A language of its own: sense and meaning in the making of Western art music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago [u.a.]
Univ. of Chicago Press
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXIII, 354 S. Ill., Notenbeisp. |
| ISBN: | 9780226425962 9780226425979 |
Internformat
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| 245 | 1 | 0 | |a A language of its own |b sense and meaning in the making of Western art music |c Ruth Katz |
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| 300 | |a XXIII, 354 S. |b Ill., Notenbeisp. | ||
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Datensatz im Suchindex
| _version_ | 1804140869783126016 |
|---|---|
| adam_text | CONTENTS
ì
Preface
xiii
Introduction:
The Guiding Conception of Western Art Music
ι
PART I
*2#e Structuring
ofaSe[f-il{eferentiaCWorCcC
ι
THE MAKING OF MUSICAL BUILDING BLOCKS
и
Preliminary Clarifications
и
The Development of Western Notation and Its Significance
13
Gregorian Chant Revisited
15
The Rise of Notation as an Autonomous System
21
Pitch
23
Duration
28
Concerning Notation: Concluding Remarks
36
Musical Frameworks as Referential Systems
41
The Greek Heritage: Music as an Organized Auditory
Phenomenon
42
viti
Contents
The Musical Heritage of the World That Gave Rise
to Christianity
44
The Formal Organization of the Chant Repertoire
#
2
SYSTEMATIZING MUSICAL LAWS S9
The Self-Chosen Confines of Art
59
Horizontal and Vertical Elements: A Generating and
Controlling Force, Respectively
60
Cementing the Relationships among Successively
Composed Voices
6$
The Function of Closure
66
From Imperfect to Perfect Consonance—Relating Voices
and Sonorities by Interval Progressions
67
Bestowing a Semblance of Oneness on Particles
73
External Designs
76
The Development of Inner Cohesion
79
The Rise of Harmonic Tonality
87
The Move from Desired Coincidences among Voices to
a System of Chords
88
The Systematization of Harmonic Tonality
$4
Shifting Concerns—From Musical Rules to Music s
Communicative Powers
$8
PART II
The Crafting of a Shared Understanding
3
SEPARATING SENSE FROM MEANING io9
Natural Languages: Some Relevant Points
хор
The Power to Occasion an Atmosphere
n¡
Drama Aspiring toward the Condition of Music
114
The Legacy of the Humanists
117
Empirical Observation and Aesthetic Theory
121
Contents
Demystifying an Elusive
Agenda 126
The
Camerata:
Custodian of a Paradigm izy
Leading ConceptualTurning Points
133
A Fundamental Change in the Conception of Art
134
Signs as Cognitive Tools
134
Moral Philosophy and Its Affair with Beauty
136
Modes of Communication and Cognitive Expansions
140
Social Interaction as a Regulating Force
142
The Sagacity of
Sensate
Discourse
143
Human Consciousness as a Creator of Truths
144
The Sign and the Signified in Western Music
146
PROBING THE LIMITS OF
MUSICAL COHERENCE i57
The Referential Function of Learned Schemata:
External versus Internal References
157
Perception Replacing Conception
165
The Return of an Enigma
166
Music s Spiritual Peculiarity as Distinct from
Its Mundane Technical Aspects
165»
The Changed Status of the Artist
171
The Merger of the Arts
174
Tantalizing the Ear and Luring the Mind
177
The Reformulation of Musical Structure
177
From General Language to Particularized Speech
181
A General Theory concerning the Function of
Symbol Systems in the Arts
187
The Flaunting of Identities: Individual and Collective
192
Intimacy Made Public
192
The Particularization of Publics
194
Music as a Cultural Subsystem
201
The Blend between Past and Future in Romantic Thought
202
Internal References Challenged
208
The Variable Functions of Theory
212
χ
Contents
PART III
lhe
Retreat from the
Sitared
Understanding
5
A SHIFT IN THOUGHT AND THEORY 2x9
The Organic Nature of the Theoretical Presuppositions
of Music in the West
21$
The Romantic Era from a Bird s-Eye View
219
The Relationship between the Composer and
the Public Revisited
221
Aesthetic Autonomy
—
Art for Art s Sake
224
Music : From Closed System to Open Concept
23;
Some Characteristics of the Turn of the Century
238
Aristotelianism in Musical Aesthetics
241
Concerning the Musically Beautiful
243
In Defense of Musicology as Envisioned
248
Diverging Trends in
Fin-de-Siècle
Music
and Musical Analysis
250
Landmarks in a New Tonal Environment 2$6
Defying the Soundness of the Harmonic System
2^7
The Establishment of a Musical Canon
263
Atonal and Twelve-Tone Music
.267
Developments That Affected Music s External Semblance
277
Lending Saliency to the Social Role of Art
284
6
THE APPROPRIATION OF MUSICAL MEANING
29$
The Rise of a Heteronomous Aesthetic
29$
The General Distrust of Categorical Systems
296
Alternate Perspectives on the Relation between
Conception and Perception
300
■
The Relationship between Form and Formal Function
Reexamined
310
Contents
The Pliability of the Nonrepresentational
31$
The Function of Inclusive Symbols
316
The Appropriation of Meaning
321
Evaluating Music: How and in What Way?
327
Concluding Remarks
330
Bibliography
33;
Index
347
|
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6/8117 |
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| discipline | Geschichte Musikwissenschaft |
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| spelling | Katz, Ruth 1927- Verfasser (DE-588)1020496088 aut A language of its own sense and meaning in the making of Western art music Ruth Katz Chicago [u.a.] Univ. of Chicago Press 2009 XXIII, 354 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Gesellschaft Musik Music Music History and criticism Music Social aspects Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musikverstehen (DE-588)4212275-2 gnd rswk-swf Musikästhetik (DE-588)4040808-5 s Musikverstehen (DE-588)4212275-2 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-42598-6 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018751083&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Katz, Ruth 1927- A language of its own sense and meaning in the making of Western art music Gesellschaft Musik Music Music History and criticism Music Social aspects Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd Musikverstehen (DE-588)4212275-2 gnd |
| subject_GND | (DE-588)4040808-5 (DE-588)4212275-2 |
| title | A language of its own sense and meaning in the making of Western art music |
| title_auth | A language of its own sense and meaning in the making of Western art music |
| title_exact_search | A language of its own sense and meaning in the making of Western art music |
| title_full | A language of its own sense and meaning in the making of Western art music Ruth Katz |
| title_fullStr | A language of its own sense and meaning in the making of Western art music Ruth Katz |
| title_full_unstemmed | A language of its own sense and meaning in the making of Western art music Ruth Katz |
| title_short | A language of its own |
| title_sort | a language of its own sense and meaning in the making of western art music |
| title_sub | sense and meaning in the making of Western art music |
| topic | Gesellschaft Musik Music Music History and criticism Music Social aspects Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd Musikverstehen (DE-588)4212275-2 gnd |
| topic_facet | Gesellschaft Musik Music Music History and criticism Music Social aspects Music Philosophy and aesthetics Musikästhetik Musikverstehen |
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