Scotland: global cinema: genres, modes and identities
What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspot...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2009
|
| Schlagworte: | |
| Zusammenfassung: | What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | IX, 254 S. Ill. 24 cm |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV035794995 | ||
| 003 | DE-604 | ||
| 005 | 20091123 | ||
| 007 | t | ||
| 008 | 091028s2009 a||| |||| 00||| eng d | ||
| 015 | |a GBA974422 |2 dnb | ||
| 020 | |z 9780748633913 (hbk.) |9 978-0-7486-3391-3 (hbk.) | ||
| 020 | |z 074863391X (hbk.) |9 0-7486-3391-X (hbk.) | ||
| 035 | |a (OCoLC)320798870 | ||
| 035 | |a (DE-599)BVBBV035794995 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 |a DE-29 | ||
| 050 | 0 | |a PN1993.5.G7 | |
| 082 | 0 | |a 791.4309411 |2 22 | |
| 084 | |a AP 59730 |0 (DE-625)7794:688 |2 rvk | ||
| 100 | 1 | |a Martin-Jones, David |d 1974- |e Verfasser |0 (DE-588)138203725 |4 aut | |
| 245 | 1 | 0 | |a Scotland: global cinema |b genres, modes and identities |c David Martin-Jones |
| 264 | 1 | |a Edinburgh |b Edinburgh Univ. Press |c 2009 | |
| 300 | |a IX, 254 S. |b Ill. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland. | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1993-2007 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Motion pictures / Scotland / History / 20th century | |
| 650 | 4 | |a Motion pictures / Scotland / History / 21st century | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Motion picture industry |z Scotland |x History | |
| 650 | 4 | |a Motion pictures |z Scotland |x History | |
| 650 | 0 | 7 | |a Filmproduktion |0 (DE-588)4124971-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Schottland | |
| 651 | 7 | |a Schottland |0 (DE-588)4053233-1 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Schottland |0 (DE-588)4053233-1 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Geschichte 1993-2007 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Schottland |0 (DE-588)4053233-1 |D g |
| 689 | 1 | 1 | |a Filmproduktion |0 (DE-588)4124971-9 |D s |
| 689 | 1 | 2 | |a Geschichte 1993-2007 |A z |
| 689 | 1 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-018654241 | ||
Datensatz im Suchindex
| _version_ | 1804140738009628672 |
|---|---|
| any_adam_object | |
| author | Martin-Jones, David 1974- |
| author_GND | (DE-588)138203725 |
| author_facet | Martin-Jones, David 1974- |
| author_role | aut |
| author_sort | Martin-Jones, David 1974- |
| author_variant | d m j dmj |
| building | Verbundindex |
| bvnumber | BV035794995 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.G7 |
| callnumber-search | PN1993.5.G7 |
| callnumber-sort | PN 41993.5 G7 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 59730 |
| ctrlnum | (OCoLC)320798870 (DE-599)BVBBV035794995 |
| dewey-full | 791.4309411 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4309411 |
| dewey-search | 791.4309411 |
| dewey-sort | 3791.4309411 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1993-2007 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1993-2007 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03533nam a2200577 c 4500</leader><controlfield tag="001">BV035794995</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20091123 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">091028s2009 a||| |||| 00||| eng d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBA974422</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780748633913 (hbk.)</subfield><subfield code="9">978-0-7486-3391-3 (hbk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">074863391X (hbk.)</subfield><subfield code="9">0-7486-3391-X (hbk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)320798870</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV035794995</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-29</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1993.5.G7</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4309411</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 59730</subfield><subfield code="0">(DE-625)7794:688</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Martin-Jones, David</subfield><subfield code="d">1974-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138203725</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Scotland: global cinema</subfield><subfield code="b">genres, modes and identities</subfield><subfield code="c">David Martin-Jones</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh Univ. Press</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">IX, 254 S.</subfield><subfield code="b">Ill.</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1993-2007</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Scotland / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Scotland / History / 21st century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture industry</subfield><subfield code="z">Scotland</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Scotland</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmproduktion</subfield><subfield code="0">(DE-588)4124971-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Schottland</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Schottland</subfield><subfield code="0">(DE-588)4053233-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Schottland</subfield><subfield code="0">(DE-588)4053233-1</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1993-2007</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Schottland</subfield><subfield code="0">(DE-588)4053233-1</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Filmproduktion</subfield><subfield code="0">(DE-588)4124971-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1993-2007</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-018654241</subfield></datafield></record></collection> |
| geographic | Schottland Schottland (DE-588)4053233-1 gnd |
| geographic_facet | Schottland |
| id | DE-604.BV035794995 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:04:44Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018654241 |
| oclc_num | 320798870 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-29 |
| owner_facet | DE-12 DE-11 DE-29 |
| physical | IX, 254 S. Ill. 24 cm |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Edinburgh Univ. Press |
| record_format | marc |
| spelling | Martin-Jones, David 1974- Verfasser (DE-588)138203725 aut Scotland: global cinema genres, modes and identities David Martin-Jones Edinburgh Edinburgh Univ. Press 2009 IX, 254 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland. Geschichte 1900-2000 Geschichte 1993-2007 gnd rswk-swf Motion pictures / Scotland / History / 20th century Motion pictures / Scotland / History / 21st century Film Geschichte Motion picture industry Scotland History Motion pictures Scotland History Filmproduktion (DE-588)4124971-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Schottland Schottland (DE-588)4053233-1 gnd rswk-swf Schottland (DE-588)4053233-1 g Film (DE-588)4017102-4 s Geschichte 1993-2007 z DE-604 Filmproduktion (DE-588)4124971-9 s |
| spellingShingle | Martin-Jones, David 1974- Scotland: global cinema genres, modes and identities Motion pictures / Scotland / History / 20th century Motion pictures / Scotland / History / 21st century Film Geschichte Motion picture industry Scotland History Motion pictures Scotland History Filmproduktion (DE-588)4124971-9 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4124971-9 (DE-588)4017102-4 (DE-588)4053233-1 |
| title | Scotland: global cinema genres, modes and identities |
| title_auth | Scotland: global cinema genres, modes and identities |
| title_exact_search | Scotland: global cinema genres, modes and identities |
| title_full | Scotland: global cinema genres, modes and identities David Martin-Jones |
| title_fullStr | Scotland: global cinema genres, modes and identities David Martin-Jones |
| title_full_unstemmed | Scotland: global cinema genres, modes and identities David Martin-Jones |
| title_short | Scotland: global cinema |
| title_sort | scotland global cinema genres modes and identities |
| title_sub | genres, modes and identities |
| topic | Motion pictures / Scotland / History / 20th century Motion pictures / Scotland / History / 21st century Film Geschichte Motion picture industry Scotland History Motion pictures Scotland History Filmproduktion (DE-588)4124971-9 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures / Scotland / History / 20th century Motion pictures / Scotland / History / 21st century Film Geschichte Motion picture industry Scotland History Motion pictures Scotland History Filmproduktion Schottland |
| work_keys_str_mv | AT martinjonesdavid scotlandglobalcinemagenresmodesandidentities |