The Cambridge history of Chinese literature: 2 From 1375
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2010
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XXXI, 793 S. Ill. |
| ISBN: | 9780521855594 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of illustrations page
xiii
List of contributors
xiv
Preface
xviii
Acknowledgments
xxi
Introduction to Volume II
xxiii
ι
·
Literature of the early Ming to mid-Ming (1375-1572)
1
KANG-I SUN CHANG
Overview
1
I. Early Ming to
1450 3
Political persecution and censorship
3
Court drama and other forms of literature
11
Cabinet-style poetry
1;
II. The period from
1450
to
1520 18
New perspectives on place
19
Drama, vernacular lyrics, and popular song culture
21
The examination essay
24
Cabinet-style literature after
1450 26
The Revivalist movement
28
The revival of Suzhou
36
III. The period from
1520
to
1572 42
Exile literature
43
Reconstructing images of women
47
Rewriting heroism in fiction
μ
Rewriting as a form of creation in drama
56
The later Revivalists
β
Contents
г
■
The literary culture of the late Ming (1573-1644)
63
TINA
LU
Introduction: the late Ming and the history of the book
63
I. Elite forms
73
Literary societies
73
Li Zhi the professional writer
79
Poetry and poetics S2
Poetry and the professional
littérateur
SS
Informal writing
92
II. Fiction and the merchant elite gg
Introduction to fiction
99
The Plum in the Golden Vase
104
Fictional commentary
111
The ecology of narrative
116
Feng Menglong and Ling Mengchu
121
III. Drama
127
The rise of the southern drama
127
Peony Pavilion and the cult of love
138
The fake and the cult of the genuine
143
Postscript
149
3 ■
Early Qing to
1723 152
WAI-YEE LI
I. Changing contexts
152
From late Ming to early Qing
152
Early Qing perspectives on late Ming culture iyj
The sociological contexts of literature
162
II. History and memory in early Qing literature
168
Historical engagement
168
The literature of remembrance
185
The fate of pleasures and passions
195
III. Continuities, reversals, and new beginnings
201
Reversals and compromises
201
Reception and appropriation
210
New canons and orthodoxies
220
IV. Alternative worlds
229
Fantastic realms
22g
Contents
Dramatic
summation
23y
The literary scene in
1723
and beyond
244
4 ·
The literati era and its demise (1723-1840)
245
SHANG WEI
Introduction 24s
I. The long Qianlong period: literary and intellectual achievements
247
Intellectual life and literary schools
248
The state and intellectuals
248
Elite decorum and vernacular tendencies
256
The making of the literati novel
26}
Vernacular novels and commercial publishing
266
The early eighteenth century: a flashback
270
The Unofficial History of the Scholars
214
The Story of the Stone
282
Other literati novels
291
Literati plays and popular regional theaters
298
Southern and northern plays
300
Reinterpreting Tang Xianzu s legacy
304
Jiang Shiquan and his Dreams ofLinchuan
307
Performance and publishing
310
New directions in playwriting
314
Redrawing the map: local opera in the eighteenth century and beyond
319
II. An age of uncertainty: 1796-1840
324
Expanded horizons
326
Gentry women and literature
331
Consolidating literati culture: outlook and struggle
335
5 ·
Prosimetric and verse narrative
343
WILT L. IDBMA
Introduction
343
I. Early narrative verse, transformation texts, and all keys and modes
346
II. Early precious scrolls and sentiments of the Way
350
III. Ballad-narratives and rustic songs
354
IV. Performance and text
361
Contents
V. Drum ballads, youth books, and other northern genres
368
Drum ballads
368
Youth books
370
Other genres
372
VI. String ballads and other genres from the Jiangnan area
374
The
Wbite
Snake and Xiaoqing
375
String ballads in performance
377
Female-authored string ballads
381
Pure songs and mountain songs
388
VII.
Southern traditions 3S9
Wooden-fish books
389
Bamboo-beat songs and legends
394
Chaozhou songbooks and Taiwanese song booklets
39;
Women s-script literature
397
VIII.
Precious scrolls revisited
399
IX. The four famous legends
401
Dong Yong and the Weaver Woman
402
Meng Jiangnü
and the Great Wall
403
Liang Shanbo and Zhu Yingtai
408
Conclusion
412
6 ·
Chinese literature from 1841 to
1937 413
DAVID DER-WEI WANG
I. Towards a new polemics of writing and reading literature:
1841-1894
4y
From Gong Zizhen to Huang Zunxian: a poetics of apocalypse
415
The revival of wen: the paradox of the Tongcheng School
422
The rise of early modern fiction: the decadent and the chivalric
427
The making of early modern literati
435
II. Reforming and re-forming literature: 1895-1919
440
The polemics of literary reform
440
The production of late Qing literature
446
The multiple trajectories of fiction
449
Revolution and involution 4j6
III. The age of modern literature: 1919-1937
467
The May Fourth Movement and the literary revolution
467
Inchoate modernities: literature and literati culture in the
1920s 474
Mandarin Ducks and Butterflies
487
From literary revolution to revolutionary literature
493
The dialogic of realism
¡02
Lyricizing China
515
Contents
The modernists in Shanghai, Beijing, and elsewhere
яз
IV. Translation, print culture, and literary societies
529
Translation of Western literatures and discourses
ByJingTsu
529
Collaborations, institutions of knowledge, and Western and Chinese translators
530
Yan
Fu, Lin
Shu, and the late Qing literary scene
534
Ideology, nation-building, and translating the world
539
Print culture and literary societies
By Michel Hockx
542
Print culture and literary magazines, 1872-1902
¡43
Fiction journals, 1902-1920
543
The Southern Society, 1909-1922
$4$
The Short Story Magazine and the Chinese Literary Association 54J
Smaller New Literature collectives and their journals
549
The prewar
1930s #1
The wartime period and beyond
553
Newspaper supplements
#4
Journal literature: concluding remarks
да
V. Coda: modernities and historicities
#6
7 ·
Chinese literature from
1937
to the present
565
MICHELLE YEH
I. The Second Sino-J
apáñese
War (1937-1945) and its aftermath
565
Literature of resistance
¡66
Chongqing and the United Front
¡69
Maturing modernism in Kunming and Guilin
374
The literary scene in occupied Beijing
579
Shanghai the Lone Island
584
Hong Kong as sanctuary
¡90
Yan an and the Rectification Campaign
¡92
Colonial Taiwan
595
II. The end of the Civil War and the beginning of a new era (1949-1977)
¡99
The People s Republic of China
$99
Time has begun : cultural policy and thought control
¡99
Historical fiction and critical realism
600
The Anti-Rightist Campaign and the prelude to the Cultural Revolution
602
Underground literature and the Cultural Revolution
605
Taiwan
612
Anticommunism and homesickness
612
Modernist experiments
617
Contents
Popular
literature
628
The Modern Poetry Debate and the Native Literature Movement
631
Hong Kong
634
In-betweenness
634
Literature of the exodus
638
Modernism
640
Popular literature
643
III. Intersections and contestations
(1978
to the present)
644
Mainland China
646
The thaw in the New Era
646
Scar literature
651
Misty poetry and the Anti-Spiritual Pollution Campaign
6ц
Roots-searching and the avant-garde by]
Urban literature and the newborn generation
663
Literature in Post-June Fourth China 66j
Poetry polemics
669
Body writing
670
The city and sense of place
671
The voice of the individual
673
Taiwan
674
Literature and democratization
674
Rediscovery and
démystification
678
Nostalgia and
Juanom
literature
681
Poetry as alchemy and the postmodern condition
683
Indigenous literature and ethnic writing
68}
Gender and sexuality
686
Prose writers
688
I write, therefore I am
689
Hong Kong
690
Borrowed place, borrowed time
690
Nostalgia and constructed memory
693
The Hong Kong story
695
Gender and sexuality
696
IV. Recent changes in print culture and the advent of new media
By Michel Hockx
697
Changes in the domestic system of publishing
697
Cross-straits publishing and the international publishing rights trade
699
The global literary market
700
Contents
The new media
701
Discussion forums
702
Censorship
704
The relationship between Web Uterture and printed literature
704
Epilogue
·
Sinophone writings and the Chinese diaspora
706
JING TSU
Select Bibliography
715
Glossary
740
Index
769
The Cambridge History of Chinese Literature
gives an account
oř
3,000
years of Chinese
literature, accessible to non-specialist readers
as well as scholars and students of Chinese.
From the beginnings to the Chinese written
language to the lively world of internet
literature, these two volumes tell the story
of Chinese writing, both as an instrument of
the state and as a medium for culture outside
the state. These volumes treat not only poetry,
drama, and fiction, but early works of history
and the informal prose of later eras.
Volume II begins with the distinctive Ming
culture that emerged around
1400,
and
continues through the Qing (the Manchu
dynasty) all the way up to the present day.
This period saw an enormous diversity of
writing styles and forms that defied
traditional Chinese literary categories. This
new and comprehensive treatment covers
a wide range of topics, including political
censorship and literary creativity, changes in
print culture, dynastic transition, courtesans
pleasure quarters, and the rise of women
writers. Discussions of lyric poetry, drama,
prosimetric narrative, and the novel are
interspersed with in-depth examinations
of the complex world of diaspora, the
translation of Western literatures, modern
new fiction, and the advent of new media
from film adaptations to web literature.
Kang-i Sun Chang is Malcolm G.
Chace
Professor of East Asian Languages and
Literatures at Yale University.
Stephen Owen is James Bryant Conant
Professor of Chinese at Harvard University.
|
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| spelling | The Cambridge history of Chinese literature 2 From 1375 ed. by Kang-i Sun Chang ... 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2010 XXXI, 793 S. Ill. txt rdacontent n rdamedia nc rdacarrier Chinese literature History and criticism Chang, Kang-i Sun edt (DE-604)BV035831333 2 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018689865&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018689865&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The Cambridge history of Chinese literature Chinese literature History and criticism |
| title | The Cambridge history of Chinese literature |
| title_auth | The Cambridge history of Chinese literature |
| title_exact_search | The Cambridge history of Chinese literature |
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| title_sort | the cambridge history of chinese literature from 1375 |
| topic | Chinese literature History and criticism |
| topic_facet | Chinese literature History and criticism |
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