Music in western civilization:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston [u.a.]
Schirmer Cengage Learning
2010
|
| Ausgabe: | Media update |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Accompanied by a companion web site. Includes bibliographical references (p. [827]-828) and index |
| Beschreibung: | xl, 871 S. Ill., Kt., Notenbeisp. 29 cm |
| ISBN: | 9781439041277 |
Internformat
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| 100 | 1 | |a Wright, Craig M. |d 1944- |e Verfasser |0 (DE-588)132104830 |4 aut | |
| 245 | 1 | 0 | |a Music in western civilization |c Craig Wright, Bryan Simms |
| 250 | |a Media update | ||
| 264 | 1 | |a Boston [u.a.] |b Schirmer Cengage Learning |c 2010 | |
| 300 | |a xl, 871 S. |b Ill., Kt., Notenbeisp. |c 29 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Accompanied by a companion web site. | ||
| 500 | |a Includes bibliographical references (p. [827]-828) and index | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804140719717220352 |
|---|---|
| adam_text | BRIEF CONTENTS
ANTIQUITY AND THE MIDDLE AGES
1
Music in Ancient Greece
4
2
Antiquity to the Middle Ages: Music in Rome,
Jerusalem, and the Early Christian World
14
3
Chant in the Monastery and Convent
19
4
Music Theory in the Monastery: John of St. Gall
and Gu
ido
of Arezzo
31
5
Later Medieval Chant: Tropes, Sequences, and the
Liturgical Drama of
Hildegard
of Bingen
38
6
Troubadours and
Trouvères
45
7
Early Polyphony
52
8
Music in Medieval Paris: Polyphony at Notre Dame
57
9
Music in the Cathedral Close and University:
Conductus and Motet
66
10
In the Parisian Master s Study: Music Theory of the
Ars Antiqua
and
Ars
Nova
75
11
Music at the Court of the French Kings: The
Ars
Nova
81
12
Fourteenth-Century Music in Reims:
Guillaume de
Machaut 88
13
Avignon, Symbolic Scores, and the
Ars Subtilior 96
Musical Interlude
1
From Medieval Manuscript to
Modern Performance
102
II
THE LATE MIDDLE AGES AND EARLY RENAISSANCE
14
Music in Florence,
1350-1450 110
15
Music at the Cathedral of Florence
117
16
Music in England
121
17
Music at the Court of Burgundy
130
18
Music at the French Royal Court
139
19
Music in the Low Countries
147
w
ΙΠ
THE LATE RENAISSANCE
Musical Interlude
2
Musical Humanism and the
24
Renaissance
156
20
Popular Music in Florence,
1475-1540:
Carnival Song
25
and
Lauda, Frottola,
and Early Madrigal
158
21
Josquin
des Prez
and Music in
Ferrara
167 26
Musical Interlude
3
Music Printing in the
Renaissance
174 27
22
Music in Renaissance Paris
177
23
Renaissance Instruments and Instrumental Music
186 28
Musical Interlude
4
Music Theory in the
Renaissance
196
Music in Three German Cities: The Protestant-
Catholic Confrontation
201
Rome and the Music of the
Counter-Reformation
214
Music in Elizabethan England: Early Vocal
Music
221
Music in Elizabethan England: Instrumental Music
and Later Vocal Music
229
The Later Madrigal in
Ferrara
and Mantua: Gesualdo
and Monteverdi
235
BAROQUE MUSIC
29
Early Baroque Music
246
30
The Birth of Opera: Horence, Mantua, and Venice
252
31
The Concerted Style in Venice and Dresden
264
32
Religious Music in Baroque Rome
275
Musical Interlude
5
A Baroque Christmas in the Andes
of South America
288
33
Instrumental Music in Italy
291
34
Instrumental Music in Germany and Austria
306
35
Music in Paris and at the Court of Versailles: Vocal
Music
320
36
Music in Paris and at the Court of Versailles:
Instrumental Music
330
Musical Interlude
6
From Ancient to Modern: Aspects
of Baroque Music Theory
339
37
Music in London: Henry
Purceii
343
38
Music in London: George
Frideric
**■ -
Handel
351
І39
Johann
Sebastian Bach: Instrumental Music in
Weimar and
Cöthen
362
40
Johann
Sebastian Bach: Vocal Music in Leipzig
374
VÍ
BRIEF CONTENTS
a
V THE ENLIGHTENMENT AND THE CLASSICAL ERA
41
Music in the Age of Enlightenment: Opera
388
42
Music in the Age of Enlightenment: Orchestral
Music
400
43
Music in the Age of Enlightenment: Keyboard
Music
407
44
Classical Music in Vienna
418
45
Joseph Haydn: Instrumental Music
428
46
Joseph Haydn: Late Symphonies and Vocal Music
439
47
Wolfgang
Amadeus
Mozart: Instrumental Music
446
48
Wolfgang
Amadeus
Mozart: Vocal Music
459
49
The Early Music of Beethoven
469
50
Beethoven s Middle Period:
1802-1814 480
51
After the Congress of Vienna: Beethoven s Late
Music
491
(M*t
VI
THE ROMANTIC PERIOD
Musical Interlude
7
Romanticism
500 59
52
Franz Schubert
501
53
Music in Paris Under Louis Philippe: Berlioz and
60
Chopin
512
54
Leipzig and the
Gewandhaus:
Felix Mendelssohn and
61
the
Schumanns 526
55
German Opera of the Nineteenth Century: Weber
62
and Wagner
537
56
Opera in Italy: Rossini and Verdi
548 63
57
Nationalism and Virtuosity: Franz Liszt
556
58
Music in Vienna and Prague: Brahms, Bruckner, and
Dvořák
566
Music and Ballet in Nineteenth-Century Russia:
Mussorgsky and Tchaikovsky
576
Vienna at the Turn of the Twentieth Century:
Gustav
and Alma Mahler
585
England at the End of the Romantic Period: Elgar and
Vaughan Williams
594
Opera in Milan after Verdi: Puccini, Toscanini, and
Verismo
601
Paris in the Belle
Époque:
Debussy,
Faúré,
and
Lili
Boulanger
cwł
VII
THE EARLY TWENTIETH CENTURY
Musical Interlude
8
Music After
1900 620
64
Richard Strauss in Berlin
621
65
Music in Russia During the Silver Age: Igor
Stravinsky
628
66
Atonality:
Schoenberg
and Scriabin
639
67
French Music at the Time of World War I: Ravel and
Satie
649
68
New Music in Paris after World War I: Stravinsky and
The Six
655
69
Vienna in the Aftermath of War: Twelve-Tone
Methods
662
70
Musical Theater in Germany in the
1920s:
Berg and
Weill
673
682
71
Béla Bartók
and Hungarian Folk Music
72
Early Jazz
689
73
Paul Hindemith and Music in Nazi Germany
74
Music in Soviet Russia: Prokofiev
and Shostakovich
707
75
Self-Reliance in American Music: Ives, Seeger,
Nancarrow
717
76
Copland, Barber, and Composers in Latin
America
729
Musical Interlude
9
Music in the Movies
740
77
Tin Pan Alley and the Broadway Musical
743
698
W
VIII
CONTEMPORARY MUSIC
Musical Interlude
10
After World War II
756
78
Reflections on War: Britten, Penderecki, and
Others
757
79
Twelve-Tone Music and Serialism after
World War II
767
80
Alternatives to Serialism: Chance, Electronics,
Textures
778
81
Harlem in the
1930s, 1940s,
and
1950s:
Big Bands,
Bebop, and Cool Jazz
788
Musical Interlude
11
The Birth of Rock
796
82
Music in the
1960s
and
1970s:
Live Processes,
Minimalism, Metric Modulations
798
83
Returning to the Known: Music of the Recent
Past
809
DETAILED CONTENTS
Preface
xxxv
ANTIQUITY AND THE MIDDLE AGES
A Music in Ancient Greece
4
Music in Greek Society
5
LISTENING CUE Euripides, Orestes, Stasimon Chorus
(fragment)
6
LISTENING CUE
Seikilos, Skolion
or Epitaph, As long
as you live
7
The Nature of Greek Music
8
Music in Greek Philosophy
9
Greek Music Theory
10
Summary
13
Key Terms
14
JL Antiquity to the Middle Ages: Music in
Rome, Jerusalem, and the Early
Christian World
14
Rome
14
Jerusalem and the Rise of Early Christian Music
16
Regional Dialects of Chant Emerge
17
Summary
19
Key Terms
19
ó
Chant in the Monastery
and Convent
19
The Monastery of St. Gall, Switzerland
21
The Canonical Hours: The Work of the Lord
Gregorian Chant in the Monastery
23
Gregorian Chant for Vespers
23
LISTENING CUE Chants of Vespers
26
Antiphon,
Tecum
princípium
26
Psalm,
Dińt
Dominus
26
Hymn,
jesu, Redemptor
omnium
26
Gregorian Chant for the Mass
26
LISTENING CUE Chants Beginning the Mass for
Christmas Day
30
Introit,
Puer natus est nobis
30
Kyrie
30
Gloria
30
Gradual, Viderunt omnes
30
Alleluia, Alleluia. Dies sanctificatus
30
Summary
30
Key Terms
30
21
Chant Notation
32
Musical Staff and Pitch Names
Hexachords
34
The
Guidonian
Hand
36
Summary
37
Key Terms
37
33
Music Theory in the Monastery: John
of St. Gall and
Guido
of Arezzo
31
The Eight Church Modes
31
Later Medieval Chant: Tropes,
Sequences, and the Liturgical Drama
of
Hildegard
of Bingen
38
Tropes
38
LISTENING CUE Tuotilo of St. Gall, Introit trope,
Hodie cantandus
est
nobis
39
LISTENING CUE Tuotilo of St. Gall,
Kyrie
trope,
Omnipotens
genitor
39
Sequences
39
LISTENING CUE Anonymous, Dies irae
41
Music in the Convent: The Chant and Liturgical Drama
of
Hildegard
of Bingen
41
LISTENING CUE
Hildegard
of Bingen,
O rubor
sanguinis
43
LISTENING CUE
Hildegard
of Bingen, Excerpts from
Ordo virtutum
44
Summary
44
Key Terms
45
О
Troubadours and
Trouvères
45
LISTENING CUE
Beatriz
de Dia,
A chantar
mer
46
The Court
of Eleanor of
Aquitaine
47
LISTENING CUE Bernart
de
Ventadom, Can
vei
ία
kuzeta
49
Trouvères
49
LISTENING CUE Richard the Lionheart, ]a
nus
hons
pris
ne dira
49
The
German
Minnesang
and the Spanish
Cantiga
49
Summary
51
Key Terms
51
/
Early Polyphony
52
Organum
in Music Theory Sources
52
Organum
in Practical Sources
54
LISTENING CUE Anonymous, Viderunt Hemanuel
55
LISTENING CUE Master
Albertus
of Paris, Congaudeant
Catholici
56
Summary
56
Key Terms
57
VIU
DETAILED CONTENTS
ö
Music in Medieval Paris: Polyphony
at Notre Dame
5 7
Notre Dame of Paris
58
Leoninus and the Magnus Liber
Organi
59
LISTENING CUE Leoninus, Viderunt omnes
61
Perotinus the Great
63
LISTENING CUE Perotinus the Great, Viderunt
omnes
65
Summary
66
Key Terms
66
Music in the Cathedral Close and
University: Conductus and Motet
66
Conductus
68
LISTENING CUE Anonymous, Orientis
partibus
70
LISTENING CUE Philip the Chancellor, Die,
Christi
verkas
70
Motet
70
LISTENING CUE Anonymous Motet,
El mois d avrillO
ąuam sanctalEt
gaudebit
73
LISTENING CUE Anonymous Motet, On parole
de
batre/A Paris/Frese nouvele
74
Summary
74
Key Terms
75
-LU
In the Parisian Master s Study:
Music Theory of the
Ars Antiqua
and
Ars
Nova
75
Franco of Cologne and the Art of Measured Song
76
]ean
des Murs
and Philippe
de Vitry:
The
Ars
Nova
78
Summary
80
Key Terms
80
11
Music at the Court of the French
Kings: The
Ars Nova 81
The Roman
de Fauvel 81
LISTENING CUE
Gervès de
Bus, Roman
de
Fauvel
82
LISTENING CUE Anonymous, Quare fremuerunt
gentes
83
Philippe
de
Vitry
83
LISTENING CUE Philippe
de Vitry, Garrii
Gallus/ln
nova fertlhSeuma
84
Royal Dances
84
LISTENING CUE Anonymous,
La quinte estampie
real
85
Musical Instruments at Court and in Church
86
LISTENING CUE Anonymous,
Robertsbridge
Codex,
Estampie
87
Summary
87
Key Terms
88
LÁ
Fourteenth Century Music in Reims:
Guillaume de
Machaut 88
Machaut,
the
Black
Death, and the Hundred Years
War
89
LISTENING CUE
Guillaume
de Machaut,
Hoquetus
David
90
Machaut
and the Formes Fixes
91
LISTENING CUE
Guillaume de Machaut, Je puis trop
bien
92
LISTENING CUE
Guillaume de Machaut, Douce dame
jolie
93
Machaut
and the Mass of Our
Lady
93
LISTENING CUE
Guillaume de
Machaut,
Kyrie
of the
Mass of Our Lady
94
Summary
95
Key Terms
95
Avignon,
Symbolic Scores, and the
Ars Subtilior 96
Papal Avignon
96
Baude Cordier
and Symbolic Scores
97
LISTENING CUE
Baude
Cordier, Tout par
compas suy
composés
99
Philippus
de Caserta:
the
Ars
Subtilior
99
LISTENING CUE Philippus
de
Caserta, Par
les bons
Gedeons 100
Summary
101
Key Terms
102
Musical Interlude I
From Medieval Manuscript to
Modern Performance
102
AGES AND EARLY RENAISSANCE
Art Music in Florence,
1350-1450 110
Trecento Music and the Squarcialupi Codex 111
LISTENING CUE Jacopo da Bologna,
Non al suo
amante
112
Francesco
Landini 113
•
Women Making Music in Boccaccio s Decameron
115
LISTENING CUE Francesco
Landini,
Or
su, gentili
spirti
116
Summary
116
Key Terms
116
DETAILED CONTENTS IX
15
Music at the Cathedral of
Florence
117
•
Musical Number Symbolism
119
LISTENING CUE
Guillaume
Dufay, Nuper rosarum
flores
121
Summary
121
Key Terms
121
XÖ
Music in England
121
Rondellus and Rota
122
LISTENING CUE Anonymous,
Sumer
is icumen in
124
English Faburden and Continental
Fauxbourdon
124
King Henry V: The Old Hall Manuscript and the
Carol
126
•
Vestiges of English Traditions in the Country
Music of Today
127
LISTENING CUE Anonymous, Agincourt
Carol
128
John Dunstaple and the
Contenance
Angloise
128
LISTENING CUE John Dunstaple, Quam
pulcra es 1
29
Summary
129
Key Terms
130
Summary
138
Key Terms
138
17
Music at the Court of Burgundy
130
Gilles Binchois
and the
Burgundián
Chanson
132
LISTENING CUE
Gilles
Binchois, Dueil angoisseus
133
Guillaume
Dufay: A Lament and a Mass for the
Christian Soldier
134
LISTENING CUE
Guillaume
Dufay, Lamentatio sanctae
Matris Ecclesiae
Constantinopolitanae
136
LISTENING CUE
Guillaume
Dufay,
Kyrie
of the
Missa
L Homme armé
138
18
Music at the French Royal
Court
139
Johannes Ockeghem and Musical Canons
139
LISTENING CUE Johannes Ockeghem,
Prene?
.sur moi
141
LISTENING CUE Johannes Ockeghem,
Kyrie
of the
Missa
Prohtionum
142
A Musical Joke for the French King
142
LISTENING CUE Josquin
des Prez, Guilhume se va
chaufer
143
Philippe Basiron and the Paraphrase Motet
143
LISTENING CUE Philippe Basiron, Salve,
Regina
144
Antoine
Busnoys and the Imitative
Chanson
145
•
Women Poets and Performers
146
LISTENING CUE
Antoine Busnoys, Je ne puis vivre ainsy
tousjours
146
Summary
146
Key Terms
147
L·
jr
Music in the Low Countries
147
Jacob Obrecht and the Multiple Cantus Firmus
Mass
148
LISTENING CUE Jacob Obrecht, Credo of the
Missa
Sub tuum presidium
149
Musical Instruments
149
The Basse
Danse
151
LISTENING CUE
Heinrich
Isaac,
La Spagna
152
Summary
152
Key Terms
153
III
THE LATE RENAISSANCE
Musical Interlude
2
Musical Humanism and the
Renaissance
156
ÅX3
Popular Music in Florence,
1475-1540:
Carnival Song and
Lauda, Frottola,
and Early
Madrigal
158
The Carnival Song and the
Lauda
158
LISTENING CUE Lorenzo
de
Medici, Sian
galanti di
Valenza
159
LISTENING CUE Girolamo Savonarola,
Giesù, sommo
conforto
161
The Frottola
161
LISTENING CUE Josquin
des Prez,
El grilh
è
bon
cantore
163
The Early
Madrigal in Florence
163
LISTENING CUE Jacques Arcadelt, II bianco
e dolce
cigno
165
LISTENING CUE Orazio
Vecchi, // bianco e dolce
cigno
166
The Advent of Onomatopoetic Music
166
Summary
166
Key Terms
167
DETAILED CONTENTS
Ål.
Josquin
des Prez
and Music
in
Ferrara
167
Josquin
des Prez
168
Josquin s Music for Duke Hercules of
Ferrara
168
LISTENING CUE Josquin
des Prez,
Sanctus of the
Missa
Hercules dux
Ferrarié
170
LISTENING CUE Josquin
des Prez,
Miserere
mei,
Deus
172
Josquin and an Artist s Temperament
172
Summary
173
Key Terms
173
Musical Interlude
3
Music Printing in the Renaissance
174
Music in Renaissance Paris
177
The Parisian Chanson
177
Claudin
de
Sermisy
178
LISTENING CUE Claudin
de
Sermisy,
Tant que
vivray
179
Instrumental Arrangements
180
LISTENING CUE Claudin
de
Sermisy,
Tant que
vivray
arranged for lute
180
LISTENING CUE Claudin
de Sermisy, Tant que
vivray
arranged for voice and lute
181
LISTENING CUE Claudin
de
Sermisy,
Tant que
vivray
arranged for keyboard
182
Dance Music
182
•
Thoinot Arbeau: The Dancing Priest
184
LISTENING CUE Anonymous,
Pavane
and Galliard
185
Summary
186
Key Terms
186
Renaissance Instruments
and Instrumental Music
186
Keyboard Instruments
187
String Instruments
188
Wind Instruments
191
Instrumental Genres
192
LISTENING CUE Miguel
de Fuenllana,
Fantasia
194
LISTENING CUE
Claudio
Merulo,
Canzona
5 195
Summary
195
Key Terms
195
Musical Interlude
4
Music Theory in the Renaissance
196
ΖΆ
Music in Three German Cities:
The Protestant-Catholic
Confrontation
201
Innsbruck: Music Under Emperor Maximilian I
202
LISTENING CUE
Heinrich
Isaac, Innsbruck,
ich
muss
dich hssen 204
LISTENING CUE Paul Hofhaimer, Salve,
Regina
for Organ
205
The Reformation: Music in Augsburg
205
LISTENING CUE Martin Luther,
Ein feste Burg ist unser
Gott 208
LISTENING CUE
Martin Luther, Ein feste Burg ist unser
Gott,
Arranged by
Johann Walter 208
Orlande de Lassus
and the
Court
of Munich
209
LISTENING CUE Orlande
de
Lassus,
De profundis
damavi
211
Epilogue: The Psalter in Other Protestant Countries
211
Summary
213
Key Terms
213
ÅÖ
Rome and the Music of the Counter-
Reformation
214
Giovanni Pierluigi da Palestrina
215
LISTENING CUE Giovanni Pierluigi da Palestrina,
Sanctus of the
Missa
Aeterna
Christi
munera
217
LISTENING CUE Giovanni Pierluigi da Palestrina,
Motet
Tu es Petrus 218
LISTENING CUE Giovanni Pierluigi da Palestrina,
Kyrie
of the
Missa
Tu es Petrus 219
Spanish Music during the Counter-Reformation
220
Summary
220
Key Terms
221
26
Music in Elizabethan England: Early
Vocal Music
221
Henry
VIII
as Musician and Church Reformer
222
LISTENING CUE King Henry
VIII,
Pastyme with Good
Companye
222
Thomas Tallis and the English Psalm
223
•
The Education of a Renaissance Queen
224
LISTENING CUE Thomas Tallis, Psalm
2 225
William Byrd and the English Anthem
226
LISTENING CUE William Byrd,
О
Lord, make thy
servant, Elizabeth
228
Summary
228
Key Terms
229
27
Music in Elizabethan England:
Instrumental Music and Later Vocal
Music
229
English Keyboard Music
230
LISTENING CUE Thomas Morley, Goe from my
window
231
The English Madrigal
231
LISTENING CUE Thomas Weelkes, As Vesta Was from
Latmos Hill Descending
232
DETAILED CONTENTS Xt
The English Lute Ayre
233
LISTENING CUE John Dowland, Flow nry tears
Summary
234
Key Terms
234
The Later Madrigal in
Ferrara
and Mantua: Gesualdo and
Monteverdi
235
The Madrigal in
Ferrara
235
Carlo Gesualdo
238
LISTENING CUE Carlo Gesualdo,
Moro, ksso
239
234
Music in Mantua: Isabella
d Esté
240
Claudio
Monteverdi
240
LISTENING CUE
Claudio
Monteverdi,
Cruda
Amarilli
242
Summary
243
Key Terms
243
BAROQUE MUSIC
Early Baroque Music
246
Characteristics of Early Baroque Music
248
Summary
251
Key Terms
252
Эк)
The Birth of Opera: Florence,
Mantua, and Venice
252
Early Opera in Florence
253
LISTENING CUE Jacopo
Peri, Euridice, Funeste
piagge
255
LISTENING CUE
Giulio Caccini, Le nuove musiche, Filli,
mirando il
cielo
256
Early
Opera in
Mantua: Monteverdi s
Orfeo
256
LISTENING CUE
Claudio
Monteverdi,
Orfeo,
Toccata
257
LISTENING CUE
Claudio
Monteverdi,
Orfeo
259
Recitative, A l amara novella
259
Arioso, Tu se morta, mia vita
259
Aria, Possente spirto
259
Early
Opera in
Venice
260
LISTENING CUE
Claudio
Monteverdi,
L incoronazione
di Poppea,
Duet,
Pur ti miro
262
•
Did Monteverdi Write the
Firaíe?
Does It Matter.7
263
Summary
263
Key Terms
263
ó
A The Concerted Style in Venice
and Dresden
264
Giovanni Gabrieli
and the Concerted Motet
267
LISTENING CUE Giovanni
Gabrieli, In
ecclesiis
267
Claudio
Monteverdi and the Concerted
Madrigal
267
LISTENING CUE
Claudio
Montevetdi,
Hor
che l del e la
terra
269
Barbara
Strozzi
and the Early Baroque Cantata
270
LISTENING CUE Barbara
Strozzi, L Amante Segreto:
Voglio morire
272
The Concerted Style Moves North:
Heinrich
Schütz in Dresden 272
LISTENING CUE
Heinrich Schütz, Symphoniae sacrae;
Saul, Saul, was
verfolgst du mich? 275
Summary
275
Key
Terms
275
Religious Music in Baroque
Rome
275
The
Cappella
Pontificia
Sisana
and the Stile
Antico
276
LISTENING CUE
Gregorio
Allegri,
Miserere
mei,
Deus
278
•
Mozart Pirates
Allega
s Miserere
279
St. Peter s Basilica and the Colossal Baroque
279
LISTENING CUE Unknown,
Kyrie
of the
Missa
Salisburgensis
281
Organ Music by Girolamo Frescobaldi
281
LISTENING CUE Girolamo Frescobaldi,
Fiori musicali,
Mass for Sundays
283
Toccata
283
Kyrie
283
Ricercar
283
Sacred Opera and Oratorio:
Giacomo
Carissimi s
Jephte
283
LISTENING CUE
Giacomo Carissimi, ]ephte
285
Plorate,
colles
(Solo)
285
Plorate,
filii
Israel (chorus)
285
The Chamber Cantata: A Christmas Cantata
by
Alessandro
Scarlatti
286
LISTENING CUE
Alessandro
Scarlatti,
Cantata
Oh di Betlemme
287
Recitative, Oh di
Betlemme
287
Aria, Dal bel seno d una stella
287
Summary
287
Key Terms
288
XU
DETAILED CONTENTS
Musical Interlude
5
A Baroque Christmas in the Andes
of South America, by Francisco Lorenzo
Candelaria
288
ó ó
Instrumental Music in Italy
291
The Violin Family
292
Formation of the Baroque Orchestra
293
•
The Violin Then and Now
294
Church and Chamber Music
295
Salomone
Rossi and the Early Baroque Sonata
295
LISTENING CUE
Salomone
Rossi,
Sonata sopra l aria di
Ruggiero
297
Arcangelo
Corelli: Solo Sonata and Trio Sonata
297
LISTENING CUE
Arcangelo
Corelli, Opus
4,
No.
1 299
Preludio
299
Corrente
299
Adagio
299
Allemanàa
299
Trumpet Music by Giuseppe
Torelli:
The Beginnings
of the Solo Concerto
299
LISTENING CUE Giuseppe
Torelli,
Trumpet
Sinfonia
in
D
Major
302
Antonio Vivaldi: Solo Concerto and Concerto
Grosso
302
LISTENING CUE Antonio Vivaldi, Opus
3,
L estro armonico,
Concerto
Grosso, No.
8,
1st
movement
305
Summary
305
Key Terms
306
LISTENING CUE
Johann Pachelbel, Canon in
D
Major 319
Summary
319
Key
Terms
320
Instrumental Music in Germany and
Austria
306
Johann Froberger
and the Baroque Dance Suite
307
LISTENING CUE
Johann
Froberger, Suite No.
6
in
С
Major
309
Lamento (Allemande)
309
Courante
309
Sarabande
309
Gigue 309
Biber
and Kuhnau: The Programmatic Sonata
310
LISTENING CUE
Heinrich Biber,
Mystery Sonatas,
The Resurrection
312
Dieterich
Buxtehude and the North German Organ
Tradition
313
•
The Passions of the Soul and Doctrine of Affections
314
LISTENING CUE
Dieterich
Buxtehude,
Wie schön
leuchtet der Morgenstern 317
Johann Pachelbel
and the
South
German
Tradition 317
LISTENING CUE
Johann Pachelbel, Wie schön leuchtet
der Morgens
tern
318
Music in
Paris
and at the
Court
of
Versailles:
Vocal Music
320
Ballet de
cour
321
Jean-Baptiste Lully and Tragédie Lyrique
322
LISTENING CUE
Jean-Baptiste Lully,
Armide
325
Overture
325
Enfin il est en ma puissance
325
•
Lully
Kills Himself Conducting
326
Religious Music
326
Elizabeth
Jacquet de La
Guerre and the
Cantate
Française
327
LISTENING CUE Elizabeth
Jacquet de La
Guerre,
]ephté
329
Aria, Jephté
revient
329
Recitative, La
Fille de Jepthé
329
Summary
329
Key Terms
329
Music in Paris and at the Court of
Versailles: Instrumental Music
330
The
Gaultiers:
French Lute Music
330
LISTENING CUE Denis
Gaultier, La Rhétorique des
dieux, Tombeau de Madamoiseïle Gaultier
332
The Couperins: French Harpsichord Music
333
•
The Eighteenth Century French Harpsichord
337
LISTENING CUE
François Couperin, Pièces de
clavecin
. . .
premier
livre, La
Favorite
337
LISTENING CUE
François
Couperin,
Pièces de
chvecin
. . .
quatrième livre, UArhquine
338
Summary
338
Key Terms
339
Musical
Interlude
6
From Ancient to Modern: Aspects of
Baroque Music Theory
339
ó
/
Music in London: Henry
Purceii
343
Henry
Purceii
and Theater Music
344
LISTENING CUE Henry
Purceii,
Dido and Aeneas
347
Recitative, Thy hand, Belinda
347
Aria, When I am laid in earth
347
Purcell s Odes and Funeral Music for Queen Mary
347
•
Art Music Dispkced by Folk Music
348
LISTENING CUE Henry
Purceii, Come,
ye sons
of art
349
DETAILED CONTENTS
Xli
Chorus, Come, ye sons of art
349
Duet, Sound the trumpet
349
Chorus, Come, ye sons of art
349
LISTENING CUE Henry
Purceii,
Funeral Music for
Queen Mary, March and
Canzona
350
Summary
350
Key Terms
351
ó O
Music in London: George
Frideric
Handel
351
Handel and the Dance Suite
352
LISTENING CUE George
Frideric Handel,
Water Music
Suite No.
1 354
Minuet and Trio
354
Hornpipe
354
Handel and Opera
355
•
The
Castrato in
Handel s Operas
356
LISTENING CUE George
Frideric
Handel,
Giulio Cesare,
Aria, V adoro, pupille
357
Handel and
Oratorio
357
•
Opera
Then and Now
358
LISTENING CUE George
Frideric Handel,
Messiah
360
Aria, He shall feed his flock
360
LISTENING CUE George
Frideric
Handel, Messiah,
Hallelujah chorus
360
Summary
361
Key Terms
361
39
Johann
Sebastian Bach: Instrumental
Music in Weimar and
Cöthen
362
Bach in Weimar: The Organ Music
363
•
The Organ in Bach s Day
365
LISTENING CUE
Johann
Sebastian Bach,
Orgelbüchlein,
In
dulci
jubilo
366
LISTENING CUE
Johann Sebastian Bach, Orgelbüchlein,
Durch
Adams Fall
ist ganz vetderbt 367
Bach in
Cöthen:
Chamber and Orchestral
Music
367
LISTENING CUE
Johann
Sebastian Bach, The Well-
Tempered Clavier, Prelude and Fugue in
С
Minor
370
•
Pitch and Tuning in Bach s Day
371
LISTENING CUE
Johann
Sebastian Bach, Brandenburg
Concerto No.
5
in
D
Major,
1st
movement
373
Summary
373
Key Terms
374
4rU
Johann
Sebastian Bach: Vocal Music
in Leipzig
374
The Lutheran Chorale Cantata
375
•
Bach s Choir and Orchestra: Where Were the Ladies?
377
LISTENING CUE
Johann
Sebastian Bach, Cantata,
Wachet auf, ruft uns die Stimme,
Movement
1 378
Movements
2, 3,
and
4 379
•
Bach s Four-Part Chorale Harmonizations and Teaching
Music Theory Today
380
Movements
5, 6,
and
7 380
Bach s Later Musical Projects
380
LISTENING CUE
Johann
Sebastian Bach, B-Minor
Mass, Credo
383
Crucifixus
383
Et resurrexit 384
Summary
384
Key Terms
385
a^¿
V
THE ENLIGHTENMENT AND THE CLASSICAL ERA
41
Music in the Age of Enlightenment:
Opera
388
Music of the Establishment: Enlightenment Opera
Seria
389
LISTENING CUE
Johann
Adolf
Hasse, Ckofide,
Aria,
Digli ch io
son
fedele
392
Music and Social Change: Comic Opera
392
LISTENING CUE John Gay, The Beggar s Opera,
Dialogue and Songs from Act I
393
LISTENING CUE Giovanni
Battista Pergolesi, La serva
padrona,
Recitative,
Io non
só chi mi
tien! , Duet,
Lo conosco a quegl occhietti
395
LISTENING CUE
Jean-Jacques
Rousseau,
Le
Devin du
vilhge,
Duet,
À jamais
Colin
396
The Reform Operas of
Gluck
397
LISTENING CUE
Christoph Willibald Gluck,
Orfeo ed
Euridice
398
Aria, Deh placatevi
398
Chorus,
Misero giovane
398
Obbligato recitative, Ahimè! Dove trascorsi?
399
Aria, Che farò senza Euridice
399
Summary
399
Key Terms
400
42
Music in the Age of Enlightenment:
Orchestral Music
400
Public Concerts
401
•
Phying in an Eighteenth-Century Orchestra
403
LISTENING CUE Giovanni
Battista
Sammartini,
Symphony in
D
Major,
1st
movement
404
XIV
DETAILED CONTENTS
The Rise of Orchestral Discipline:
Johann Stamitz
in
Mannheim
404
•
How Fast Is Allegro?
405
LISTENING CUE
Johann
Stamitz,
La Melodia
Germanica,
Symphony in E > Major,
1st
movement
406
Summary
407
Key Terms
407
Music in the Age of Enlightenment:
Keyboard Music
407
Domestic Keyboard Music for Women
408
The Advent of the Piano
409
Domenico
Scarlatti in Madrid
410
LISTENING CUE
Domenico
Scarlatti, Essercizi, Sonata
No.
26
in A Major
412
The Clavichord in Berlin: Carl
Philipp
Emanuel
Bach
412
•
The Chvichord
414
LISTENING CUE Carl
Philipp
Emanuel Bach,
Fantasia
in
С
Minor for clavichord
414
The Piano in London:
Johann
Christian Bach
415
LISTENING CUE
Johann
Christian Bach, Piano Sonata
in
D
Major, Opus
5,
No.
2, 1st
movement
417
Summary
417
Key Terms
418
44
Classical Music in Vienna
418
Classical Style
419
Classical Forms
420
•
Should
1
Repeat!
422
Classical Genres
423
The Classical Orchestra
426
Classical Composers
427
Summary
427
Key Terms
428
Joseph Haydn: Instrumental
Music
428
The Life of Joseph Haydn
(1732-1809) 428
Haydn s Early and Middle Symphonies
431
LISTENING CUE Joseph Haydn, Symphony No.
6
in
D
Major,
Le Marin,
1st
movement
432
•
Haydn Goes Hunting
433
Haydn s String Quartets
433
LISTENING CUE Joseph Haydn, Opus
33,
No.
3,
The
Bird Quartet,
1st
movement
435
Haydn s Sonatas and Concertos
436
Summary
438
Key Terms
438
Joseph Haydn: Late Symphonies and
Vocal Music
439
The Paris Symphonies
439
The London Symphonies
440
LISTENING CUE Joseph Haydn, Symphony No.
94,
The Surprise,
2nd
movement
441
LISTENING CUE Joseph Haydn, Symphony No.
99
in
El> Major,
1st
movement
442
The Late Vocal Music
442
•
Haydn Wins Over His Orchestra
443
LISTENING CUE Joseph Haydn, The Creation, The
Heavens Are Telling
444
Summary
445
Key Terms
445
47
Wolfgang
Amadeus
Mozart:
Instrumental Music
446
The Life of Wolfgang
Amadeus
Mozart
(1756-1791) 446
Symphonies
447
LISTENING CUE Wolfgang
Amadeus
Mozart,
Symphony No.
40
in
G
Minor,
1st
movement
451
LISTENING CUE Wolfgang
Amadeus
Mozart,
Symphony No.
41
in
С
Major, 4th movement
453
Chamber Music
453
Piano and Violin Sonatas
454
•
Pianoforte or
Fortepiano?
456
Concertos
457
LISTENING CUE Wolfgang
Amadeus
Mozart, Piano
Concerto in A Major,
1st
movement
458
Summary
459
Key Terms
459
48
Wolfgang
Amadeus
Mozart: Vocal
Music
459
•
Lorenzo
da Ponte:
Librettist to Mozart
461
LISTENING CUE Wolfgang
Amadeus
Mozart,
Le nozze
di
Figaro
461
Aria, Se vuoi ballare
461
Aria, Porgi,
amor
462
Aria, Voi, che sapete
464
Ensemble, Vostre dunque
464
Requiem
Mass
465
LISTENING CUE
Wolfgang
Amadeus
Mozart, Requiem
Mass
466
Confutatis
466
Lacrimosa
468
Summary
468
Key Terms
468
DETAILED CONTENTS XV
The Early Music of
Beethoven
469
Years of Apprenticeship:
1770-1792 470
Beethoven s World in
1792 471
Vienna:
1792-1802 472
Piano Music and the
Pathétique
Sonata
473
LISTENING CUE
Ludwig
van Beethoven, Piano Sonata
in
С
Minor
( Pathétique ),
1st
movement
474
Piano Concerto No.
1
in
С
Major
474
•
Carl Czerny Meets Beethoven
476
LISTENING CUE
Ludwig
van Beethoven, Piano
Concerto No.
1
in
С
Major,
3rd
movement
478
The Onset of Deafness
478
Summary
479
Key Terms
479
Beethoven s Middle Period:
1802-1814 480
Beethoven s Life and Music during the Middle
Period
480
•
The
Heiligenstadt
Testament
481
Beethoven s Symphonies: New Paths
482
LISTENING CUE
Ludwig
van Beethoven, Symphony
No.
3
( Eroica ),
2nd
movement (Funeral
March)
485
The Opera
Fidelio
485
•
Synopsis of
Fidelio
486
Affairs of the Heart: The Immortal
Beloved
489
•
Beethoven s Letter to the Immortal Beloved
489
Summary
490
Key Terms
490
51
After the Congress of Vienna:
Beethoven s Late Music
491
Music at the Congress of Vienna
491
Beethoven s Life and Works in His Late
Period
492
LISTENING CUE
Ludwig
van Beethoven, String
Quartet in Bl> Major, 5th movement
(Cavatina)
494
LISTENING CUE
Ludwig
van Beethoven,
Missa
solemnis,
Kyrie
496
Beethoven s Death and Funeral
496
Summary
496
Key Terms
497
VI
THE ROMANTIC PERIOD
Musical Interlude
7
Romanticism
500
52
Franz Schubert
501
Schubert s Life
501
•
Schubert s Appearance
503
Schubert s Music: Works for Voices
504
Chamber, Piano, and Orchestral Compositions
504
Schubert s Songs
506
•
Performing Schubert s Songs
507
LISTENING CUE Franz Schubert,
Erlkönig 509
LISTENING CUE Franz Schubert, Ganymed
510
LISTENING CUE Franz Schubert,
Nähe des
Geliebten 511
Summary
511
Key Terms
511
53
Music in Paris Under Louis Philippe:
Berlioz and Chopin
512
Musical Culture in Paris
513
Hector Berlioz
515
•
Berlioz as Conductor
516
LISTENING CUE Hector Berlioz,
Symphonie
fantastique,
4th movement, March to the Scaffold
520
LISTENING CUE Hector Berlioz, Absence from
Les
nuits d été
521
Fryderyk
Chopin
521
• Chopins
Rubato
523
LISTENING CUE
Fryderyk
Chopin, Nocturne in Dl>
Major, Op.
27,
No.
2 525
Summary
525
Key Terms
525
54
Leipzig and the
Gewandhaus:
Felix Mendelssohn and the
Schumanns 526
Music in Saxony
526
Felix Mendelssohn: Life and Music
527
•
Getting into the Canon
529
LISTENING CUE Felix Mendelssohn, Piano Trio in
D
Minor, Op.
49, 1st
movement
531
Robert Schumann
531
LISTENING CUE Robert Schumann, Symphony No.
1,
2nd
movement
535
Clara Schumann
535
XVI
DETAILED CONTENTS
LISTENING CUE Clara Schumann,
Liebst du um
Schönheit 536
Summary
537
Key
Terms
537
Ó D
German Opera of the Nineteenth
Century: Weber and Wagner
537
Carl Maria
von
Weber
538
•
Synopsis of
Der Freischütz 539
LISTENING CUE Carl Maria
von
Weber,
Der
Freischütz,
Act
2,
Wolf s Glen Scene, concluding
section
541
Richard Wagner
541
Wagner s Music and Theories of Opera
542
Das Rheingold 543
•
Synopsis of The Rhine Gold
544
LISTENING CUE Richard Wagner,
Das Rheingold,
Entrance of the Gods into Valhalla
547
•
Wagner and Anti-Semitism
547
Summary
547
Key Terms
548
56
Opera in Italy: Rossini
and Verdi
548
Gioachino Rossini
549
•
Synopsis of The Barber of Seville
550
•
The Audience Greets the Barber
551
LISTENING CUE Gioachino Rossini, The Barber of
Seville, Act
1,
No.
1
(Introduzione)
552
Giuseppe Verdi
552
Verdi and the
Risorgimento
552
•
Synopsis of
Otelio
553
LISTENING CUE Giuseppe Verdi,
Otelio,
Act
4,
sc.
3 555
Verdi and Wagner
555
Summary
556
Key Terms
556
І5
/
Nationalism and Virtuosity:
Franz Liszt
556
Liszt s Life and Works
557
•
Marie d Agoult
559
Liszt and the Piano
560
•
At a Liszt Recital
561
LISTENING CUE Franz Liszt, Hungarian Rfapsody
No.
15
( Rákóczy
March )
562
Liszt, Wagner, and the New German School
562
Music for Orchestra: The Symphonic Poem
563
Summary
565
Key Terms
565
Í)O
Music in Vienna and Prague:
Brahms, Bruckner, and
Dvořák
566
Johannes Brahms and the Musical Culture of his
Time
567
•
New Paths by Robert Schumann
568
Music For Orchestra
568
LISTENING CUE Johannes Brahms, Symphony No.
3,
1st
movement
570
Brahms s Chamber Music and Works
for Piano
570
Brahms s Vocal Music
571
LISTENING CUE Johannes Brahms,
Feldeinsamkeit,
Opus
86,
No.
2 572
Anton Bruckner
572
LISTENING CUE Anton Bruckner,
Christus factus
est
574
Antonín
Dvorak and Music in Prague
574
Summary
575
Key Terms
576
59
Music and Ballet in Nineteenth
Century Russia: Mussorgsky and
Tchaikovsky
576
St. Petersburg in the Late Nineteenth Century
577
The Kuchka
577
Modest Mussorgsky
578
LISTENING CUE Modest Mussorgsky, Sunless, Within
Four Walls
579
Peter Ilyich Tchaikovsky
579
Ballet
580
•
Marie Taglioni
581
Ballet in Russia: The Nutcracker
581
•
Scenario of The Nutcracker
582
LISTENING CUE Peter Ilyich Tchaikovsky,
The Nutcracker, Act
1,
sc.
8 583
Summary
584
Key Terms
584
OU
Vienna at the Turn of the
Twentieth Century:
Gustav
and
Alma Mahler
585
Mahler s Life
585
Mahler s Songs
586
LISTENING CUE
Gustav
Mahler, Urn
Mitternacht 588
Mahler s Symphonies
588
LISTENING CUE
Gustav
Mahler, Symphony No.
5,
4th movement
591
•
Choosing a Tempo
591
Alma Mahler: Musician and Muse
591
DETAILED CONTENTS
xvu
LISTENING CUE Alma Mahler, Die
stille
Stadt
Summary
593
Key Terms
593
593
61
England at the End of the Romantic
Period: Elgar and Vaughan
Williams
594
The English Choir Festivals
595
Edward Elgar
595
•
Pomp and Circumstance
597
LISTENING CUE Edward Elgar, Enigma Variations,
Theme and 9th variation
( Nimrod )
599
English Music after Elgar: Ralph Vaughan
Williams
599
Summary
600
Key Terms
601
Opera in Milan after Verdi: Puccini,
Toscanini, and
Verismo
601
The Opera Business
601
•
The Claque
602
Innovations at
La Scala
602
Arturo
Toscanini
603
Puccini at
La Scala
603
•
Synopsis of
Madama
Butterfly
604
LISTENING CUE
Giacomo
Puccini,
Madama
Butterfly,
Aria Dovunque al mondo
606
Verismo Opera
606
Summary
607
Key Terms
607
)ó
Paris in the Belie
Époque:
Debussy,
Faúré,
and
Lili
Boulanger
608
New Poetry
608
Impressionism in Painting
609
New Realities: Claude
Debussy
610
•
Debussy on Music and Nature
611
LISTENING CUE Claude Debussy, Fetes
galantes
1,
En sourdine
612
Harmonic Chemistry in Debussy s Piano Music
612
LISTENING CUE Claude Debussy, Images I, Reflets
dans l eau
613
Debussy s Orchestral Music
613
LISTENING CUE Claude Debussy, Nocturnes,
Nuages
615
Gabriel
Faúré
615
LISTENING CUE Gabriel
Fauré, Dans la forêt de
septembre,
Opus
85,
No.
1 615
The Spread of Debussyism:
Lili
Boulanger
616
LISTENING CUE
Lili
Boulanger, Clairières dans le ciel,
Elle est gravement gaie
616
Summary
617
Key Terms
617
ã^vn
THE EARLY TWENTIETH CENTURY
Musical Interlude
8
Music After
1900 620
Richard Strauss in Berlin
621
Berlin
622
Richard Strauss
623
•
Synopsis of Salome
624
Music of the Opera
625
LISTENING CUE Richard Strauss, Salome, concluding
scene
626
Strauss and Progress
626
Summary
628
Key Terms
628
ОЭ
Music in Russia During the Silver
Age: Igor Stravinsky
628
Realism in Russian Art and Literature
629
Music during the Silver Age
630
Sergei
Diaghilev
and The World of Art
630
The Ballets
Russes
631
Igor Stravinsky
632
•
What I Wanted to Express in The Rite of Spring by
Igor Stravinsky (excerpts)
634
•
Authenticity in the Writings of Stravinsky
635
LISTENING CUE Igor Stravinsky, The Rite of
Spring
637
Procession of the Sage
637
The Sage
637
Dance of the Earth
637
The Russian Revolution
637
Summary
638
Key Terms
638
ÖO
Atonality:
Schoenberg
and
Scriabin
639
New Music and Abstract Art
639
Arnold
Schoenberg
640
XViii
DETAILED CONTENTS
The Atonal Style
641
•
Schoenberg
on Atonal Music
642
LISTENING CUE Arnold
Schoenberg,
Piano Piece,
Opus
11,
No.
1 643
The Evolution of Schoenberg s Atonal Style
643
LISTENING CUE Arnold
Schoenberg,
Pierrot
lunaire,
No.
8,
Nacht
(Passacaglia)
645
Other Atonalists: Alexander Scriabin
646
LISTENING CUE Alexander Scriabin, Piano Prelude,
Opus
74,
No.
5 648
Summary
648
Key Terms
648
Ö
/
French Music at the Time of World
War I: Ravel and
Satie
649
Maurice Ravel
649
LISTENING CUE Maurice Ravel,
Le tombeau de
Couperin,
Rigaudon
651
Erik Satie
652
•
Cabaret
Then and Now
653
LISTENING CUE
Erik Satie, Sarabande
No.
2
for
Piano
653
World War I
653
Summary
654
Key Terms
655
ÖO
New Music in Paris After World
War I: Stravinsky and The Six
655
Musical Life in Paris
656
Regaining Control
657
Igor Stravinsky and the Neoclassical Style
657
•
Some Ideas About My
Octuor
by Igor Stravinsky
(Excerpts)
659
LISTENING CUE Igor Stravinsky, Octet,
1st
movement,
Sinfonia
660
Darius Milhaud and The Six
660
LISTENING CUE Darius Milhaud,
Saudades
do Brazil,
Botafogo
661
Summary
661
Key Terms
662
69
Vienna in the Aftermath of War:
Twelve-Tone Methods
662
Austria after
1918 663
Organizing the Twelve Tones
663
Schoenberg s Twelve-Tone Method
665
LISTENING CUE Arnold
Schoenberg,
String Quartet
No.
4, 1st
movement
669
Anton
Webern 669
•
Schoenberg
Writes to
Webern
s
Widow
670
LISTENING CUE Anton
Webern,
Symphony, Op.
21,
2nd
movement
672
Summary
673
Key Terms
673
/
U
Musical Theater in Germany in the
1920s:
Berg and Weill
673
Georg Büchner 674
•
Synopsis
o/Woyzeck
by
Georg Büchner 675
Alban
Berg s
Wozzeck 675
LISTENING CUE
Alban
Berg, Wozzeck, Act
3,
se.
2 678
Kurt Weill 678
• Synopsis
of The Threepenny
Opera 679
LISTENING CUE
Kurt Weill,
The Threepenny
Opera,
Ballad of Mack the Knife
681
Summary
681
Key Terms
681
/
A Béla Bartók
and Hungarian Folk
Music
682
Béla Bartók
683
Hungarian Peasant Music
683
Bartók s Use
of Folk Music
684
LISTENING CUE
Béla Bartók,
Eight Hungarian
Folksongs,
Fekete főd
685
•
Bartók
and the Golden Section
686
•
The
Kodály
Method
688
LISTENING CUE
Béla Bartók,
Concerto for Orchestra,
1st
movement
688
Summary
688
Key Terms
689
72
Early Jazz
689
The Sources of Early Jazz: Ragtime
689
LISTENING CUE Scott Joplin, Maple Leaf Rag
690
LISTENING CUE James P. Johnson, Carolina
Shout
691
Blues
692
LISTENING CUE Bessie Smith, Lost Your Head
Blues
693
Popular Songs
693
Dance Music
694
New Orleans and the Emergence of Jazz
694
•
Music at Congo Square
695
LISTENING CUE Joe King Oliver, Dippermouth
Blues
696
LISTENING CUE Louis Armstrong, West End
Blues
697
Summary
697
Key Terms
698
/ó
Paul Hindemith and Music in Nazi
Germany
698
Musical Life under the Nazis
699
Hindemith s Life and Works
700
Hindemith s Theory of the Twelve Tones
700
DETAILED CONTENTS
XIX
•
Synopsis of Mathis
der Maler 702
•
The Hindemith Case by
Wilhelm Furtwängler
(Excerpts)
705
LISTENING CUE Paul Hindemith, Mathis
der Maler,
se.
6,
entrance
3 705
Summary
706
Key Terms
706
/
~r Music in Soviet Russia: Prokofiev
and Shostakovich
707
Sergei Prokofiev
707
Musical Culture in the Soviet Union
708
•
Peter and the Wolf
711
LISTENING CUE Sergei Prokofiev, Piano Sonata No.
7,
3rd
movement
712
Dmitri Shostakovich
713
Early Works and Successes
713
•
Shostakovich on Music and Ideology
714
Later Works and Controversies
714
LISTENING CUE Dmitri Shostakovich, Piano Concerto
No.
1, 1st
movement
716
Summary
716
Key Terms
717
Self Reliance in American Music:
Ives, Seeger, Nancarrow
717
Music in Colonial America
718
Nineteenth-Century Developments
718
Charles Ives
720
LISTENING CUE Charles Ives,
Feldeinsamkeit
Aesthetics
722
Ives s Music: Vocal Works
722
LISTENING CUE Charles Ives, Charlie Rutlage
Ives s Instrumental Music: The Unanswered Question
LISTENING CUE Charles Ives, The Unanswered
Question
724
Later Figures: Ruth Crawford Seeger and Conlon
Nancarrow
725
LISTENING CUE Ruth Crawford Seeger, String
Quartet,
3rd
movement
726
LISTENING CUE Conlon Nancarrow, Study 3a for
player piano
728
721
723
724
Summary
728
Key Terms
729
/ Ö
Copland, Barber, and Composers
in Latin America
729
Copland s Life and Music
729
The Formation of a Style
730
LISTENING CUE Aaron Copland, Piano
Variations
733
LISTENING CUE Aaron Copland, Appalachian Spring,
Variations on a Shaker Hymn
734
•
СорЫпа
on Art and the Affirmative Spirit
735
Samuel Barber
735
Barber s Life and Works
736
LISTENING CUE Samuel Barber, Hermit Songs, Sea-
Snatch
738
Music in Latin America
738
Summary
739
Key Terms
740
Musicai
Interlude
9
Music in the Movies, by Kate McQuiston
740
/ /
Tin Pan Alley and the Broadway
Musical
743
The Popular Song Business
744
George Gershwin
745
LISTENING CUE George Gershwin, The Man I
Love
746
The Broadway Musical
747
•
Synopsis of Oklahoma!
747
Rodgers and
Hammerstein: Okhhoma! 747
LISTENING CUE Richard Rodgers and Oscar
Hammerstein
II, Okkhoma!, I Cain t Say
No!
749
Leonard Bernstein: West Side Story
749
•
Synopsis of West Side Story
750
LISTENING CUE Leonard Bernstein, West Side Story,
Cool
752
Musicals of the
1960s
and Beyond
752
Summary
753
Key Terms
753
CONTEMPORARY MUSIC
Musical Interlude
10
After World War II
756
/Ö
Reflections on War: Britten,
Penderecki, and Others
757
Richard Strauss,
Metamorphosen 758
Arnold
Schoenberg:
A Survivor from Warsaw
759
Benjamin Britten and the War
Requiem
760
LISTENING CUE Benjamin Britten, War Requiem,
Agnus
dei
763
Krzysztof
Penderecki, Threnody for the Victims of
Hiroshima
764
XX DETAILED CONTENTS
LISTENING CUE
Krzysztof
Pendercela,
Threnody for the
Victims of Hiroshima
766
Summary
766
Key Terms
766
/ jš
Twelve-Tone Music and Serialism
after World War II
767
The Twelve-Tone Revival
767
Milton Babbitt and Total Serialism
768
•
Who Cares If You Listen? by Milton Babbitt
(excerpts)
770
LISTENING CUE Milton Babbitt, Composition for
Piano No.
1 771
Igor Stravinsky, Agon
771
LISTENING CUE Igor Stravinsky, Agon,
Bränsle
Double
773
Pierre
Boulez, Le marteau sans maître
774
LISTENING CUE
Pierre Boulez, Le marteau sans maître,
L artisanat furieux
776
The Waning of the Twelve-Tone Method
776
Summary
777
Key Terms
777
80
Alternatives to Serialism: Chance,
Electronics, Textures
778
Chance Music: John Cage
778
LISTENING CUE John Cage, Music of Changes,
Part
1 780
•
John Cage on Chance Music
781
Electronic Music:
Edgard
Várese
782
LISTENING CUE
Edgard
Várese,
Poème
électronique
784
New Musical Textures: Olivier Messiaen
785
LISTENING CUE
Olivier Messiaen, Mode de valeurs et
d intensités
787
Summary
787
Key Terms
787
81
Harlem
in the
1930s, 1940s,
and
1950s:
Big Bands, Bebop, and Cool
Jazz
788
Jazz in Harlem
788
•
Darius Milhaud Recalls a Visit to Harlem in 1
922 789
The Big Bands: Fletcher Henderson and Duke
Ellington
789
•
Maurice Ravel Visits America,
1928 791
LISTENING CUE Edward Duke Ellington, Take the
A Train
792
Bebop
792
LISTENING CUE Charlie Parker,
Koko
794
Cool and Free Jazz
794
LISTENING CUE Miles Davis, Boplicity
795
Summary
795
Key Terms
796
Musical Interlude 1
1
The Birth of Rock
796
82
Music in the
1960s
and
1970s:
Live
Processes, Minimalism, Metric
Modulations
798
New Uses of the Voice: Luciano Berio and George
Crumb
799
LISTENING CUE Luciano Berio, Circles,
stinging
801
LISTENING CUE George Crumb, Ancient Voices of
Children,
¿De dónde vienes?
803
Elliott Carter
803
LISTENING CUE Elliott Carter, String Quartet No.
2,
Introduction and
1
st movement
806
Minimalism: Steve Reich
806
LISTENING CUE Steve Reich, Clapping Music
Summary
808
Key Terms
809
83
Returning to the Known: Music of
the Recent Past
809
Mixing Styles:
György Ligeti
810
LISTENING CUE
György Ligeti,
Hungarian Rock
813
The Transformation of Minimalism: John Adams
813
•
Synopsis of Nixon in China
815
LISTENING CUE John Adams, Nixon in China, Act
1,
sc.
1,
News
816
Reviving the Recent Past: Joan Tower
816
LISTENING CUE Joan Tower, Fanfare for the Uncommon
Woman, No.
1 818
The Renaissance Reborn:
Arvo
Part
818
LISTENING CUE
Arvo
Part, Beriin Mass, Credo
819
Music in the Twenty-First Century
819
Summary
820
Key Terms
821
Notes
822
Bibliography
827
Glossary
829
Index
846
|
| any_adam_object | 1 |
| author | Wright, Craig M. 1944- Simms, Bryan R. 1944- |
| author_GND | (DE-588)132104830 (DE-588)13719627X |
| author_facet | Wright, Craig M. 1944- Simms, Bryan R. 1944- |
| author_role | aut aut |
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| author_variant | c m w cm cmw b r s br brs |
| building | Verbundindex |
| bvnumber | BV035783195 |
| callnumber-first | M - Music |
| callnumber-label | ML160 |
| callnumber-raw | ML160 |
| callnumber-search | ML160 |
| callnumber-sort | ML 3160 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)236318528 (DE-599)BVBBV035783195 |
| dewey-full | 780.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9 |
| dewey-search | 780.9 |
| dewey-sort | 3780.9 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | Media update |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV035783195 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:04:27Z |
| institution | BVB |
| isbn | 9781439041277 |
| language | English |
| lccn | 2008933923 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018642662 |
| oclc_num | 236318528 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xl, 871 S. Ill., Kt., Notenbeisp. 29 cm |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Schirmer Cengage Learning |
| record_format | marc |
| spelling | Wright, Craig M. 1944- Verfasser (DE-588)132104830 aut Music in western civilization Craig Wright, Bryan Simms Media update Boston [u.a.] Schirmer Cengage Learning 2010 xl, 871 S. Ill., Kt., Notenbeisp. 29 cm txt rdacontent n rdamedia nc rdacarrier Accompanied by a companion web site. Includes bibliographical references (p. [827]-828) and index Geschichte gnd rswk-swf Musik Music History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s Geschichte z DE-604 Simms, Bryan R. 1944- Verfasser (DE-588)13719627X aut Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018642662&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wright, Craig M. 1944- Simms, Bryan R. 1944- Music in western civilization Musik Music History and criticism Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 |
| title | Music in western civilization |
| title_auth | Music in western civilization |
| title_exact_search | Music in western civilization |
| title_full | Music in western civilization Craig Wright, Bryan Simms |
| title_fullStr | Music in western civilization Craig Wright, Bryan Simms |
| title_full_unstemmed | Music in western civilization Craig Wright, Bryan Simms |
| title_short | Music in western civilization |
| title_sort | music in western civilization |
| topic | Musik Music History and criticism Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music History and criticism |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018642662&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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