Holdings: The representation of the spoken mode in fiction

The representation of the spoken mode in fiction: how authors write how people talk

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Bibliographic Details
Format:	Book
Language:	English
Published:	Lewiston, N.Y. [u.a.] Mellen 2009
Subjects:	Dialogue Fiction / Authorship Motion picture authorship Playwriting Poetry / Authorship Television authorship Autobiography / Authorship Autobiography > Authorship Fiction > Authorship Poetry > Authorship Dialog Literatur Film Fernsehen Gesprochene Sprache Umgangssprache
Online Access:	Inhaltsverzeichnis
Item Description:	Includes bibliographical references and index
Physical Description:	III, 226 S. Ill. 24 cm

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MARC


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Record in the Search Index

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adam_text	THE REPRESENTATION OF THE SPOKEN MODE IN FICTION HOW AUTHORS WRITE HOW PEOPLE TALK EDITED BY CAROLINA P. AMADOR MORENO AND ANA NUNES WITH A FOREWORD BY MICHAEL MCCARTHY THE EDWIN MELLEN PRESS LEWISTON»QUEENSTONLAMPETER TABLE OF CONTENTS FOREWORD BY PROF. MICHAEL MCCARTHY, UNIVERSITY OF NOTTINGHAM I ACKNOWLEDGEMENTS V INTRODUCTION 1 1. WRITING AND READING DIGLOSSIA: EVIDENCE FROM THE FRENCH-SPEAKING WORLD, RAINIER GRUTMAN (UNIVERSITY OF OTTAWA) 13 ABSTRACT 13 INTRODUCTION 14 UNDERSTANDING DIGLOSSIA 16 WRITING DIGLOSSIA 19 READING DIGLOSSIA 23 TEXTUAL EVIDENCE 28 DOUBLE-DUTCH 28 COLONIAL CREOLE 31 MAGHREBI MIX 34 ANOTHER FORM OF HYBRIDITY 35 REFERENCES 37 2. CODE-MIXING IN BILITERATE AND MULTILITERATE IRISH LITERARY TEXTS, TINA BENNETT-KASTOR (WICHITA STATE UNIVERSITY) 41 ABSTRACT 41 INTRODUCTION 42 STRUCTURAL CATEGORIES OF MIXING AND SWITCHING 42 FUNCTIONAL CATEGORIES OF MIXING AND SWITCHING 44 MULTILINGUALISM AND MULTILITERACY IN IRELAND 45 CODE-SWITCHING IN THEORY AND PRACTICE 46 CODE-SWITCHING IN SPOKEN IRISH 50 THE TEXTS 53 CONCLUSION 62 REFERENCES 64 3. PRESERVFINGJ EVERY THING IRISH ? THE HIBERNO-ENGLISH DIALECT OF WILLIAM CARLETON S PEASANTS, KEVIN MCCAFFERTY 67 (UNIVERSITY OF BERGEN) ABSTRACT 67 AN ORAL WRITER? 68 CARLETON S PEASANT HIBERNO-ENGLISH 73 NATIONAL WRITER, NATIONAL DIALECT? 76 GENERAL ENGLISH FORMS 79 NORTHERN HIBERNO-ENGLISH FORMS 80 GENERAL HIBERNO-ENGLISH FORMS 82 SOUTHERN HIBERNO-ENGLISH FORMS 87 A LEVELLED (SOUTHERN) DIALECT 89 IRISH, NOT SCOTS 92 REFERENCES 94 4. REPRESENTING VOICE IN CHICANO THEATER THROUGH THE USE OF ORTHOGRAPHY: AN ANALYSIS OF THREE PLAYS BY CHERRIE MORAGA, CARLA JONSSON (UNIVERSITY OF STOCKHOLM) 101 ABSTRACT 101 INTRODUCTION 101 CHICANA/OS AND CHICANO DISCOURSE 103 CHERRIE MORAGA 103 VOICE 104 ORTHOGRAPHY 108 FINAL REMARKS 119 REFERENCES 120 5. PORTUFLOL: FROM BORDER LANGUAGE TO LITERARY LANGUAGE, MARIA JESUS FERNANDEZ GARCIA (UNIVERSITY OF EXTREMADURA) 125 ABSTRACT * 125 HOW CAN PORTUIIOL BE DEFINED? 126 LITERATURE IN PORTUFLOL AND PORTUNOL IN LITERATURE 129 SOUTH AMERICAN LITERATURE IN PORTUNOL 131 PORTUNOL IN THE LITERATURE OF THE PENINSULA 134 FINAL CONSIDERATIONS 141 REFERENCES . 143 APPENDIX 146 6. TRANSLATING CHICANO LITERATURE INTO SPANISH: DEALING WITH CODE-SWITCHING AS A LITERARY DEVICE IN THE WRITING OF SANDRA CISNEROS, OLVIDO SORIA PEQUENO (UNIVERSITY OF GRANADA) 149 ABSTRACT 149 INTRODUCTION 150 TRANSLATING CHICANO LITERATURE 153 TRANSLATING SANDRA CISNEROS INTO SPANISH 156 CONCLUSION 168 REFERENCES 169 7. OU EN FRANCAIS, SI VOUS PREFEREZ? : WHEN HOLLYWOOD CHARACTERS CODE-SWITCH, LUKAS BLEICHENBACHER (UNIVERSITY OF ZURICH) 171 ABSTRACT 171 INTRODUCTION 172 CODE-SWITCHING: FICTION AND REALITY 173 DATA AND METHOD 177 SITUATIONAL CODE-SWITCHING 179 METAPHORICAL OR MARKED CODE-SWITCHING 181 INDEXICAL CODE-SWITCHING 184 EDITED CODE-SWITCHING . 188 RESULTS AND CONCLUSIONS 190 REFERENCES 192 8. IMITATING THE CONVERSATIONAL MODE IN AUDIOVISUAL FICTION: PERFORMANCE PHENOMENA AND NON-CLAUSAL UNITS, ROBERTO ANTONIO VALDEON GARCIA (UNIVERSITY OF OVIEDO) 197 ABSTRACT 197 INTRODUCTION 198 PERFORMANCE PHENOMENA 202 REPEATS 203 NON-CLAUSAL UNITS: INSERTS 208 CONCLUSIONS 215 REFERENCES 220 INDEX 223
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spellingShingle	The representation of the spoken mode in fiction how authors write how people talk Dialogue Fiction / Authorship Motion picture authorship Playwriting Poetry / Authorship Television authorship Autobiography / Authorship Autobiography Authorship Fiction Authorship Poetry Authorship Dialog (DE-588)4012061-2 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Fernsehen (DE-588)4016825-6 gnd Gesprochene Sprache (DE-588)4020717-1 gnd Umgangssprache (DE-588)4061588-1 gnd
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title	The representation of the spoken mode in fiction how authors write how people talk
title_auth	The representation of the spoken mode in fiction how authors write how people talk
title_exact_search	The representation of the spoken mode in fiction how authors write how people talk
title_full	The representation of the spoken mode in fiction how authors write how people talk ed. by Carolina P. Amador Moreno and Ana Nunes. With a foreword by Michael McCarthy
title_fullStr	The representation of the spoken mode in fiction how authors write how people talk ed. by Carolina P. Amador Moreno and Ana Nunes. With a foreword by Michael McCarthy
title_full_unstemmed	The representation of the spoken mode in fiction how authors write how people talk ed. by Carolina P. Amador Moreno and Ana Nunes. With a foreword by Michael McCarthy
title_short	The representation of the spoken mode in fiction
title_sort	the representation of the spoken mode in fiction how authors write how people talk
title_sub	how authors write how people talk
topic	Dialogue Fiction / Authorship Motion picture authorship Playwriting Poetry / Authorship Television authorship Autobiography / Authorship Autobiography Authorship Fiction Authorship Poetry Authorship Dialog (DE-588)4012061-2 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Fernsehen (DE-588)4016825-6 gnd Gesprochene Sprache (DE-588)4020717-1 gnd Umgangssprache (DE-588)4061588-1 gnd
topic_facet	Dialogue Fiction / Authorship Motion picture authorship Playwriting Poetry / Authorship Television authorship Autobiography / Authorship Autobiography Authorship Fiction Authorship Poetry Authorship Dialog Literatur Film Fernsehen Gesprochene Sprache Umgangssprache
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