How to make animated films: Tony White's complete masterclass on the Tradition Principles of Animation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
Burlington
Focal Press
2009
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxxv, 475 S. zahlr. Ill. DVD with animated movies and filmed excerpts of the author lecturing from his drawing board and in his classroom to illustrate core concepts |
| ISBN: | 9780240810331 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804140708988190720 |
|---|---|
| adam_text | HOW TO MAKE ANIMATED FILMS TONY WHITE S COMPLETE MASTERCLASS ON THE
TRADITIONAL PRINCIPLES OF ANIMATION TONY WHITE AN ANIMATION
APPRENTICESHIP* THE WAY THE PROS USED TO DO IT! ELSEVIER AMSTERDAM *
BOSTON * HEIDELBERG * LONDON * NEW YORK * OXFORD PARIS * SAN DIEGO * SAN
FRANCISCO * SINGAPORE * SYDNEY * TOKYO FOCAL PRESS IS AN IMPRINT OF
ELSEVIER CONTENTS PREFACE XIII INTRODUCTION XIX FIRST... A REALITY CHECK
XIX YOUR OWN PERSONAL ANIMATION COURSE XX 2D OR NOT 2D?*THAT IS THE
QUESTION XXI HOWEVER XXII PREREQUISITES FOR STUDY XXIII EQUIPMENT XXVI
LET THE FUN BEGIN! XXXIII ACKNOWLEDGMENTS XXXV PART 1: HOW TO BE AN
ANIMATOR 1 10-STEP FOUNDATION COURSE 3 MASTERCLASS 1: ANIMATION BASICS 5
KEY, BREAKDOWN, AND IN-BETWEEN POSITIONS 5 CREATING KEY POSITIONS 8
CREATING THE BREAKDOWN POSITION 12 TOP PEGS/BOTTOM PEGS 17 CHARTING
EXPLAINED 18 IN-BETWEENING 19 FLIPPING AS OPPOSED TO ROLLING 22 ARCS AND
PATHS OF ACTION 22 TIMING AND THE SPACING OF DRAWINGS 24 SUGGESTED
READING 30 ASSIGNMENT 1 30 MASTERCLASS 2: THE BOUNCING BALL 33 WEIGHT,
MASS, AND FLEXIBILITY 34 GRAVITY AND THE PATH OF ACTION 34 KEY POSITIONS
35 SQUASH 35 STRETCH 37 TIMING 38 WEIGHT 40 IN-BETWEENING THE BOUNCING
BALL 41 DISTORTING MASS AND VOLUME 46 THE DESCENDING BOUNCE 47 FLIP YOUR
DRAWINGS ... ALWAYS! 47 FINAL DOUBLE-CHECKS 48 SUGGESTED READING 50
ASSIGNMENT 2 50 MASTERCLASS 3: GENERIC WALKS 59 THE LOWER BODY 60 WALK
CYCLE 65 SHOOTING A WALK CYCLE 69 IN-BETWEENING ON ONE S 69 TESTING THE
WALK 72 THE UPPER BODY 72 SUGGESTED READING 76 ASSIGNMENT3 76
MASTERCLASS 4: PERSONALITY WALKS 77 HIP AND SHOULDER ROTATION 77
OVERLAPPING ACTION ON THE HANDS 79 OVERLAPPING ACTION ON THE HEAD 81
ROTATION ON THE HEAD 81 KEEPING GOOD BALANCE THROUGHOUT 81 IN-BETWEEN
PLACEMENT AND TIMING 84 DOUBLE-BOUNCE WALK 87 CHART TIMING AND VARIATION
88 OBSERVATION AND REFERENCE FOOTAGE 89 THE ANIMATOR S SURVIVAL KIT 89
SUGGESTED READING 89 ASSIGNMENT 4 90 MASTERCLASS 5: GENERIC RUNS 91 KEY
GENERIC RUN STAGES 92 RUN EXERCISE 95 ADDITIONAL POINTERS FOR RUNS 96 VI
HEAD-ON RUNS 100 SUGGESTED READING 102 ASSIGNMENTS 102 MASTERCLASS 6:
QUADRUPED WALKS 111 FRONT LEGS 113 REAR LEGS 114 SYNCHING THE LEGS
TOGETHER 115 ADDING THE BODY 117 NECK AND HEAD 119 ADDING THE TAIL 123
MOVING BACKGROUND 126 MULTILAYERED BACKGROUNDS 129 NONWALKPANS 131
REALISTIC QUADRUPEDS 132 SUGGESTED READING 135 ASSIGNMENT 6 135
MASTERCLASS 7: WEIGHT 137 STANDARD RUBBER BALL 138 PING-PONG BALL 140
BOWLING BALL 141 COMPARING THE THREE VERSIONS 142 THE POSE IS EVERYTHING
143 TIPS 145 SUGGESTED READING 149 ASSIGNMENT 7 149 MASTERCLASS 8:
ANTICIPATION 151 THE BENEFITS OF ANTICIPATION 152 ANTICIPATIONS ARE FOR
EVERYTHING 156 SUGGESTED READING 159 ASSIGNMENTS 159 MASTERCLASS 9:
DIALOG 161 BODY LANGUAGE 162 FACIAL ANIMATION 172 LIP SYNCHING 179 - 5,
TWO-CHARACTER DIALOG 184 FURTHER REFERENCES 192 SUGGESTED READING 193
ASSIGNMENT 9 193 MASTERCLASS 10: FINAL PROJECT 195 STAGGERS 196
SUCCESSIVE BREAKOUTS OF JOINTS 199 EYE BLINKS 202 EYEBROWS 207 ALWAYS
GRAVITY! 208 CONCLUSION 211 SUGGESTED READING 212 ASSIGNMENT 10 212 PART
2: HOW TO MAKE AN ANIMATED FILM 213 PRODUCTION CHALLENGE 215 FILM
PRODUCTION 1: EXPLORING IDEAS, STORYTELLING, AND SCRIPTWRITING 217
MEANING AND WTF? 226 ASSIGNMENT 227 FILM PRODUCTION 2: CONCEPT ART,
VIZDEV, AND CAMERA MAPS 229 CONCEPT ART 229 CAMERA MAP 232 ASSIGNMENT
233 FILM PRODUCTION 3: CHARACTER DESIGN 235 STYLE 235 PERSONALITY 238
ATTITUDE 239 PROPORTION 239 HEAD HEIGHTS 240 SILHOUETTE 241 DETAIL 242
PROCESS 243 WARM-UP EXERCISE 246 ASSIGNMENT 249 VIII FILM PRODUCTION 4:
THUMBNAILS 251 ASSIGNMENT 254 FILM PRODUCTION 5: STORYBOARDS 255 PROCESS
260 FINAL CHECK 264 ASSIGNMENT 266 FILM PRODUCTION 6: FILMMAKING
TECHNIQUES 267 FRAMING 267 TRANSITIONS 275 STAGING 278 CONTINUITY 281
CROSSING THE LINE 282 ASSIGNMENT 284 FILM PRODUCTION 7: AUDIO RECORD 285
GUIDE TRACK 286 FINAL TRACK 288 ASSIGNMENT V 291 FILM PRODUCTION 8:
ANIMATIC AND BACHER BOARDS 293 BACHER BOARDS 294 ANIMATIC PROCESS 296
THE ANIMATIC IS YOUR FILM BIBLE 300 CHECK YOUR SCENE TIMINGS 301
ASSIGNMENT 302 FILM PRODUCTION 9: BACKGROUND AND ENVIRONMENT LAYOUTS 303
DISTANCE AND PERSPECTIVE 305 FOCUS OF ATTENTION 306 SILHOUETTED ACTION
307 PROCESS 308 DIVIDING THE LAYOUT 310 POSE TEST ANIMATIC 313
ASSIGNMENT 313 FILM PRODUCTION 10: COLOR SCRIPT 315 THE RIGHT TIME TO DO
THE COLOR SCRIPT 316 PROCESS 317 IX PROFESSIONAL APPROACH 317 SIZE OF
ARTWORK 319 DON T IGNORE THE COLOR SCRIPT! 320 FOUR VALUABLE TIPS 321
ASSIGNMENT 322 FILM PRODUCTION 11: AUDIO BREAKDOWN 323 ASSIGNMENT 329
FILM PRODUCTION 12: BLOCK IN KEY POSES 331 ASSIGNMENT 335 FILM
PRODUCTION 13: PLACEMENT AND TIMING 337 ASSIGNMENT 340 FILM PRODUCTION
14: TWO-DIMENSIONAL IN-BETWEENING 341 ASSIGNMENT 345 FILM PRODUCTION 15:
ROLLING, FLIPPING, AND PENCIL TESTING 347 FLIPPING 348 FULL-SCENE
FLIPPING 349 PENCIL TEST 350 ASSIGNMENT 354 FILM PRODUCTION 16:CLEAN-UP
355 LINE QUALITY 358 SHAPES, DIMENSIONS, AND VOLUMES 362 ASSIGNMENT 366
FILM PRODUCTION 17: SCANNING 367 PEG BAR 369 SECURE THE FIELD GUIDE
SCANNING AREA 370 SCANNER SIZE 372 ASSIGNMENT 373 FILM PRODUCTION 18:
BACKGROUND AND ENVIRONMENTS 375 COMPOSITIONAL COLOR VALUES 378
HORIZONTALS AND VERTICALS 378 LIGHT SOURCE AND CONTRAST 378 PERSPECTIVE
AND LINES OF FOCUS 381 VERTICALS IN PANNING SHOTS 382 LIGHT AGAINST
DARK, DARK AGAINST LIGHT 384 AREAS OF GREATEST CONTRAST 385 USE YOUR
EYES 386 ASSIGNMENT 387 FILM PRODUCTION 19: COLORING 389 FLAT-COLORED
BACKGROUNDS 396 IMPORTED BACKGROUND ARTWORK 396 ASSIGNMENT 398 FILM
PRODUCTION 20: COMPOSITING 399 LAYERS 400 TRANSPARENCY 402 CYCLE
ANIMATION 403 DEPTH OF FIELD 404 TITLES AND EFFECTS 405 ASSIGNMENT 406
FILM PRODUCTION 21: RENDERING 407 SCREEN FORMAT RATIO 408 RESOLUTION 409
FRAME RATES 410 ASSIGNMENT 410 FILM PRODUCTION 22: FINAL EDIT 411 SCENE
EDIT 412 MUSIC 414 SOUND EFFECTS 417 FINAL AUDIO MIX 419 MUSIC AND
EFFECTS TRACK 420 ASSIGNMENT 421 APPENDIXES 423 1: ABOUT THE
ACCOMPANYING DVD 423 2: ABOUT THE DESKTOP ACADEMY 427 3: ABOUT THE
ANIMATICUS FOUNDATION 429 4: ABOUT THE DIGIPEN INSTITUTE OF TECHNOLOGY
431 5: EXPOSURE, EXHIBITIONS, AND FESTIVALS 435 6: EXPOSURE SHEETS AND
PRODUCTION FOLDERS 439 7: GLOSSARY 453 INDEX 463 XII
|
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| physical | xxxv, 475 S. zahlr. Ill. DVD with animated movies and filmed excerpts of the author lecturing from his drawing board and in his classroom to illustrate core concepts |
| publishDate | 2009 |
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| spelling | White, Tony 1947- Verfasser (DE-588)133975320 aut How to make animated films Tony White's complete masterclass on the Tradition Principles of Animation Tony White Burlington Focal Press 2009 xxxv, 475 S. zahlr. Ill. DVD with animated movies and filmed excerpts of the author lecturing from his drawing board and in his classroom to illustrate core concepts txt rdacontent n rdamedia nc rdacarrier Animationsfilm (DE-588)4142484-0 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Animationsfilm (DE-588)4142484-0 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018636057&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | White, Tony 1947- How to make animated films Tony White's complete masterclass on the Tradition Principles of Animation Animationsfilm (DE-588)4142484-0 gnd |
| subject_GND | (DE-588)4142484-0 (DE-588)4048476-2 |
| title | How to make animated films Tony White's complete masterclass on the Tradition Principles of Animation |
| title_auth | How to make animated films Tony White's complete masterclass on the Tradition Principles of Animation |
| title_exact_search | How to make animated films Tony White's complete masterclass on the Tradition Principles of Animation |
| title_full | How to make animated films Tony White's complete masterclass on the Tradition Principles of Animation Tony White |
| title_fullStr | How to make animated films Tony White's complete masterclass on the Tradition Principles of Animation Tony White |
| title_full_unstemmed | How to make animated films Tony White's complete masterclass on the Tradition Principles of Animation Tony White |
| title_short | How to make animated films |
| title_sort | how to make animated films tony white s complete masterclass on the tradition principles of animation |
| title_sub | Tony White's complete masterclass on the Tradition Principles of Animation |
| topic | Animationsfilm (DE-588)4142484-0 gnd |
| topic_facet | Animationsfilm Ratgeber |
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