Women on the edge: twelve political film practices

"Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, Sharon Lin Tay argues that contemporary women's cinema must exceed the personal to be...

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Bibliographische Detailangaben
1. Verfasser: Tay, Sharon Lin 1976- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: New York [u.a.] Palgrave Macmillan 2009
Ausgabe:1. publ.
Schlagworte:
Zusammenfassung:"Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, Sharon Lin Tay argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent"--Provided by publisher
Beschreibung:Includes bibliographical references and index
Machine generated contents note: Introduction: A Revised Women's Cinema Through Lynn Hershmann-Leeson's Cyberfeminist Interventions -- PART I On the Edges of the Authorial Voice: Liv Ullmann's Faithless, Gendered Authorship, and Ingmar Bergman -- On the Edges of the Documentary: Jill Craigie's Political and Aesthetic Sensibilities -- On the Edges of Ethnography: Kim Longinotto's Institution of Feminist Discourses -- On the Edges of Art Cinema: Sally Potter and the Feminist Response -- PART II On the Edges of Postcolonialism: Deepa Mehta and Transnational Cinema -- On the Edges of National Cinema: Sofia Coppola and Female Authorship -- On the Edges of Geopolitics: Sexual Difference in Ursula Biemann's Video Essays -- Conclusion: Vignettes of A New Feminist Politique: Gisela Sanders Alcntara, Guo Xiaolu, Christina McPhee, Liz Miller
Beschreibung:XI, 211 S. Ill. 23 cm

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