Twelve-tone music in America:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2009
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Music in the twentieth century
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxiv, 301 S. zahlr. Notenbeisp. 26 cm |
| ISBN: | 9780521899550 9781107637313 |
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Datensatz im Suchindex
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| adam_text | Contents
List of music examples page
xi
Preface
xvii
Part One: Thirty-seven ways to write a twelve-tone piece
1
1
Ultramodern composers:
Adolph
Weiss,
Wallingford Riegger,
Carl Ruggles, and Ruth Crawford Seeger
3
Adolph
Weiss and twelve-tone rows in four forms : Prelude for
Piano, No.
11 (1927) 3
Wallingford Riegger
and the serial/chromatic dichotomy:
Dichotomy
(1931-1932) 7
Carl Ruggles and dissonant counterpoint : Evocations II
(1941) 11
Ruth Crawford Seeger and rotational/transpositional schemes:
Diaphonie
Suite No.
1 (1930) 16
2
European immigrants: Arnold
Schoenberg,
Ernst Krenek, Igor
Stravinsky, and Stefan Wolpe
21
Arnold
Schoenberg
and hexachordal inversional combinatoriality:
Piano Concerto, Op.
42 (1942) 21
Ernst Krenek and modal rotation: Lamentatio Jeremiae Prophetae,
Op.
43 (1942) 28
Igor Stravinsky and rotational arrays:
Exaudí,
from Requiem
Canticles
(1966) 34
Stefan Wolpe and the structures of fantasy : Form for
Piano
(1959) 40
3
Postwar pioneers: Milton Babbitt, Elliott Carter, George
Perle,
Aaron Copland, and Roger Sessions
46
Müton
Babbitt and trichordal arrays:
Danci
for solo
guitar
(1996) 47
Elliott Carter and twelve-note chords:
Caténaires
(2006) 52
George
Perle
and twelve-tone tonality: Six-New Etudes,
Romance
(1984)
:
.. · · ■ < 56
Aaron Copland and freely interpreted tonalism : Inscape
(1967) 60
Contents
Roger
Sessions and an organic pattern of sounds and intervals :
When Lilacs Last in the Dooryard Bloom d
(1970) 66
4
An older generation (composers born before
1920):
Ben Weber,
George
Rochberg,
Ross Lee Finney, Barbara Pentland, and
Roque
Cordero
71
Ben Weber and an available form : Bagatelle No. IV from Five
Bagatelles, Op.
2 (1939) 71
George
Rochberg
and the spatialization of music : String Quartet
No.
2,
with soprano solo
( 1961 ) 75
Ross Lee Finney and complementarity : Fantasy in Two
Movements (for solo violin)
(1958) 79
Barbara Pentland and the emotional impact of line against line :
String Quartet No.
3 (1969) 86
Roque Cordero
and the rhythmic vitality of our dances : Violin
Concerto
(1962) 90
5
Some serial neoclassicists,
tonalists, jazzers,
and minimalists:
Arthur
Berger,
Irving Fine, Louise Talma, Samuel Barber,
Günther Schuller,
Hale Smith, and Michael Torke
93
Arthur
Berger
and neoclassic twelve-tone music: Chamber
Music for Thirteen Players
(1956) 93
Irving Fine and chords derived from the series and embellished :
Fantasia for String Trio
(1957) 98
Louise Talma and a twelve-tone style more and more simple :
Seven Episodes for flute, viola, and piano
(1986-1987) 102
Samuel Barber and a mixture of apparently antithetical elements :
Piano Sonata, Op.
26 (1949) 104
Günther Schuller
and the Third Stream : Transformation
(1957) 109
Hale Smith and the African-American vernacular: Contours for
Orchestra
(1961) 113
Michael Torke and a six-note tune : Ecstatic Orange
(1985) 115
6
A middle generation (composers born between
1920
and
1940):
Charles Wuorinen, Donald
Martino,
Ralph Shapey, Ursula
Mamlok, Peter Westergaard, Leonard
Rosenman,
and
Mel Powell
124
Charles Wuorinen and the time-point system : Piano Concerto
No.
3 (1983) 124
Donald
Martino
and chain forms :
Notturno
(1973) 129
Contents ix
Ralph
Shapey and The Mother Lode : String Quartet No.
9 ( 1995) 136
Ursula Mamlok and pathways through the magic square:
Panta
Rhei
(1981) 140
Peter Westergaard and twelve-tone polyphony : Mr. and Mrs.
Discobbolos
(1966) 146
Leonard
Rosenman
and what was going on inside characters
heads : The Cobweb, film score
(1955) 150
Mel Powell and the pitch tableau : String Quartet
(1982) 153
7
A younger generation (composers born after
1940):
Joseph
Schwantner, Robert Morris, Peter Lieberson, Andrew Mead,
and Jeff Nichols
157
Joseph Schwantner and free serialism : In Aeternum
(1973) 157
Robert Morris and compositional design : Fourteen Little Piano
Pieces
(2002) 160
Peter Lieberson and an elegantly ordered world : Bagatelles
for Solo Piano, I. Proclamation
(1985) 163
Andrew Mead and an ordered hexachordspace :
Scena
(Recitative,
Aria, and
Cabaletta
for Oboe, or Soprano or Alto Saxophone)
(1994) 166
Jeff Nichols and the technique of analogies : ...its darkening
opposite, or Set Portrait in a Convex Mirror
(2008) 170
Part Two: American twelve-tone music in context
175
8
The composition of twelve-tone music in America
177
The Myth of Serial Orthodoxy
177
The Myth of Serial Purity
180
The Myth of Non-Repetition
183
The Myth of Anti-Tonality
185
The Myths of Math and Overdetermination
186
The Myth of the Matrix
188
The Myth of Structural Incoherence
191
9
The history of twelve-tone music in America
194
The Myth of Serial Origins
195
The Myth of Integral Serialism
196
The Myth of Serial Tyranny
198
The Myth of Serial Demise
202
The Myth of the Academic Serialist
206
The Myth of
Un-
Americanness
211
Contents
10
The reception of twelve-tone music in
America 214
The Myth of Imperceptibility
214
The Myth of Theory
218
The Myth of Inexpressiveness
221
The Myth of Unnaturalness
223
The Myth of the Lost Audience
225
The Myth of Autonomy
228
11
Conclusion
236
Composing serially
236
The twelve-tone legacy
238
Notes
243
Works cited
277
Index
296
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| spelling | Straus, Joseph Nathan 1954- Verfasser (DE-588)135775299 aut Twelve-tone music in America Joseph N. Straus 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2009 xxiv, 301 S. zahlr. Notenbeisp. 26 cm txt rdacontent n rdamedia nc rdacarrier Music in the twentieth century Includes bibliographical references and index Geschichte 1900-2000 Geschichte 1925-2000 gnd rswk-swf Twelve-tone system / United States / History / 20th century Music / United States / 20th century / History and criticism Geschichte Musik Music United States 20th century History and criticism Twelve-tone system United States History 20th century Zwölftontechnik (DE-588)4191359-0 gnd rswk-swf Serielle Musik (DE-588)4054608-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Serielle Musik (DE-588)4054608-1 s Zwölftontechnik (DE-588)4191359-0 s Geschichte 1925-2000 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018630139&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Straus, Joseph Nathan 1954- Twelve-tone music in America Twelve-tone system / United States / History / 20th century Music / United States / 20th century / History and criticism Geschichte Musik Music United States 20th century History and criticism Twelve-tone system United States History 20th century Zwölftontechnik (DE-588)4191359-0 gnd Serielle Musik (DE-588)4054608-1 gnd |
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| title | Twelve-tone music in America |
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| title_exact_search | Twelve-tone music in America |
| title_full | Twelve-tone music in America Joseph N. Straus |
| title_fullStr | Twelve-tone music in America Joseph N. Straus |
| title_full_unstemmed | Twelve-tone music in America Joseph N. Straus |
| title_short | Twelve-tone music in America |
| title_sort | twelve tone music in america |
| topic | Twelve-tone system / United States / History / 20th century Music / United States / 20th century / History and criticism Geschichte Musik Music United States 20th century History and criticism Twelve-tone system United States History 20th century Zwölftontechnik (DE-588)4191359-0 gnd Serielle Musik (DE-588)4054608-1 gnd |
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