Violin for dummies:
The fun and easy way to start playing popular, classical, jazz, gypsy, and fiddle tunes Whether readers are aspiring classical musicians or just want to fiddle around, this truly hands-on guide clearly explains the basics of playing the violin- even for people who have never read a note of music. It...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Toronto
Wiley
2008
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The fun and easy way to start playing popular, classical, jazz, gypsy, and fiddle tunes Whether readers are aspiring classical musicians or just want to fiddle around, this truly hands-on guide clearly explains the basics of playing the violin- even for people who have never read a note of music. It covers everything from selecting and maintaining a violin, holding the violin and bow properly, and tuning the violin to understanding rhythm, harmony, and musical notation. Readers will learn how to play in various styles of music. The included CD features audio tracks of every exercise and musical accompaniment for each song, allowing readers to play along, plus video clips that demonstrate proper posture and finger positions. Katharine Rapoport (Toronto, ON, Canada) is an accomplished violinist and violist who performs for audiences across the globe. She teaches at the Royal Conservatory of Music Orchestra and the University of Toronto. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XVIII, 406 S. Ill., Notenbeisp. CD-ROM (12 cm) |
ISBN: | 9780470838389 |
Internformat
MARC
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035 | |a (DE-599)BVBBV035634323 | ||
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100 | 1 | |a Rapoport, Katharine |e Verfasser |0 (DE-588)136895875 |4 aut | |
245 | 1 | 0 | |a Violin for dummies |c by Katharine Rapoport |
264 | 1 | |a Toronto |b Wiley |c 2008 | |
300 | |a XVIII, 406 S. |b Ill., Notenbeisp. |e CD-ROM (12 cm) | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
520 | 3 | |a The fun and easy way to start playing popular, classical, jazz, gypsy, and fiddle tunes Whether readers are aspiring classical musicians or just want to fiddle around, this truly hands-on guide clearly explains the basics of playing the violin- even for people who have never read a note of music. It covers everything from selecting and maintaining a violin, holding the violin and bow properly, and tuning the violin to understanding rhythm, harmony, and musical notation. Readers will learn how to play in various styles of music. The included CD features audio tracks of every exercise and musical accompaniment for each song, allowing readers to play along, plus video clips that demonstrate proper posture and finger positions. Katharine Rapoport (Toronto, ON, Canada) is an accomplished violinist and violist who performs for audiences across the globe. She teaches at the Royal Conservatory of Music Orchestra and the University of Toronto. | |
650 | 4 | |a Violin / Methods / Self-instruction | |
650 | 4 | |a Violin / Instruction and study | |
650 | 4 | |a Violin / Studies and exercises | |
650 | 4 | |a Music theory / Elementary works | |
650 | 4 | |a Violon / Méthodes / Auto-enseignement | |
650 | 4 | |a Violon / Étude et enseignement | |
650 | 4 | |a Violon / Études et exercices | |
650 | 4 | |a Théorie musicale élémentaire | |
650 | 4 | |a Violon - Méthodes - Auto-enseignement | |
650 | 4 | |a Violon - Étude et enseignement | |
650 | 4 | |a Violon - Études et exercices | |
650 | 4 | |a Music theory |v Elementary works | |
650 | 4 | |a Violin |v Methods |v Self-instruction | |
650 | 4 | |a Violin |v Studies and exercises | |
650 | 4 | |a Violin |x Instruction and study | |
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999 | |a oai:aleph.bib-bvb.de:BVB01-017689202 | ||
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Datensatz im Suchindex
_version_ | 1804139311891742720 |
---|---|
adam_text | Table
of
Contents
introduction
................................................................../
Why This Book Is for You
................................................................................1
Foolish Assumptions
.......................................................................................2
How This Book Is Organized
...........................................................................2
Part I: So You Want to Play the Violin
..................................................2
Part II: Getting Started: The Basics
......................................................3
Part III: Reading Music for the Violin
...................................................3
Part IV: Musicianship and Harmony
....................................................3
Part V: Taking It Up a Notch: Techniques and Styles
.........................3
Part VI: Getting into Gear, Staying in Gear
..........................................3
Part
VII:
The Part of Tens
......................................................................4
The CD-ROM
............................................................................................4
Icons Used in This Book
..................................................................................4
Where to Go from Here
....................................................................................5
Part
h
So
lou
Want to
Р(аџ
the Violin
............................7
Chapter
1:
Introducing the Violin
................................9
Bring On the Violin!
..........................................................................................9
Tuning up
...............................................................................................10
Holding on
.............................................................................................11
Bowing Out Some Sounds
.............................................................................11
Taking a close look at the bow
...........................................................11
Getting both your hands in on the action
.........................................12
Reading between the Lines
...........................................................................12
Knowing the notes
................................................................................13
Getting rhythm
......................................................................................13
Digging Deeper into Music
............................................................................13
Scales and key signatures
....................................................................13
Harmony
................................................................................................14
Getting Stylish
................................................................................................14
Dazzling technique
...............................................................................14
Multicultural music
..............................................................................15
A Violin of Your Own
......................................................................................15
Chapter
2:
Getting Started with the Violin
.......................17
Examining the Violin
......................................................................................18
How Violins Work
...........................................................................................20
String vibration and string length
......................................................21
Using both hands to make a sound
....................................................23
How the bow helps
...............................................................................23
Violin For Dummies
Taking the Violin Out of Its Case
..................................................................24
Tuning the Violin
............................................................................................26
Working the pegs and fine tuners
.......................................................27
Tuning with the piano
..........................................................................30
Using an electronic tuner
....................................................................31
Using a pitch pipe
.................................................................................32
Using a tuning fork
...............................................................................33
Troubleshooting Guide to Dealing with Pegs and Fine Tuners
................35
Peg problems
........................................................................................35
Fine tuner problems
.............................................................................37
Chapter
3:
Holding Up Well
....................................39
Understanding the Importance of a Good Violin Hold
..............................39
When standing
......................................................................................40
When sitting
..........................................................................................42
Reading from a Music Stand
.........................................................................43
Finding a Good Fit: Chinrests and Shoulder Rests
.....................................44
Chinrests
................................................................................................45
Shoulder rests
.......................................................................................47
Fixing Common Problems with the Violin Hold
.........................................49
Keeping the scroll afloat
......................................................................49
Watching the horizontal angle
............................................................49
Keeping your elbow under
..................................................................50
Gripping too much with the shoulder
...............................................51
Partii: Gettine
Started: The Basics
..............................53
Chapter
4:
Taking a Bow
......................................55
Looking at the Bow
........................................................................................56
Preparing the Bow
..........................................................................................57
Tightening and loosening the horsehair
...........................................58
Using rosin on the bow
........................................................................59
Getting a Grip on Your Bow Hold
.................................................................
61
The famous diva method
.....................................................................61
The hidden treasures method
............................................................62
Conquering common problems with the bow hold
.........................64
Setting the Bow on the Strings
.....................................................................65
Bowing on different strings
.................................................................66
Understanding bowing signs
...............................................................67
Playing Your First Concert!
...........................................................................68
Mr. Smooth and Mr. Clean: Two Bowing Styles
..........................................
70
Chapter
5:
Getting the Left Hand Right
...........................
73
Shaping Up Your Arm and Fingers
...............................................................
73
Getting your arm in shape
...................................................................
^
Taking your fingers to tap dancing class
...........................................
75
Table
of
Contents
Making a hand frame that works
........................................................75
Keeping your thumb loose on the violin s neck
...............................77
Putting Your Fingers on the Strings
.............................................................78
Getting groovy fingertips
.....................................................................78
Counting your fingers
..........................................................................79
Knowing which finger to use for what note
......................................80
Lifting and placing your fingers
..........................................................80
Getting It Taped
..............................................................................................81
Preparing Your Pizzicato
...............................................................................84
Exploring the fingerboard guides through pizzicato
.......................84
Three s Company: Putting Finger
2
to Work
...............................................86
Chapter
6:
All Together Now
...................................91
Using Your Hands Together
..........................................................................91
Starting to use both hands
..................................................................91
Developing fitness for hands together
..............................................92
Crossing Over to a Different String
..............................................................95
Crossing strings with the bow
............................................................95
Crossing strings with the fingers
........................................................98
Playing Music with Both Hands
..................................................................102
Warming up to the task
......................................................................102
Topping the charts: Three simple songs
.........................................103
Expanding Your Bow Strokes
......................................................................105
Using more bow, gradually
................................................................105
Preparing to play Pachelbel
..............................................................105
Part 111: Reading Music for the Violin
...........«.............107
Chapter
7:
Translating Five Lines onto Four Strings
..............109
Lining Up the Music
.....................................................................................109
Don t jump off the clef
.......................................................................110
Every Good Boy Deserves Fudge (and so do girls!)
.....................
Ill
Climbing on the ledger lines
.............................................................113
Naming Your Notes, String by String
.........................................................114
17
notes to know
................................................................................114
A string
.................................................................................................115
Estring.................................................................................................116
D
string
................................................................................................117
G
string
................................................................................................118
Meeting the Sharps, Flats, and Naturals
...................................................119
Looking at sharps, flats, and naturals
..............................................119
Playing sharps and flats
....................................................................120
Charting Your Way with the Fingers On
....................................................121
Playing Loud and Soft
—
Dynamite Dynamics!
........................................122
Making loud sounds
...........................................................................124
Making soft sounds
............................................................................124
Adding crescendo and diminuendo
.................................................124
Violin For Dummies
Chapter
8:
Here s Counting on You: A Guide to Rhythm
...........127
Anatomy of a Musical Note
.........................................................................127
Adding Up the Value of Notes
.....................................................................128
Whole notes
........................................................................................129
Half notes
.............................................................................................130
Quarter notes
......................................................................................131
Eighth notes
........................................................................................132
Sixteenth notes
...................................................................................133
Triplets
.................................................................................................133
Adding Dots (No Need to Cross the Ts)
....................................................135
Dotted half notes
................................................................................135
Dotted quarter notes
.........................................................................136
Taking a Rest
.................................................................................................136
You ve Got Rhythm: Pieces to Play!
...........................................................137
Chapter
9:
Getting Ticked Off: A Guide to Meter
.................141
Measure for Measure
...................................................................................141
Keeping Time: Time Signatures
..................................................................143
Tapping into the beat
.........................................................................144
Counting rests
.....................................................................................145
Emphasizing the right beat
...............................................................146
Using Metronomes
.......................................................................................147
Mechanical metronomes
...................................................................147
Electronic metronomes
.....................................................................149
Making friends with your metronome
.............................................150
Making Music in
44
Meter
...........................................................................152
Counting and Playing in Threes
.................................................................153
Doing (Just About) Everything Else from Fours and Threes
..................155
24
time
.................................................................................................155
6«
time
.................................................................................................157
Getting Up to Speed: What Those Tempo Markings Mean
.....................158
Time for Some Songs
...................................................................................159
Part V: Musicianship and
Иагтопџ
...........................163
Chapter
10:
Weighing In on Scales
............................165
Climbing Up and Down
................................................................................165
Marching through the Major Scales
...........................................................
I66
Building major scales
.........................................................................166
Major scales you need to know
........................................................168
A major scale
......................................................................................168
G
major scale, upper octave
.............................................................171
G
major scale, two octaves
...............................................................173
E
major scale
......................................
ΖΣΖΖ Ζ ΖΖ .
........................
174
A major scale, two octaves
...............................................................176
F
major scale
..................................... .......................177
Table
of Contents
Casting Light on Those
Minors
..................................................................178
Building
a
minor
scale
.......................................................................179
Playing
A
melodie minor
scale.........................................................
180
Playing A harmonic minor scale
.......................................................181
Meeting Other Scales in Brief
.....................................................................182
Natural minor scales
..........................................................................182
Pentatonic scales
................................................................................183
Chromatic scales
................................................................................183
Harping on about Arpeggios
.......................................................................184
A major arpeggio
................................................................................185
A minor arpeggio
................................................................................186
Major (And Minor) Achievements
.............................................................186
Chapter
11:
Signing Off on Key Signatures
......................189
Unlocking Keys
.............................................................................................189
Getting the key to key signatures
.....................................................189
Reading the key signatures for major keys
.....................................190
Keeping order
.....................................................................................192
Locking In to the Right Key
.........................................................................192
Figuring Out Minor Keys
.............................................................................193
Forming the relative minor
...............................................................193
Recognizing minor keys when reading music
.................................194
Having the Last Dance
.................................................................................194
Chapter
12:
Better Together: Harmony
..........................197
Making Sense of Chords and Harmony
.....................................................197
In the Big Leagues: Major Chords
..............................................................198
Finding the principal triads
...............................................................199
Breaking out in chords
.......................................................................200
Digging for Minor Chords
............................................................................201
Making the Most of Major and Minor Chords
...........................................202
Meet the Bossy Chords: Dominant 7ths
....................................................203
Harmonizing in Thirds and Sixths
..............................................................205
Part V: Taking It Up a Match: Techniques and Styles
...207
Chapter
13:
The Language of Bowing
..........................209
Two Notes (Or More) with One Stroke: Legato
........................................210
Changing bow direction smoothly
...................................................211
Starting to slur two notes
..................................................................212
Slurring across strings
.......................................................................216
Playing three notes in a bow stroke
.................................................219
Fitting four notes in a bow stroke
....................................................222
Violin For Dummies
Getting Up to Speed and Figuring Out Bow Division
...............................223
Deciding how much bow to use on a note or bar
..........................223
Doing the math: Dividing the bow by note values
.........................225
Dividing the bow strokes in anticipation of the next note
............225
Adjusting the amounts of bow for dynamics
..................................226
Mais Oui,
Maestro: Taking On Ze Accents
................................................226
Accenting the positive
.......................................................................227
Hammering it out:
Martelé
................................................................229
Meeting the Fanciest Bowings
....................................................................232
Slurred staccato
..................................................................................232
Meet the off-the-string family
............................................................233
Chapter
14:
Putting Your Finger on It
...........................239
Two Notes Are Better Than One: Easy Double Stops
..............................239
Preparing your bow for double stops
..............................................240
Going from one string to two and back again
.................................242
Ballet dancing with your fingers on the lower string
....................245
Playing double stops where both notes are stopped
....................246
Playing double stops galore
..............................................................247
Pulling Out All the Stops: Three- and Four-Note Chords
........................248
Three-note chords
..............................................................................249
Four-note chords
................................................................................250
A grand finale with chords
................................................................251
Getting into the First Four Positions
.........................................................252
Finding first position
..........................................................................252
Smoothing out the second position
.................................................253
Putting second position to work
......................................................254
Playing in third position
....................................................................256
Venturing forth in fourth position
....................................................258
Knowing what position you re in
......................................................261
Changing Position
........................................................................................261
Easing into shifting positions
............................................................262
Getting to know the four kinds of shifts
..........................................264
Changing position to go to a different string
..................................269
Playing a shifty song
..........................................................................270
All Aquiver: Vibrato
.....................................................................................271
Getting started with vibrato
......
lu!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
...............272
Good vibrations: Using your vibrato in a real song
.......................276
Tapping into Trills
........................................................................................276
Building speed of repetition
..............................................................277
Speeding from finger to finger
..........................................................277
Trilling techniques
..........................!...!!!!!!!!!!!!!!!!!!!!!!!!!!!!...................278
Chapter
15:
Styles of Music
...................................281
Fiddling Around with Country Music
........................................................281
Familiarizing yourself with fiddle music !! !!!!!!!!!!!!!!!!!
...................282
Fiddling in different styles
.................................................................284
Table
of Contents
Sounding like a fiddler
.......................................................................285
Fiddling your way to songs
...............................................................287
Grooving to Jazz
...........................................................................................289
Listening to some jazz violin
.............................................................289
Getting the jazz sound
.......................................................................290
Jazzing up your violin
........................................................................294
Enchanting with Gypsy Violin
....................................................................296
Listening to some great gypsy violin
...............................................296
Romancing the violin
.........................................................................297
Playing in the gypsy style
..................................................................302
Part VI: Getting into Gear, Staying in Gear
.................305
Chapter
16:
Finding the Right Violin and Bow for You
............307
Picking a Violin That s Right for You
.........................................................307
The price is right
................................................................................308
Tip-top condition
................................................................................310
Old news
..............................................................................................311
Sound advice
.......................................................................................311
All about appearance
.........................................................................312
Sizing Up the Violin
......................................................................................313
Buying the Best Bow
....................................................................................315
What bows are made of
.....................................................................315
How the bow feels
..............................................................................316
Deciding Whether to Rent or Buy Your Violin
..........................................317
Buying
..................................................................................................317
Renting
.................................................................................................318
Renting to buy
.....................................................................................319
Finding Your Violin
.......................................................................................320
Getting Plugged into Electric Violins
.........................................................322
Acoustic pickups
................................................................................322
Electric violins
....................................................................................323
Chapter
17:
Polishing Your Assets: Violin Care and Maintenance
.. .325
Cleaning Up
...................................................................................................325
Daily dusting
.......................................................................................326
Cleaning the strings
...........................................................................326
Polishing the wood
.............................................................................328
Changing Strings
..........................................................................................329
Taking off the old strings
...................................................................329
Prepping the pegs and string
............................................................332
Putting on strings attached at the tailpiece
....................................333
Putting on strings attached to fine tuners
......................................334
Tightening the strings
........................................................................335
Protecting Your Violin
.................................................................................336
Upgrading Your Case
...................................................................................338
Changing Chinrests
......................................................................................342
Violin
For Dummies
Rehairing
the Bow........................................................................................
343
Finding Useful Accessories
.........................................................................346
Necessities
..........................................................................................346
Extras
...................................................................................................346
Part
(/11:
The Part of Tens
...........................................351
Chapter
18:
Ten Performers
—
and Their Recordings
............353
Niccolo
Paganini
(1782-1840).....................................................................353
Fritz
Kreisler (1875-1962)...........................................................................354
Jascha
Heifetz (1899-1987).........................................................................354
Stéphane
Grappelli
(1908-1997).................................................................355
Yehudi
Menuhin
(1916-1999).....................................................................355
Itzhak Perlman
(1945)..................................................................................357
Nigel Kennedy
(1956)...................................................................................357
Mark O Connor
(1961).................................................................................358
Natalie MacMaster
(1973)...........................................................................358
Vanessa-Mae
(1978).....................................................................................358
Chapter
19:
Ten Ways to Go beyond This Book
..................359
Subscribing to a Magazine
..........................................................................359
Attending Concerts
......................................................................................360
Joining a Community Orchestra
.................................................................361
Going to Summer Camps
.............................................................................361
Playing in Small Groups
...............................................................................363
Participating in Festivals
.............................................................................364
Local music festivals (competitive and
noncompetitive)
.............364
International music festivals
.............................................................364
Building a CD Collection
..............................................................................365
Collecting Videos and DVDs
.......................................................................365
Visiting Competitions
..................................................................................366
Performing at Hospitals and Seniors Homes
...........................................367
Chapter
20:
Ten Tips on Finding a Teacher
......................369
Networking
..................................................................................................369
Calling the Local Orchestra
..........
Z.ZZZZZZZZZZZZZZZ
...........................370
Inquiring at Music Schools
..........................................................................371
Checking Out Community Colleges
...........................................................372
Asking at the University
..........................................................372
Hearing Students Play
.................
ZZZZZZZZZZZZZZZZZZZZZZZ .
................373
Asking at the Music Store
..............
ZZZZZZZZZZZZZZZZZZZZZZ.
................
374
Mentioning Your Quest Everywhere
................
..Z
......... ............................
374
Looking for a Good Gut Feeling before You Start
.....................................376
Table
of Contents
Meeting a Teacher for the First Time
........................................................376
Auditioning
..........................................................................................377
Planning lessons
.................................................................................377
Making business arrangements
........................................................378
Appendix: How to Use the CO-ROM
............................379
Index
........................................................................391
|
any_adam_object | 1 |
author | Rapoport, Katharine |
author_GND | (DE-588)136895875 |
author_facet | Rapoport, Katharine |
author_role | aut |
author_sort | Rapoport, Katharine |
author_variant | k r kr |
building | Verbundindex |
bvnumber | BV035634323 |
callnumber-first | M - Music |
callnumber-label | MT278 |
callnumber-raw | MT278 |
callnumber-search | MT278 |
callnumber-sort | MT 3278 |
callnumber-subject | MT - Instruction and Study |
ctrlnum | (OCoLC)175282605 (DE-599)BVBBV035634323 |
dewey-full | 787.2/193 |
dewey-hundreds | 700 - The arts |
dewey-ones | 787 - Stringed instruments (Chordophones) |
dewey-raw | 787.2/193 |
dewey-search | 787.2/193 |
dewey-sort | 3787.2 3193 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Book |
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id | DE-604.BV035634323 |
illustrated | Illustrated |
indexdate | 2024-07-09T21:42:04Z |
institution | BVB |
isbn | 9780470838389 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017689202 |
oclc_num | 175282605 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | XVIII, 406 S. Ill., Notenbeisp. CD-ROM (12 cm) |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Wiley |
record_format | marc |
spelling | Rapoport, Katharine Verfasser (DE-588)136895875 aut Violin for dummies by Katharine Rapoport Toronto Wiley 2008 XVIII, 406 S. Ill., Notenbeisp. CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The fun and easy way to start playing popular, classical, jazz, gypsy, and fiddle tunes Whether readers are aspiring classical musicians or just want to fiddle around, this truly hands-on guide clearly explains the basics of playing the violin- even for people who have never read a note of music. It covers everything from selecting and maintaining a violin, holding the violin and bow properly, and tuning the violin to understanding rhythm, harmony, and musical notation. Readers will learn how to play in various styles of music. The included CD features audio tracks of every exercise and musical accompaniment for each song, allowing readers to play along, plus video clips that demonstrate proper posture and finger positions. Katharine Rapoport (Toronto, ON, Canada) is an accomplished violinist and violist who performs for audiences across the globe. She teaches at the Royal Conservatory of Music Orchestra and the University of Toronto. Violin / Methods / Self-instruction Violin / Instruction and study Violin / Studies and exercises Music theory / Elementary works Violon / Méthodes / Auto-enseignement Violon / Étude et enseignement Violon / Études et exercices Théorie musicale élémentaire Violon - Méthodes - Auto-enseignement Violon - Étude et enseignement Violon - Études et exercices Music theory Elementary works Violin Methods Self-instruction Violin Studies and exercises Violin Instruction and study Violinunterricht (DE-588)4113687-1 gnd rswk-swf Violinunterricht (DE-588)4113687-1 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017689202&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Rapoport, Katharine Violin for dummies Violin / Methods / Self-instruction Violin / Instruction and study Violin / Studies and exercises Music theory / Elementary works Violon / Méthodes / Auto-enseignement Violon / Étude et enseignement Violon / Études et exercices Théorie musicale élémentaire Violon - Méthodes - Auto-enseignement Violon - Étude et enseignement Violon - Études et exercices Music theory Elementary works Violin Methods Self-instruction Violin Studies and exercises Violin Instruction and study Violinunterricht (DE-588)4113687-1 gnd |
subject_GND | (DE-588)4113687-1 |
title | Violin for dummies |
title_auth | Violin for dummies |
title_exact_search | Violin for dummies |
title_full | Violin for dummies by Katharine Rapoport |
title_fullStr | Violin for dummies by Katharine Rapoport |
title_full_unstemmed | Violin for dummies by Katharine Rapoport |
title_short | Violin for dummies |
title_sort | violin for dummies |
topic | Violin / Methods / Self-instruction Violin / Instruction and study Violin / Studies and exercises Music theory / Elementary works Violon / Méthodes / Auto-enseignement Violon / Étude et enseignement Violon / Études et exercices Théorie musicale élémentaire Violon - Méthodes - Auto-enseignement Violon - Étude et enseignement Violon - Études et exercices Music theory Elementary works Violin Methods Self-instruction Violin Studies and exercises Violin Instruction and study Violinunterricht (DE-588)4113687-1 gnd |
topic_facet | Violin / Methods / Self-instruction Violin / Instruction and study Violin / Studies and exercises Music theory / Elementary works Violon / Méthodes / Auto-enseignement Violon / Étude et enseignement Violon / Études et exercices Théorie musicale élémentaire Violon - Méthodes - Auto-enseignement Violon - Étude et enseignement Violon - Études et exercices Music theory Elementary works Violin Methods Self-instruction Violin Studies and exercises Violin Instruction and study Violinunterricht |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017689202&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT rapoportkatharine violinfordummies |