Sound synthesis and sampling:
'Sound Synthesis and Sampling' is all about the principles of electronic musical instruments. It provides a comprehensive introduction to all the most common forms of analog and digital sound synthesis, as well as some of the less common techniques.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2008
|
| Ausgabe: | Third edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | 'Sound Synthesis and Sampling' is all about the principles of electronic musical instruments. It provides a comprehensive introduction to all the most common forms of analog and digital sound synthesis, as well as some of the less common techniques. |
| Beschreibung: | Previous ed.: 2004 |
| Beschreibung: | XXIV, 559 Seiten Diagramme 24cm CD-ROM (12 cm) |
| ISBN: | 9780240521060 0240521056 9780240521053 |
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Datensatz im Suchindex
| _version_ | 1804139394118975488 |
|---|---|
| adam_text | SOUND SYNTHESIS AND SAMPLING THIRD EDITION MARTIN RUSS AELPSAPLLFET
**|§|||*§| AMSTERDAM * BOSTON * HEIDELBERG * LONDON * NEW YORK OXFORD *
PARIS * SAN DIEGO * SAN FRANCISCO * SINGAPORE SYDNEY * TOKYO ELSEVIER
FOCAL PRESS IS AN IMPRINT OF ELSEVIER CONTENTS PREFACE TO FIRST EDITION
XI PREFACE TO SECOND EDITION XIII PREFACE TO THIRD EDITION XV VISUAL MAP
XVII ABOUT THIS BOOK XXI BACKGROUND 1 1 BACKGROUND 3 1.1 WHAT IS
SYNTHESIS? 3 1.2 BEGINNINGS 11 1.3 TELECOMS RESEARCH 14 1.4 **PE TECHN
IQUES 17 1.5 EXPERIMENTAL VERSUS POPULAR MUSICAL USES OF SYNTHESIS ...22
1.6 ELECTRO-ACOUSTIC MUSIC 24 1.7 THE PRODUCE, MIX, RECORD, REPRODUCE
SOUND CYCLE 25 1.8 FROM ACADEMIC RESEARCH TO COMMERCIAL PRODUCTION 26
1.9 SYNTHESIS IN CONTEXT 30 1.10 ACOUSTICS AND ELECTRONICS: FUNDAMENTAL
PRINCIPLES 36 1.11 ANALOGUE ELECTRONICS 50 1.12 DIGITAL AND SAMPLING 54
1.13 MIDI, TRANSPORTS AND PROTOCOLS 66 1.14 COMPUTERS AND SOFTWARE 70
1.15 VIRTUALIZATION AND INTEGRATION 73 1.16 QUESTIONS 75 1.17 TIMELINE
76 TECHNIQUES 87 2 MAKING SOUNDS PHYSICALLY 8 9 2.1 SOUNDS AND MUSICAL
INSTRUMENTS 89 2.2 HIT, SCRAPE AND TWANG 91 2.3 BLOW INTO AND OVER 92 VI
CONTENTS 2.4 SEQUENCING 92 2.5 RECORDING 92 2.6 PERFORMING 93 2.7
EXAMPLES 93 2.8 QUESTIONS 94 2.9 TIMELINE 94 3 MAKING SOUNDS WITH
ANALOGUE ELECTRONICS 99 3.1 BEFORE THE SYNTHESIZER 99 3.2 ANALOGUE AND
DIGITAL 101 3.3 SUBTRACTIVE SYNTHESIS 106 3.4 ADDITIVE SYNTHESIS 145 3.5
OTHER METHODS OF ANALOGUE SYNTHESIS 158 3.6 TOPOLOGY 168 3.7 EARLY
VERSUS MODERN IMPLEMENTATIONS 176 3.8 SAMPLING IN AN ANALOGUE
ENVIRONMENT 186 3.9 SEQUENCING 191 3.10 RECORDING 193 3.11 PERFORMING
193 3.12 EXAMPLE INSTRUMENTS 194 3.13 QUESTIONS 198 3.14 TIMELINE 199 4
MAKING SOUNDS WITH HYBRID ELECTRONICS 205 4.1 WAVECYCLE 206 4.2
WAVETABLE 216 4.3 DCOS 225 4.4 DCFS 234 4.5 S&S 234 4.6 TOPOLOGY 245 4.7
IMPLEMENTATIONS OVER TIME 246 4.8 HYBRID MIXERS (AUTOMATION) 248 4.9
SEQUENCING 249 4.10 RECORDING 250 4.11 PERFORMING 250 4.12 EXAMPLE
INSTRUMENTS 251 4.13 QUESTIONS 253 4.14 TIMELINE 254 5 MAKING SOUNDS
WITH DIGITAL ELECTRONICS 255 5.1 FM 257 5.2 WAVESHAPING 276 5.3 PHYSICAL
MODELING 280 5.4 ANALOGUE MODELING 291 5.5 GRANULAR SYNTHESIS 294 5.6
FOF AND OTHER TECHNIQUES 295 5.7 ANALYSIS-SYNTHESIS 305 5.8 HYBRID
TECHNIQUES 313 5.9 TOPOLOGY 315 5.10 IMPLEMENTATIONS 315 5.11 DIGITAL
SAMPLERS 316 5.12 EDITING 320 5.13 STORAGE 327 5.14 TOPOLOGY 331 5.15
DIGITAL EFFECTS 335 5.16 DIGITAL MIXERS 335 5.17 DRUM MACHINES 336 5.18
SEQUENCERS 344 5.19 WORKSTATIONS 349 5.20 ACCOMPANIMENT 353 5.21 GROOVE
BOXES 354 5.22 DANCE, CLUBS AND DJS 356 5.23 SEQUENCING 358 5.24
RECORDING 358 5.25 PERFORMING 359 5.26 EXAMPLES OF DIGITAL SYNTHESIS
INSTRUMENTS 364 5.27 EXAMPLES OF SAMPLING EQUIPMENT 369 5.28 QUESTIONS
ON DIGITAL SYNTHESIS 372 5.29 QUESTIONS ON SAMPLING 372 5.30 QUESTIONS
ON ENVIRONMENT 373 5.31 TIMELINE 373 6 MAKING SOUNDS WITH COMPUTER
SOFTWARE 379 6.1 MAINFRAMES TO CALCULATORS 379 6.2 PERSONAL COMPUTERS
379 6.3 THE PC AS INTEGRATOR 381 6.4 COMPUTERS AND AUDIO 382 6.5 THE
PLUG-IN 384 6.6 ONGOING INTEGRATION OF THE AUDIO CYCLE 393 6.7 STUDIOS
ON COMPUTERS: THE INTEGRATED SEQUENCER 400 6.8 THE RISE OF THE ABSTRACT
CONTROLLER AND FALL OF MIDI 403 6.9 DANCE, CLUBS AND DJS 404 6.10
SEQUENCING 404 6.11 RECORDING 405 6.12 PERFORMING 405 VIII CONTENTS 6.13
EXAMPLES 409 6.14 QUESTIONS 411 6.15 TIMELINE 411 APPLICATIONS 415 7
SOUND-MAKING TECHNIQUES 417 7.1 ARRANGING 417 7.2 STACKING 419 7.3
LAYERING 422 7.4 HOCKETING 425 7.5 MULTI-TIMBRALITY AND POLYPHONY 429
7.6 GM 437 7.7 ON-BOARD EFFECTS 440 7.8 EDITING 450 7.9 SEQUENCING 462
7.10 RECORDING 463 7.11 PERFORMING 463 7.12 QUESTIONS 463 7.13 TIMELINE
464 8 CONTROLLERS 473 8.1 CONTROLLER AND EXPANDER 474 8.2 MIDI CONTROL
476 8.3 KEYBOARDS 484 8.4 KEYBOARD CONTROL 487 8.5 WHEELS AND OTHER
HAND-OPERATED CONTROLS 489 8.6 FOOT CONTROLS 492 8.7 RIBBON CONTROLLERS
493 8.8 WIND CONTROLLERS 493 8.9 GUITAR CONTROLLERS 494 8.10 MIXER
CONTROLLERS 497 8.11 DJ CONTROLLERS 497 8.12 3D CONTROLLERS 498 8.13
FRONT PANEL CONTROLS 498 8.14 MIDI CONTROL AND MIDI LEARN 501 8.15
ADVANTAGES AND DISADVANTAGES 502 8.16 SEQUENCING 503 8.17 RECORDING 503
8.18 PERFORMING 504 8.19 QUESTIONS 504 8.20 TIMELINE 505 CONTENTS IX
ANALYSIS 507 9 THE FUTURE OF SOUND-MA KING 509 9.1 CLOSING THE CIRCLE
511 9.2 CONTROL 511 9.3 COMMERCIAL IMPERATIVES 514 9.4 QUESTIONS 517 9.5
TIMELINE 518 BIBLIOGRAPHY 519 JARGON 523 INDEX 531
|
| any_adam_object | 1 |
| author | Russ, Martin |
| author_facet | Russ, Martin |
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| author_sort | Russ, Martin |
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| bvnumber | BV035685236 |
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| callnumber-label | TK7872 |
| callnumber-raw | TK7872.F73 |
| callnumber-search | TK7872.F73 |
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| callnumber-subject | TK - Electrical and Nuclear Engineering |
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| dewey-full | 786.7'4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.7'4 |
| dewey-search | 786.7'4 |
| dewey-sort | 3786.7 14 |
| dewey-tens | 780 - Music |
| discipline | Elektrotechnik / Elektronik / Nachrichtentechnik Musikwissenschaft |
| edition | Third edition |
| format | Book |
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| indexdate | 2024-07-09T21:43:23Z |
| institution | BVB |
| isbn | 9780240521060 0240521056 9780240521053 |
| language | English |
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| spelling | Russ, Martin Verfasser aut Sound synthesis and sampling Martin Russ Third edition London ; New York Routledge 2008 XXIV, 559 Seiten Diagramme 24cm CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Previous ed.: 2004 'Sound Synthesis and Sampling' is all about the principles of electronic musical instruments. It provides a comprehensive introduction to all the most common forms of analog and digital sound synthesis, as well as some of the less common techniques. Musik Frequency synthesizers Music Acoustics and physics Sound Recording and reproducing Digital techniques Synthesizer (Musical instrument) Sampler Musikinstrument (DE-588)4283793-5 gnd rswk-swf Sampling Musik (DE-588)4236246-5 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Computer (DE-588)4070083-5 gnd rswk-swf Soundverarbeitung (DE-588)4485311-7 gnd rswk-swf (DE-588)4522869-3 CD gnd-carrier Sampling Musik (DE-588)4236246-5 s DE-604 Sampler Musikinstrument (DE-588)4283793-5 s Computer (DE-588)4070083-5 s Komposition Musik (DE-588)4133320-2 s Soundverarbeitung (DE-588)4485311-7 s DE-601 pdf/application http://www.gbv.de/dms/bowker/toc/9780240521053.pdf Inhaltsverzeichnis GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017739428&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Russ, Martin Sound synthesis and sampling Musik Frequency synthesizers Music Acoustics and physics Sound Recording and reproducing Digital techniques Synthesizer (Musical instrument) Sampler Musikinstrument (DE-588)4283793-5 gnd Sampling Musik (DE-588)4236246-5 gnd Komposition Musik (DE-588)4133320-2 gnd Computer (DE-588)4070083-5 gnd Soundverarbeitung (DE-588)4485311-7 gnd |
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| title | Sound synthesis and sampling |
| title_auth | Sound synthesis and sampling |
| title_exact_search | Sound synthesis and sampling |
| title_full | Sound synthesis and sampling Martin Russ |
| title_fullStr | Sound synthesis and sampling Martin Russ |
| title_full_unstemmed | Sound synthesis and sampling Martin Russ |
| title_short | Sound synthesis and sampling |
| title_sort | sound synthesis and sampling |
| topic | Musik Frequency synthesizers Music Acoustics and physics Sound Recording and reproducing Digital techniques Synthesizer (Musical instrument) Sampler Musikinstrument (DE-588)4283793-5 gnd Sampling Musik (DE-588)4236246-5 gnd Komposition Musik (DE-588)4133320-2 gnd Computer (DE-588)4070083-5 gnd Soundverarbeitung (DE-588)4485311-7 gnd |
| topic_facet | Musik Frequency synthesizers Music Acoustics and physics Sound Recording and reproducing Digital techniques Synthesizer (Musical instrument) Sampler Musikinstrument Sampling Musik Komposition Musik Computer Soundverarbeitung CD |
| url | http://www.gbv.de/dms/bowker/toc/9780240521053.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017739428&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT russmartin soundsynthesisandsampling |
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