The Cambridge history of eighteenth century music:
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2009
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
Beschreibung: | XVII, 798 S. Ill., Notenbeisp. |
ISBN: | 9780521663199 0521663199 9781107643970 |
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Datensatz im Suchindex
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adam_text | Contents
List of illustrations
viii
Notes on contributors
ix
Editor s preface
xv
PRELUDE l
ι
.
The musical map of Europe
с
joo
3
STEPHEN ROSE
PART I MUSIC FOR THE CHURCH
27
2 .
Catholic church music in Italy, and the Spanish
and Portuguese Empires
29
PAUL R. LAIRD
3 .
Catholic sacred music in Austria
59
JEN-YEN CHEN
4.
Catholic church music in France
113
JEAN-PAUL C. MONTAGNIER
5 .
Lutheran church music lzy
STEPHEN ROSE
6.
Protestant church music in England and America
168
CHARLES E. BREWER
INTERLUDE
181
7.
Listening, thinking and writing
183
DAVID SCHROEDER
PART II MUSIC FOR THE THEATRE
202
8 .
Ialian opera in the eighteenth century
203
MARGARET R. BUTLER
Contents
9 . Opera in Paris
from Campra to
Rameau
272
LOIS ROSOW
10 . An
instinct
for parody and a spirit for revolution:
Parisian opera,
1752-1800 295
MICHAEL FEND
11.
German opera from
Reinhard
Keiser to Peter
Winter
331
CLAUDIA MAURER ZENCK
TRANSLATED BY
ANKE
CATÓN
AND SIMON P. KEEFE
12,.
The lure of aria, procession and spectacle:
opera in eighteenth-century London 3S5
MICHAEL BURDEN
13 .
Music theatre in Spain
402
RAINER KLEINERTZ
14.
Opera in Sweden
420
GREGER ANDERSSON
INTERLUDE
433
15 .
Performance in the eighteenth century
435
JOHN IRVING
PART III MUSIC FOR THE SALON AND
CONCERT ROOM
16 .
Keyboard music from Couperin to early
Beethoven
457
ROHAN STEWART-MACDONALD
17.
The
serenata
in the eighteenth century
492
STEFANIE TCHAROS
18 .
Private music in public spheres: chamber
cantata and song
¡13
BERTA JONCUS
19 .
Handel and English oratorio
541
EVA
ZÖLLNER
Contents
vii
го
.
The overture-suite, concerto
grosso, ripieno
concerto and Harmoniemusik in the eighteenth
century
556
STEVEN ZOHN
21.
Concerto of the individual
5^3
simón
McVeigh
22 .
Eighteenth-century symphonies: an unfinished
dialogue
613
RICHARD WILL
23 .
The string quartet
648
CLIFF
EISEN
POSTLUDE 661
24.
Across the divide: currents of musical thought
in Europe,
í.
1790-1810 663
SIMON P. KEEFE
Appendix I
.
Chronology
689
DAVID BLACK
Appendix II
.
Institutions in major European cities
70p
DAVID BLACK
Appendix III
.
Personalia
725
DAVID BLACK
Index J74
The eighteenth century arguably boasts a
more remarkable group of significant
musical figures, and a more engaging
combination of genres, styles and aesthetic
orientations, than any century before or
since, yet huge swathes of its musical
activity remain under-appreciated. This
History provides a comprehensive survey
of eighteenth-century music, examining
little-known repertories, works and
musical trends alongside more familiar
ones. Rather than relying on temporal,
periodic and composer-related phenomena
to structure the volume, it is organized by
genre; chapters are grouped according to
the traditional distinctions of music for the
church, music for the theatre and music for
the concert room that conditioned so much
thinking, activity and output in the
eighteenth century. A valuable summation
of current research in this area, the volume
also encourages readers to think of
eighteenth-century music less in terms of
overtly
teleologica!
developments than of
interacting and mutually stimulating
musical cultures and practices, thus
pointing to ways in which eighteenth-
century music studies will evolve in the
future.
SIMON
P. KEEFE is
James Rossiter Hoyle
Chair of Music and Head of Department at
the University of Sheffield. He is the author
of Mozart s Piano Concertos: Dramatic
Dialogue in the Age of Enlightenment
(2001)
and Mozart s Viennese Instrumental Music: A
Study of Stylistic Re-Invention
(2007),
and
editor of four volumes for Cambridge
University Press: The Cambridge Companion
to Mozart
(2003)
and The Cambridge
Companion to the Concerto
(2005);
Mozart
Studies
(2006);
and (with Cliff
Eisen)
The
Cambridge Mozart Encyclopedia
(2006).
He is a member of the
Akademie für
Mozartforschimg,
Salzburg.
|
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discipline | Musikwissenschaft |
edition | 1. publ. |
era | Geschichte 1700-1800 Geschichte 1700-1800 gnd |
era_facet | Geschichte 1700-1800 |
format | Book |
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spelling | The Cambridge history of eighteenth century music ed. by Simon P. Keefe Eighteenth century music Cambridge history of eighteenth-century music 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2009 XVII, 798 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Musik Music 18th century History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Kammermusik (DE-588)4136998-1 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Geistliche Musik (DE-588)4126228-1 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Music--18th century--History and criticism. (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Musik (DE-588)4040802-4 s Geschichte 1700-1800 z DE-604 Oper (DE-588)4043582-9 s Geistliche Musik (DE-588)4126228-1 s Kammermusik (DE-588)4136998-1 s Musikleben (DE-588)4075128-4 s Keefe, Simon P. 1968- (DE-588)128762888 edt Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017741107&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017741107&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | The Cambridge history of eighteenth century music Musik Music 18th century History and criticism Musik (DE-588)4040802-4 gnd Kammermusik (DE-588)4136998-1 gnd Musikleben (DE-588)4075128-4 gnd Geistliche Musik (DE-588)4126228-1 gnd Oper (DE-588)4043582-9 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4136998-1 (DE-588)4075128-4 (DE-588)4126228-1 (DE-588)4043582-9 (DE-588)4015701-5 (DE-588)4143413-4 |
title | The Cambridge history of eighteenth century music |
title_alt | Eighteenth century music Cambridge history of eighteenth-century music |
title_auth | The Cambridge history of eighteenth century music |
title_exact_search | The Cambridge history of eighteenth century music |
title_full | The Cambridge history of eighteenth century music ed. by Simon P. Keefe |
title_fullStr | The Cambridge history of eighteenth century music ed. by Simon P. Keefe |
title_full_unstemmed | The Cambridge history of eighteenth century music ed. by Simon P. Keefe |
title_short | The Cambridge history of eighteenth century music |
title_sort | the cambridge history of eighteenth century music |
topic | Musik Music 18th century History and criticism Musik (DE-588)4040802-4 gnd Kammermusik (DE-588)4136998-1 gnd Musikleben (DE-588)4075128-4 gnd Geistliche Musik (DE-588)4126228-1 gnd Oper (DE-588)4043582-9 gnd |
topic_facet | Musik Music 18th century History and criticism Kammermusik Musikleben Geistliche Musik Oper Europa Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017741107&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017741107&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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