I made you to find me: the coming of age of the woman poet and the politics of poetic address
When Anne Sexton, Adrienne Rich, Sylvia Plath, and Gwendolyn Brooks began to write poetry during the 1940s and 1950s, each had to wonder whether she could be taken seriously as a poet while speaking in a woman's voice. This book title, the last line of one of Sexton's early poems, calls at...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbus
Ohio State Univ. Press
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | When Anne Sexton, Adrienne Rich, Sylvia Plath, and Gwendolyn Brooks began to write poetry during the 1940s and 1950s, each had to wonder whether she could be taken seriously as a poet while speaking in a woman's voice. This book title, the last line of one of Sexton's early poems, calls attention to how resourcefully the "I-You" relation had to be staged in order for this question to have an affirmative answer. Whereas Rich tried at first to speak to her own historical moment in the register of universality, Plath openly aspired to be "the Poetess of America." For Brooks, womanhood and "blackness" were inextricable markers of poetic identity. The author's approach engages biographical, formal, and rhetorical analysis as means to explore each poet's stated intentions, political stakes, and rhetorical strategies within their own historical context. Sexton's aggressively social persona called attention to the power dynamics of intimate relationships; Plath's poems lifted these relationships onto a different plane of reality, where their tragic potential could be more readily engaged. Rich's poems bear witness to the enormous difficulty, notwithstanding the crucial importance, of reciprocity, of making "you" to find "we." For Brooks, the crucial question has been whether she could presuppose an "American" audience without compromising her allegiance to "blackness." |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 199 S. |
| ISBN: | 9780814211014 |
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Datensatz im Suchindex
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| adam_text | I MADE YOU TO FIND ME
/ HEDLEY, JANE
: 2009
TABLE OF CONTENTS / INHALTSVERZEICHNIS
ANNE SEXTON AND THE GENDER OF POETHOOD
ADRIENNE RICH S ANTI-CONFESSIONAL POETICS
SYLVIA PLATH S EKPHRASTIC IMPULSE
RACE AND RHETORIC IN THE POETRY OF GWENDOLYN BROOKS.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| spelling | Hedley, Jane ca. Ende 20. Jh./Anfang 21. Jh. Verfasser (DE-588)139597220 aut I made you to find me the coming of age of the woman poet and the politics of poetic address Jane Hedley Columbus Ohio State Univ. Press 2009 199 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index When Anne Sexton, Adrienne Rich, Sylvia Plath, and Gwendolyn Brooks began to write poetry during the 1940s and 1950s, each had to wonder whether she could be taken seriously as a poet while speaking in a woman's voice. This book title, the last line of one of Sexton's early poems, calls attention to how resourcefully the "I-You" relation had to be staged in order for this question to have an affirmative answer. Whereas Rich tried at first to speak to her own historical moment in the register of universality, Plath openly aspired to be "the Poetess of America." For Brooks, womanhood and "blackness" were inextricable markers of poetic identity. The author's approach engages biographical, formal, and rhetorical analysis as means to explore each poet's stated intentions, political stakes, and rhetorical strategies within their own historical context. Sexton's aggressively social persona called attention to the power dynamics of intimate relationships; Plath's poems lifted these relationships onto a different plane of reality, where their tragic potential could be more readily engaged. Rich's poems bear witness to the enormous difficulty, notwithstanding the crucial importance, of reciprocity, of making "you" to find "we." For Brooks, the crucial question has been whether she could presuppose an "American" audience without compromising her allegiance to "blackness." Geschichte 1900-2000 Geschichte 1945-2004 gnd rswk-swf Geschichte Women poets, American 20th century American poetry Women authors History and criticism American poetry 20th century History and criticism American literature Women authors History and criticism Women and literature United States History 20th century Englisch (DE-588)4014777-0 gnd rswk-swf Schriftstellerin (DE-588)4053311-6 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Schriftstellerin (DE-588)4053311-6 s Geschichte 1945-2004 z DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017763435&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hedley, Jane ca. Ende 20. Jh./Anfang 21. Jh I made you to find me the coming of age of the woman poet and the politics of poetic address Geschichte Women poets, American 20th century American poetry Women authors History and criticism American poetry 20th century History and criticism American literature Women authors History and criticism Women and literature United States History 20th century Englisch (DE-588)4014777-0 gnd Schriftstellerin (DE-588)4053311-6 gnd Literatur (DE-588)4035964-5 gnd |
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| title_full | I made you to find me the coming of age of the woman poet and the politics of poetic address Jane Hedley |
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| title_full_unstemmed | I made you to find me the coming of age of the woman poet and the politics of poetic address Jane Hedley |
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