Take the mic: the art of performance poetry, slam, and the spoken word
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Naperville, Ill.
Sourcebooks MediaFusion
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVII, 295 S. |
| ISBN: | 9781402218996 1402218990 |
Internformat
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| 084 | |a HD 218 |0 (DE-625)48447: |2 rvk | ||
| 100 | 1 | |a Smith, Marc Kelly |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Take the mic |b the art of performance poetry, slam, and the spoken word |c Marc Kelly Smith with Joe Kraynak |
| 246 | 1 | 3 | |a Art of performance poetry, slam, and the spoken word |
| 264 | 1 | |a Naperville, Ill. |b Sourcebooks MediaFusion |c 2009 | |
| 300 | |a XVII, 295 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Performance poetry |v Handbooks, manuals, etc | |
| 650 | 4 | |a Poetry slams |v Handbooks, manuals, etc | |
| 650 | 4 | |a Performance poetry |x Authorship |v Handbooks, manuals, etc | |
| 650 | 4 | |a Performance poetry |x Information resources | |
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Datensatz im Suchindex
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SOURCEBOOKS MEDIAFUSION AN IMPRINT OF SOURCEBOOKS, INC. NAPERVLLLE,
ILLINOIS CONTENTS INTRODUCTION S? HOW TO USE THIS BOOK XVII COMPANION
BOOK XVII A NOTE FROM THE PUBLISHER XIX ACKNOWLEDGMENTS XXI CHAPTER 1:
WHAT YOU THINK YOU KNOW MAY WOT BE SLAM 3 THE BIG DEFINITION OF SLAM
POETRY 4 WHAT SLAM IS AND ISN'T 5 POETRY AND PERFORMANCE 7 WHERE ART
THOU, SLAM? 7 FINALLY.ATTENTION AND RESPECT 8 STAGED BOUTS FOR
AUDIENCE APPEAL 8 SOWING THE SEEDS OF SLAM 9 "THE POINTS ARE NOT THE
POINT" 10 WHO'S THE BEST AND WHO CARES? 11 STRIVING FOR THE BEST OF BOTH
WORLDS 12 PERFORMANCE POET AS AUDIENCE SERVANT 12 NEW LIFE FOR A DYING
ART 13 IF YOU REMEMBER ANYTHING, REMEMBER 13 CHAPTER 2: GETTING INTO THE
SPIRIT OF SLAM . . 17 SPOKEN WORD'S LONG TRADITION 17 BATTLING BARDS 18
ORAL TRADITION'S DARK AGES 19 SPOKEN WORD'S REBIRTH 20 SLAM TAKES CENTER
STAGE 21 WHO INSPIRED THIS MADNESS? AND WHY? 22 SLAM POETRY GOES
NATIONAL 23 SLAM POETRY GOES GLOBAL 24 SLAM POETRY HERE AND NOW 24 THE
SPIRIT OF SLAM: POETRY FOR THE PEOPLE 25 BREAKING DOWN THE COLOR (AND
COLLAR) BARRIERS 25 THE CULTURE OF DEMOCRACY 26 IF YOU REMEMBER
ANYTHING, REMEMBER 26 CHAPTER 3: SLAM COMPETITION*RULES, REGULATIONS,
AND OTHER FORMALITIES 28 IT'S A GAME, STUPID! 29 THE FIRST SLAM
COMPETITION 30 WHO SAYS WHO WINS? 31 THE BASIC RULES OF SLAM ENGAGEMENT
31 PERFORM YOUR OWN WORK 32 THREE MINUTES IS ALL WE CAN STAND 33 NO
PROPS, COSTUMES, TROMBONES, OR OTHER CARRY-ON LUGGAGE 33 SCORING: 0 TO
10 (OR DOWN TO MINUS INFINITY) 34 THE MEAN CHICAGO RULES 35 THE OFFICIAL
EMCEE-SPIEL USED AT THE NATIONAL POETRY SLAMS 36 SLAMS ARE OPEN TO ALL
36 ALL STYLES, FORMS, AND SUBJECT MATTER ARE WELCOME 37 THE PRIZE IS NOT
THE POINT 37 THE ALL-IMPORTANT AUDIENCE IS ALWAYS IN CONTROL 38 IF YOU
REMEMBER ANYTHING, REMEMBER 39 CHAPTER 4: PENNING THE POWERFUL SLAM POEM
43 ONCE UPON A SLAM*STORYTELLING 44 WHAT'S YOUR POINT*ORATORY, POETICS,
OR A LAUNDRY LIST OF LOVE? 47 POP IDEAS AND NEWSPAPER POLITICS 48 WRITE
FROM EXPERIENCE 48 SEEING IS BELIEVING*CONCRETE VS. ABSTRACT LANGUAGE
. 49 SLAM EXAMPLES OF CONCRETE LANGUAGE 50 ABSTRACT LANGUAGE 51
EXERCISES 52 FLACCID PHRASING 52 EXERCISES 53 TOO SMART FOR YOUR
PERFORMANCE 53 IT'S GOTTA SOUND GOOD, TOO 54 ROCK TO THE RHYTHM 55
EXERCISES 56 OLD TESTAMENT STANZAS 57 EXERCISE 59 IF YOU MUST RHYME 59
THE HIP-HOP LINE & RHYME 61 CAUTION ON THE MOTION*TOO MUCH RHYMING
COMMOTION 62 NO SERMONS, BUT IF YOU MUST PREACH 62 ALL FORMS CAN SLAM 65
IF YOU REMEMBER ANYTHING, REMEMBER 66 OVERCOMING THE FEAR WHAT IS
HAPPENING TO ME?!? 70 SLAY THE CONFIDENCE BUSTERS 71 IT'S NOT
NATURAL.IT'S AN ART 72 IS THAT TEXT WELL-PREPARED? 73 VISUALIZE
SUCCESS 73 PRACTICE, PRACTICE, PRACTICE 73 SHIFT YOUR FOCUS 74 BREATHE
ALREADY! 75 PLEASE RELEASE ME 75 TRICKS (OR NO-BRAINERS) OF THE TRADE 76
NOT RECOMMENDED 77 CELEBRATING YOUR SLAM VIRGINITY, AND THEN LOSING IT
78 CONFESSIONS OF A VIRGIN VIRGIN*JOEL CHMARA 78 CONFESSIONS OF A VIRGIN
VIRGIN*MARY FONS 79 ACCUMULATE STAGE TIME 80 IF YOU REMEMBER ANYTHING,
REMEMBER 82 CHAPTER 6: SLAMMIN' FUNDAMENTALS 85 ENGAGE 85 ENTERTAIN 87
AFFECT 87 THE ENTERTAINING FUNDAMENTALS 88 VARY THE VOLUME 88 EXERCISES
89 CLASSROOM ACTIVITIES 90 TWEAK THE TEMPO 91 EXERCISES 92 CLASSROOM
ACTIVITY 92 ARTICULATION 93 EXERCISE 94 CLASSROOM ACTIVITY 95 BREATHE
DEEP AND PAUSE 95 EXERCISE 96 CLASSROOM ACTIVITY 97 LOOK 'EM IN THE EYE
97 EXERCISES 100 MEMORIZATION 100 HOW WE MAKE MEMORY DEPOSITS 102 TOTAL
RECALL 103 THE MEMORIZATION CURVE 104 EXERCISES IN FLEXING THE MEMORY
MUSCLE 105 IF YOU REMEMBER ANYTHING, REMEMBER 105 CHAPTER 7: BODY
TALK*SHAKE, GESTURE, WARMING UP 110 EXERCISE: SHAKE OUT 110 EXERCISE:
BREATHE ILL EXERCISE: VOCAL WARM-UPS ILL CLASSROOM ACTIVITY: WARM-UPS
112 ELEMENTS OF MOVEMENT 113 EXERCISE: IN THE BUBBLE 114 EXERCISE:
CATCHING BUTTERFLIES 114 EXERCISE: IMAGINE THE STONE 115 EXERCISE: PAINT
THE READING ROOM RED 117 LABAN'S EIGHT EFFORTS 117 EXERCISE: APPLYING
EFFORT TO YOUR WORDS 118 CLASSROOM ACTIVITY 119 DOWN TO SPECIFIC BODY
PARTS 120 WORKING OUT THE KINKS 121 POSTURE AND STANCE 123 CROSSING THE
BOARDS 124 DOS & DON'TS OF MOVEMENT 124 IF YOU REMEMBER ANYTHING,
REMEMBER 126 CHAPTER &T REHEARSE, REHEARSE, REHEARSE 129 ESTABLISH A
REHEARSAL REGIMEN 130 SET A REHEARSAL SCHEDULE 131 REHEARSE IN LAYERS
131 SPICE IT UP WITH SOME VARIATION 132 FINDING VOICE, TONE, AND MOOD
THROUGH REHEARSAL 132 DISCOVERING A POEM'S VOICE (CHARACTER) 133
EXERCISE: EXPLORING A POEM'S VOICE 133 DISCOVERING A POEM'S TONE
(ATTITUDE) & MOOD (EMOTION) 134 EXERCISE: EXPLORING A POEM'S TONE AND
MOOD 135 DISCOVERING THE SITUATION AND IDENTIFYING THE UNSEEN AUDIENCE
135 EXERCISE: EXPLORING SITUATION AND AUDIENCE 136 CLASSROOM ACTIVITY
137 PRACTICING YOUR APPROACH: STEPPING UP TO THE MIC 138 MAKE THE RIGHT
APPROACH 139 USE YOUR NERVOUS CONDITION TO YOUR ADVANTAGE 140 HITTING
YOUR MARK 140 EXERCISE: PRACTICING YOUR APPROACH AND STAGE MOVEMENTS. .
. . 141 FROM CLOSET TO MIRROR TO TAPE RECORDER TO FRIENDLY EARS 142
THROUGH THE LOOKING GLASS : . . 142 AUDIO REPLAY 143 VIDEO REPLAY 143
RECRUITING A CRITIQUE 144 IF YOU REMEMBER ANYTHING, REMEMBER 144 CHAPTER
9: SHAPING A PERFORMANCE AND A FEW MORE SKILLS 149 MASTERING THE ART OF
SEDUCTIVE REVELATION 149 ENTER AND OPEN WITH A FLAIR 150 EXERCISE 152
HOLD 'EM 153 MIXING IT UP 155 SOMETHING UP YOUR SLEEVE 155 FROM
KNEE-SLAPPERS TO SIDESPLITTERS 156 SPECTACLE AND VISUAL ACCESSORIES 157
MUSICAL ACCOMPANIMENT AND SOUND EFFECTS 157 THE EDGE 158 CLOSERS 159
UNDERPINNING IT ALL: STYLE AND THE SUBJECT MATTERS 160 ALL FORMS CAN
SLAM*TAKE TWO 161 AVOIDING COMMON PERFORMANCE CLICHES 161 PERFORMING IN
THE ZONE 162 IF YOU REMEMBER ANYTHING, REMEMBER 163 CHAPTER 10: WHERE
AND HOW TO GIG AROUND 1 ALL THE GIGS YOU CAN DO 168 OPEN MIC SEARCH 168
BOOKSTORE READINGS 170 DON'T FORGET THE SLAMS 171 PERFORMANCE VENUES OF
EVERY VARIETY 172 NIGHTCLUBS, SALOONS, AND OTHER INFORMAL VENUES 172
LATE-NIGHT THEATER 173 SLAMMIN' IN THE SCHOOLS (EDUCATIONAL OUTREACH)
173 DO-IT-YOURSELF VENUES (CREATE YOUR OWN SHOW) 174 PERFORMANCE POETRY
ETIQUETTE 101 174 LOOK & LISTEN & GET TO KNOW 175 BEHAVE YOURSELF, BE
COURTEOUS, & DO YOUR JOB 175 AUDIENCE ETIQUETTE : 178 IF YOU REMEMBER
ANYTHING, REMEMBER 779 CHAPTER 11: BOOK ME! PLEASE! 183 THINKING LIKE A
MARKETING MOGUL 184 HITTING THE CAMPAIGN TRAIL 185 PRESS PACK 186 PAGE
ONE AND ONLY ONE! 187 IN-DEPTH RESUME 187 LOOK AT ME! 188 IN THE NEWS!
188 FINALLY MY POEMS! ' 190 AUDIO COMPONENT 190 THE DO-IT-YOURSELF AUDIO
METHOD 190 GETTING A LITTLE SOUND ADVICE 191 STUDIO TIME 192 THE CLOCK'S
TICKING 192 AFTERSOUNDS*EDITING AND PRODUCTION 193 ROLL 'EM: FILMING
YOUR ACT 194 BUILT-IN OPPORTUNITIES 194 CALL THE PROS 195 ESTABLISHING A
WEB PRESENCE 195 BLOG 197 LAUNCH A WEBSITE 198 POPULATE YOUR WEBSITE OR
BLOG WITH CONTENT 199 PROMOTE YOUR WEBSITE OR BLOG * 200 EXPLORE SOCIAL
NETWORKS 200 SHARE PODCASTS OF YOUR PERFORMANCES 201 POST VIDEO CLIPS ON
YOUTUBE 202 LOW BUDGET OR AIL-OUT GLITZ? 202 PUTTING THE TOOLS TO WORK
203 IF YOU REMEMBER ANYTHING, REMEMBER 204 CHAPTER 12: GETTING THE WORD
OUT: PUBLICIZING YOUR PERFORMANCE 207 KNOW WHAT YOU'RE PROMOTING 208
MARKETING MATERIALS: FORMS THAT FIT 209 MAKING A NAME (AND LOGO) FOR
YOURSELF 210 CHEAP, BUT EFFECTIVE: FLYERS AND POSTCARDS 212 NOT AS
CHEAP, BUT VERY EFFECTIVE: POSTERS 213 GARNERING SOME FREE PRESS, RADIO
TIME, AND EXPOSURE 214 GENERATING FEATURE STORIES, INTERVIEWS, AND MEDIA
ATTENTION 214 STEP 1: WRITE-A PRESS RELEASE 215 STEP 2: SEND THE PRESS
RELEASE 216 STEP 3: CALL 'EM 216 WORK YOUR ANGLE 217 PRESS THE AIRWAVES
218 MORE METHODS FOR GETTING THE WORD OUT 219 MANAGING MAILING (AND
EMAILING) LISTS 219 PRESS THE FLESH 221 PAID ADS 221 COOL CALLS 222
WEBSITE APPEAL 223 NEVER UNDERESTIMATE WORD OF MOUTH 223 IF YOU REMEMBER
ANYTHING, REMEMBER 224 CHAPTER 13: TAKING YOUR SHOW ON THE ROAD 227 TOUR
PLANNING 101 227 STEP 1: EAST COAST? WEST COAST? NO COAST? 228 STEP 2:
BOOK A BIG GIG 228 STEP 3: FIND MORE DOTS (GIGS) AND CONNECT THEM 229
STEP 4: ROUTE YOUR TOUR 230 STEP 5: FILLING IN THE GAPS 230 STEP 6: GET
A RIDE 231 STEP 7: FIND A PLACE TO SLEEP AND SHOWER 231 STEP 8:
PROMOTING YOUR TOUR 232 STEP 9: BEFORE YOU START THE ENGINE 234
SCHMOOZING THE BOOKERS, THE WAITERS, THE TICKET TAKERS 234 SLAMS AND
THEIR MASTERS 235 NIGHTCLUB OWNERS AND THEIR MANAGERS 236 BUTTERING UP
THE BOOKING AGENTS 237 CONCERT HALLS*PERFORMING IN THE BIG HOUSE 238
DON'T GET SET UP TO FAIL 240 GETTING PAID 242 IF YOU REMEMBER ANYTHING,
REMEMBER 244 CHAPTER 14: OLD-SCHOOL ADVICE: ACT PROFESSIONAL 24 OH,
BEHAVE! 250 KEEP IT DOWN DURING A PERFORMANCE 251 DON'T PULL FOCUS WHILE
OTHERS ARE PERFORMING 251 DON'T GLOWER 252 NO HOOT-AND-HOLLER
CHEERLEADING 252 KEEP CONSPICUOUS NEGATIVE OPINIONS TO YOURSELF 253 IT'S
NOT YOUR HOUSE 254 WOULD YOU TALK THAT WAY TO GRANDMA? 255 BE COURTEOUS:
NOBODY LIKES A JERK 256 FINAL REMINDERS*LAST BITS OF ADVICE . 256 BE
PROMPT: EARLY NEVER HURTS 256 OFFSTAGE PREPARATION: RECAP GETTING THE
NERVES OUT 257 PRIMPING FOR THE STAGE 258 HAWKING YOUR WARES 259 RESPECT
YOUR AUDIENCE AND YOUR FELLOW PERFORMERS 260 IF YOU REMEMBER ANYTHING,
REMEMBER 261 APPENDIX A: SLAMMERS: PERFORMANCE POETRY 2S POETRY
COLLECTIONS 263 AUDIO RECORDINGS 264 ANTHOLOGIES 264 PUBLISHERS OF SLAM
POETRY 265 AGENTS 266 APPENDIX B: BOOKS ON POETICS & PERFORMING 29 LIX
C: SLAMMIN' WEBSITES 271 IX D: PSI-CERTIFIED SLAMS 281 ABOUT THE AUTHORS
297 |
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| language | English |
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| spelling | Smith, Marc Kelly Verfasser aut Take the mic the art of performance poetry, slam, and the spoken word Marc Kelly Smith with Joe Kraynak Art of performance poetry, slam, and the spoken word Naperville, Ill. Sourcebooks MediaFusion 2009 XVII, 295 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Performance poetry Handbooks, manuals, etc Poetry slams Handbooks, manuals, etc Performance poetry Authorship Handbooks, manuals, etc Performance poetry Information resources Slam Poetry (DE-588)4709615-9 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Slam Poetry (DE-588)4709615-9 s DE-604 Kraynak, Joe Sonstige (DE-588)136495222 oth HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017737693&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Smith, Marc Kelly Take the mic the art of performance poetry, slam, and the spoken word Performance poetry Handbooks, manuals, etc Poetry slams Handbooks, manuals, etc Performance poetry Authorship Handbooks, manuals, etc Performance poetry Information resources Slam Poetry (DE-588)4709615-9 gnd |
| subject_GND | (DE-588)4709615-9 (DE-588)4048476-2 |
| title | Take the mic the art of performance poetry, slam, and the spoken word |
| title_alt | Art of performance poetry, slam, and the spoken word |
| title_auth | Take the mic the art of performance poetry, slam, and the spoken word |
| title_exact_search | Take the mic the art of performance poetry, slam, and the spoken word |
| title_full | Take the mic the art of performance poetry, slam, and the spoken word Marc Kelly Smith with Joe Kraynak |
| title_fullStr | Take the mic the art of performance poetry, slam, and the spoken word Marc Kelly Smith with Joe Kraynak |
| title_full_unstemmed | Take the mic the art of performance poetry, slam, and the spoken word Marc Kelly Smith with Joe Kraynak |
| title_short | Take the mic |
| title_sort | take the mic the art of performance poetry slam and the spoken word |
| title_sub | the art of performance poetry, slam, and the spoken word |
| topic | Performance poetry Handbooks, manuals, etc Poetry slams Handbooks, manuals, etc Performance poetry Authorship Handbooks, manuals, etc Performance poetry Information resources Slam Poetry (DE-588)4709615-9 gnd |
| topic_facet | Performance poetry Handbooks, manuals, etc Poetry slams Handbooks, manuals, etc Performance poetry Authorship Handbooks, manuals, etc Performance poetry Information resources Slam Poetry Ratgeber |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017737693&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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