The marsh of gold: Pasternak's writings on inspiration and creation
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English Russian |
Veröffentlicht: |
Brighton, MA
Academic Studies Press
2008
|
Schriftenreihe: | Studies in Russian and Slavic literatures, cultures and history
|
Schlagworte: | |
Online-Zugang: | Volltext Inhaltsverzeichnis |
Beschreibung: | Erscheint auch als Open Access bei De Gruyter |
Beschreibung: | XVII, 303 S. 24 cm |
ISBN: | 9781934843239 |
DOI: | 10.1515/9781618116987 |
Internformat
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100 | 1 | |a Pasternak, Boris Leonidovič |d 1890-1960 |e Verfasser |0 (DE-588)118591940 |4 aut | |
240 | 1 | 0 | |a Selections2008 |
245 | 1 | 0 | |a The marsh of gold |b Pasternak's writings on inspiration and creation |c texts by Boris Pasternak, selected, transl., ed., introd., and provided with commentaries by Angela Livingstone |
264 | 1 | |a Brighton, MA |b Academic Studies Press |c 2008 | |
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490 | 0 | |a Studies in Russian and Slavic literatures, cultures and history | |
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600 | 1 | 4 | |a Pasternak, Boris Leonidovich |d 1890-1960 |v Translations into English |
600 | 1 | 4 | |a Pasternak, Boris Leonidovich |d 1890-1960 |x Criticism and interpretation |
650 | 4 | |a Creation (Literary, artistic, etc.) | |
700 | 1 | |a Livingstone, Angela |e Sonstige |4 oth | |
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Datensatz im Suchindex
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---|---|
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adam_text |
Contents
Preface
. ix
Acknowledgments
.
χ
Note on transliteration and dates
. xii
Abbreviations
. xiii
A brief chronology
. xiv
Note on Pasternak's connections with literary groups
. xvii
Introduction
. .
l
I
EARLY PROSE
(1910-1919)
Some Propositions
. 15
[ReLiquimini]
. 18
Ordering a Drama
. 25
Heinrich von Kleist.
On Asceticism in Culture
. 32
[On the Threshold of Inspiration]
. 39
Symbolism and Immortality [Synopsis of a lecture]
. 40
[End of a Decade]
. 41
The Black Goblet
. 43
Letters from Tula
. 47
Commentary on I (EARLY PROSE)
. 54
"Some Propositions"
(54). —
"[ReÌiquimìni]"
and "Ordering a Drama"
(56).—
"[Reliquimini]"
(56). —
"Ordering a Drama"
(58).—
Note on names in the early
fiction
(60).— "Heinrich von Kleist.
On Asceticism in Culture"
(60). —
"[On the
Threshold of Inspiration]"
(63). —
"Symbolism and Immortality"
(63). —
"[End
of a Decade]"
(67). —
"The Black Goblet"
(68). —
"Letters from Tula"
(70).
— Other
early fiction
(72)
II
A SAFE-CONDUCT
or"THE PRESERVATION CERTIFICATE"
(1928-1931)
Part One
.79
Part Two
.98
Part Three
.130
Commenra/y on II (A SAFE-CON DUCT, OR THE PRESERVATION CERTIFICATE)
. . 155
The potitkat moment
(155). —
Rilke
(156).—
Some patterns
(157).—
Part One,
chaptersix
(158). —
Part Two, chapter three
(160). —
Part Two, chapter seven
(161).—
Part Two, chapter seventeen
(163). —
Mayakovsky
(165). —
The title
(167)
III
FIFTEEN POEMS
(1912-1931)
February
. 172
Spring
. 174
Marburg
. 176
About These Verses
. 182
Definition of Poetry
. 184
Definition of Creation
. 186
Let's drop words
. 188
Inspiration
. 192
Here's the Beginning
. 194
Slanted pictures
. 196
Poetry
. 198
To Anna Akhmatova
. 200
To Marina Tsvetaeva
. 204
Lovely woman
. 206
Again Chopin
. 208
Commentary on III (FIFTEEN POEMS)
. 212
IV
SPEECHES
AND ARTICLES
1930s
and
1940s
Speech attheFirstAll-Union Congress of Soviet Writers
(1934). 217
Speech at the International Congress of Writers for
the Defence of Culture
(1935). 219
Speech at the Third Plenum of the Board of the Union of Soviet Writers
(1936) 219
On Shakespeare
. . 224
A New Collection of Work by Anna Akhmatova
. 226
Selected Works by Anna Akhmatova
. 226
Notes of a Translator
. 229
Paul-Marie Verlaine. 231
Chopin
. 234
Remarks on Translations from Shakespeare
. 238
Commentary on IV (SPEECHES AND ARTICLES,
1930s
and 40s)
. 242
"Speech at the first all-union congress of Soviet writers"
(246). —
"Speech at
the international congress of writers in defence of culture"
(248). —
"Speech at
the third plenum of the board of the writers' union"
(249).—
"Articles on Anna
Akhmatova"
(252).—
"Articles on Translation and on Shakespeare"
(252).—
"Verlaine" (253).
—"Chopin"
(254)
V
An Essay on Pasternak's Novel DOCTOR ZHIVAGO
1.
"A novel in prose"
. 259
2.
Writing poetry
. 262
3.
A merging of concepts
. 265
4. ".
some moving entireness"
. 272
Notes
.277
Selective bibliography
.295
Index
.301 |
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author | Pasternak, Boris Leonidovič 1890-1960 |
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dewey-search | 891.71/42 |
dewey-sort | 3891.71 242 |
dewey-tens | 890 - Literatures of other languages |
discipline | Slavistik |
doi_str_mv | 10.1515/9781618116987 |
format | Book |
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physical | XVII, 303 S. 24 cm |
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spellingShingle | Pasternak, Boris Leonidovič 1890-1960 The marsh of gold Pasternak's writings on inspiration and creation Pasternak, Boris Leonidovich 1890-1960 Translations into English Pasternak, Boris Leonidovich 1890-1960 Criticism and interpretation Creation (Literary, artistic, etc.) |
title | The marsh of gold Pasternak's writings on inspiration and creation |
title_alt | Selections2008 |
title_auth | The marsh of gold Pasternak's writings on inspiration and creation |
title_exact_search | The marsh of gold Pasternak's writings on inspiration and creation |
title_full | The marsh of gold Pasternak's writings on inspiration and creation texts by Boris Pasternak, selected, transl., ed., introd., and provided with commentaries by Angela Livingstone |
title_fullStr | The marsh of gold Pasternak's writings on inspiration and creation texts by Boris Pasternak, selected, transl., ed., introd., and provided with commentaries by Angela Livingstone |
title_full_unstemmed | The marsh of gold Pasternak's writings on inspiration and creation texts by Boris Pasternak, selected, transl., ed., introd., and provided with commentaries by Angela Livingstone |
title_short | The marsh of gold |
title_sort | the marsh of gold pasternak s writings on inspiration and creation |
title_sub | Pasternak's writings on inspiration and creation |
topic | Pasternak, Boris Leonidovich 1890-1960 Translations into English Pasternak, Boris Leonidovich 1890-1960 Criticism and interpretation Creation (Literary, artistic, etc.) |
topic_facet | Pasternak, Boris Leonidovich 1890-1960 Translations into English Pasternak, Boris Leonidovich 1890-1960 Criticism and interpretation Creation (Literary, artistic, etc.) |
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