Rhythmic theories and practices in arabic writings to 339 AH/950 CE: annotated translations and commentaries
"The present work is an English translation and commentary on the Arabic treatises on rhythms from the early Islamic era to the middle of the fourth century AH/tenth century CE"--Preface.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Arabic |
| Veröffentlicht: |
Ottawa
Inst. of Mediaeval Music
2009
|
| Schriftenreihe: | Wissenschaftliche Abhandlungen / Institute of Mediaeval Music
93 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The present work is an English translation and commentary on the Arabic treatises on rhythms from the early Islamic era to the middle of the fourth century AH/tenth century CE"--Preface. |
| Beschreibung: | XIV, 639 S. Notenbeisp. |
| ISBN: | 9781896926988 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV035851879 | ||
| 003 | DE-604 | ||
| 005 | 20190227 | ||
| 007 | t | ||
| 008 | 091130s2009 gl|| |||| 00||| eng d | ||
| 020 | |a 9781896926988 |9 978-1-896926-98-8 | ||
| 035 | |a (OCoLC)468974596 | ||
| 035 | |a (DE-599)BVBBV035851879 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 1 | |a eng |h ara |h eng | |
| 049 | |a DE-19 |a DE-12 |a DE-188 |a DE-384 |a DE-355 | ||
| 050 | 0 | |a MT5.5 | |
| 082 | 0 | |a 781.0917/5927 |2 22 | |
| 084 | |a LP 17990 |0 (DE-625)105930: |2 rvk | ||
| 084 | |a LS 34140 |0 (DE-625)110216: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Sawa, George Dimitri |d 1947- |e Verfasser |0 (DE-588)1055753397 |4 aut | |
| 245 | 1 | 0 | |a Rhythmic theories and practices in arabic writings to 339 AH/950 CE |b annotated translations and commentaries |c by George Dimitri Sawa |
| 264 | 1 | |a Ottawa |b Inst. of Mediaeval Music |c 2009 | |
| 300 | |a XIV, 639 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Wissenschaftliche Abhandlungen / Institute of Mediaeval Music |v 93 | |
| 520 | 3 | |a "The present work is an English translation and commentary on the Arabic treatises on rhythms from the early Islamic era to the middle of the fourth century AH/tenth century CE"--Preface. | |
| 648 | 7 | |a Geschichte 500-1000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Music theory |z Arab countries |v Early works to 1800 | |
| 650 | 4 | |a Musical meter and rhythm |z Arab countries |v Early works to 1800 | |
| 650 | 0 | 7 | |a Araber |0 (DE-588)4002528-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiktheorie |0 (DE-588)4040876-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rhythmus |0 (DE-588)4132330-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Araber |0 (DE-588)4002528-7 |D s |
| 689 | 0 | 1 | |a Musiktheorie |0 (DE-588)4040876-0 |D s |
| 689 | 0 | 2 | |a Rhythmus |0 (DE-588)4132330-0 |D s |
| 689 | 0 | 3 | |a Geschichte 500-1000 |A z |
| 689 | 0 | |5 DE-604 | |
| 810 | 2 | |a Institute of Mediaeval Music |t Wissenschaftliche Abhandlungen |v 93 |w (DE-604)BV000625411 |9 93 | |
| 856 | 4 | 2 | |m Digitalisierung BSBMuenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018709900&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-018709900 | ||
Datensatz im Suchindex
| _version_ | 1804140825662193664 |
|---|---|
| adam_text | Contents
Preface
...........................................................
хш
Abbreviations
........................................ ...........
XVI
Introduction
........................................................1
A. Definition of the Medieval Arabic
îqac
........................1
B.
Rhythmic Theory in Early Medieval Arabic History
..........5
C. The School of
Ishãq
al-Mawsilï ................................
7
D.
Al-Kindï
and the Fusion of Greek Rhythmic Theory with
Ishäq s
School
................................................12
E. The Rhythmic Theories of
al-Fãrãbi
..........................14
F.
Contemporary Studies of Medieval Arabic Rhythms
.........19
G. Approach to Transcribing, Editing, Transliterating and
Translating
..................................................23
Part One:
The Theories of the Arab Practitioners
1.
Ishäq
al-Mawşilî
on the Medieval Arabic
ïqacat
.................29
A. The Definitions of the
Iqãcãt
according to
Ishãq
in
al-Färäbi sKIIandKMKZ....................................32
B.
Comparison of the Two Sets of Definitions
...................36
C. The Rhythmic Language and Theory of
Isţiăq al-Mawşffi
.... 37
2.
Abu al-Faraj
al-Işbahănî:
Commentary on the Rhythmic
Writings of
Ishäq
al-Mawşilî
and Ibrahim ibn
al-Mahdï
in
The Book of Songs
...............................................
42
A. Passage One
..................................................
43
B. Passage Two
.................................................
44
С
Passage Three
..................................«..............
46
VI
.
CONTENTS
3.
Manşur ibn Ţalha s
Definitions
of the
lqãcãt
in
al-Fărăbî s
Kil
.............................................49
4.
Ibn
Khurdãdhba
on the
Iqãcãt ...................................
52
A. Passage One: Music and Prosody from The Select Choice
from The Book of Entertainment and Musical Instrument s
.........55
B. Passage Two: His Oration as Reported in
al-Maşudî s
The Meadows of
Golã
...........................................57
5.
Al-Baţaliawsî
on the
Iqãcãt
......................................62
Commentary on Verses
24
and
25
of
Şhuruh Siqţ
al-Zand ........
65
Part Two: The Fusion of Arabic and Greek Theories
6.
Al-Kindï on
the
Iqãcãt
...........................................73
A. Definition of the
ïqac
and Completion of the Musical Art
from The Epistle on the Knowledge Concerning
the Composition of Melodies
....................................79
B. The Epistle on Informative Sections on Music and
The Book of Stringed Instruments
...............................80
C. Al-Kindťs
Definitions as quoted in Ibn Zayla
................93
D. Comparison between the Two Sets of Definitions
___.......97
E. Comparison between the Terminology of
Ishãq
al-Mawsilï
and al-Kindi
.............................. 101
F.
Al-Fãrãbfs
Commentary on al-Kindi s Rhythmic
Theory in the Now Lost Epistle on Rhythm
..................103
7.
Al-Fărăbî s
Grand Book of Music:
First Chapter on Rhythms
..................................120
A. Preliminary Definitions of the
ïqac,
the Standard of
Time Measurement and the Attacks
.........................128
B. Conjunctive
Iqãcãt
..........................................138
1.
Conjunctives with Equal Durations:
The types of Hazaj
.......................................138
2.
The Unequal Conjunctives
................................140
С
Disjunctive
Iqãcãt
...........................................141
CONTENTS
VII
1.
The First Disjunctive
.....................................143
2.
The Equal and Unequal Second Disjunctive
..............145
3.
The Equal and Unequal Third Disjunctive
................151
D. Summary
...................................................154
8.
Al-Fărăbî s
Grand Book of Music:
Second Chapter on Rhythms
................................158
A. New Mode of Instruction to Create
Iqäcät
from
the
ïqâc
of Origin
............................................164
B. Types of Attacks: Dynamics and
Timbral
Properties
........166
C. The Oldest
ïqac
of Origin: The Longest Conjunctive
........170
D. Construction of
Iqãcãt
from the
ïqac
of Origin
..............174
1.
First Regular Way to Construct the Conjunctives
.........175
2.
First Regular Way to Construct Disjunctives
from Conjunctives
.......................................181
2a. Simple Disjunctives
...................................181
2b. Compound Disjunctives
.........-.....................185
3.
Second Regular Way to Construct the Conjunctives
......186
4.
Second Regular Way to Construct Disjunctives
from Conjunctives
.......................................187
4a. Multiplication of the First Attack of the
Conjunctive and Not the Second
......................187
4b. Multiplication of the Second Attack of the
Conjunctive and Not the First
........................188
4c. Multiplication of Both Attacks of the
Conjunctives With and Without a Shared Attack
.....189
E. Rhythmic Alterations to the Fundamentals
.................192
1.
Alterations Without Additions from
Outside the Fundamental
................................193
la. Joining
...............................................193
lb. Disjoining
............................................196
lc. Repetition of Parts
....................................197
Id. Compounding of Parts
...............................198
2.
Alterations with Additions from
Outside the Fundamental
................................199
vm contents
2a.
Added Attacks in the Middle of the Cycle
............200
2b. Added Attacks between Cycles
......................200
2c. Added Attacks at the End of the Melody
.............202
Definitions of Gradation and Faster Tempo
.............203
2d. Added Attacks at the Beginning and
End of the Melody
....................................204
.
F. Superiority of the Disjunctives over the Conjunctives
.......205
G. The
Iqãcãt
of the Practitioners:
Fundamentals and Variations
..............................207
1.
The Hazaj
................................................208
2.
The Light
Ramal
..........................................215
3.
The
Ramal
................................................218
4.
The Second Heavy
.......................................221
5.
The Second Light Heavy
.................................224
6.
The First Heavy
..........................................226
7.
The First Light Heavy
....................................229
8.
The
ТатШг
of the
Iqãcãt
.................................232
9.
The Bookof Rhythms
..............................................236
A. Preliminary Definitions of the
ïqac,
the Standard of Time
Measurement and the Attack
...............................240
Б.
Conjunctive and Disjunctive
Iqäcät ..........................242
Outline of the Treatise
.........................................243
Factors Differentiating the
Iqäcät:
Size and Number of Time Units
.............................248
С
Rhythmic Alterations
.......................................249
D. The Natural
Iqãcãt
and their Origins
........................254
E. Principles and Tools for Rhythmic Notation
................259
F. Names of Attacks, Their Classification according
to Dynamics, Timbre and Durations. Notation
(cont.)
......261
G.
The
!qãeãt:
Origins and Variations
..........................263
1.
The Light Category
......................................263
la. The First Light
.......................................263
lb. The Second Light
.....................................266
lc. The Third Light
......................................268
CONTENTS
IX
Id.
The Hazaj
............................................269
le. The
Mudãric
..........................................274
2.
The Heavy Category
.....................................276
2a. The
Ramal
............................................276
2b. The First Heavy
.......................................282
2c. The Second Heavy
...................................285
3.
The Light Heavy Category
...............................291
3a. The Light
Ramal
......................................291
3b. The First Light Heavy
................................294
3c. The Second Light Heavy
.............................298
The Second Light Heavy and the Process of Tamkhir
.......300
Gradation, Faster and Slower Tempi
.......................302
H. Corresponding Tempi and The Proportions
of the
Iqãcãt
.................................................303
1.
Proportions of the Metamorphosed Heavy and
Light Heavy
Iqãcãt
......................................306
2.
Proportions of the Light
Iqãcãt
...........................307
I. Conjunctive
ïqacat
............................................311
J.
Conclusion
...................................................312
10.
The Book for the Basic Comprehension of Rhythms
.................316
A. Aim of the Treatise
.........................................322
B. Preliminary Definitions of the
ïqac,
the Standard of Time
Measurement, the Attack and the Separator
................324
C. Factors Differentiating the
!qăcăt:
Size and Number of Time
Units
.......................................................327
D. Durations and Origins of the
Iqäeät
.........................329
Naming the Nameless
Îqăcăt
...................................333
E.
Most Frequently Used Rhythmic
Ornamentation Techniques
.................................334
F. Principles and Tools for Rhythmic Notation
.................336
G. The
Iqäcät:
Origins and Variations
..........................339
1.
The Heavy and Light Heavy Categories
.................339
la. The
Ramal
............................................339
Definition of Homogeneity and Heterogeneity
.........345
X
CONTENTS
lb.
The Light
Ramal
.....................................347
Definition of Desire and Scent
...........................350
lc. The First Heavy
......................................351
Id. The First Light Heavy
...............................359
le.
The Second Heavy
...................................364
If. The Second Light Heavy
.............................378
Dropping out and
Tamkhïr
of the
Iqãcãt
.................383
2.
The Light Category
.......................................384
2a. The First Light
.......................................384
2b. The Second Light
.....................................386
2c. The Third Light
......................................387
2d. The Fourth Light
.....................................389
2e. The Fifth Light
.......................................394
2f. The Sixth Light
.......................................398
2g. Compounding the Light
Iqãcãt
.......................404
H.
The Conjunctive
Iqãcãt
.......................................406
1.
Making the Disjunctives Coincide with
the Conjunctives
.........................................407
2.
Making a Light Conjunctive Coincide with
Disjunctive
ïqacat
........................................407
3.
Making a Heavy Conjunctive Coincide with
Disjunctive
Iqãcãt
........................................408
4.
Joining the Disjunctive
ïqacat
.............................409
I. Commentary of
al-Fãrãbi
on the Rhythmic Writings of
Previous Theoreticians
.....................................409
1.
Commentary on the Writings of
Ishãq
al-Mawşilî ........
409
2.
Commentary on the Writings of
Yacqub ibn
Ishãq
al-Kindï................................
416
3.
The Excuse Given in Ishaq s Defence
.....................418
11.
The Language of
al-Fãrãbi
and Its Sources
....................421
12.
Pedigree of the Sources
.......................................433
13.
Summary of the Basic
Iqãcãt:
A Comparative Approach
to the Sources
..................................................443
14.
Al-Fãrãbfs
Rhythmic Variations
..............................469
CONTENTS
XI
15.
Al-Kindï s
Appendix ..........................................489
A.
The Book of Stringed Instruments
..............................489
First Chapter of the First Discourse in the Eight
Rhythmic Feet
...........................................490
B. The Book of Stringed Instruments and The Epistle on
Informative Sections on Music
................................494
1.
On the Way the Movings from
ïqac
to
ïqac
are Effected
..............................................494
2.
About the Composer Clothing the Ordered
Iqãcãt
to Poems that Befit Them
................................496
3.
On How the Performer Uses the
Iqäcät
and the Poetic
Measures Appropriately According to the Times
[of Day or Night]
........................................498
4.
On the Resemblance of the Strings of the Lute
with the Activities of the Soul, the Humours,
and the
Iqãcãt
............................................500
C.
The Epistle on the Knowledge Concerning
the Composition of Melodies: The Three Ethological
Types of Musical Composition
..............................502
D. Summary of the Ethos of Rhythms and
their Relations to Tempi
....................................503
Concluding Remarks
___.........................................507
Mathematical symbols
............................................510
Arabic English Glossary
..........................................512
English Arabic Glossary
...........................................530
Greek Arabic English Glossary
...................................581
Bibliography
.....................................................583
Index
..............................................................594
|
| any_adam_object | 1 |
| author | Sawa, George Dimitri 1947- |
| author_GND | (DE-588)1055753397 |
| author_facet | Sawa, George Dimitri 1947- |
| author_role | aut |
| author_sort | Sawa, George Dimitri 1947- |
| author_variant | g d s gd gds |
| building | Verbundindex |
| bvnumber | BV035851879 |
| callnumber-first | M - Music |
| callnumber-label | MT5 |
| callnumber-raw | MT5.5 |
| callnumber-search | MT5.5 |
| callnumber-sort | MT 15.5 |
| callnumber-subject | MT - Instruction and Study |
| classification_rvk | LP 17990 LS 34140 |
| ctrlnum | (OCoLC)468974596 (DE-599)BVBBV035851879 |
| dewey-full | 781.0917/5927 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.0917/5927 |
| dewey-search | 781.0917/5927 |
| dewey-sort | 3781.0917 45927 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 500-1000 gnd |
| era_facet | Geschichte 500-1000 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02274nam a2200493 cb4500</leader><controlfield tag="001">BV035851879</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190227 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">091130s2009 gl|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781896926988</subfield><subfield code="9">978-1-896926-98-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)468974596</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV035851879</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="1" ind2=" "><subfield code="a">eng</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">MT5.5</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.0917/5927</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 17990</subfield><subfield code="0">(DE-625)105930:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 34140</subfield><subfield code="0">(DE-625)110216:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sawa, George Dimitri</subfield><subfield code="d">1947-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1055753397</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Rhythmic theories and practices in arabic writings to 339 AH/950 CE</subfield><subfield code="b">annotated translations and commentaries</subfield><subfield code="c">by George Dimitri Sawa</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ottawa</subfield><subfield code="b">Inst. of Mediaeval Music</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIV, 639 S.</subfield><subfield code="b">Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Wissenschaftliche Abhandlungen / Institute of Mediaeval Music</subfield><subfield code="v">93</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The present work is an English translation and commentary on the Arabic treatises on rhythms from the early Islamic era to the middle of the fourth century AH/tenth century CE"--Preface.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 500-1000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music theory</subfield><subfield code="z">Arab countries</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical meter and rhythm</subfield><subfield code="z">Arab countries</subfield><subfield code="v">Early works to 1800</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Araber</subfield><subfield code="0">(DE-588)4002528-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rhythmus</subfield><subfield code="0">(DE-588)4132330-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Araber</subfield><subfield code="0">(DE-588)4002528-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Rhythmus</subfield><subfield code="0">(DE-588)4132330-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 500-1000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="810" ind1="2" ind2=" "><subfield code="a">Institute of Mediaeval Music</subfield><subfield code="t">Wissenschaftliche Abhandlungen</subfield><subfield code="v">93</subfield><subfield code="w">(DE-604)BV000625411</subfield><subfield code="9">93</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSBMuenchen</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018709900&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-018709900</subfield></datafield></record></collection> |
| id | DE-604.BV035851879 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:06:08Z |
| institution | BVB |
| isbn | 9781896926988 |
| language | English Arabic |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018709900 |
| oclc_num | 468974596 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-188 DE-384 DE-355 DE-BY-UBR |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-188 DE-384 DE-355 DE-BY-UBR |
| physical | XIV, 639 S. Notenbeisp. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Inst. of Mediaeval Music |
| record_format | marc |
| series2 | Wissenschaftliche Abhandlungen / Institute of Mediaeval Music |
| spelling | Sawa, George Dimitri 1947- Verfasser (DE-588)1055753397 aut Rhythmic theories and practices in arabic writings to 339 AH/950 CE annotated translations and commentaries by George Dimitri Sawa Ottawa Inst. of Mediaeval Music 2009 XIV, 639 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Wissenschaftliche Abhandlungen / Institute of Mediaeval Music 93 "The present work is an English translation and commentary on the Arabic treatises on rhythms from the early Islamic era to the middle of the fourth century AH/tenth century CE"--Preface. Geschichte 500-1000 gnd rswk-swf Music theory Arab countries Early works to 1800 Musical meter and rhythm Arab countries Early works to 1800 Araber (DE-588)4002528-7 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Araber (DE-588)4002528-7 s Musiktheorie (DE-588)4040876-0 s Rhythmus (DE-588)4132330-0 s Geschichte 500-1000 z DE-604 Institute of Mediaeval Music Wissenschaftliche Abhandlungen 93 (DE-604)BV000625411 93 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018709900&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sawa, George Dimitri 1947- Rhythmic theories and practices in arabic writings to 339 AH/950 CE annotated translations and commentaries Music theory Arab countries Early works to 1800 Musical meter and rhythm Arab countries Early works to 1800 Araber (DE-588)4002528-7 gnd Musiktheorie (DE-588)4040876-0 gnd Rhythmus (DE-588)4132330-0 gnd |
| subject_GND | (DE-588)4002528-7 (DE-588)4040876-0 (DE-588)4132330-0 |
| title | Rhythmic theories and practices in arabic writings to 339 AH/950 CE annotated translations and commentaries |
| title_auth | Rhythmic theories and practices in arabic writings to 339 AH/950 CE annotated translations and commentaries |
| title_exact_search | Rhythmic theories and practices in arabic writings to 339 AH/950 CE annotated translations and commentaries |
| title_full | Rhythmic theories and practices in arabic writings to 339 AH/950 CE annotated translations and commentaries by George Dimitri Sawa |
| title_fullStr | Rhythmic theories and practices in arabic writings to 339 AH/950 CE annotated translations and commentaries by George Dimitri Sawa |
| title_full_unstemmed | Rhythmic theories and practices in arabic writings to 339 AH/950 CE annotated translations and commentaries by George Dimitri Sawa |
| title_short | Rhythmic theories and practices in arabic writings to 339 AH/950 CE |
| title_sort | rhythmic theories and practices in arabic writings to 339 ah 950 ce annotated translations and commentaries |
| title_sub | annotated translations and commentaries |
| topic | Music theory Arab countries Early works to 1800 Musical meter and rhythm Arab countries Early works to 1800 Araber (DE-588)4002528-7 gnd Musiktheorie (DE-588)4040876-0 gnd Rhythmus (DE-588)4132330-0 gnd |
| topic_facet | Music theory Arab countries Early works to 1800 Musical meter and rhythm Arab countries Early works to 1800 Araber Musiktheorie Rhythmus |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018709900&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000625411 |
| work_keys_str_mv | AT sawageorgedimitri rhythmictheoriesandpracticesinarabicwritingsto339ah950ceannotatedtranslationsandcommentaries |