African Americans and the media:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, UK ; Malden, MA
Polity
2009
|
| Schriftenreihe: | The media and minorities
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xviii, 301 Seiten Illustrationen 25 cm |
| ISBN: | 9780745640341 9780745640365 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804140684790202368 |
|---|---|
| adam_text | Titel: African Americans and the media
Autor: Squires, Catherine R.
Jahr: 2009
Contents
Acknowledgments xi
Chronology of Events xii
Abbreviations xvii
Introduction: African Americans and the Mass Media 1
Representation 2
Dissemination 2
Audiences 2
Innovation 3
Responsibility 3
Theoretical Foundations of the Book 3
What Defines Black Media? 6
SECTION ONE: THE BLACK PRESS
1 The Nineteenth Century: From Slavery to Reconstruction 13
The Early Black Press: 1827 to the Civil War 15
Reconstruction and post-Reconstruction 27
2 The Great Black Migration and the Growth of the Urban
Black Press, 1910-1945 41
Bringing Blacks North 42
Increased Circulation, Increased Diversity 44
Constructing a Radical Black Identity 50
The Black Press and the US Government During the
World Wars 54
Conclusion 59
3 The Civil Rights Movement, and Beyond 61
The Southern Black Press: Old Conservatives and Upstart
Freedom Movers 61
Covering the Movement in the North 64
The White Press and the Civil Rights Movement 66
Black Newspapers Since the Civil Rights Movement 69
Black Newspaper Content Today 71
Press Responses to Riots/Uprisings in the 1990s 73
Interethnic Relations: The Changing Demographics of
American Cities 74
Conclusion 75
4 Black Magazines After World War II 78
From Specialty to General Interest Titles 78
New Black Magazines: Multiplying Niches in the 1990s
and Beyond 85
SECTION TWO: FILM
5 Mainstream Cinema and African Americans, 1900-1940s 93
Early Film and Black Hopes 93
The Birth of a Nation: Protesting Hollywood s Vision of Race
and the South 96
Limiting Frames: Black Types and Hollywood Films, 1920-49 98
Early Independent Black Filmmaking and Criticism 101
6 From Servile to Upstanding : Message Films,
Sidney Poitier, and Hollywood After WWII 111
Poitier and the Upstanding Black Character 113
Enter Blaxploitation 114
Alternative Visions in the 1970s 117
Film School Grads and Independents: Building Alternatives
out of the Dust 120
7 Approaching a New Century. From Spike Lee to
Direct-to-DVD 127
Spike Lee, Indies, and the New Black Film Grads 127
The Buddy Films: Back to the Future with Action,
Adventure, and Comic Antics 128
Buppies on Screen: Middle-Class Narratives of Love,
Family, and Careers 129
Hip Hop and Hollywood: From the Hood to the Barbershop 130
Black Films, Green Lights: Emerging Models of Black
Film Production and Distribution 132
Star Power and Small(er) Screens 133
New Routes, Different Screens: Black Film in the
Twenty-first Century 136
Conclusion 141
SECTION THREE: RADIO AND RECORDED MUSIC
8 Records and Race: The Early Years of Radio 147
The Record Industry and Radio: Wary Partners in
Entertaining America 147
Segregation and the Airwaves 149
The FCC and African American Participation on the Air 149
Jazz and Radio s Golden Age 150
Blackvoice vs. Black Voices on the Radio, 1920s-1940s 151
Voices All Their Own: Jack Cooper and the New Negro
Announcers 153
9 Radio and Race: From World War II to Rock n Roll 157
Ambrose Caliver: Making Waves with Government-
Sponsored Radio Programs 159
Black-Appeal Radio and the Birth of Rock n Roll 161
African American Influence on the Air 163
Black-Appeal Radio and the Civil Rights Movement 165
Integrating Ownership on the Airwaves 170
10 Integrating Entertainment and Ownership in Music
and Radio 172
Jazz, Blues, and Race Records 174
How Bessie Smith Saved Columbia Records 175
R B and Rock n Roll: Interracial Music, Segregated Labels 176
Hitsville and Soulsville: Two Models of Black Popular Music
Production 179
African Americans and Radio-Ownership, 1970-2007 183
Localized Black Radio-Ownership, 1976-1990s 184
Non-Commercial Options: National Public and Low-Power
Radio 190
Hip Hop and Rap 196
Conclusion 204
SECTION FOUR: TELEVISION AND NEW MEDIA
11 Black Faces in Small Places: Early Television and Black
Americans 211
Beulah, Amos n Andy: The Birth of Television Sitcoms 212
The Civil Rights Movement on Screen 214
Tuning in to Integration: Entertainment TV, 1955-1970s 217
Laughing to Keep From Cryin : Reality Sitcoms and
1970s TV 220
Moving On Up? Integrated Shows After Lear 224
Multiracial Dramas: Integrating Urban Workplaces in
1980s TV 226
12 Enter Cosby: A New Era of Black Presence on Television,
1984-1992 228
Neo-Minstrels or Mavericks? FOX and the Urban Sitcom 231
What Do Black Audiences Think of Black-oriented TV? 233
Economics of Black-Oriented TV 240
Network Television Now 243
13 Black Entertainment Television and the Promise of
Cable Diversity 247
BET: Profits and Pride, or Pride in Profits? 248
A New BET 253
BET s Cable Competitors 256
Conclusion 259
14 African Americans and the New Media Environment:
From Mass to Niche Media 262
New Production and Dissemination Technologies 263
Market Segmentation: Which Niches Matter Most? 264
African Americans Online: Digital Divides and Emerging
Opportunities 266
Beyond the Digital Divide: Black Presence Online 269
Traditional Black-Owned and Oriented Media and Social
Institutions Online 271
The Web, Race, and Politics: The Obama Campaign 277
Conclusion 279
Notes 280
References 284
Index 297
|
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