Hans Memling, master painter in fifteenth-century Bruges:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Harvey Miller
2009
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 386 S. 277 Ill. |
| ISBN: | 9781905375196 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804140661982625792 |
|---|---|
| adam_text | Titel: Hans Memling, master painter in fifteenth-century Bruges
Autor: Lane, Barbara G.
Jahr: 2009
Table of Contents
Preface ........................................................... 5
Abbreviations........................................................ 7
Introduction ........................................................ 9
Parti. Wanderjahre
Chapter 1. In Search of Memling in Rogier s Workshop......................... 17
I. Sixteenth-Century Sources Associating Memling with Rogier van der Weyden...... 17
A. Vasari and Guicciardini........................................... 17
B. Inventories of the Collection of Margaret of Austria...................... 19
II. Paintings Related to Works by Rogier van der Weyden...................... 21
A. The Gdansk Last Judgment and the Beaune Altarpiece ................... 21
B. Memling s Adoration Triptychs and the Columba Altarpiece................ 24
C. Rogerian Paintings Erroneously Attributed to the Youthful Memling......... 25
D.Recent Attributions to Memling..................................... 33
Chapter 2. Early Training in Cologne ...................................... 43
I. Memling and Lochner............................................. 45
II. Memling and Painting in Cologne before Lochner ........................ 51
A. The Virgo inter Virgines ......................................... 51
B. The Narrative Crucifixion ........................................ 53
C. Simultanbilder ................................................ 53
Chapter 3. A Sojourn in Louvain? Compositional Types Related to Works by Dirk Bouts 63
I. The Madonna and Child with Angels in a Loggia ......................... 63
II. The Half-length Madonna in an Interior or Loggia ........................ 65
III. Diptych with the Man of Sorrows and the Virgin in Prayer .................. 68
IV. Passion Scenes .................................................. 71
Chapter 4. The Impact of Van Eyck and Christus ............................. 79
I. Inscriptions on Frames and Trompe-l oeil............................... 79
II. Portraiture ..................................................... 81
III. The Virgin and Child with Saints, Angels, and/or Donors ................... 83
Part n. Master Painter in Bruges
Chapter 5. Workshop ................................................. 95
I. Production ..................................................... 95
A. 1465-1479 .................................................... 95
B. 1480-1488 .................................................... %
C. 1489-1494 .................................................... 96
II. Proposed Assistants ............................................... 98
A. Martin Schongauer ............................................. 98
B.Michel Sittow ................................................. 102
C. The Master of the St. Bartholomew Altarpiece ......................... 103
D.Albrecht Diirer ................................................ 106
III. Workshop Practices ............................................... 110
Chapter 6. Patronage ................................................. 115
I. Who the Patrons Were............................................. 115
II. What the Patrons Wanted .......................................... 116
A. The Desire for Works Based on Famous Precedents ..................... 116
B. Types of Paintings Commissioned .................................. 117
C. Motivations ................................................... 118
III. How the Patrons got what they wanted ................................ 119
Part HI. Major Commissions
Chapter 7. Funerary Altarpieces ......................................... 129
I. The Gdansk Last Judgment Triptych ................................... 129
II. The Moreel Triptych .............................................. 136
III. The Lubeck Passion Altarpiece ....................................... 139
Chapter 8. Paintings as Aids to Spiritual Pilgrimage ........................... 147
I. The Turin Scenes of the Passion ..................................... 147
II. The Seven Joys of the Virgin ........................................ 155
III. The Lubeck Passion Altarpiece ...................................... 162
IV. The Reliquary of St. Ursula ......................................... 164
2
Chapter 9- Hospital Altarpieces ......................................... 175
I. The Hospital Context ............................................. 175
II. The St. John Altarpiece ............................................ 179
III. The Triptych of Jan Floreins and the Triptych ofAdriaan Reins .............. 186
Part IV. Memling and Italy
Chapter 10. Italian Commissions and their Impact in Italy ...................... 199
I. Memling s Italian Patrons ......................................... 199
II. Paintings by Memling in Italy, c. 1470-1510 ............................ 201
A. Works by Memling Documented in Italian Sources ..................... 202
B. Works by Memling Reflected in Italian Painting ........................ 202
III.Italian Responses to Memling s Paintings ............................... 208
A. Copies ...................................................... 209
B. Quotations of Specific Landscape Motifs ............................. 209
C. The Landscape alia Jiamminga ................................... 213
D.Portraiture ................................................... 213
Chapter 11. Italian Painters Emulating Memling ............................. 221
I. Domenico Ghirlandaio (1449-1494) ................................. 221
II. Leonardo da Vinci (1452-1519) ..................................... 226
III.Pietro Vannucci, called Perugino (ca. 1445-1523) ....................... 230
W.Raffaello Sanzio, called Raphael (1483-1520) ........................... 236
Epilogue .......................................................... 249
Catalogue
A. Accepted works ................................................ 256
B. Disputed works ................................................. 322
C. Rejected works .................................................. 335
Selected Bibliography ................................................. 339
Exhibition Catalogues ................................................. 359
Index.............................................................. 363
Photographic Credits ................................................. 385
|
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| discipline | Kunstgeschichte |
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| spelling | Lane, Barbara G. Verfasser aut Hans Memling, master painter in fifteenth-century Bruges Barbara G. Lane Hans Memling London [u.a.] Harvey Miller 2009 386 S. 277 Ill. txt rdacontent n rdamedia nc rdacarrier Memling, Hans <1430?-1494> Catalogs Memling, Hans <1430?-1494> Criticism and interpretation Memling, Hans 1430-1494 (DE-588)118580647 gnd rswk-swf (DE-588)4163417-2 Katalog gnd-content Memling, Hans 1430-1494 (DE-588)118580647 p DE-604 Memling, Hans 1430-1494 (DE-588)118580647 ill HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018606863&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lane, Barbara G. Hans Memling, master painter in fifteenth-century Bruges Memling, Hans <1430?-1494> Catalogs Memling, Hans <1430?-1494> Criticism and interpretation Memling, Hans 1430-1494 (DE-588)118580647 gnd |
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| title | Hans Memling, master painter in fifteenth-century Bruges |
| title_alt | Hans Memling |
| title_auth | Hans Memling, master painter in fifteenth-century Bruges |
| title_exact_search | Hans Memling, master painter in fifteenth-century Bruges |
| title_full | Hans Memling, master painter in fifteenth-century Bruges Barbara G. Lane |
| title_fullStr | Hans Memling, master painter in fifteenth-century Bruges Barbara G. Lane |
| title_full_unstemmed | Hans Memling, master painter in fifteenth-century Bruges Barbara G. Lane |
| title_short | Hans Memling, master painter in fifteenth-century Bruges |
| title_sort | hans memling master painter in fifteenth century bruges |
| topic | Memling, Hans <1430?-1494> Catalogs Memling, Hans <1430?-1494> Criticism and interpretation Memling, Hans 1430-1494 (DE-588)118580647 gnd |
| topic_facet | Memling, Hans <1430?-1494> Catalogs Memling, Hans <1430?-1494> Criticism and interpretation Memling, Hans 1430-1494 Katalog |
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