The representation of the spoken mode in fiction: how authors write how people talk
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Lewiston, N.Y. [u.a.]
Mellen
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | III, 226 S. Ill. 24 cm |
Internformat
MARC
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| 245 | 1 | 0 | |a The representation of the spoken mode in fiction |b how authors write how people talk |c ed. by Carolina P. Amador Moreno and Ana Nunes. With a foreword by Michael McCarthy |
| 264 | 1 | |a Lewiston, N.Y. [u.a.] |b Mellen |c 2009 | |
| 300 | |a III, 226 S. |b Ill. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
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| 650 | 4 | |a Motion picture authorship | |
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Datensatz im Suchindex
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|---|---|
| adam_text | THE REPRESENTATION OF THE SPOKEN MODE IN FICTION HOW AUTHORS WRITE HOW
PEOPLE TALK EDITED BY CAROLINA P. AMADOR MORENO AND ANA NUNES WITH A
FOREWORD BY MICHAEL MCCARTHY THE EDWIN MELLEN PRESS
LEWISTON»QUEENSTON*LAMPETER TABLE OF CONTENTS FOREWORD BY PROF. MICHAEL
MCCARTHY, UNIVERSITY OF NOTTINGHAM I ACKNOWLEDGEMENTS V INTRODUCTION 1
1. WRITING AND READING DIGLOSSIA: EVIDENCE FROM THE FRENCH-SPEAKING
WORLD, RAINIER GRUTMAN (UNIVERSITY OF OTTAWA) 13 ABSTRACT 13
INTRODUCTION 14 UNDERSTANDING DIGLOSSIA 16 WRITING DIGLOSSIA 19 READING
DIGLOSSIA 23 TEXTUAL EVIDENCE 28 DOUBLE-DUTCH 28 COLONIAL CREOLE 31
MAGHREBI MIX 34 ANOTHER FORM OF HYBRIDITY 35 REFERENCES 37 2.
CODE-MIXING IN BILITERATE AND MULTILITERATE IRISH LITERARY TEXTS, TINA
BENNETT-KASTOR (WICHITA STATE UNIVERSITY) 41 ABSTRACT 41 INTRODUCTION 42
STRUCTURAL CATEGORIES OF MIXING AND SWITCHING 42 FUNCTIONAL CATEGORIES
OF MIXING AND SWITCHING 44 MULTILINGUALISM AND MULTILITERACY IN IRELAND
45 CODE-SWITCHING IN THEORY AND PRACTICE 46 CODE-SWITCHING IN SPOKEN
IRISH 50 THE TEXTS 53 CONCLUSION 62 REFERENCES 64 3. PRESERVFINGJ EVERY
THING IRISH ? THE HIBERNO-ENGLISH DIALECT OF WILLIAM CARLETON S
PEASANTS, KEVIN MCCAFFERTY 67 (UNIVERSITY OF BERGEN) ABSTRACT 67 AN ORAL
WRITER? 68 CARLETON S PEASANT HIBERNO-ENGLISH 73 NATIONAL WRITER,
NATIONAL DIALECT? 76 GENERAL ENGLISH FORMS 79 NORTHERN HIBERNO-ENGLISH
FORMS * 80 GENERAL HIBERNO-ENGLISH FORMS 82 SOUTHERN HIBERNO-ENGLISH
FORMS 87 A LEVELLED (SOUTHERN) DIALECT 89 IRISH, NOT SCOTS 92 REFERENCES
94 4. REPRESENTING VOICE IN CHICANO THEATER THROUGH THE USE OF
ORTHOGRAPHY: AN ANALYSIS OF THREE PLAYS BY CHERRIE MORAGA, CARLA JONSSON
(UNIVERSITY OF STOCKHOLM) 101 ABSTRACT 101 INTRODUCTION 101 CHICANA/OS
AND CHICANO DISCOURSE 103 CHERRIE MORAGA 103 VOICE 104 ORTHOGRAPHY 108
FINAL REMARKS 119 REFERENCES 120 5. PORTUFLOL: FROM BORDER LANGUAGE TO
LITERARY LANGUAGE, MARIA JESUS FERNANDEZ GARCIA (UNIVERSITY OF
EXTREMADURA) 125 ABSTRACT * 125 HOW CAN PORTUIIOL BE DEFINED? 126
LITERATURE IN PORTUFLOL AND PORTUNOL IN LITERATURE 129 SOUTH AMERICAN
LITERATURE IN PORTUNOL 131 PORTUNOL IN THE LITERATURE OF THE PENINSULA
134 FINAL CONSIDERATIONS 141 REFERENCES . 143 APPENDIX 146 6.
TRANSLATING CHICANO LITERATURE INTO SPANISH: DEALING WITH CODE-SWITCHING
AS A LITERARY DEVICE IN THE WRITING OF SANDRA CISNEROS, OLVIDO SORIA
PEQUENO (UNIVERSITY OF GRANADA) 149 ABSTRACT 149 INTRODUCTION 150
TRANSLATING CHICANO LITERATURE 153 TRANSLATING SANDRA CISNEROS INTO
SPANISH 156 CONCLUSION 168 REFERENCES 169 7. OU EN FRANCAIS, SI VOUS
PREFEREZ? : WHEN HOLLYWOOD CHARACTERS CODE-SWITCH, LUKAS BLEICHENBACHER
(UNIVERSITY OF ZURICH) 171 ABSTRACT 171 INTRODUCTION 172 CODE-SWITCHING:
FICTION AND REALITY 173 DATA AND METHOD 177 SITUATIONAL CODE-SWITCHING
179 METAPHORICAL OR MARKED CODE-SWITCHING 181 INDEXICAL CODE-SWITCHING
184 EDITED CODE-SWITCHING . 188 RESULTS AND CONCLUSIONS 190 REFERENCES
192 8. IMITATING THE CONVERSATIONAL MODE IN AUDIOVISUAL FICTION:
PERFORMANCE PHENOMENA AND NON-CLAUSAL UNITS, ROBERTO ANTONIO VALDEON
GARCIA (UNIVERSITY OF OVIEDO) 197 ABSTRACT 197 INTRODUCTION 198
PERFORMANCE PHENOMENA 202 REPEATS 203 NON-CLAUSAL UNITS: INSERTS 208
CONCLUSIONS 215 REFERENCES 220 INDEX 223
|
| any_adam_object | 1 |
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| dewey-full | 808.3/96 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.3/96 |
| dewey-search | 808.3/96 |
| dewey-sort | 3808.3 296 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
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| spelling | The representation of the spoken mode in fiction how authors write how people talk ed. by Carolina P. Amador Moreno and Ana Nunes. With a foreword by Michael McCarthy Lewiston, N.Y. [u.a.] Mellen 2009 III, 226 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Dialogue Fiction / Authorship Motion picture authorship Playwriting Poetry / Authorship Television authorship Autobiography / Authorship Autobiography Authorship Fiction Authorship Poetry Authorship Dialog (DE-588)4012061-2 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Fernsehen (DE-588)4016825-6 gnd rswk-swf Gesprochene Sprache (DE-588)4020717-1 gnd rswk-swf Umgangssprache (DE-588)4061588-1 gnd rswk-swf Literatur (DE-588)4035964-5 s Gesprochene Sprache (DE-588)4020717-1 s Umgangssprache (DE-588)4061588-1 s DE-604 Film (DE-588)4017102-4 s Dialog (DE-588)4012061-2 s Fernsehen (DE-588)4016825-6 s Moreno, Carolina P. Amador Sonstige (DE-588)141424613 oth HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017997496&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The representation of the spoken mode in fiction how authors write how people talk Dialogue Fiction / Authorship Motion picture authorship Playwriting Poetry / Authorship Television authorship Autobiography / Authorship Autobiography Authorship Fiction Authorship Poetry Authorship Dialog (DE-588)4012061-2 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Fernsehen (DE-588)4016825-6 gnd Gesprochene Sprache (DE-588)4020717-1 gnd Umgangssprache (DE-588)4061588-1 gnd |
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| title | The representation of the spoken mode in fiction how authors write how people talk |
| title_auth | The representation of the spoken mode in fiction how authors write how people talk |
| title_exact_search | The representation of the spoken mode in fiction how authors write how people talk |
| title_full | The representation of the spoken mode in fiction how authors write how people talk ed. by Carolina P. Amador Moreno and Ana Nunes. With a foreword by Michael McCarthy |
| title_fullStr | The representation of the spoken mode in fiction how authors write how people talk ed. by Carolina P. Amador Moreno and Ana Nunes. With a foreword by Michael McCarthy |
| title_full_unstemmed | The representation of the spoken mode in fiction how authors write how people talk ed. by Carolina P. Amador Moreno and Ana Nunes. With a foreword by Michael McCarthy |
| title_short | The representation of the spoken mode in fiction |
| title_sort | the representation of the spoken mode in fiction how authors write how people talk |
| title_sub | how authors write how people talk |
| topic | Dialogue Fiction / Authorship Motion picture authorship Playwriting Poetry / Authorship Television authorship Autobiography / Authorship Autobiography Authorship Fiction Authorship Poetry Authorship Dialog (DE-588)4012061-2 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Fernsehen (DE-588)4016825-6 gnd Gesprochene Sprache (DE-588)4020717-1 gnd Umgangssprache (DE-588)4061588-1 gnd |
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