Painting the sacred in the age of romanticism:
"After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham ; Burlington, Vt.
Ashgate Publ.
2009
|
| Schriftenreihe: | Histories of vision
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Rezension Inhaltsverzeichnis |
| Zusammenfassung: | "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meaning in modern art. It will reinvigorate scholarship in the fields of nineteenth-century art, romanticism, and religion and the arts, and restore the Nazarene artists to their rightful place at the forefront of romantic art history."--Publisher's description |
| Beschreibung: | Literaturverz. S. 369 - 396 |
| Beschreibung: | XVII, 418 S. zahlr. Ill. 26 cm |
| ISBN: | 9780754606451 0754606457 |
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| 505 | 0 | |a Introduction -- The great code of art : religious revival and the rebirth of pictorial meaning -- Sulamith and Maria : erotic Mariology and the cult of friendship -- Pietas und vanitas : gender, moralization and allegory -- The seven sacraments : Romantic subjectivity and Catholic dogma -- The Bible in pictures : history lessons and popular culture -- A family tree of German art : avant-garde, anti-Judaism and artistic identity -- Conclusion | |
| 520 | 3 | |a "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography | |
| 520 | 3 | |a Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art | |
| 520 | 3 | |a This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meaning in modern art. It will reinvigorate scholarship in the fields of nineteenth-century art, romanticism, and religion and the arts, and restore the Nazarene artists to their rightful place at the forefront of romantic art history."--Publisher's description | |
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Datensatz im Suchindex
| _version_ | 1804139349675081728 |
|---|---|
| adam_text | After
a century of Rationalist skepticism and political
upheaval, the nineteenth century awakened to a fierce
battle between the forces of secularization and the
crusaders of a Christian revival. From this battlefield
arose an art movement that would become the
torchbearer of a new religious art: Nazarenism.
From its inception in the
Lukasbund
of I809, this art
was controversial. It nonetheless succeeded in becoming
a lingua franca in religious circles throughout Europe,
America, and the world at large. This is the first major
study of the evolution, structure, and conceptual
complexity of this archetypically nineteenth-century
language of belief.
The
Nazarene
quest for a modern religious idiom
evolved around a return to pre-modern forms of biblical
exegesis and the adaptation of traditional systems of
iconography. Reflecting the era s historicist sensibility
as much as the general revival of orthodoxy in the
various Christian denominations, the Nazarenes
responded with great acumen to pressing contemporary
concerns. Consequently, the artists did not simply
revive Christian iconography, but rather
reconceptualized what it could do and say.
This creativity and flexibility enabled them to intervene
forcefully in key debates of post-revolutionary European
society: the function of eroticism in a Christian life,
the role of women and the social question, devotional
practice and the nature of the Church, childhood
education and bible study, and the burning issue of
anti-Judaism and modern anti-Semitism.
What makes
Nazarene
art essentially Romantic is the
meditation on the conditions of art-making inscribed
into their appropriation and reinvention of artistic
tradition. Far from being a reactionary move, this self-
reflexivity expresses the modernity of
Nazarene
art.
This study explores Nazarenism in a series of detailed
excavations of central works in the
Nazarene
corpus
produced between I808 and the 1860s. The result is
a book about the possibility of religious meaning in
modern art. It will remvigorate scholarship in the fields
of nineteenth-century art, romanticism, and religion
and the arts, and restore the
Nazarene
artists to their
rightful place at the forefront of romantic art history.
Titel: Painting the sacred in the age of romanticism
Autor: Grewe, Cordula
Jahr: 2009
Contents
List of illustrations vii
Acknowledgments xv
Introduction 1
1 The great code of art: religious revival and
the rebirth of pictorial meaning 19
2 Sulamith and Maria: erotic Mariology and the cult of friendship 61
3 Pietas and Vanitasi gender, moralization and allegory 99
4 The Seven Sacraments: Romantic subjectivity and Catholic dogma 149
5 The Bible in Pictures: history lessons and popular culture 203
6 A family tree of German art: avant-garde, anti-Judaism
and artistic identity 253
Conclusion 303
Notes 322
Bibliography 369
Index 397
|
| any_adam_object | 1 |
| author | Grewe, Cordula 1968- |
| author_GND | (DE-588)131657569 |
| author_facet | Grewe, Cordula 1968- |
| author_role | aut |
| author_sort | Grewe, Cordula 1968- |
| author_variant | c g cg |
| building | Verbundindex |
| bvnumber | BV035659809 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND1432 |
| callnumber-raw | ND1432.E85 |
| callnumber-search | ND1432.E85 |
| callnumber-sort | ND 41432 E85 |
| callnumber-subject | ND - Painting |
| classification_rvk | LH 83500 LK 83392 |
| contents | Introduction -- The great code of art : religious revival and the rebirth of pictorial meaning -- Sulamith and Maria : erotic Mariology and the cult of friendship -- Pietas und vanitas : gender, moralization and allegory -- The seven sacraments : Romantic subjectivity and Catholic dogma -- The Bible in pictures : history lessons and popular culture -- A family tree of German art : avant-garde, anti-Judaism and artistic identity -- Conclusion |
| ctrlnum | (OCoLC)318057910 (DE-599)BVBBV035659809 |
| dewey-full | 759.05/2 755.209034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography 755 - Religion |
| dewey-raw | 759.05/2 755.209034 |
| dewey-search | 759.05/2 755.209034 |
| dewey-sort | 3759.05 12 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte 1800-1900 Geschichte 1790-1830 gnd Geschichte 1790-1850 gnd Geschichte 1808-1860 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1790-1830 Geschichte 1790-1850 Geschichte 1808-1860 |
| format | Book |
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| geographic | Europa Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Europa Deutschland |
| id | DE-604.BV035659809 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:42:40Z |
| institution | BVB |
| isbn | 9780754606451 0754606457 |
| language | English |
| lccn | 2009014069 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017714247 |
| oclc_num | 318057910 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-739 DE-12 DE-29 DE-473 DE-BY-UBG DE-B170 DE-11 DE-355 DE-BY-UBR DE-188 DE-Y3 DE-255 DE-Y2 DE-Y7 |
| owner_facet | DE-19 DE-BY-UBM DE-739 DE-12 DE-29 DE-473 DE-BY-UBG DE-B170 DE-11 DE-355 DE-BY-UBR DE-188 DE-Y3 DE-255 DE-Y2 DE-Y7 |
| physical | XVII, 418 S. zahlr. Ill. 26 cm |
| psigel | DHB_JDG_ISBN_1 |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Ashgate Publ. |
| record_format | marc |
| series2 | Histories of vision |
| spelling | Grewe, Cordula 1968- Verfasser (DE-588)131657569 aut Painting the sacred in the age of romanticism Cordula Grewe Farnham ; Burlington, Vt. Ashgate Publ. 2009 XVII, 418 S. zahlr. Ill. 26 cm txt rdacontent n rdamedia nc rdacarrier Histories of vision Literaturverz. S. 369 - 396 Introduction -- The great code of art : religious revival and the rebirth of pictorial meaning -- Sulamith and Maria : erotic Mariology and the cult of friendship -- Pietas und vanitas : gender, moralization and allegory -- The seven sacraments : Romantic subjectivity and Catholic dogma -- The Bible in pictures : history lessons and popular culture -- A family tree of German art : avant-garde, anti-Judaism and artistic identity -- Conclusion "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meaning in modern art. It will reinvigorate scholarship in the fields of nineteenth-century art, romanticism, and religion and the arts, and restore the Nazarene artists to their rightful place at the forefront of romantic art history."--Publisher's description Geschichte 1800-1900 Geschichte 1790-1830 gnd rswk-swf Geschichte 1790-1850 gnd rswk-swf Geschichte 1808-1860 gnd rswk-swf Nazareners (schilderkunst) gtt Schilderkunst gtt Malerei Christian art and symbolism Europe Modern period, 1500- Painting, European 19th century Romanticism in art Europe Das Sakrale (DE-588)4205979-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Nazarener (DE-588)4075245-8 gnd rswk-swf Religion Motiv (DE-588)4207560-9 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Europa Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Romantik (DE-588)4050491-8 s Das Sakrale (DE-588)4205979-3 s Malerei (DE-588)4037220-0 s DE-604 Religion Motiv (DE-588)4207560-9 s Kunst (DE-588)4114333-4 s Geschichte 1790-1850 z Nazarener (DE-588)4075245-8 s Geschichte 1808-1860 z Geschichte 1790-1830 z b DE-604 Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017714247&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext http://digital.bib-bvb.de/webclient/DeliveryManager?pid=986867&custom_att_2=simple_viewer Rezension HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017714247&sequence=000009&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Grewe, Cordula 1968- Painting the sacred in the age of romanticism Introduction -- The great code of art : religious revival and the rebirth of pictorial meaning -- Sulamith and Maria : erotic Mariology and the cult of friendship -- Pietas und vanitas : gender, moralization and allegory -- The seven sacraments : Romantic subjectivity and Catholic dogma -- The Bible in pictures : history lessons and popular culture -- A family tree of German art : avant-garde, anti-Judaism and artistic identity -- Conclusion Nazareners (schilderkunst) gtt Schilderkunst gtt Malerei Christian art and symbolism Europe Modern period, 1500- Painting, European 19th century Romanticism in art Europe Das Sakrale (DE-588)4205979-3 gnd Kunst (DE-588)4114333-4 gnd Nazarener (DE-588)4075245-8 gnd Religion Motiv (DE-588)4207560-9 gnd Malerei (DE-588)4037220-0 gnd Romantik (DE-588)4050491-8 gnd |
| subject_GND | (DE-588)4205979-3 (DE-588)4114333-4 (DE-588)4075245-8 (DE-588)4207560-9 (DE-588)4037220-0 (DE-588)4050491-8 (DE-588)4011882-4 |
| title | Painting the sacred in the age of romanticism |
| title_auth | Painting the sacred in the age of romanticism |
| title_exact_search | Painting the sacred in the age of romanticism |
| title_full | Painting the sacred in the age of romanticism Cordula Grewe |
| title_fullStr | Painting the sacred in the age of romanticism Cordula Grewe |
| title_full_unstemmed | Painting the sacred in the age of romanticism Cordula Grewe |
| title_short | Painting the sacred in the age of romanticism |
| title_sort | painting the sacred in the age of romanticism |
| topic | Nazareners (schilderkunst) gtt Schilderkunst gtt Malerei Christian art and symbolism Europe Modern period, 1500- Painting, European 19th century Romanticism in art Europe Das Sakrale (DE-588)4205979-3 gnd Kunst (DE-588)4114333-4 gnd Nazarener (DE-588)4075245-8 gnd Religion Motiv (DE-588)4207560-9 gnd Malerei (DE-588)4037220-0 gnd Romantik (DE-588)4050491-8 gnd |
| topic_facet | Nazareners (schilderkunst) Schilderkunst Malerei Christian art and symbolism Europe Modern period, 1500- Painting, European 19th century Romanticism in art Europe Das Sakrale Kunst Nazarener Religion Motiv Romantik Europa Deutschland |
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