 | 3 | |a This book examines the connections between the ways in which a film is made and circulated within a given socio-economic juncture, and the various strategies by which it addresses us. Focusing exclusively on the cinema produced in Bombay between, roughly, the 1910s and the early 2000s, the book explores moments in the history of a cinema in which a category that can be found in all the cinemas of the world the action ingredient acquired prominence as a narrative element and as a means to make and sell films. It examines the action cinema as a structural category, and seeks to find the reasons why some filmmakers in certain sectors of the industry were moved to prioritize one selected narrative ingredient (action), as well as for the diverse ways this ingredient was mobilized at different times in India. Among other things the book traces the emergence of the stunt film which began to be made in the 1920s; examines the presence and function of women in action roles from the mid-1920s to the end of the 1930s; explores the wrestling films of Dara Singh; and revisits the films of Amitabh Bachchan. The final chapter examines the interconnections between, on the one hand, real estate and the emergence, in India, of multiplex cinemas in shopping malls, and, on the other hand, changes in the filmic representation of urban environments, contemporary actors bodies as sites of display, and the cinematic rendition of those bodies movements in that changing environment. | |
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Datensatz im Suchindex
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adam_text | ACTIMI CINEMAS INDUSTRIES, NARRATIVES, BODIES X|VALENTINA VITALI OXTORD
UNIVERSITY PRESS CONTENTS PHOTOGRAPHS VII NOTE ON THE TRANSLITERATION OF
FILM TITLES AND NAMES IX ACKNOWLEDGEMENTS XI INTRODUCTION XIII 1. THE
1920S 1 THE 1910S 3 THE 1920S 11 THE ACTION INGREDIENT 20 SHARDA FILM
COMPANY AND MASTER VITHAL 32 CONCLUSION 49 2. WOMEN IN ACTION FILMS IN
THE 1920S AND 1930S 56 THE 1930S 71 FROM ARTISTIC PICTURES CORPORATION
TO WADIA MOVIETONE 80 FEARLESS NADIA S STUNT FILMS 100 3. INTERLUDE: THE
1950S 119 THE BOMBAY FILM INDUSTRY DURING NEHRU S ADMINISTRATION 119
POST-INDEPENDENCE EUPHORIA AND THE MARGINALIZATION OF ACTION 127 4. THE
1960S 134 THE BOMBAY FILM INDUSTRY IN THE 1960S 134 THE ECONOMY IN 1960S
INDIA 140 DARA SINGH AND THE HINDI SMALL-BUDGET FILM 144 DARA SINGH S
WRESTLING FILMS 154 VI CONTENTS 5. THE 1970S 184 THE LITERATURE ON THE
ANGRY YOUNG MAN 184 PRELUDE 190 INDIRA GANDHI S U-TURN 193 THE BOMBAY
FILM INDUSTRY IN THE 1970S 196 THE ACTION FILMS OF AMITABH BACHCHAN 206
6. CONTEMPORARY ACTION CINEMA 230 BIBLIOGRAPHY 245 INDEX 260
|
any_adam_object | 1 |
author | Vitali, Valentina 19XX- |
author_GND | (DE-588)142456993 |
author_facet | Vitali, Valentina 19XX- |
author_role | aut |
author_sort | Vitali, Valentina 19XX- |
author_variant | v v vv |
building | Verbundindex |
bvnumber | BV035964397 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.5.I8 |
callnumber-search | PN1993.5.I8 |
callnumber-sort | PN 41993.5 I8 |
callnumber-subject | PN - General Literature |
ctrlnum | (OCoLC)227026767 (DE-599)BSZ283247517 |
dewey-full | 791.43095479 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43095479 |
dewey-search | 791.43095479 |
dewey-sort | 3791.43095479 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | 1. publ. |
era | Geschichte 1900-2000 gnd |
era_facet | Geschichte 1900-2000 |
format | Book |
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geographic_facet | Indien |
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illustrated | Illustrated |
indexdate | 2024-07-09T22:08:39Z |
institution | BVB |
isbn | 9780195692440 0195692446 |
language | English |
lccn | 2008307854 |
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physical | XXXIII, 266 S. Ill. 22 cm |
publishDate | 2008 |
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spelling | Vitali, Valentina 19XX- Verfasser (DE-588)142456993 aut Hindi action cinema industries, narratives, bodies Valentina Vitali 1. publ. New Delhi Oxford Univ. Press 2008 XXXIII, 266 S. Ill. 22 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [245]-259) and index This book examines the connections between the ways in which a film is made and circulated within a given socio-economic juncture, and the various strategies by which it addresses us. Focusing exclusively on the cinema produced in Bombay between, roughly, the 1910s and the early 2000s, the book explores moments in the history of a cinema in which a category that can be found in all the cinemas of the world the action ingredient acquired prominence as a narrative element and as a means to make and sell films. It examines the action cinema as a structural category, and seeks to find the reasons why some filmmakers in certain sectors of the industry were moved to prioritize one selected narrative ingredient (action), as well as for the diverse ways this ingredient was mobilized at different times in India. Among other things the book traces the emergence of the stunt film which began to be made in the 1920s; examines the presence and function of women in action roles from the mid-1920s to the end of the 1930s; explores the wrestling films of Dara Singh; and revisits the films of Amitabh Bachchan. The final chapter examines the interconnections between, on the one hand, real estate and the emergence, in India, of multiplex cinemas in shopping malls, and, on the other hand, changes in the filmic representation of urban environments, contemporary actors bodies as sites of display, and the cinematic rendition of those bodies movements in that changing environment. Geschichte 1900-2000 gnd rswk-swf Avonturenfilms gtt Films d'aventures - Histoire - Inde ram Hindi gtt Hindoes gtt Geschichte Action and adventure films India History Hindi (DE-588)4024954-2 gnd rswk-swf Abenteuerfilm (DE-588)4140759-3 gnd rswk-swf Actionfilm (DE-588)4140847-0 gnd rswk-swf Bollywood (DE-588)7538399-8 gnd rswk-swf Indien Hindi (DE-588)4024954-2 s Actionfilm (DE-588)4140847-0 s Geschichte 1900-2000 z DE-604 Abenteuerfilm (DE-588)4140759-3 s Bollywood (DE-588)7538399-8 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018858524&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Vitali, Valentina 19XX- Hindi action cinema industries, narratives, bodies Avonturenfilms gtt Films d'aventures - Histoire - Inde ram Hindi gtt Hindoes gtt Geschichte Action and adventure films India History Hindi (DE-588)4024954-2 gnd Abenteuerfilm (DE-588)4140759-3 gnd Actionfilm (DE-588)4140847-0 gnd Bollywood (DE-588)7538399-8 gnd |
subject_GND | (DE-588)4024954-2 (DE-588)4140759-3 (DE-588)4140847-0 (DE-588)7538399-8 |
title | Hindi action cinema industries, narratives, bodies |
title_auth | Hindi action cinema industries, narratives, bodies |
title_exact_search | Hindi action cinema industries, narratives, bodies |
title_full | Hindi action cinema industries, narratives, bodies Valentina Vitali |
title_fullStr | Hindi action cinema industries, narratives, bodies Valentina Vitali |
title_full_unstemmed | Hindi action cinema industries, narratives, bodies Valentina Vitali |
title_short | Hindi action cinema |
title_sort | hindi action cinema industries narratives bodies |
title_sub | industries, narratives, bodies |
topic | Avonturenfilms gtt Films d'aventures - Histoire - Inde ram Hindi gtt Hindoes gtt Geschichte Action and adventure films India History Hindi (DE-588)4024954-2 gnd Abenteuerfilm (DE-588)4140759-3 gnd Actionfilm (DE-588)4140847-0 gnd Bollywood (DE-588)7538399-8 gnd |
topic_facet | Avonturenfilms Films d'aventures - Histoire - Inde Hindi Hindoes Geschichte Action and adventure films India History Abenteuerfilm Actionfilm Bollywood Indien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018858524&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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