The Cambridge history of Chinese literature: 1 To 1375
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2010
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XXXII, 711 S. |
| ISBN: | 9780521855587 |
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| 245 | 1 | 0 | |a The Cambridge history of Chinese literature |n 1 |p To 1375 |c ed. by Kang-i Sun Chang ... |
| 250 | |a 1. publ. | ||
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Datensatz im Suchindex
| _version_ | 1804140793906069504 |
|---|---|
| adam_text | Contents
List of contributors page
xii
Preface
xvi
Acknowledgments
xix
Introduction
xx
ι
·
Early Chinese literature, beginnings through Western Han
ι
MARTIN KERN
I. The Chinese language and writing system
ι
II. Inscriptions on oracle bones and bronze artifacts
7
III. The Classic of Poetry
17
IV. The Airs and the early hermeneutic traditions
28
V. The royal speeches in the Classic of Documents
39
VI. Warring States narrative literature and rhetoric
43
VII.
The question of literacy
56
VIII.
The Han construction of Warring States textual lineages
60
IX. The texts of Warring States philosophical and political discourse
66
X. The Verses of
Chu
76
XI. The poetry of the early empire
86
XII.
Western Han historical and anecdotal narrative
99
XIII.
Qin and Western Han political and philosophical discourses
107
XIV.
The status of the Classics
111
Contenti
2 ·
From the Eastern Han through the Western Jin (ad
25-317) 116
DAVID R. KNECHTGES
I. Eastern Han literature
116
Overview
116
The Ban family and its contemporaries
¡29
The
Cui
family
130
Du Du
and Feng Yan
131
Huan Tan and Wang Chong
134
Two newly emerging prose genres: the inscription and admonition
138
The middle period of Eastern Han
140
Zhang
Heng
141
Ma Rong and
Cui Yuan
148
Two southerners: Wang Yi and Wang Yanshou
149
End of the Eastern Han yi
Late Eastern Han discourses
1џ
Zhao Yi
щ
Cai Yong
15y
Eastern Han poetry
160
II. The Jian an period
166
Overview
166
The literary salon in Ye
169
Cao Zhi
and
Cao Pi
172
III. The Zhengshi period
176
Overview
176
The Seven Worthies of the Bamboo Grove
177
Ruanji
177
Xi
Kang
180
IV. Western Jin literature
182
Overview
182
Pan Yue
186
LuJiandLuYun
188
Zhang Xie, Zuo Si, and Zuo Fen
189
WesternJin^U
192
Liu
Kun,
Lu
Chen, and the transition to the Eastern Jin
195
3 ·
From the Eastern Jin through the early Tang
(317-649) 199
XIAOFEI
TIAN
I. Literature of the fourth century
199
The Eastern Jin
(317-420):
an overview
îgg
Social uses of literature
203
Accounts
210
Introspective landscape: poetry and prose
213
Contents
Other topics of poetry and
fu
217
The yuefu songs
217
Literary criticism
218
Tao Yuanming
219
Literature of the Sixteen Kingdoms
222
II. Literature in the south: the fifth century
226
An overview:
420—479 226
Writings and social life
232
Xie Lingyun
234
Yan Yanzhi
238
Bao
Zhao and Jiang Yan
238
Liu Yiqing and his literary entourage
241
The rise of the literary quatrain
242
The Yongming generation
244
III. Literature in the south: the sixth century
249
The rule of Emperor Wu and the rise of a cultural elite
249
Literary production: catalogues, encyclopedias, anthologies
253
Literary criticism
24η
Palace-style poetry
261
Other literary forms
264
The cultural construction of the north and south
266
Trauma and diaspora: writing the fall of the south 26S
The aftermath
270
IV. The northern court: early fifth through early seventh centuries
271
An overview
271
Northern literature in the fifth and sixth centuries
277
From Emperor Yang to Emperor Taizong
283
4 ■
The cultural Tang
(650-1020) 286
STEPHEN OWEN
Overview
286
I. The age of Empress Wu
(650-712) 293
II. The reign of Emperor Xuanzong: the High Tang
(712-755) 304
III. Buddhist writing
31η
IV. After the rebellion
(756-791) 320
V. The mid-Tang generation
(792-820) 330
VI. Last flowering
(821-860) 346
VII.
The fall of the Tang and the age of regional states
(861-960) 358
Contents
VIII.
The new dynasty
(960-1020) 366
IX. Dunhuang narratives (WILT IDEMA)
373
5 ·
The Northern Song (1020-1126)
381
RONALD EGAN
Overview 3S1
I.
Mei
Yaochen, Ouyang Xiu, and the emergence of a new poetic style 3S4
II. Ouyang Xiu and literary prose
393
III. Wang Anshi, the political reformer as poet
399
IV.
Su
Shi
410
V. Huang Tingjian and the Jiangxi School of poetry 41S
VI. Buddhism and poetry
42}
VII.
Poems on paintings
432
VIII.
The song lyric
434
Zhang Xian, Yan Shu
439
Liu Yong s controversial synthesis
441
Ouyang Xiu
442
Su
Shi and the
tum
away from the feminine
444
The beginnings of song lyric criticism
447
Zhou Bangyan
450
IX. Nonliterary
prose
453
Miscellanies and anecdotal collections
454
Remarks on poetry
460
Connoisseur literature
461
Informal letters
463
6 ■
North and south: the twelfth and thirteenth centuries 46J
MICHAEL A. FULLER AND SHUEN-FU LIN
I. Literature in the age of China turning inward (SHUEN-FU LIN)
465
The Northern Song s fall to the Jurchens
465
China turning inward
466
The impact of the Northern Song s fall on learning and literature
468
II. Literature and the Way: the impact of Daoxue (MICHAEL A. FULLER)
476
The Daoxue critique of embellished language
477
A literature of inferiority and the counter-movement outward 4&0
Contents
The early years: the convergence of aesthetic and philosophical issues in Yang Wanli
and
Lu
You
482
The early years: Zhu
Xi
and the transparency of texts 4S7
The early thirteenth century: taking positions on principle
490
The later years of the Southern Song: a poetics of the moral self
494
III. The social world of literature: groups and clubs and the impact
of printing (MICHAEL A. FULLER)
498
Printing and examination culture
499
Public and private printing in Southern Song China
500
Poetic style and the literary elite
¡03
Poetic groups: the social organization of style
505
IV. Elite literature of the Jin dynasty to 1214 (MICHAEL A. FULLER)
507
The early Jin: borrowing talent from another dynasty
509
The middle period: the reigns of Emperor Shizong and Emperor Zhongzong:
the historical and cultural contexts ju
Writing during Emperor Shizong s and Emperor Zhongzong s reigns
514
V. Professionalism and the craft of song(SHUEN-FU LIN)
џо
Classical poetry
520
Song lyric
ЯЗ
Prose
Ј31
VI. The pleasures of the city (SHUEN-FU LIN)
¡33
Urban development during the Southern Song
¡33
Depiction of urban life in literature
534
Entertainments in the Song city
540
VII.
The fall of the Southern Song (SHUEN-FU LIN)
¡42
The Mongol conquest of the Southern Song
542
Literati-turned-warriors
545
The variety of Song loyalist writers
547
Remembrance and criticism of Song culture jjo
7 ■
Literature from the late Jin to the early Ming: ca 1230-ca
1375 #7
STEPHEN H. WEST
Overview
#7
I. Northern writing to
1300 ¡6;
II. Southern writing to
1300 575
III. The Four Masters of Yuan Poetry
586
IV. Foreign writers
592
Contents
V. Poetry to
1375 599
VI. A
note on the
fii
613
VII.
Colloquial literature in the Yuan
619
VIII.
Sanqu: a new form of hybrid poetry
63
IX. Epilogue
649
Select bibliography
651
Glossary
660
Index
691
The Cambridge History of Chinese Literature
gives an account of
3,000
years of Chinese
literature, accessible to non-specialist readers
as well as scholars and students of Chinese.
From the beginnings of the Chinese written
language to the lively world of internet
literature, these two volumes tell the story
of Chinese writing, both as an instrument of
the state and as a medium for culture outside
the state. These volumes treat not only poetry,
drama, and fiction, but early works of history
and the informal prose of later eras.
The first volume begins with the question of
the Chinese written language and the earliest
inscriptions, dating from the late second
millennium
ВС.
In doing so, it traces the
beginnings of one of the longest continuous
literary traditions in the world. By the end
of the period, there was a fully evolved
commercial print culture, encompassing
writing in both the older classical language
and an emerging urban vernacular. The
chapters in this volume chart the rise and
fall of major dynasties and the role of the
court in literary production, the cultural
influences of other Asian countries, including
the introduction of Buddhism, and the social
and material contexts of the most important
authors. The contributors keep in mind
the traditions that preserved classical texts
as much as the conditions that originally
produced them.
Kang-i Sun Chang is Malcolm G.
Chace
Professor of East Asian Languages and
Literatures at Yale University.
Stephen Owen is James Bryant Conant
Professor of Chinese at Harvard University.
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| spellingShingle | The Cambridge history of Chinese literature Chinese literature History and criticism |
| title | The Cambridge history of Chinese literature |
| title_auth | The Cambridge history of Chinese literature |
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| title_full | The Cambridge history of Chinese literature 1 To 1375 ed. by Kang-i Sun Chang ... |
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| title_sort | the cambridge history of chinese literature to 1375 |
| topic | Chinese literature History and criticism |
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