From Hanoi to Hollywood: the Vietnam war in American film
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick [u.a.]
Rutgers Univ. Press
2000
|
| Ausgabe: | 3. paperback print. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XV, 387 S. zahlr. Ill. |
| ISBN: | 0813515866 0813515874 |
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Datensatz im Suchindex
| _version_ | 1804139919523708928 |
|---|---|
| adam_text | Contents
List of Illustrations
ix
Preface
xi
Notes on the Contributors
xiii
Introduction
Linda Dittmar and Gene Michaud
America s Vietnam War Films: Marching toward Denial
1
One. Wide Angles: History in the Remaking
1.
Michael Klein
Historical Memory, Film, and the Vietnam Era
19
2.
Rick
Berc
Losing Vietnam: Covering the War in an Age of
Technology
41
3.
Leo Cawley
The War about the War: Vietnam Films and American
Myth
69
4.
Harry W.
Haines
They Were Called and They Went : The Political
Rehabilitation of the Vietnam Veteran
81
Two. Close-ups: Representation in Detail
5.
Caylyn Studlar and David Desser
Never Having to Say You re Sorry: Rambo s Rewriting
of the Vietnam War
101
6.
Gregory A. Waller
Rambo: Getting to Win This Time
113
7.
Tony Williams
Missing in Action
—
The Vietnam Construction
of the Movie Star
129
8.
Frank P. Tomasulo
The Politics of Ambivalence: Apocalypse Now as
Prowar and Antiwar Film
145
viii CONTENTS
9.
Leonard Quart
The Deer Hunter: The
Superman in
Vietnam
159
Three. Other Frames: Subtext and Difference
10.
Clyde Taylor
The Colonialist Subtext in Platoon
171
11.
Sumiko Higashi
Night of the Uving Dead: A Horror Film about the
Horrors of the Vietnam Era
175
12. Michael Selig
Boys Will Be Men: Oedipal Drama in Coming Home
189
13.
Susan Jeffords
Reproducing Fathers: Gender and the Vietnam War
in U.S. Culture
203
14. Martin F. Norden
Portrait of a Disabled Vietnam Veteran: Alex Cutter
of Cutter s Way
217
15.
Kevin Bowen
Strange Hells :
Hollywood in
Search
of America s Lost War
226
Four. Other Forms: Documenting the Vietnam War
16.
David E. James
Documenting the Vietnam War
239
17.
Michael Renov
Imaging the Other: Representations of Vietnam in Sixties
Political Documentary
255
18.
David Grosser
We Aren t on the Wrong Side, We Are the Wrong
Side : Peter Davis Targets (American) Hearts and Minds
269
19. Barry Dornfeld
Dear America: Transparency, Authority, and
Interpretation in a Vietnam War Documentary
283
Appendix A: Chronology: The United States, Vietnam,
and American Film
299
Appendix B: Selected Filmography: The Vietnam War on Film
000
Index
000
This volume
¡s
about power. It Is about the powerto make war and to destroy lives. It
is also about another kind of power—the power to make images that may distort,
displace, and destroy knowledge of the times in which those lives were lived. Many
of the nineteen essays gathered in this volume are about the interrelationships
between these two types of power. They demonstrate, as well, yet another type of
power, the power of critical thinking to challenge dangerous myths and to confront
prevailing ideologies.
The title of this anthology calls attention to the process whereby aspects of the
Vietnam War have been appropriated by the American cultural industry. Probing the
large body of emotion-laden, controversial films, From Hanoi to Hollywood is con¬
cerned with the retelling of history and the retrospection that such a process
involves. In this anthology, an awareness of film as a cultural artifact that molds
beliefs and guides action is emphasized, an awareness that the contributors bring
to a variety of films. Their essays span over one hundred documentary and fiction
films, and include in-depth analyses of major commercial films, ranging from
Apocalypse Now to Platoon, Rambo: First Blood Part II, and Full Metal Jacket, and
documentaries from In the Year of the Pig to Dear America: Letters Home from
Vietnam.
The essays in this volume deal with representations of the Vietnam war in docu¬
mentary film and television reporting, examining the ways the power of film is used
to deliver political messages.There are surprises here, new readings, and important
insights on the ways we as a society have attempted to come to terms with the
experiences of the Vietnam era. The book also contains two appendixes—a de¬
tailed chronology charting the relationship between major historical events and the
release of American war films from
1954
through
1988,
and a filmography listing
information on over four hundred American and foreign films about the Vietnam War.
Linda Dittmar is
Professer
of English at the University of Massachusetts.
Gene Michaud is Media Coordinator at the William Joiner
Cente·
at the
University of Massachusetts. Both have served
irt
the military.
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| title | From Hanoi to Hollywood the Vietnam war in American film |
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