Cinema all the time: an anthology of Czech film theory and criticism, 1908-1939
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Czech |
| Veröffentlicht: |
Prague [u.a.]
National Film Archive [u.a.]
2008
|
| Schriftenreihe: | Knihovna iluminace
26 Michigan Slavic materials 54 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Aus dem Tschech. übers. |
| Beschreibung: | 315 S. Ill. |
| ISBN: | 9780930042998 9788070041376 |
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Datensatz im Suchindex
| _version_ | 1804139420970909696 |
|---|---|
| adam_text | CONTENTS
Stanislav Kostka
Neumann, Film
(1919)....................................................................9
Acknowledgements
....................................................................................................12
Translator s Note
....................................................................................................... 15
Jaroslav Anděl
-
Petr
Szczepanik, Czech Film Thought: An Introduction
.........18
PART ONE
Kinéma:
The Physiology of Vision, the Pedagogy of Perception,
the Cuhistie Fragmentation of Reality
Jan Evangelista
Purkinje, Excerpts from Contributions
to the Knowledge of Vision in its Subjective Aspect
(1819).............................65
Václav
Tille,
Kinéma
(1908)......................................................................................71
František Langer,
Cinema All the Time
(1913).......................................................92
Stanislav Kostka
Neumann, Pictures—Little Pictures-
Tiny, Tiny Pictures
(1913).................................................................................98
Karel Čapek
-
Josef
Čapek,
The Cinema
(1910)...................................................104
Karel Čapek,
The Style of the Cinematograph
(1913).........................................107
Karel Čapek,
A. W.
F.
Co.
(1917).............................................................................
Ill
Josef
Čapek,
Film
(1918)..........................................................................................116
PART TWO
Construction and Poetry: Film as
a Poetisi
Machine
Karel
Teige,
Photo Cinema Film
(1922)...............................................................123
Karel
Teige,
The Aesthetics of Film and
Cinégraphie
(1924)............................. 145
Bedřich Václavek,
On the
Sociolog)
of Film
(1924)............................................155
Jiří Voskovec,
Photogénie
and Suprareality
(1925)...............................................161
Vítězslav Nezval,
Photogenie (1925).......................................................................165
Vítězslav Nezval,
Film
(1925)..................................................................................170
Artuš Černík,
The Tasks of the
Modern
Film Librettist
(1925)..........................174
PART THREE
Film as Service: Fiinctionalism and Ideological Struggle
Vít Obrtel,
Architecture and Film
(1926).............................................................179
Jan Kučera,
Advertising and Cinematic Art
(1928)..............................................181
Jan Kučera,
Film and Building
(1933)..................................................................183
Lubomír Linhart,
The Proletarian Film Struggle in Czechoslovakia
(1931).... 187
Lubomír Linhart,
Newsreels Show Us the World...
(1932).................................189
PART FOUR
Optophonogeny: The Musicality of Film and the Plasticity
of the Spoken Word
Emil František Burian,
Music in Sound Film
(1933)...........................................197
Alexander
Hackenschmied,
Film and Music
(1933)..............................................201
Jindřich Honzl,
Contribution to the Discussion of Speech in Film
(1935)......205
Vladislav
Vančura,
Contribution to the Discussion of Speech in Film
(1935).....209
PART FIVE
Creative Alternatives: Independent Film and Visions
of New Artistic Synthesis
Alexander
Hackenschmied,
Independent Film—A World Movement
(1930)......215
Zdeněk Pešánek,
Postscript to Light and the Visual Arts
(1930).......................220
Zdeněk Pešánek,
Kinetic Art: Film
(1941)............................................................226
Arne
Hošek,
Notes on the Aesthetics of Film
(1939)...........................................234
PART SIX
Structure and Sign: The Prague Linguistic Circle s
Approach to Film
Jan Mukařovský,
An Attempt at a Structural Analysis
of an Actor s Figure
(1931)..............................................................................245
Jan Mukařovský,
A Note on the Aesthetics of Film
(1933)..................................251
Jan Mukařovský,
Time in Film
(1933)...................................................................262
Roman
Jakobson,
Is the Film in Decline?
(1933).................................................270
Petr
Bogatyrev, Disney s Snow White
(1938)........................................................277
Short Biographies of the Authors
...........................................................................281
Sources and Copyrights
...........................................................................................294
Index
........................................................................................................................298
This anthology assembles some oFthe
earliest Czech texts on film published in the
period between
1908
and
1939,
i.e., between
the rise of art cinema and the outbreak of
World War II, writings that were
instrumental in shaping the various ways
ñlm
was seen and understood in this
formative period. The authors include
scientist
Jan Evangelista Purkinje,
whose
studies of the perception of movement from
1819
and
1820
laid the foundation for the
rise of the cinematic apparatus, and writers
and critics Vaclav
Tille
and
Karel Čapek,
who,
years before their counterparts abroad,
analyzed cinematic language as it was
emerging, reflecting on its genealogy,
genres, and future development. How was it
possible that, in a country without a well-
developed
ñlm
industry, these cultural and
literary critics, linguists, theater directors,
architects, and filmmakers articulated ideas
and concepts that predated later theoretical
developments? This collection suggests
that Czech writers benefited from their
location at the crossroads of Eastern and
Western Europe, where Austrian, Slavic,
German, French, and American cultures
intermingled.
The anthology is organized both thematically
and chronologically to reflect the rise of
ñlm
as a new medium, a cultural institution, and
an art form—in other words, to document
the discursive construction of
ñlm
in its
variety and multiplicity. The writings express
a number of concerns that relate to major
trends and forces of modernity in the
twentieth century:
ñlm
is seen as a means to
educate and enlighten, as an example of the
dynamic relation between time and space, as
a new formal model for other arts, as a tool
for ideological struggle, and as a unique
signifying system. While some of the authors
are known to scholars in various
ñelds—
Purkinje to historians oF science,
Karel
Teige
to students of the European avant-garde, Jan
Mukařovský
and Roman
Jakobson
to literary
scholars and linguists, and Alexander
Hackenschmied
(а.к.
a. Hammid) to film
historians—only a Few oF their texts on film
have been translated into English, and this
anthology marks the first time they have
been systematically and critically assembled.
In this sense, the anthology continues the
efforts of recent publications and exhibitions
to showcase Central Europe as the site of key
moments in art and cultural history. At the
same time, it also situates art movements
and theories within the complex framework
of modernity, whose major forces ranged
from technology and mass media to national
politics. Instead of focusing on the history of
film theory in a narrow academic sense, the
anthology presents the reader with a great
diversity of genres and styles of writing that
address the formation and development of
this emblematic component of modernity. In
the first half of the twentieth century, film
was seen as a medium that overturned the
existing hierarchy of cultural values and
radically transformed individual subjective
experience. The texts herein do not
document these transformations from an
external, impartial point of view; on the
contrary, they are an integral part of these
changes—their manifestation and their
agents.
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| spelling | Stále kinema Cinema all the time an anthology of Czech film theory and criticism, 1908-1939 ed. by Jaroslav Anděl ... Prague [u.a.] National Film Archive [u.a.] 2008 315 S. Ill. txt rdacontent n rdamedia nc rdacarrier Knihovna iluminace 26 Michigan Slavic materials 54 Aus dem Tschech. übers. Geschichte 1900-1939 gnd rswk-swf Film Motion pictures Filmtheorie (DE-588)4071216-3 gnd rswk-swf Böhmische Länder (DE-588)4069573-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Böhmische Länder (DE-588)4069573-6 g Filmtheorie (DE-588)4071216-3 s Geschichte 1900-1939 z DE-604 Anděl, Jaroslav 1949- (DE-588)174175760 edt Knihovna iluminace 26 (DE-604)BV009992385 26 Michigan Slavic materials 54 (DE-604)BV000014430 54 Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017757570&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017757570&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Cinema all the time an anthology of Czech film theory and criticism, 1908-1939 Knihovna iluminace Michigan Slavic materials Film Motion pictures Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4071216-3 (DE-588)4069573-6 (DE-588)4143413-4 |
| title | Cinema all the time an anthology of Czech film theory and criticism, 1908-1939 |
| title_alt | Stále kinema |
| title_auth | Cinema all the time an anthology of Czech film theory and criticism, 1908-1939 |
| title_exact_search | Cinema all the time an anthology of Czech film theory and criticism, 1908-1939 |
| title_full | Cinema all the time an anthology of Czech film theory and criticism, 1908-1939 ed. by Jaroslav Anděl ... |
| title_fullStr | Cinema all the time an anthology of Czech film theory and criticism, 1908-1939 ed. by Jaroslav Anděl ... |
| title_full_unstemmed | Cinema all the time an anthology of Czech film theory and criticism, 1908-1939 ed. by Jaroslav Anděl ... |
| title_short | Cinema all the time |
| title_sort | cinema all the time an anthology of czech film theory and criticism 1908 1939 |
| title_sub | an anthology of Czech film theory and criticism, 1908-1939 |
| topic | Film Motion pictures Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Film Motion pictures Filmtheorie Böhmische Länder Aufsatzsammlung |
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