Two-dimensional sonata form: form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven
Leuven Univ. Press
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 207 - 215 |
| Beschreibung: | VII, 220 S. graph. Darst., Notenbeisp. |
| ISBN: | 9789058677518 |
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Datensatz im Suchindex
| _version_ | 1804140895027593216 |
|---|---|
| adam_text | Contents
Acknowledgements
Introduction
Chapter
1
Two-Dimensional Sonata Form:
a terminological and conceptual framework
Levels of form
Analogies between levels
Projection of hierarchies
Identification, interpolation, and exocyclic units
Integration, process, and tension
Further terminological considerations
Notes
Chapter
2
Liszt s B-minor Sonata
The locus
romanticus
of two-dimensional sonata form
The exposition of the overarching sonata form
Identification: first movement and exposition
Interpolation: the slow movement
Identification: scherzo-finale and recapitulation-coda
Notes
Chapter
3
Liszt:
Tasso
and Die
Ideale
Two-dimensional sonata form in the second half of
the nineteenth century
Form in Liszt s symphonic poems
Tasso: Lamento e trionfo
(1847-54)
Die Ideale
(1856-57)
Notes
Chapter
4
Strauss
:
Don
Juan and Ein Heldenleben
Strauss
and
Liszt
Don Juan Op.
20 (1888-89)
Ein Heldenleben
Op.
40 (1897-98)
Notes
vn
1
11
11
15
20
24
26
28
31
35
35
39
44
48
50
57
59
59
60
63
71
78
81
81
82
93
99
Chapter
5
Schoenberg s Pelleas
und Meusande
Before Pelleas
Pelleas undMelisande Op.
5 (1902-03)
Notes
Chapter
6
Schoenberg s First String Quartet
From program to absolute music
Issues of form in the overarching sonata form
Identification
Interpolation and integration
Overall form and tonal plan
Notes
Chapter
7
Schoenberg s First Chamber Symphony
Overview
Identification
Interpolation
Recapitulation, coda, and finale
Notes
Chapter
8
Zemlinsky s Second String Quartet
First approach
Identification
Interpolation
Notes
Conclusion: The significance of two-dimensional sonata form
Appendix: Measure-Number Tables
Bibliography
Index of Names and Works
101
101
102
123
127
127
131
138
142
149
156
159
159
162
167
173
177
179
179
183
185
193
195
203
207
217
VI
|
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| spelling | Vande Moortele, Steven Verfasser aut Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky Steven Vande Moortele Two-dimensional sonata form in Germany and Austria between 1850 and 1950: theoretical, analytical and critical perspectives Leuven Leuven Univ. Press 2009 VII, 220 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 207 - 215 Teilw. zugl.: Leuven, Univ., Diss., 2006 u.d.T.: Two-dimensional sonata form in Germany and Austria between 1850 and 1950: theoretical, analytical and critical perspectives Geschichte 1850-1950 gnd rswk-swf Instrumental music Analysis, appreciation Sonata form Sonate (DE-588)4131190-5 gnd rswk-swf Sonatensatzform (DE-588)4181786-2 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Österreich (DE-588)4043271-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Deutschland (DE-588)4011882-4 g Sonatensatzform (DE-588)4181786-2 s Sonate (DE-588)4131190-5 s Geschichte 1850-1950 z DE-604 Österreich (DE-588)4043271-3 g Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018767864&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Vande Moortele, Steven Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky Instrumental music Analysis, appreciation Sonata form Sonate (DE-588)4131190-5 gnd Sonatensatzform (DE-588)4181786-2 gnd |
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| title | Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky |
| title_alt | Two-dimensional sonata form in Germany and Austria between 1850 and 1950: theoretical, analytical and critical perspectives |
| title_auth | Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky |
| title_exact_search | Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky |
| title_full | Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky Steven Vande Moortele |
| title_fullStr | Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky Steven Vande Moortele |
| title_full_unstemmed | Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky Steven Vande Moortele |
| title_short | Two-dimensional sonata form |
| title_sort | two dimensional sonata form form and cycle in single movement instrumental works by liszt strauss schoenberg and zemlinsky |
| title_sub | form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky |
| topic | Instrumental music Analysis, appreciation Sonata form Sonate (DE-588)4131190-5 gnd Sonatensatzform (DE-588)4181786-2 gnd |
| topic_facet | Instrumental music Analysis, appreciation Sonata form Sonate Sonatensatzform Deutschland Österreich Hochschulschrift |
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