Fictional thinking: a poetics and rhetoric of fictional creativity in theatre
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Portland
Sussex Acad. Press
2009
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes index. Erscheint: Oktober 2009 |
Beschreibung: | XIV, 323 S. Ill. |
ISBN: | 9781845193263 9781845193270 |
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Datensatz im Suchindex
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adam_text | FICTIONAL THINKING FL POETICS OND RHETORIC OF FICTIONAL CREATIVITY IN
THEATRE *11 FTOZIK SUSSEX A C A D E M I C PRESS BRIGHTON * PORTLAND
CONTENTS LIST OF ILLUSTRATIONS XI PREFACE AND ACKNOWLEDGMENTS XIII
INTRODUCTION * STATE OF THE ART AND PERSPECTIVES 1 A BRIEF HISTORY OF
FICTIONAL THEORY 2 AIMS OF FICTIONAL ANALYSIS 4 CORPUS OF FICTIONAL
ANALYSIS 4 STRUCTURE OF THE BOOK 5 METHODOLOGICAL CONSIDERATIONS 10 PART
I POETIC DEEP STRUCTURE 1 THE NATURE OF FICTIONAL WORLDS 15 SURFACE
STRUCTURES AND THEMATIC SPECIFICATION 16 THE PRINCIPLE
OF PERSONIFICATION 18 ARCHETYPAL EXPECTATIONS 21 ARCHETYPAL AND
ABSURDIST STRUCTURES 22 A MODEL OF POETIC DEEP STRUCTURE 24 2 THE
MYTHICAL LAYER 25 THE PSYCHOANALYTIC APPROACH 26 ARISTOTLE S APPROACH 29
THE FICTIONAL PARADOX 30 GENERIC CONSIDERATIONS 31 DETECTING A MYTHICAL
LAYER 32 THE MYTHICAL FALLACY 33 3 THE PRAXICAL LAYER 35 PRAXICAL
STRUCTURE 35 A PRAGMATIC APPROACH 37 CAUSATION AND LOGOS 39 CONTENTS
GENERIC CONSIDERATIONS 39 DETECTING A PRAXICAL LAYER 43 THE PRAXICAL
FALLACY 44 I THE NAI VE LAYER . 47 THE NAI VE PERSPECTIVE 49 ETHICAL
METONYMS 52 GENERIC CONSIDERATIONS 53 DETECTING A NAIVE LAYER- 54 THE
NAIVE FALLACY 55 * THE IRONIC LAYER 56 ARISTOTLE S APPROACH 57 HEGEL S
APPROACH 57 DRAMATIC IRONY 59 IRONY AND ARCHETYPAL EXPECTATIONS 61
RITUAL EXPERIENCE 63 GENERIC CONSIDERATIONS 64 DETECTING AN IRONIC LAYER
64 THE IRONIC FALLACY 65 I THE MODAL LAYER 67 FRYE S APPROACH _ 68 MODE
AND MOOD 70 LAUGHING AND CRYING 71 PURE AND MIXED MOODS 73 HUMOR AND
SATIRE 75 GENERIC CONSIDERATIONS 76 1 THE AESTHETIC LAYER 79 ARISTOTLE S
AND HEGEL S APPROACHES 79 NIETZSCHE S APPROACH 82 FREUD S APPROACH 84
THE TRAGIC PARADOX 86 GENERIC CONSIDERATIONS 87 DETECTING AN AESTHETIC
LAYER 88 THE AESTHETIC FALLACY 89 8 STRUCTURE OF CHARACTER 90 SUBSTRATUM
OF PERSONIFICATION 90 LAYERED STRUCTURE 92 VI CONTENTS CHORUS AS
CHARACTER 96 STATIC CHARACTERIZATION AND CHANGE 96 EPISODIC STRUCTURE 97
FUNCTIONS OF CHARACTERIZATION 98 9 CHARACTERIZATION AND CREDIBILITY 99
COHERENCE 99 CONSISTENCY 101 TRUTH TO LIFE - 103 PROBABILITY AND
NECESSITY 104 MYTHICAL CREDIBILITY 105 SUPERNATURAL CHARACTERS 106 MINOR
CHARACTERS 107 10 INTERTEXTUAL RELATIONS 109 CREATIVE INTERPRETATION 110
DEPARTURES FROM SOURCE-TEXTS 111 HERMENEUTIC INTERPRETATION 115
LEGITIMACY AND PLAGIARISM 115 ALLUSION 116 PARODY 116 11 FICTIONAL
INTERACTION . 119 DIALOGUE AS VERBAL INTERACTION 120 DEEP STRUCTURE.OF
SPEECH ACTS 121 INTERPRETATION OF ACTS 122 OEDIPUS THE KING 124 12
FICTIONAL TIME AND PLACE 128 PRINCIPLES OF UNITY 128 PATTERNS OF
DESCRIPTION 132 THE INTERVAL 134 THEMATIC FUNCTION OF TIME AND PLACE 135
PART II RHETORIC STRUCTURE 13 METAPHORIC STRUCTURE 141 THE METAPHORIC
PRINCIPLE 142 EXPRESSION THROUGH FICTIONAL WORLDS 143 THE PRINCIPLE
OF PERSONIFICATION 144 MECHANISM OF FICTIONAL METAPHOR 145 VII CONTENTS
POETIC IMPLICATIONS 148 OEDIPUS THE KING (CONT.) 149 14 ALLEGORIC
STRUCTURE 151 ELEMENTS OF ALLEGORY 152 ANONYMOUS EVERYMAN 157 AUTO
SACRAMENTAL LIFE IS A DREAM 158 IONESCO S EXIT THE KING 159 MIXING
PRAXICAL AND ALLEGORIC CHARACTERS 160 15 RHETORIC STRUCTURE 162 A MODEL
OF VERBAL INTERACTION 163 AUTHOR/AUDIENCE INTERACTION 164 STRUCTURAL
EQUIVALENCE 165 RHETORIC INTERACTION 166 RHETORIC INTENT AND TRUTH 168
POSSIBLE WORLDS 170 16 SPECTATOR S COMPLEMENTATION 173 REAL VS. IMPLIED
SPECTATOR 174 IMPLIED SPECTATOR S CONTRIBUTION 175 HOLISTIC FICTIONAL
EXPERIENCE 178 EXPERIENCING SUFFERING # 179 LIMITS OF SPECTATORIAL
CONTRIBUTION 180 IMPLIED DIALOGUE AUTHOR/SPECTATOR 180 THE TEXTUAL
FALLACY 181 PART III POETIC SURFACE STRUCTURES 17 HAMARTIA/CATASTROPHE
STRUCTURE 185 BASIC DISTINCTIONS 185 ARISTOTLE S SURFACE STRUCTURES 187
HAMARTIA AND CATASTROPHE 191 GENERIC SURFACE STRUCTURES 193 18
VIRTUE/VILLAINY STRUCTURE 195 SINGLE AND DOUBLE STRUCTURES 197 LOPE S
PERIBAHEZ 197 CORNEILLE S LE CID 198 TIRSO S THE TRICKSTER OF SEVILLA
200 DEUS EX MACHINA 202 VIU CONTENTS 19 HAMARTIA AND CHRISTIANITY 205
QUERN QUAERITIS 206 FEU D ADAM * 208 SHAKESPEARE S MACBETH 208
CALDERON S LIFE IS A DREAM 210 20 ABSURDIST STRUCTURE 215 EXPERIENCE OF
THE ABSURD 216 EURIPIDES HIPPOLYTUS 217 ARRABAL S GUERNICA 221
SHAKESPEARE S ROMEO ANDFULIET 222 THEATRE OF THE ABSURD 223 21 STRUCTURE
OF CONFLICT 226 HEGEL S NOTION OF CONFLICT 227 SOPHOCLES ANTIGONE 229
ARISTOTLE AND HEGEL 233 THE CONFLICT FALLACY 234 22 RITUAL EXPERIENCE
AND TRUTH 236 GARCIA LORCA S YERMA 236 BRECHT S THE CAUCASIAN CHALK
CIRCLE 24 0 CHEKHOV S THE SEAGULL _ 241 PRE-STRUCTURATION AND TRUTH 243
23 ANTI-ARISTOTELIAN POETICS 246 ANTI-ARISTOTELIAN TRADITION 247
MODERNIST EXPERIMENTATION 249 PART IV ANALYSES OF FICTIONAL WORLDS 24
GENERIC TRANSFORMATION: THE HIPPOLYTUS-PHAEDRA 259 MYTH RACINE S PHEDRE
260 EURIPIDES HIPPOLYTUS 265 SENECA S PHAEDRA 266 25 GENERATION OF LIFE
IS A DREAM FROM OEDIPUS THE KING 268 THE SOURCE FICTIONAL WORLD 269
CATHOLIC QUALIFICATIONS 271 IX CONTENTS ADAPTATIONS TO THE TARGET
CULTURE 272 THE MYTH OF BUDDHA 276 26 DECONSTRUCTION OF ARCHETYPAL
CHARACTERIZATION IN 278 THE SEAGULL ARCHETYPAL VS. COGNITIVE
CHARACTERIZATION 279 MEDEA: A NEGATIVE ANIMA 282 NINA: DECONSTRUCTION OF
A POSITIVE ANIMA 283 27 THE CHAIRS IN PERFORMANCE 288 THE PLAY-SCRIPT
289 YERUSHALMI S PRODUCTION 293 RHETORIC IMPLICATIONS 296 APPENDIX * A
COMPENDIUM OF THE THEATRE MEDIUM 298 THE NOTION OF ICONICITY 298
IMPRINTING AND LANGUAGE MEDIATION 300 SEGMENTATION OF A THEATRE TEXT 300
BASIC FORMS OF THEATRE DESCRIPTION 301 BASIC CONVENTION OF THEATRE 303
THE PRINCIPLE OF ACTING 304 TEXTUAL NATURE OF PERFORMANCE 305 DIALOGUE
AUTHOR/SPECTATOR 305 FICTIONAL/ICONIC THINKING 306 ANALYZED AND CITED
FICTIONAL WORKS 307 CITED THEORETICAL WORKS 312 INDEX 319
|
any_adam_object | 1 |
author | Roziḳ, Eliyahu 1932- |
author_GND | (DE-588)132703572 |
author_facet | Roziḳ, Eliyahu 1932- |
author_role | aut |
author_sort | Roziḳ, Eliyahu 1932- |
author_variant | e r er |
building | Verbundindex |
bvnumber | BV035721881 |
callnumber-first | P - Language and Literature |
callnumber-label | PN3331 |
callnumber-raw | PN3331 |
callnumber-search | PN3331 |
callnumber-sort | PN 43331 |
callnumber-subject | PN - General Literature |
ctrlnum | (OCoLC)643128556 (DE-599)BVBBV035721881 |
dewey-full | 809.3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809.3 |
dewey-search | 809.3 |
dewey-sort | 3809.3 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Book |
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institution | BVB |
isbn | 9781845193263 9781845193270 |
language | English |
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physical | XIV, 323 S. Ill. |
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publisher | Sussex Acad. Press |
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spelling | Roziḳ, Eliyahu 1932- Verfasser (DE-588)132703572 aut Fictional thinking a poetics and rhetoric of fictional creativity in theatre Eli Rozik Portland Sussex Acad. Press 2009 XIV, 323 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes index. Erscheint: Oktober 2009 Drama Fiction Theater - Philosophy Philosophie Theater Philosophy Drama (DE-588)4012899-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Poetik (DE-588)4046449-0 gnd rswk-swf Drama (DE-588)4012899-4 s Theater (DE-588)4059702-7 s Poetik (DE-588)4046449-0 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017998645&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Roziḳ, Eliyahu 1932- Fictional thinking a poetics and rhetoric of fictional creativity in theatre Drama Fiction Theater - Philosophy Philosophie Theater Philosophy Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd Poetik (DE-588)4046449-0 gnd |
subject_GND | (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4046449-0 |
title | Fictional thinking a poetics and rhetoric of fictional creativity in theatre |
title_auth | Fictional thinking a poetics and rhetoric of fictional creativity in theatre |
title_exact_search | Fictional thinking a poetics and rhetoric of fictional creativity in theatre |
title_full | Fictional thinking a poetics and rhetoric of fictional creativity in theatre Eli Rozik |
title_fullStr | Fictional thinking a poetics and rhetoric of fictional creativity in theatre Eli Rozik |
title_full_unstemmed | Fictional thinking a poetics and rhetoric of fictional creativity in theatre Eli Rozik |
title_short | Fictional thinking |
title_sort | fictional thinking a poetics and rhetoric of fictional creativity in theatre |
title_sub | a poetics and rhetoric of fictional creativity in theatre |
topic | Drama Fiction Theater - Philosophy Philosophie Theater Philosophy Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd Poetik (DE-588)4046449-0 gnd |
topic_facet | Drama Fiction Theater - Philosophy Philosophie Theater Philosophy Theater Poetik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017998645&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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