Parlar cantando: the practice of reciting verses in Italy from 1300 to 1600
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bern [u.a.]
Lang
2009
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVIII, 395 S. Ill., Notenbeisp. |
| ISBN: | 9783039116706 |
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Datensatz im Suchindex
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46 CONTENTS LIST OF FIGURES XI ABBREVIATIONS XV PREFACE XVII
INTRODUCTION: UNRAVELLING THE MYSTERY BEHIND "THE SEA OF SILENCE AND
OBSCURITY" 1 PART I. PARLAR CANTANDO - HISTORY, PRACTICE AND THEORY
CHAPTER 1. POETRY RECITATION IN THE ITALIAN TRECENTO 13 1.1 PERSONAL
LETTERS MEANT TO BE SUNG 15 1.1.1 THE BUFFONE MALIZIA 15 1.1.2 MALIZIA'S
MANNER OF SINGING 20 1.2 POLITICAL PREDICTIONS MEANT TO BE SUNG 22 1.2.1
THE UNUSUAL CONTENT OF THE CONTRASTO 23 1.2.2 PARLAR CANTANDO AS A
TRECENTO TERM 26 1.3 RELATIONS BETWEEN POETS AND PROLATORES 26 1.3.1
DANTE AND LIPPO 29 1.3.2 DANTE AND CASELLA 34 1.3.3 FRANCESCO DI
VANNOZZO, PETRARCH AND CONFORTINO 36 1.3.4 FRANCO SACCHETTI'S
CORRESPONDENCE WITH OTTOLINO DA BRESCIA AND FRANCESCO LANDINI: A SPECIAL
CASE 38 1.4 THE MAIN CHARACTERISTIC OF IHEPROLATOR 41 1.4.1 MUSICA NATUR
ALLS AND MUSICA ARTIFICIALIS: TWO DIFFERENT CONCEPTS BY EUSTACHE
DESCHAMPS AND JOHANNES CICONIA 41 1.4.2. MUSICUS, CANTOR AND PROLATOR
BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/996392998 DIGITALISIERT
DURCH 1.5 THE PROLATORES AS PROTAGONISTS OF LITERARY SOURCES 49 1.5.1
TWO PERFORMERS IN FRANCO SACCHETTI'S NOVELLAS 49 1.5.2 THE BUFFONE
ASPROLATOR 51 CHAPTER 2. DIFFERENT TYPES OF MUSIC FOR DELIVERING POETRY
59 2.1 "BARE" POETRY, "DRESSED" POETRY 59 2.2 CANTIO, CONSONIUM, SONUS,
SONETUS: GENERAL TERMS FOR POETRY 64 2.2.1 DANTE'S DOCTRINE REGARDING
THE TERM CANTIO 64 2.2.2 FRANCESCO DA BARBERINO: DIFFERENT TYPES OF SOW
67 2.2.2.1 DICHOTOMY: SONUS PRECOMPOSITUS AND SONUS FABRICANS 67 2.2.2.2
SOME EXAMPLES OF THE DESIRE FOR NEW MELODIES .70 2.2.3 ANTONIO DA
TEMPO'S SONETUS AS A GENERAL TERM OF POETRY 73 2.3. THE GENRES THAT
DERIVE THEIR NAME FROM NOMEN SONI 75 2.3.1 BALLATA, CANZONE, SONUS:
THREE NAMES FOR THE SAME GENRE 75 2.3.2 SONUS AND SONETUS: THE
TRANSITION FROM MULTI-STANZAS TO SINGLE-STANZA FORMS 77 2.3.3 THE ORDER
OF THE GENRES IN THE ANONYMOUS CAPITULUM DE VOCIBUS APPLICATIS VERBIS
AND ITS SIGNIFICANCE 81 2.4 SONNET AND SONUS: GENRES FOR PROLATORES 3.2
ON THE PARAMETERS THAT UNDERWENT MUTATIONS 109 3.2.1 CHANGES IN THE
SERVENTESE AND MOTUS CONFECTUS 109 3.2.2 THE MADRIGAL, FROM RUSTIC
PRACTICE TO PROFESSIONALISM 112 3.3 MUSICAL CHARACTERISTICS OF THE
MADRIGAL 116 3.3.1 CANTUS CUM VERBIS AND SONUS PULCHER - IS THERE A
DIFFERENCE? 116 3.3.2 CANTUS METRICUS AND CANTUSPROSAICUS 119 3.3.3
PARTES RUSTICALES AND SONUS PULCHER IN THE MUSICAL STRUCTURE OF THE
WRITTEN MADRIGAL 124 CHAPTER 4. VERSE RECITING AS SCHOLARLY DISCIPLINE
127 4.1 SCANSIO AND THE PROBLEM OF THE CORRECT NUMBER OF SYLLABLES. 127
4.1.1 WHAT IS SCANSIOL 127 4.1.2 "TRAPS" IN SYLLABLE CALCULATION 130
4.1.3 DOTS THAT INDICATE ELIMINATED VOWELS AS A HELPFUL MEANS FOR
COUNTING SYLLABLES 138 4.1.4 CORRECT SCANSIO AS A CRITERION OF
PROFESSIONALISM 139 4.2 THE PEDAGOGY OF VERSE MAKING: DA TEMPO' SUMMA AS
A HANDBOOK 140 4.2.1 THE DIDACTIC VERSIONS OF THE SUMMA 141 4.2.2
VERNACULARIZATION OF ANTONIO DA TEMPO'S SUMMA 5.1.2 THE ACCENTS 175
5.1.3 THE CAESURA 179 5.1.4 THE SCANSION OF FRANCESCO LANDINI'S MADRIGAL
MUSICA SON 182 5.2 THE STRUCTURE OF VERSE IN SIXTEENTH-CENTURY THEORY
184 5.2.1 THE CONTINUITY OF THE TRECENTO LINE IN SIXTEENTH-CENTURY
VERSIFICATION THEORY 185 5.2.2 THE XENO.PARLAR (RECITAR) CANTANDO IN
LITERARY TREATISES 188 5.2.3 PROSODIE ELEMENTS OF THE HENDECASYLLABLE
193 5.2.3.1 THE DEFINITION OF THE HENDECASYLLABLE IN TERMS OF
ACCENTUATION 194 5.2.3.2 CLASSIFICATION OF THE ACCENTS 197 5.2.3.3 THE
CAESURA 200 5.2.3.4 THE SYNALEPHA AND ELISION 203 5.2.4 THE SONORITY OF
THE HENDECASYLLABLE AND THE MUSIC OF ACCENTS 209 5.2.5 THE MAESTRI DEL
DIRE AND THE STUDENTS 215 5.3 THE PRACTICE OF RECITAR CANTANDO OF VERSES
AND ITS REFLECTION IN THE MUSICAL PRACTICE AROUND 1600 219 5.3.1 WHAT
TYPE OF MUSIC DEMONSTRATES THE PRACTICE OF VERSE RECITATION? 219 5.3.2
SCANSION IN ORFEO'S ARIA POSSENTE SPIRTO, BY MONTEVERDI 223 5.3.3 "THE
SOUND OF THE WORDS" AND THE RHYTHMIC PLAN OF THE VERSE 228 5.4. THE END
OF PARLAR CANTANDO 230 PART *. TRACES OF THE PRACTICE OI PARLAR CANTANDO
IN TRECENTO WRITTEN MUSIC CHAPTE 6.1.3 ENJAMBMENT IN VERSE AND IN MUSIC
247 6.1.3.1 HISTORICAL AND THEORETICAL ASPECTS 247 6.1.3.2 ENJAMBMENT IN
SOME MUSICAL COMPOSITIONS OF THE TRECENTO 250 6.2. RESPECTED AND
NEGLECTED VERSE STRUCTURE IN THE MUSICAL SETTING 255 6.2.1. PROSODIE
RHYTHMS IN SOME OF GIOVANNI DA FIRENZE'S MADRIGALS 255 6.2.2. IRREGULAR
PAUSES IN THE MUSIC 258 6.2.3. SACCHETTI'S STORY: GALLOPING AND POPULAR
SINGING TRADITION 262 CHAPTER 7. TEXT UNDERLAY IN MANUSCRIPTS OF
TRECENTO MUSIC 265 7.1. DIFFICULTIES IN THE ANALYZING THE CONNECTION
BETWEEN POETIC TEXT AND MUSIC 265 7.1.1. TECHNICAL PROBLEMS OF TEXT
WRITING 265 7.1.2. TWO VERSIONS OF LANDINI'S MADRIGAL FA METTER BANDO.
267 7.1.3. LANDINI'S BALLATA FORTUNA RIA 270 7.2. SCANSIO AS A TOOL FOR
CORRECT TEXTING 274 7.2.1. FA METTER BANDO REVISITED 275 7.2.2. SCANSIO
IN FORTUNA RIA 278 7.3. THE COPYING PROCESS: WHAT CAME FIRST? MUSIC OR
TEXT? 281 7.3.1. THE COPYING ORDER IN CODEX SQUARCIALUPI 281 7.3.2.
EXCEPTIONAL CASES OF TEXT UNDERLAY IN SOME TRECENTO MANUSCRIPTS 284 7.4.
DIVISION SIGNS IN THE COPYING OF POETIC TEXTS 291 7.4.1. CODEX
PANCIATICHI 26: THE "LINER" AND THE "POINTER" .291 7.4.2 TEXT-DIVISION
SIGNS IN CODEX SQUARCIALUPI 296 7.4.3 8.1.3. DOUBLE UNDERWRITING OF TEXT
IN SOME BALLATAS IN SQUARCIALUPI 312 8.2. SPECIAL CASES OF FULL
UNDERSCORING OF THE POETIC TEXT 317 CONCLUSIONS AND PROSPECTS 325
BIBLIOGRAPHY 329 APPENDICES 351 APPENDIX 1 THE POEM SE LA MIA MENTE,
FRATE MIO, NON FALLA BY GIDINO DA SOMMACAMPAGNA FROM HIS TREATISE DE LI
CONTRASTI. 353 APPENDIX 2 THE SONNET BY NICCOLO DE' ROSSI IO VIDI OMBRE
357 APPENDIX 3 GRAPHIC DESIGN OF THE BALLATA AND SONUS FORMS,
CONSTRUCTED ON THE BASIS OF THE DESCRIPTION IN THE CAPITULUM 361
APPENDIX 4 ANGELO POLIZIANO'S LETTER TO GIOVANNI PICO DELLA MIRANDOLA
363 APPENDIX 5 A FULL INVENTORY OF THE POINTER'S AND LINER'S WORK IN THE
CODEX PANCIATICHI 26 369 APPENDIX 6 INVENTORY OF COMPOSITIONS WITH
DOUBLE UNDERSCORING OF THE POETIC TEXT IN THE CODEX SQUARCIALUPI 379 X |
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| author | Abramov-van Rijk, Elena |
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| discipline | Romanistik Musikwissenschaft |
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| geographic | Italien Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien |
| id | DE-604.BV035813330 |
| illustrated | Illustrated |
| indexdate | 2025-01-02T17:13:57Z |
| institution | BVB |
| isbn | 9783039116706 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018672210 |
| oclc_num | 436945980 |
| open_access_boolean | |
| owner | DE-384 DE-19 DE-BY-UBM DE-12 DE-355 DE-BY-UBR DE-11 DE-20 DE-703 DE-473 DE-BY-UBG DE-B170 |
| owner_facet | DE-384 DE-19 DE-BY-UBM DE-12 DE-355 DE-BY-UBR DE-11 DE-20 DE-703 DE-473 DE-BY-UBG DE-B170 |
| physical | XVIII, 395 S. Ill., Notenbeisp. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Lang |
| record_format | marc |
| spelling | Abramov-van Rijk, Elena Verfasser (DE-588)13992857X aut Parlar cantando the practice of reciting verses in Italy from 1300 to 1600 Elena Abramov-van Rijk Bern [u.a.] Lang 2009 XVIII, 395 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Geschichte 1400-1500 Geschichte 1500-1600 Geschichte 1300-1600 gnd rswk-swf Italian poetry 15th century History and criticism Italian poetry 16th century History and criticism Italian poetry To 1400 History and criticism Versification Vocal music Italy 15th century History and criticism Vocal music Italy 16th century History and criticism Vocal music Italy 500-1400 History and criticism Lyrik (DE-588)4036774-5 gnd rswk-swf Vokalmusik (DE-588)4063783-9 gnd rswk-swf Deklamation (DE-588)4149028-9 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Vokalmusik (DE-588)4063783-9 s Lyrik (DE-588)4036774-5 s Deklamation (DE-588)4149028-9 s Geschichte 1300-1600 z DE-604 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018672210&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Abramov-van Rijk, Elena Parlar cantando the practice of reciting verses in Italy from 1300 to 1600 Italian poetry 15th century History and criticism Italian poetry 16th century History and criticism Italian poetry To 1400 History and criticism Versification Vocal music Italy 15th century History and criticism Vocal music Italy 16th century History and criticism Vocal music Italy 500-1400 History and criticism Lyrik (DE-588)4036774-5 gnd Vokalmusik (DE-588)4063783-9 gnd Deklamation (DE-588)4149028-9 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4063783-9 (DE-588)4149028-9 (DE-588)4027833-5 |
| title | Parlar cantando the practice of reciting verses in Italy from 1300 to 1600 |
| title_auth | Parlar cantando the practice of reciting verses in Italy from 1300 to 1600 |
| title_exact_search | Parlar cantando the practice of reciting verses in Italy from 1300 to 1600 |
| title_full | Parlar cantando the practice of reciting verses in Italy from 1300 to 1600 Elena Abramov-van Rijk |
| title_fullStr | Parlar cantando the practice of reciting verses in Italy from 1300 to 1600 Elena Abramov-van Rijk |
| title_full_unstemmed | Parlar cantando the practice of reciting verses in Italy from 1300 to 1600 Elena Abramov-van Rijk |
| title_short | Parlar cantando |
| title_sort | parlar cantando the practice of reciting verses in italy from 1300 to 1600 |
| title_sub | the practice of reciting verses in Italy from 1300 to 1600 |
| topic | Italian poetry 15th century History and criticism Italian poetry 16th century History and criticism Italian poetry To 1400 History and criticism Versification Vocal music Italy 15th century History and criticism Vocal music Italy 16th century History and criticism Vocal music Italy 500-1400 History and criticism Lyrik (DE-588)4036774-5 gnd Vokalmusik (DE-588)4063783-9 gnd Deklamation (DE-588)4149028-9 gnd |
| topic_facet | Italian poetry 15th century History and criticism Italian poetry 16th century History and criticism Italian poetry To 1400 History and criticism Versification Vocal music Italy 15th century History and criticism Vocal music Italy 16th century History and criticism Vocal music Italy 500-1400 History and criticism Lyrik Vokalmusik Deklamation Italien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018672210&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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