New Aldeburgh anthology:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
Aldeburgh Music/Boydell
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 360 S., [16] p. of plates col. ill., music 24 cm |
| ISBN: | 9781843835882 1843834391 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804140898767863808 |
|---|---|
| adam_text | Contents
List of Plates
8
Foreword by Ronald
Bly
the
10
Introduction
12
1
Glitter of Waves
SEA AND COAST
George Crabbe, The Sea ,
14,
Julian Tennyson, The Suffolk Sea,
16;
Richard Barber, Ramsholt to Shingle Street,
18;
Tim Miller, Shingle Street,
23;
Alun
Lewis, Dawn on the East Coast ,
28;
Colin Matthews, Glitter of Waves:
Imagery and Music,
29;
Katrina Porteous, Longshore Drift ,
32;
Roger Deakin, The Crabbe Apple,
36;
Neil Powell, A Halfway House ,
37;
Blake Morrison, On Sizewell Beach ,
38;
Anthony Thwaite, At Dunwicb ,
40;
Matthew Fort, Seafood in East
Anglia,
41;
Simon Read, Odd Times,
44;
George Crabbe, Aldeburgh Storm ,
47
2
The Borough
ALDEBURGH
George Crabbe, Peter Grimes ,
48;
Elizabeth Sweeting, News from
Aldeburgh,
50;
Lamorna
Good, Aldeburgh Resurgent,
53;
Norman Scarfe,
Victorian Aldeburgh,
58;
James Cable, Disaster to the Aldeburgh,
64;
Kathleen Hale, Owlbarrow,
67;
Craig Brown, Aldeburgh Literary
Clerihews,
68;
Jon Canter, An Aldeburgh Boyhood,
69;
Herbert
Lomas,
Night Fishing ,
72;
Kevin Crossley-Holland,
The Aldeburgh Band ,
74;
Benjamin Britten, On receiving the Freedom
of the Borough of Aldeburgh,
76
ALDEBURGH ANTHOLOGY
З
Rooted Here
BRIEF LIVES
E.M.
Forster,
George Crabbe,
80;
Julian Tennyson, Suffolk Smugglers,
84;
Jan Dalley, The Redoubtable Garrett Sisters,
86;
Giles Scroggins,
A Curious Sort of Tail,
89;
Frank Hussey, Fitz and the Sea,
91;
Kenneth Clark, The Other Side of the Aide,
93;
Matthew Evans,
George Ewart Evans,
97;
Bob and Doris Ling, From Milkround
to the Makings,
101;
William Servaes, Call me
Imo ,
105;
Dawn
Adès,
Humphrey Jennings,
108;
Ian Collins, Artists in
East
Anglia,
111; Simon Loftus, Brief Lives,
116
4
He Who Loves Beauty
BRITTEN AND PEARS
W.H. Auden, The Composer ,
120;
Jonathan Reekie, If Wind and Water
Could Write Music, 111; Christopher Matthew, I m Still Ben,
125;
Donald Mitchell, Double Portrait,
128;
Roger Vignoles, Remembering Pears,
133;
Peter Dickinson, Britten, His Mentor and Some Colleagues,
136;
Paul Kildea,
A
Wolfin
Tweed Clothing,
140;
Andrew Plant, Fire and Iron:
Britten and Pacifism,
143;
Eric Crozier, Writing an Opera,
149;
Janet Baker, Working with Britten,
153;
Frances Spalding,
Versatility and Restraint: Benjamin Britten and John Piper,
157;
Frances Spalding, The Britten-Pears Art Collection,
161;
James Fenton,
Words, Music, Theatre, Song,
166;
Ian Bostridge, From Britten with Love,
169;
Hans Werner Henze, Britten Remembered,
171;
Benjamin Britten,
On Receiving the First Aspen Award,
174
5
Golly! What a Party!
THE ALDEBURGH FESTIVAL AND ITS LEGACY
The Earl of Harewood, Introduction to the First Festival Programme,
182;
Eric Crozier, The Origin of the Aldeburgh Festival,
183;
E.M.
Forster,
Looking Back on the First Aldeburgh Festival,
185;
George Behrend,
Early Days in Aldeburgh: Memoirs of a Railway Enthusiast,
189;
Christopher Grogan, Imogen Hoist and the Early Music Revival
at Aldeburgh,
192;
Imogen Hoist, Folk-Songs,
197;
Peter Pears,
John Dowland,
199;
Nicholas Clark, How the Festival Developed,
201;
Derek Sugden, The Makings,
205;
Susan Hill, A Novelist visits the
Britten-Pears School,
208;
Mark Padmore, Rediscovering Music, 111;
David Ramsbotham, The Value of Music in Prisons,
214;
John Woolrich, Composing a Concert,
218;
David Toop, The Problem of
Ultra-Modern
Music, 111; Tom Service, Thomas
Adès
and the Festival,
1999-2008, 225;
Alfred
Brendel, Brms 229
CONTENTS
6
Where Have You Come From?
VISITORS
Thomas Hardy on journeying to Aldeburgh,
230;
Ronald Blythe,
Hardy and Suffolk,
232;
Gathorne Cranbrook, Boudicca s Chariot Horse and
the Mink,
233;
Martin Carver, Ancestral Airs: Snape and Sutton Hoo,
235;
Wilkie Collins, Aldborough,
241;
Ian Collins, John Craske and Sylvia
Townsend Warner,
243;
Aaron Copland, A Visit to Snape,
246;
Craig Brown, Clerihews on Visitors to Aldeburgh,
248;
Sidney Nolan on
Britten,
249;
Brian Whelan, A Memoir of Arthur Boyd,
253;
Joyce Grenfell,
One of my Pleasant Places,
256;
Marion Thorpe, The Russian Years,
260;
Steven Isserlis, Aldeburgh: A Magical Festival,
263;
Michael
Laskey,
On the A12 ,
265
7
Water Married to Stone
THE HUMAN LANDSCAPE
Blake Morrison, Darsham ,
266;
Paul Heiney, Figuring the Landscape,
268;
Ronald Blythe, Akenfield Revisited,
271;
Adrian Bell, The Power of Patience,
274;
Caroline Cranbrook, Food and Farming in East Suffolk,
278;
George
Ewart Evans, Snape and the Malt House,
281;
Edwin Heathcote, Building
Snape,
285;
Ian McMillan, Iken ,
288;
Mark Mitchels, Framlingham,
289;
Ronald Blythe, Blythburgh,
292;
Anne Beresford, The Storm,
Blythburgh,
1577 , 295;
Alan Powers, A Modern Architecture for Suffolk,
296;
William Taylor, Castles in the Sand: Summers in Thorpeness,
300;
Patrick Dillon, Frontier Country,
305;
Louise K. Wilson,
Lethality and Vulnerability,
309
8
Beneath the Dazzling Sky
LAND, RIVER AND MARSH
Michael Hamburger, Winter Sun, East Suffolk ,
312;
Roger Deakin,
To the Sea,
314;
Richard Mabey, A Sad Splendour?,
317;
Neil Bartlett,
Birds: The Suffolk Trinity,
321;
Jason Gathome-Hardy, Four Suffolk Recipes
from Field, River, Heath and Sea,
324;
Julian Tennyson, The River Aide,
327;
Ian
Tait,
Home Reach ,
328;
Andrew Motion, Salt Water,
329;
Lavinia Greenlaw, At the same time the same dull views to see ,
335;
W.G. Sebald, After Nature ,
338;
Montagu Slater, Finale of Peter Grimes,
340
APPENDIX l: Rupert Christiansen, Britten s Britishness:
the operas viewed from abroad,
341
APPENDIX
2:
Aldeburgh Festival Artistic Directors,
345
APPENDIX
3:
Paul Griffiths, Music that Belongs Here,
346
Notes on Contributors
351
Acknowledgements
357
Index
359
|
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| title | New Aldeburgh anthology |
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