Beginning realism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester [u.a.]
Manchester Univ. Press
2010
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Beginnings
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturangaben |
| Beschreibung: | XI, 288 S. |
| ISBN: | 9780719072208 9780719072215 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements page
xiii
Introduction
1
Ground rules
1
STOP and THINK
5
Realism: capital R1 and small V
5
As it really is: the realist impulse
6
Classical literary Realism*
8
Why is Realism important?
10
STOP and THINK
10
Preliminary reading: a Realist mini-canon
10
Further reading and works cited
12
1
The nineteenth-century Realist novel: two principles
14
Characteristics of the Realist novel
14
First principle: the faithful copy
15
Setting
20
Description
24
STOP and THINK
24
Characterisation
25
Second principle: the here and now
29
Industrialisation
30
Renaissance humanism
31
Science
33
Summary of chapter
38
Works cited and further reading
39
v¡¡¡
Contents
2
The nineteenth-century Realist novel: particulars
40
Plausibility
41
STOP and THINK
41
Plausibility, character and Dombey and Son
41
Story versus plot
43
Causality
46
Time
49
Endings
50
Narrative point of view
54
The trustworthy narrator
56
The impersonal narrator
57
Sympathy and empathy
59
The implied reader
61
Subject matter
64
Proportion
68
STOP and THINK
70
Works cited and further reading
70
3
Problems in defining the Realist novel
72
The novel genre
73
STOP and THINK
76
Language
77
Selection
78
Visible and invisible
80
The bigger picture
82
Mimesis
84
Realistic
87
Individuals, types and stereotypes
88
Blind spots: fallen women
92
STOP and THINK
95
Point of view
96
Defining the Realist novel
98
The Realist novel: Middlemarch
98
The typical Realist novel
100
Works cited and further reading
101
Contents ix
4
The idea of poetry
104
The idea of poetry
105
STOP and THINK
112
Elizabeth Barrett Browning: Aurora Leigh
112
Other poetry
122
Summary
128
Works cited and further reading
128
5
Realist drama
130
Cup-and-saucer Realism versus melodrama
130
The idea of drama
135
STOP and THINK
141
Stage design and direction
142
Acting style and the aside
147
Works cited and further reading
150
6
Modernism
152
From Realism to modernism
152
George
Gissing:
The Unclassed
153
Virginia
Woolf: Mrs
Dalloway
161
Narrative perspective
163
Stream of consciousness
167
Time
169
Characterisation
171
STOP and THINK
174
Anti-humanism
177
Anti-narrative
178
Summary
180
Works cited and further reading
181
7
Before, during and after postmodernism
182
Attenuated modernism: realism in the
1930s
and
1950s 182
Postmodernism
187
Margaret At wood: The Handmaid s Tale
189
Magical realism
197
Gabriel Garcia
Marquez:
One Hundred
Years of Solitude
Contents
After
postmodernism
Joshua
Ferris: Then We Came to the End
201
Works cited and further reading -U4
Interlude 206
8
Theorists of Realism
207
707
Introduction
Δ
193OS-195OS 208
1960s-
209
Eric Auerbach: Mimesis
( 1946) 210
STOP and THINK 215
Ian Watt: The Rise of the Novel
(1957) 217
Georg
Lukács
220
STOP and THINK 223
Catherine Belsey: Critical Practice
(1980) 224
Language
226
Classic realist text
22/
Other readings
230
W7orks cited and further reading
232
9
The language of Realism
234
Prose
234
Metonymy
235
Roland Barthes: The reality effect
245
Superfluous details
246
Reality effects
249
STOP and THINK
249
Accessible language
252
The limits of language
254
Case study: Mrs
Oliphanťs
Hester
256
Works cited and further reading
261
10
Philosophy, science and the ends of Realism
263
Philosophy and the realist impulse: Aristotle and Plato
263
Philosophy and Realism
266
Realist writers and philosophy
267
Common-sense realism
269
Contents xi
Everyday realism versus everything else
271
STOP and THINK
274
Has the realist aesthetic had its day?
275
Has the nature of reality changed?
276
Summary conclusion
278
Works cited and further reading
279
Index
280
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| language | English |
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| spelling | Earnshaw, Steven Verfasser (DE-588)1102256935 aut Beginning realism Steven Earnshaw 1. publ. Manchester [u.a.] Manchester Univ. Press 2010 XI, 288 S. txt rdacontent n rdamedia nc rdacarrier Beginnings Literaturangaben Geschichte 1800-1900 Realism Realism in literature English fiction / 19th century / History and criticism English fiction 19th century History and criticism Literatur (DE-588)4035964-5 gnd rswk-swf Realismus (DE-588)4048680-1 gnd rswk-swf Realismus (DE-588)4048680-1 s Literatur (DE-588)4035964-5 s DE-604 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018856863&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Earnshaw, Steven Beginning realism Realism Realism in literature English fiction / 19th century / History and criticism English fiction 19th century History and criticism Literatur (DE-588)4035964-5 gnd Realismus (DE-588)4048680-1 gnd |
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| title | Beginning realism |
| title_auth | Beginning realism |
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| title_fullStr | Beginning realism Steven Earnshaw |
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