On conceptualization of music: applying systemic approach to musicological concepts, with practical examples of music theory and analysis
Yhteenveto.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Jyväskylä
Univ. of Jyväskylä
2004
|
| Schriftenreihe: | Jyväskylä studies in humanities
14 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Yhteenveto. |
| Beschreibung: | 291, [4] S. Ill. 25 cm |
| ISBN: | 9513916421 9789513916428 |
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| 245 | 1 | 0 | |a On conceptualization of music |b applying systemic approach to musicological concepts, with practical examples of music theory and analysis |c Yrjö Mikkonen |
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Datensatz im Suchindex
| _version_ | 1804139400831959040 |
|---|---|
| adam_text | CONTENTS
ABSTRACT
PREFACE
CONTENTS
1
INTRODUCTION
...............................................................................................13
1.1
On Musicology and Musicological Conceptualization
........................15
1.1.1
Musicology Today
-
Musicology
of the Provisional
...................16
1.1.2
Music
-
Musicology
Relationship. Institutionalized
Musicology
........................................................................................18
1.1.3
Musicology
-
Music Theory Relationship
....................................22
1.1.4
Music Analysis Is Not Dead
...........................................................24
1.1.5
Music
-
Musicology
-
Music Pedagogy
........................................27
1.1.6
Musicological Conceptualization
-
A New Level
of Musicology
...................................................................................28
1.1.7
Musicological Concepts. Liberal and Normative Views
............33
1.2
Criteria of Qualitative Research and General Outline
of This Research
.........................................................................................36
1.3
General Background of This Research
....................................................40
1.4
Pedagogical and Educational Reasons of This Research
.....................42
1.4.1
Problems in Musicological Curricula and Course Loads
...........43
1.4.2
Similar Problems in Indian Music Education.
A Comparison.
..................................................................................45
1.4.3
Educational Problems on General Musicological Level
.............45
1.4.4
A Manifesto on Pedagogy of Musicology
.....................................48
1.5
Cognitive-Philosophical Problems of Old Style Pedagogy
.................50
1.5.1
Constructivist
Criticism
...................................................................51
1.5.2
Music as Mathematics
.................................................................52
1.6
Musicological Reasons of This Research
................................................54
1.6.1
Musicology Need Systemicity, Not Only Systematism
..............55
1.6.2
Schism in Modern Musicology. Narration vs. Analysis
.............57
1.6.3
Earlier Systemic Research in Musicology
.....................................59
1.6.4
We Think, We Construct, We Communicate
-
We Need Concepts
...........................................................................61
1.6.5
Paradox of Musicology. Music Is Not
Musicological Concepts About It
...................................................62
1.7
Research Frame
..........................................................................................64
1.7.1
Aim of This Research and Research Plan
.....................................64
1.7.2
Working Hypothesis
........................................................................65
1.7.3
Research Strategy
.............................................................................69
1.7.4
Research Method: Abductive
.........................................................71
1.7.5
Research Operations: Heurism, Analogy, Hermeneutics
..........72
1.7.6
Research Material and Backgroung Literature
............................73
2
THE RELATION OF MUSIC TO LANUAGE AND CONCEPTS.
LANGUAGE OF FORM AND DESIGN.
GENERAL PROBLEMATIZATION
.................................................................76
2.1
About the Onticity of Music and Ontology of
Musicological Concepts
............................................................................77
2.2
Music in Language
....................................................................................81
2.3
Musical Concepts, Descriptive and Normative
Musicological Concepts
............................................................................83
2.4
Musical Concepts behind Language
.......................................................84
2.5
Music in General Language, Music in Musicological Language
........85
2.6
Language-Concept Relation. General Outline
......................................87
2.7
Music as Form, Music as Design. Language of Design
........................88
2.7.1
Form
...................................................................................................89
2.7.2
Language of Design in Art
..............................................................90
3
HYPOTHETICAL SOLUTION MODELS
........................................................94
3.1
The First Tentative Systemic Starting Point
of This Research
.........................................................................................94
3.2
Theoretical Starting Points
.......................................................................98
3.2.1
Concept Bridge Idea
.......................................................................100
3.2.2
Concepts and Truth. Attractors as Explanations of
New Concepts
.................................................................................101
3.3
Abduction as Systemic Research Method
............................................103
3.3.1
The Perfect Camel
-
A Metaphor about Scientific
Research Methods
..........................................................................103
3.3.2
Abduction as Systemicity
..............................................................104
3.3.3
Abductive and Hypothetico-Deductive Methods
Compared in Relation to Systemicity
..........................................106
3.3.4
On the Applicability of the HD/DN-Methods to
Systemic Approach
........................................................................108
4
CONCEPTS, SYSTEMS, LANGUAGE, GRAPHICS, AND MUSIC
..........
HO
4.1
Ontology and Abductive Reasoning
.....................................................
Ill
4.2
Concepts in Dictionaries and Encyclopaedias
.....................................113
4.3
Various Definitions of Concepts
............................................................113
4.3.1
Concept in General Philosophy.
Some Common Sense Definitions
..............................................114
4.3.2
Concept in Cybernetics
..................................................................115
4.3.3
Concepts
-
Knowledge
-
Epistemology.
A Cybernetic View
.........................................................................116
4.4
Concepts in Terminology Science Relating to
Musicological Concepts
..........................................................................118
4.4.1
Nature of Concept as Concept in the
Terminology Theory
......................................................................118
4.4.2
Concept
-
Referent
Relation
in the Terminology Theory.
Referent and Object
........................................................................120
4.4.3
Concept Characteristics..
...............................................................120
4.4.4
Individual Concept
-
General Concept
.......................................121
4.4.5
Concept Intension
-
Concept Extension
.....................................122
4.4.6
Definition, Appellation, Term, Designation
and Subject Field
............................................................................122
4.4.7
Structural Systemic Diagram of Concept Relations
..................124
4.4.8
Concept Relations
...........................................................................126
4.4.9
Concept Field
-
Concept System
..................................................127
4.4.10
A Concept System as System in the Terminology Theory
....127
4.4.11
Systems Types in Terminology Science
....................................128
4.4.12
Possibilities of Systems Description as
Semiotic
Texts
..........129
4.4.13
Concept Systems as Models
.......................................................130
4.4.14
Concepts in Educational Communication
...............................130
4.4.15
Other Uses of Concept Systems in Terminology Science
......131
4.4.16
Concepts and Meaning: On Problemicity of
Concept Extension and Intension. A Necessary Excursion
.....133
4.4.17
Scope of Concept System
............................................................135
4.5
Concept of Concepts in Semiotics
.........................................................136
4.5.1
Sign
-
Concept Relationship. The Signified and Sense
Equaling Concept
.........................................................................136
4.5.2
Comparison of Terminology Science and Semiotics
Relating to Concept
......................................................................140
4.6
Cognition and Concept. Concepts as Categories in
Feature Theories
.......................................................................................141
4.6.1
The Classical Category View
........................................................143
4.6.2
The Classical Category View as Systemic Graphics/
Systemic Approach. Closed Category System
...........................145
4.6.3
Criticism of the Classical View
.....................................................146
4.6.4
The Prototype Theory. Rosch s Model of the Structure of
Categories and Categorization
.....................................................147
4.6.5
The Prototype View as Systemic Graphics/Systemic
Approach. Open Category System
..............................................149
4.6.6
Horizontal and Vertical Dimensions of Categorization
...........150
4.6.7
Criticism of the Prototype Theory
...............................................151
4.6.8
To Categorize or Not to Categorize in Musicology-
Thaťs
the Question
........................................................................152
4.6.9
Expertise and Categorization
.......................................................153
4.7
Concepts, Texts, and Graphics
..............................................................154
4.7.1
Script (Text) as Concept Field
.......................................................155
4.7.2
Graphics as Concept System
........................................................156
SYSTEMIC APPROACH AND SYSTEMS. RELATION TO
MUSICOLOGICAL CONCEPTUALIZATION
............................................160
5.1
Background of Systemic Approach
.......................................................161
5.2
Systemic Approach
-
a New Emerging Paradigm
.............................163
5.3
Systemicity as Term and as Concept
....................................................165
5.4
On Systems and Music
............................................................................166
5.4.1
Actual System
.................................................................................166
5.4.2
System
..............................................................................................167
5.4.3
Model
...............................................................................................172
5.4.4
Model Types
....................................................................................174
5.4.5
Traditional Models in Music Analysis
........................................175
5.4.6
Component
......................................................................................177
5.4.7
Analogy
............................................................................................178
5.4.8
Some Conclusions on Systems Definitions
.................................179
5.4.9
Systems Types in Systems Science and Cybernetics
.................179
5.4.10
On Entropy, Energy, Concepts
Information and Knowledge
........................................................184
5.4.11
Information Theory and Music
..................................................187
5.5
Cybernetics and Systems Science with References
toMusicology
...........................................................................................188
5.5.1
The Nature of Cybernetic Systems
with References to Musicology
....................................................191
5.6
On Systemic Complexity
........................................................................193
5.6.1
Distinction and Connection
..........................................................193
5.6.2
Differentiation and Integration Relating Space,
Time and Scale
................................................................................194
5.6.3
Scale Level Factor in Complexity
.................................................195
5.6.4
On Scale Thinness
..........................................................................196
5.6.5
Principle of Scale Zooming -Connection to Abduction
..........196
5.7
Impacts of Complexity on Musicology
................................................198
5.7.1
Complexity Relating to the Development of Music
..................199
5.7.2
Scale Level Factor in Musicology. Commentary
and Some Applications
..................................................................200
5.7.3
Scale Level Complexity
(Supersystem
-
Subsystems)
in Tone-Tonal Systems
..................................................................201
5.7.4
Scale Level Complexity
(Supersystem
-
Subsystems)
in Rhythm Systems
........................................................................202
5.8
Systemicity in Various Forms
................................................................203
5.8.1
Systems Inquiry in Systems Science
............................................203
5.8.2
Systems Analysis in Cybernetics
.................................................204
5.8.3
Analytic and Systemic Approach Compared
in Cybernetics
.................................................................................204
5.8.4
Systemic Approach in Cybernetics
..............................................207
5.8.5
System as Black Box and White Box
............................................210
5.9
Analogy, Metaphor and Metonymy as Systemicity
-
Some Musicological Applications
.........................................................211
5.9.1
Simile, Metaphor, Metonymy, Personification
And Analogy in Musicology
........................................................215
5.9.2
Metonymy in Normative Musicology
.........................................216
5.9.3
Analogy as Tool of Enriching Systemicity Levels
.....................217
5.10
The Systemicity Umbrella. Relations of Semiotics and
Systems Science/Cybernetics. Relation to Musicology
.....................218
5.10.1
Introductory Comments
.............................................................218
5.10.2
The Systemicity Umbrella in Detail
..........................................220
5.10.3
The Systemicity Umbrella as Intergraphics
.............................222
5.10.4
The Advantages of the Systemicity Umbrella Concept
.........225
5.10.5
Semiotics and Systemicity. Basic
Semiotic
Principles
with Systemic Commentary
.......................................................225
5.10.6
On Semiotics
.................................................................................226
5.10.7
On Sign
..........................................................................................228
5.10.8
On Modality
.................................................................................229
PRACTICAL APPLICATIONS OF SYSTEMIC DESCRIPTIONS TO
MUSICOLOGICAL CONCEPTS
....................................................................230
6.1
A Study Course on Systemic Approach to
Musicological Concepts
..........................................................................231
6.1.1
Objectives and Philosophy of the Course
...................................232
6.1.2
Course Feedback
............................................................................233
6.1.3
Course Load
....................................................................................233
6.1.4
Example of the Contents of Course Load.
Texture of Music as Conceptual System
.....................................234
6.1.5
Course Material
..............................................................................235
6.1.6
Course Assessment and Its Problematics
...................................235
6.1.7
An Example of the Assessment of Systemic Concepts
Of Music Course. An Exam
..........................................................236
6.1.8
Selected Answers
............................................................................237
6.2
Practical Demonstrations of Systemic Approach in Musicology.
Analogies and Models
............................................................................240
6.2.1
Musical work as a Satellite Concept System
..............................241
6.2.2
Systemic-Semantic Field in a Thesaurus: Rhythm
-
Melody
...243
6.2.3
Systemic Approach to
Texture/Sßrz -
a Concept Relations
Diagram
...........................................................................................245
6.2.4
Systemic Aproach to Musicological Form:
Krohn s
Formenlehre.....................................................................246
6.2.5
Systemic Approach to Parameters of Music
...............................248
6.2.6
Systemic Approach to Indian
Raga
.............................................249
6.2.7
Systemic Approach to Major-Minor Tonality
............................256
6.2.8
Systemie
Approach to Periods of Music.
Borroff s Taxonomical Chart
........................................................260
6.2.9
Systemic Approach Utilized in a Classroom Situation.
Scripts
...............................................................................................263
7
CONLUSION
....................................................................................................267
YHTEENVETO
..........................................................................................................275
SOURCES
...................................................................................................................284
All translations from the Finnish and Swedish sources are mine. The picture on
the frontispiece is a manipulation of M.C. Escher s Litograph Bond of Union,
which I have purposed to illustrate the concept of interconceptuality as well as
the fact that in our perception reality (onticity), like music, intermingles with its
ontological representation.
A condenced version of this dissertation, Aspects on Music, Conceptualization,
Systemicity, and Education by the author, has appeared in the International
Journal of General Systems. Taylor
&
Francis. Taylor
&
Francis Group,Vol.
33:1
(February
2004)
pp.15-62.
|
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| indexdate | 2024-07-09T21:43:29Z |
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| publisher | Univ. of Jyväskylä |
| record_format | marc |
| series | Jyväskylä studies in humanities |
| series2 | Jyväskylä studies in humanities |
| spelling | Mikkonen, Yrjö Verfasser aut On conceptualization of music applying systemic approach to musicological concepts, with practical examples of music theory and analysis Yrjö Mikkonen Jyväskylä Univ. of Jyväskylä 2004 291, [4] S. Ill. 25 cm txt rdacontent n rdamedia nc rdacarrier Jyväskylä studies in humanities 14 Zugl.: Jyväskylän, Univ., Diss., 2004 Yhteenveto. käsitteet ysa musiikinteoria ysa musiikki ysa musiikkianalyysi ysa musiikkikasvatus ysa musiikkitiede ysa Musiktheorie (DE-588)4040876-0 gnd rswk-swf Interdisziplinäre Forschung (DE-588)4027274-6 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Musiktheorie (DE-588)4040876-0 s DE-604 Interdisziplinäre Forschung (DE-588)4027274-6 s Jyväskylä studies in humanities 14 (DE-604)BV023553293 14 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017744063&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mikkonen, Yrjö On conceptualization of music applying systemic approach to musicological concepts, with practical examples of music theory and analysis Jyväskylä studies in humanities käsitteet ysa musiikinteoria ysa musiikki ysa musiikkianalyysi ysa musiikkikasvatus ysa musiikkitiede ysa Musiktheorie (DE-588)4040876-0 gnd Interdisziplinäre Forschung (DE-588)4027274-6 gnd |
| subject_GND | (DE-588)4040876-0 (DE-588)4027274-6 (DE-588)4113937-9 |
| title | On conceptualization of music applying systemic approach to musicological concepts, with practical examples of music theory and analysis |
| title_auth | On conceptualization of music applying systemic approach to musicological concepts, with practical examples of music theory and analysis |
| title_exact_search | On conceptualization of music applying systemic approach to musicological concepts, with practical examples of music theory and analysis |
| title_full | On conceptualization of music applying systemic approach to musicological concepts, with practical examples of music theory and analysis Yrjö Mikkonen |
| title_fullStr | On conceptualization of music applying systemic approach to musicological concepts, with practical examples of music theory and analysis Yrjö Mikkonen |
| title_full_unstemmed | On conceptualization of music applying systemic approach to musicological concepts, with practical examples of music theory and analysis Yrjö Mikkonen |
| title_short | On conceptualization of music |
| title_sort | on conceptualization of music applying systemic approach to musicological concepts with practical examples of music theory and analysis |
| title_sub | applying systemic approach to musicological concepts, with practical examples of music theory and analysis |
| topic | käsitteet ysa musiikinteoria ysa musiikki ysa musiikkianalyysi ysa musiikkikasvatus ysa musiikkitiede ysa Musiktheorie (DE-588)4040876-0 gnd Interdisziplinäre Forschung (DE-588)4027274-6 gnd |
| topic_facet | käsitteet musiikinteoria musiikki musiikkianalyysi musiikkikasvatus musiikkitiede Musiktheorie Interdisziplinäre Forschung Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017744063&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023553293 |
| work_keys_str_mv | AT mikkonenyrjo onconceptualizationofmusicapplyingsystemicapproachtomusicologicalconceptswithpracticalexamplesofmusictheoryandanalysis |