Ideas and styles in the Western musical tradition:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2010
|
| Ausgabe: | 4. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXV, 486 S., [8] Bl. Ill., Notenbeisp. |
| ISBN: | 9780195379884 |
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| 245 | 1 | 0 | |a Ideas and styles in the Western musical tradition |c Douglass Seaton |
| 250 | |a 4. ed. | ||
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 2010 | |
| 300 | |a XXV, 486 S., [8] Bl. |b Ill., Notenbeisp. | ||
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| 500 | |a Includes bibliographical references and index | ||
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| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804140853420097536 |
|---|---|
| adam_text | Table
of
Contents
Preface
♦ xvii
Music in Classical Antiquity
♦ 1
Music in the Life and Philosophy of Ancient Greece
♦ 1
Music and the Doctrine of Ethos
♦ 3
Characteristics of Music
♦ 4
Greek Music Theory
♦ 5
Music in Ancient Rome
♦ 8
The Early Christian Period
12
The Growth of the Christian Church and Its Music
♦ 12
The Jewish Heritage
»13
The Diversification of Practice
»17
The Eastern Influence
♦ 17
Local European Practices
♦ 19
The Establishment of a Catholic Tradition
♦ 21
The Political-Cultural Situation at the Beginning
of the Ninth Century
♦ 21
The Roman Liturgy
♦ 24
The Divine Office
♦ 25
Mass
♦ 27
Aesthetic Considerations Regarding the Chant
♦ 29
The Musical Style of the Chant
♦ 31
The Music Theory of the Chant
♦ 33
Later Developments in the Liturgical Chant
♦ 41
The Trope
♦ 41
Liturgical Drama
♦ 43
Secular Song and Instrumental Music to
1300 ♦ 46
Secular Music Before the Eleventh Century
♦ 46
Latin Songs
♦ 47
vi
Table of
Contents
Epics and Minstrels
♦ 48
Troubadours and
Trouvères
♦ 49
German Court Music
♦ 53
Monophonie
Songs in Other Regions
♦ 54
Italy
♦ 54
Spain and Portugal
* 54
Britain
♦ 55
Instruments
♦ 55
String Instruments
♦ 56
Wind Instruments
♦ 57
Percussion Instruments
♦ 57
Organs
♦ 57
The Use of Instruments
♦ 58
The Development of Polyphony
♦ 62
The Significance of Polyphony
♦ 62
Carolingian Polyphony
♦ 63
Romanesque Developments
♦ 64
Free
Organum
♦ 64
Rhythmic Independence
♦ 65
Florid
Organum
and Discant
♦ 66
Gothic Thinking and Style
♦ 67
Notre Dame Polyphony
♦ 69
Rhythmic Order in
Organum: Leonin *
69
Pérotin
♦ 72
Cadences
♦ 74
The Motet
♦ 75
Late Thirteenth-Century Developments
♦ 76
New Developments in Rhythmic Notation
♦ 77
Hocket ♦ 78
Symbolic Values in Thirteenth-Century Polyphony
♦ 78
Music in the Fourteenth Century
♦ 82
The Increasing Secularization of Culture
♦ 82
Ars
Nova
♦ 85
Isorhythm
♦ 87
The Roman
de Fauvel ♦ 88
Form in Secular Song
♦ 90
Guillaume de
Machaut ♦ 90
Table
of Contents
vii
Ars Subtilior
♦ 92
The Italian Trecento
♦ 92
Cadence Patterns in the Fourteenth Century
♦ 94
English Polyphony
♦ 96
Gymel and English Discant
♦ 96
Secular Music: Rota
♦ 98
7
Humanism and Music
♦ 99
The Rise of a Humanist Worldview
♦ 99
The Hundred Years War and English Music on the Continent
»102
John Dunstaple
♦ 103
The New Style on the Continent
♦ 104
Guillaume Du
Fay
♦ 105
Gilles Binchois ♦ 108
Polyphonic Cadences
»108
The Idea of a New Music
♦ 110
8
The Spread of New Musical Ideas and Practices
TO
1600 ♦ 112
The Growth of the New Styles in the North
»112
Johannes Ockeghem
♦ 112
The Next Generation of Franco-Netherlands Composers
♦ 114
Josquin
des Prez
♦ 115
The Ascendancy of the Northern Style
»117
Music for Social Use
»120
Regional Variants of the Cosmopolitan Style in Secular Music
♦ 123
The French Chanson
♦ 123
English Music
♦ 123
German Music
♦ 124
Spanish Repertoires
♦ 125
The Italian Frottola and Madrigal
♦ 126
The Poetic Model for Musical Expression
♦ 129
9
Instrumental Music in the
Sixteenth Century
♦ 132
The Place of Instruments
♦ 132
Instruments and Their Combinations
♦ 132
Consorts
♦ 133
Broken Consorts
♦ 135
viii Table of
Contents
Plucked
Instruments
♦ 135
Keyboard Instruments
♦ 135
Tablature
♦ 135
Instruments and Vocal Music
♦ 137
Instrumental Adaptations of Vocal Music and Genres
»137
Instrumental Genres
♦ 139
Dances
»139
Variations
♦ 140
Instrumental Pieces in the Style of Improvisations
♦ 140
10
The Reformation and Music
♦ 142
The Background of the Reformation
♦ 142
The Music of the Lutheran Reformation
♦ 143
The
Calvinist
Reformation
♦ 146
The Reformation in England
♦ 148
The Counter-Reformation
♦ 149
Palestrina
♦ 149
Tomás
Luis deVidoria and Orlande
de
Lassus
»150
Faith, Music, and the Power of Words
♦ 150
11
The Close of the Sixteenth Century
♦ 153
Italian Music at the End of the Sixteenth Century
♦ 153
Mannerism
♦ 155
The Italian Style in England
♦ 157
France
♦ 159
The Venetian Style
♦ 159
The Significance of Late Humanist Styles
»162
12
Rationalism and Its Impact on Music
♦ 163
An Age of Reason
♦ 163
Aesthetic Considerations
♦ 164
The Doctrine of Affections
♦ 166
The Florentine
Camerata
»168
Monody and the Basso
Continuo
♦ 171
Concertato
♦ 174
Seconda Pratica
♦ 174
Expression of New Ideas in New Styles
♦ 176
Table
of
Contents ix
13 New Genres
and Styles in the Age
of Rationalism
♦ 178
Three Styles
♦ 178
The Creation of Opera
♦ 178
First Experiments in Opera
* 179
Orfeo
♦ 180
Developments in Italian Opera
♦ 182
Stylistic Trends
♦ 183
Vocal Chamber Music
♦ 185
Texture and Form
♦ 186
Sacred Music
»189
Sacred Concerto
♦ 189
Oratorio
♦ 190
Seventeenth-Century Instrumental Music
♦ 191
The Fantasia
♦ 191
The Sonata
♦ 192
Sets of Variations
»192
Dance Music
»194
Improvisatory Instrumental Music
♦ 194
14
The Late Seventeenth Century
♦ 197
French Opera in the Seventeenth Century
♦ 197
Historical Context
♦ 197
The Beginnings of French Opera
»199
French Operatic Style
»201
English Music in the Seventeenth Century
»201
The First Stuarts
♦ 201
The Commonwealth
♦ 202
The Restoration
♦ 202
Italian Opera
♦ 203
The Cantata and Other Vocal Chamber Music
♦ 205
German Musical Genres
♦ 206
Keyboard Music
♦ 207
Musical Drama
♦ 209
The Development of Instrumental Forms and Idioms
♦ 209
Style Developments in Instrumental Music
♦ 209
Fugue
♦ 210
The Suite
»211
χ
Table of
Contents
The Ensemble Sonata
* 213
Concerto
♦ 215
15
The Early Eighteenth Century
♦ 220
The Late Rationalist Period
♦ 220
Opera
Seria
—
Handel and Others
♦ 221
The Intermezzo
♦ 224
Opera in France
♦ 225
Handel and the Oratorio
♦ 225
Germany
♦ 228
Johann
Sebastian Bach
♦ 229
Bach s Early Career
♦ 230
The Court of Weimar
♦ 230
The Court of
Cöthen
♦ 232
The City of Leipzig
♦ 233
Bach s Culmination of Stylistic Tradition
♦ 235
16
New Currents in the Early
Eighteenth Century
♦ 239
New Directions in Thinking and Style
♦ 239
The Development of the Tonal System
♦ 240
The Idea of the
Galant ♦ 241
In France
* 241
Outside of France
♦ 242
French and Italian Operatic Comedy
♦ 243
La Guerre
des Bouffons
* 244
The
Empfindsamer Stil ♦ 245
Carl
Philipp
Emanuel Bach
♦ 246
Keyboard Instruments
♦ 247
Song
♦ 248
Structure in Early Eighteenth-Century Instrumental Music
♦ 249
Developments in Instrumental Music
♦ 250
17
The Enlightenment and the Classic Style
♦ 255
The Enlightenment
♦ 255
The Classic Outlook
♦ 256
Musicians in Late Eighteenth-Century Society
♦ 260
Table
of
Contents xi
Contrasting Careers for Musicians: Haydn and Mozart
♦ 262
Franz Joseph Haydn
♦ 262
Wolfgang
Amadeus
Mozart
♦ 264
Comic Opera in the Early Enlightenment
♦ 266
Opera
Seria
and Opera Reform
♦ 266
Instrumental Genres and the Sonata Plan
♦ 269
The Symphony
♦ 269
The String Quartet
♦ 270
The Keyboard Sonata
♦ 272
The Concerto
♦ 272
The Divertimento
♦ 273
The Sonata Form and Its Variants
♦ 273
Harmonic Plan
♦ 273
Thematic Plan
♦ 274
Outline of Sonata Form
♦ 27 4
Some Terminological Clarification
♦ 275
Applications of the Sonata Procedure
* 27
S
Expression and Function
♦ 277
18
The End of the Eighteenth Century
♦ 281
The Position of Haydn and Mozart
♦ 281
Chamber Music
♦ 283
Symphony
♦ 285
Concerto
♦ 286
Mozart s Mature Operas
♦ 287
Opera
Seria
♦ 287
Singspiel ♦ 288
Collaboration with Lorenzo
Da Ponte ♦ 288
A Finale in the Popular Theater
♦ 291
A New Model for Expression
♦ 291
The Enlightenment Beethoven
♦ 293
Beethoven s Early Years in Bonn
♦ 293
Beethoven s First Decade in Vienna
♦ 294
The Music of Beethoven s First Vienna Period
♦ 295
The American Colonies and the Early United States
♦ 297
19
The Rise of the Romantic Movement
♦ 302
Philosophical Roots of Romantic Thought
♦ 302
xii
Table
of
Contents
Politics, Economics,
ană
Social Change
♦ 303
The Concept of Organic Unity
♦ 304
Romantic Art
♦ 304
Themes in Romantic Art
♦ 306
Techniques of Romantic Art
♦ 307
The Romantic Movement in the History of Musical Style
♦ 309
Beethoven from
1802 ♦ 309
Beethoven and the Artist as Hero
»310
Beethoven s Heroic Style
♦ 312
Beethoven s Sketchbooh
»315
Beethoven s Personal Life in His Middle Period
♦ 315
Beethoven s Last Period
♦ 315
Beethoven s Influence on Nineteenth-Century Music
♦ 318
The Romantic Lied
♦ 318
Franz Schubert
♦ 320
Early Nineteenth-Century Italian Opera
♦ 323
Gioacchino Rossini
♦ 324
Opera in France
♦ 325
German Romantic Opera
♦ 326
The Social Context for Music in the Nineteenth Century
♦ 327
20
Developments in Romanticism
то
1850 ♦ 331
The Context for Romanticism to the Middle of the
Nineteenth Century
♦ 331
Composers Lifestyles
* 332
Composers Literary and Artistic Activities
♦ 332
Romantic Lyricism in Italian Opera
♦ 334
Style
♦ 335
Performance Practice
♦ 336
GiuseppeVerdi
♦ 336
French Grand Opera
♦ 339
The Cult of Virtuosity
♦ 340
Some Serious Performers
♦ 341
Lyricism and Virtuosity
—
Chopin
♦ 342
Salons and Drawing Rooms
♦ 344
Instrumental Genres in Romantic Music
♦ 345
Piano Music
♦ 345
Orchestral Music
♦ 346
Table
of
Contents xiii
Romantic
Musical Style ♦ 349
Expansion
of
Sound
Vocabulary
* 349
Romantic Harmony
♦ 350
Form in
Romantic Music
♦ 350
Recognition of the Musical Heritage
♦ 352
The Midpoint of the Nineteenth Century
♦ 353
21
The Second Half of the
Nineteenth Century
♦ 356
The New German School
♦ 356
The Artwork of the Future
»358
Wagner s Music Dramas
♦ 360
Wagner s Librettos
* 362
Wagner s Musical Style
♦ 363
Wagner in Social and Political History
♦ 366
Late Romanticism
♦ 367
Austria
♦ 367
France
♦ 369
Italy
♦ 370
Influences of the New German Style
♦ 371
Progressives in Vienna
»371
Richard Strauss
♦ 373
Alexander Shyabin
♦ 373
Realism in Late Nineteenth-Century Opera
♦ 373
Exoticism
♦ 375
Late Nineteenth-Century National Styles
♦ 376
Bohemia
* 376
Russia
♦ 377
Nationalism in Other Countries
♦ 379
The Situation at the End of the Nineteenth Century
♦ 381
22
The Arrival of the Twentieth Century
♦ 384
A Turning Point in Artistic Ideas and Styles
♦ 384
Impressionism
♦ 384
Claude Debussy
♦ 386
Diffusion and Limits of Impressionism
♦ 388
The Aesthetics of Ugliness
♦ 389
xiv
Table
of
Contents
Primitivism.
♦ 391
Expressionism
♦ 393
Arnold
Schoenberg
♦ 394
Alban
Berg
♦ 395
Advantages and Problems in Atonal Expressionism
* 396
An American Original: Charles Ives
♦ 396
23
Modernism and the Period Between
the World Wars
♦ 401
Modernism
»401
A Period of Readjustment
♦ 402
The Twelve-Tone Method of Composition
♦ 403
Schoenberg
After
1920 ♦ 406
Adaptations of the Twelve-Tone Mdhod
* 406
Toward Serialism
♦ 408
Artistic Objectivity
♦ 410
Neoclassirism
♦ 411
France
♦ 411
Stravinsky s Neoclassic Music and Thought
* 412
Germany
♦ 414
New Tonal Theory
♦ 415
The Influence of Regional Musics
♦ 416
The Music of Socialist Realism in the Soviet Union
♦ 419
The United States
♦ 421
Jazz
♦ 422
Incorporating Jazz into Traditional Genres
♦ 424
The
Avant-Garde ♦ 424
American Experimentalists
* 426
24
In the Second Half of the
Twentieth Century
♦ 429
History and Contemporary Music
♦ 429
Composers in Late Twentieth-Century Society
♦ 430
Total Control
♦ 431
The Exploration of New Timbres: Extended Techniques
♦ 432
Electronic Music
♦ 436
Computers
♦ 437
The Performer
♦ 437
Table
of
Contents xv
Indeterminacy
♦ 439
Indeterminacy, Performers, and Computers
♦ 439
Aesthetic Issues
♦ 440
Postmodernism
♦ 441
Postmodernism in Music
♦ 442
Postmodern Composer and Listener
♦ 442
Diversity in Styles Based on the Western Tradition
♦ 443
Juxtapositions and Fusions with Non-Western Musics
♦ 444
Minimalism
♦ 444
Mixed-Media and Performance-Oriented Music
♦ 446
Jazz and Popular Music
♦ 448
Jazz
♦ 449
Rock Music
♦ 450
The Situation at the Dawn of the Twenty-First Century
♦ 453
Appendix: Timeline
♦ 456
Index
♦ 467
|
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| geographic | Westliche Welt (DE-588)4079237-7 gnd |
| geographic_facet | Westliche Welt |
| id | DE-604.BV035876287 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:06:35Z |
| institution | BVB |
| isbn | 9780195379884 |
| language | English |
| lccn | 2009010678 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018733962 |
| oclc_num | 316099365 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XXV, 486 S., [8] Bl. Ill., Notenbeisp. |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Seaton, Douglass Verfasser (DE-588)134684591 aut Ideas and styles in the Western musical tradition Douglass Seaton 4. ed. New York [u.a.] Oxford Univ. Press 2010 XXV, 486 S., [8] Bl. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Musik Music History and criticism Geschichte (DE-588)4020517-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Westliche Welt (DE-588)4079237-7 gnd rswk-swf Musik (DE-588)4040802-4 s Geschichte z DE-604 Westliche Welt (DE-588)4079237-7 g Geschichte (DE-588)4020517-4 s 1\p DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018733962&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Seaton, Douglass Ideas and styles in the Western musical tradition Musik Music History and criticism Geschichte (DE-588)4020517-4 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4020517-4 (DE-588)4040802-4 (DE-588)4079237-7 |
| title | Ideas and styles in the Western musical tradition |
| title_auth | Ideas and styles in the Western musical tradition |
| title_exact_search | Ideas and styles in the Western musical tradition |
| title_full | Ideas and styles in the Western musical tradition Douglass Seaton |
| title_fullStr | Ideas and styles in the Western musical tradition Douglass Seaton |
| title_full_unstemmed | Ideas and styles in the Western musical tradition Douglass Seaton |
| title_short | Ideas and styles in the Western musical tradition |
| title_sort | ideas and styles in the western musical tradition |
| topic | Musik Music History and criticism Geschichte (DE-588)4020517-4 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music History and criticism Geschichte Westliche Welt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018733962&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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