Shakespeare, sex & love:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2010
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XI, 282 S. Ill. |
| ISBN: | 9780199578597 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: Shakespeare, sex love
Autor: Wells, Stanley W.
Jahr: 2010
CONTENTS
List of Illustrations ix
Introduction 1
PART I: LIFE AND TIMES
1. Sexuality in Shakespeare s Time 13
2. Sex and Poetry in Shakespeare s Time 42
3. Shakespeare and Sex 68
PART II: PLAYS AND POEMS
4. The Fun of Sex 89
5. Sexual Desire 115
6. Sex and Love in Romeo and Juliet 148
7. Sexual Jealousy 168
8. Sex and Experience 198
9. Whores and Saints 217
10. Just Good Friends? 238
Conclusion 250
Notes 253
Further Reading 267
Index 269
Vll
LIST OF ILLUSTRATIONS
Figures
1. A mid-sixteenth-century bathhouse and brothel.
Photo: akg-images, London. 30
2. Simon Forman: an eighteenth-century engraving from
a lost portrait. © Topfoto. 32
3. Moll Frith, from the title page of The Roaring Girl.
Courtesy of The Bodleian Library, University of
Oxford (Mal.246(i)). 40
4- Shakespeare s Sonnet 151: a wood engraving by
Simon Brett. 47
5. Mercury therapy for syphilis, title page of a Dutch
treatise (1685). Courtesy of University of California,
Irvine. 75
6. Title page of Shakespeare s Sonnets, 1609. Courtesy
of The Bodleian Library, University of Oxford
(Arch.Gd.4i(2)). 83
Plates
1. Henry Wriothesley, 3rd Earl of Southampton, Cobbe
Collection. Reproduced by permission of the
copyright holder.
2. John Donne: oil painting by an unknown artist.
Courtesy of National Portrait Gallery, London.
3- Ian McKellen as Edward II and James Lawrenson as
Gaveston, in Marlowe s Edward II. Prospect Theatre
Company, 1969. Courtesy of Getty Images.
IX
LIST OF ILLUSTRATIONS
4. The over-hearing scene in Love s Labour s Lost, RSC,
2008. Courtesy of The Shakespeare Centre
Library and Archive. Malcolm Davies Collection
© Royal Shakespeare Company.
5. The entrance of Mercade in Love s Labour s Lost, RSC,
1990. Courtesy of The Shakespeare Centre Library
and Archive. Joe Cocks Studio Collection
© Shakespeare Birthplace Trust.
6. Vivien Leigh as the raped and mutilated Lavinia, Titus
Andronicus, Shakespeare Memorial Theatre, 1955-
Courtesy of The Shakespeare Centre Library and Archive.
Angus McBean © Royal Shakespeare Company.
7. The parting of Romeo (Anton Lesser) and Juliet
(Judy Buxton), RSC, 1980. Courtesy of The Shakespeare
Centre Library and Archive. Joe Cocks Studio
Collection © Shakespeare Birthplace Trust.
8. The closet scene, Hamlet (Ben Kingsley and Mikel
Lambert), RSC, 1975. Courtesy of The Shakespeare
Centre Library and Archive. Joe Cocks Studio
Collection © Shakespeare Birthplace Trust.
9. Cressida (Juliet Stevenson) in the Greek camp, Troilus and
Cressida, RSC, 1985. Courtesy of The Shakespeare Centre
Library and Archive. Joe Cocks Studio Collection
© Shakespeare Birthplace Trust.
10. Hamlet (Alan Howard) snatches the dead Ophelia
(Helen Mirren) from her grave, RSC, 1970. Courtesy
of The Shakespeare Centre Library and Archive.
Tom Holte Theatre Photographic Collection
© Shakespeare Birthplace Trust.
11. The Death of Cleopatra, oil painting by Guido Cagnacci.
Photo: akg-images, London.
12. Aufidius (Ian Hogg) and Coriolanus (Patrick
Stewart), Coriolanus, RSC, 1972. Courtesy of
The Shakespeare Centre Library and Archive.
Reg Wilson © Royal Shakespeare Company.
LIST OF ILLUSTRATIONS
13. A disempowered Caliban (Tony Haygarth) with
Trinculo (Tim Pigott-Smith), The Tempest, National
Theatre, London, 1988. Courtesy of National Theatre
Archives, London / John Haynes.
14. Antonio (Joseph Mydell) shows his affection for
Sebastian (Ben Meyjes), Twelfth Night, RSC, 2001.
Courtesy of The Shakespeare Centre Library and
Archive. Manuel Harlan © Royal Shakespeare Company.
XI
How does Shakespeare s treatment of human
sexuality relate to the sexual conventions
and language of his times? Pre-eminent
Shakespearian critic Stanley Wells draws on
historical and anecdotal sources to present an
illuminating account of sexual behaviour in
Shakespeare s time, particularly in Stratford-
upon-Avon and London. He demonstrates
what we know or can deduce about the sex
lives of Shakespeare and members of his
family. He also provides a fascinating account
of sexuality in the poetry of the period and
suggests that at the time Shakespeare was
writing most of his non-dramatic verse a
group of poets including Marlowe, Barnfield,
and Drayton were catering especially for
readers with homoerotic tastes.
The second part of Shakespeare, Sex,
&Č
Love
focuses on the variety of ways in which
Shakespeare treats sexuality in his plays and
how he relates sexuality to love. Wells shows
that Shakespeare s attitude to sex developed
over the course of his writing career, and
devotes whole chapters to The Fun of
Sex
—
to how he raises laughter out of the
matter of sex in both the language and the
plotting of some of his comedies; portrayals
of sexual desire; to Romeo and Juliet as the
play in which Shakespeare focuses most
centrally on issues relating to sex, love, and
the relationship between them; to sexual
jealousy, traced through four major plays;
Sexual Experience ; and Whores and
Saints . A final chapter, Just Good Friends ,
examines Shakespeare s rendering of same-
gender relationships.
|
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| title | Shakespeare, sex & love |
| title_alt | Shakespeare, sex and love |
| title_auth | Shakespeare, sex & love |
| title_exact_search | Shakespeare, sex & love |
| title_full | Shakespeare, sex & love Stanley Wells |
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