Verfügbarkeit: Encounters with music through listener actions

Encounters with music through listener actions:

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Bibliographische Detailangaben
1. Verfasser:	Cordell, Tim (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Dubuque, Iowa Kendall/Hunt 2008
Schlagworte:	Music appreciation Musikhören Musik
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references (p. 215-217)
Beschreibung:	IX, 217 S. Ill.
ISBN:	9780757542282

Internformat

MARC


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Datensatz im Suchindex

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adam_text	TABLE OF CONTENTS PREFACE ................................................................................................................. vii INTRODUCTION ......................................................................................01 Introduction to Listener Actions ...............................................................................03 Three Levels of Listening ...........................................................................................03 Listener Actions ........................................................................................................03 PART ONE—BASIC LISTENER ACTIONS ...............09 CHAPTER 1— SOUNDSCAPE LISTENING ..............................................11 Soundscape ................................................................................................................13 The Properties of Sound ............................................................................................14 Soundscape Exercises .................................................................................................16 Chapter One Concert: Soundscape Listening ..........................................................17 CHAPTER 2— TO IDENTIFY MUSICAL INSTRUMENTS.. ....................25 Classification of Musical Instruments ........................................................................27 Instruments of the Orchestra .....................................................................................31 Chapter Two Concert ................................................................................................38 Part One: Unaccompanied Solo Instruments .............................................38 Part Two: Accompanied Solo Instruments .................................................42 CHAPTER 3— TO EXTRACT MUSICAL ELEMENTS ..............................49 Musical Elements ......................................................................................................51 Listening Exercises ....................................................................................................56 Chapter Three Concert: Identifying Musical Elements ...........................................58 CHAPTER 4— TO CLASSIFY AND RECOGNIZE VOCAL GENRES ........................................................................................65 Basic Categories of Music ..........................................................................................67 Vocal Genres .............................................................................................................67 Chapter Four Concert: Vocal Genres ......................................................................73 IV CHAPTER 5— TO FIND MEANING IN MUSIC ......................................89 Program Music and Absolute Music ..........................................................................91 Instrumental Genres and Ensembles ..........................................................................92 Orchestration ............................................................................................................95 Listening Exercises ....................................................................................................98 Chapter Five Concert: Program Music ....................................................................99 CHAPTER 6— TO DEVELOP HISTORICAL AWARENESS ..................105 Landmark Inventions ...............................................................................................107 Landmark Events .....................................................................................................109 Landmark Developments .........................................................................................110 Periodization ........................................................................................................... Ill Chapter Six Concert: Landmark Events and Inventions .................................... ....118 CHAPTER 7— TO DISCUSS THE LIVES OF COMPOSERS ...................127 Six Centuries of Composers .....................................................................................129 Topics for Discussion ..............................................................................................129 Sixteenth Century ...................................................................................................130 Seventeenth Century ...............................................................................................132 Eighteenth Century .................................................................................................136 Nineteenth Century ................................................................................................139 Twentieth Century ..................................................................................................152 Chapter Seven Concert Twentieth Century ...........................................................159 PART TWO—HIGHER-ORDER LISTENER ACTIONS ....................................................................171 CHAPTER 8— ANALYSIS .........................................................................173 Arrival Points ..........................................................................................................175 Musical Form ..........................................................................................................177 Theme and Variations .............................................................................................178 Rondo Form ............................................................................................................180 Sonata Form ............................................................................................................180 Style in Music .........................................................................................................181 Chapter Eight Concert: Variations ....................................................................... 182 CHAPTER 9— SYNTHESIS .......................................................................187 Style .......................................................................................................................189 Synthesis Project .....................................................................................................193 Program Notes ........................................................................................................194 Chapter Nine Concert: Great Works ....................................................................198 CHAPTER 10— EVALUATION ...............................................................207 Fairness and Preparation ..........................................................................................209 Beginning of Acquaintance .....................................................................................210 Expectations ............................................................................................................210 Reflection ................................................................................................................211 Relistening ..............................................................................................................211 Musical Description ................................................................................................211 Historical Considerations ........................................................................................212 Listener Responses ...................................................................................................213 Aesthetic Judgments ................;..............................................................................214 BIBLIOGRAPHY ...................................................................................................215
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spelling	Cordell, Tim Verfasser aut Encounters with music through listener actions Tim Cordell Dubuque, Iowa Kendall/Hunt 2008 IX, 217 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 215-217) Music appreciation Musikhören (DE-588)4075127-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s DE-604 Musikhören (DE-588)4075127-2 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017680624&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Cordell, Tim Encounters with music through listener actions Music appreciation Musikhören (DE-588)4075127-2 gnd Musik (DE-588)4040802-4 gnd
subject_GND	(DE-588)4075127-2 (DE-588)4040802-4
title	Encounters with music through listener actions
title_auth	Encounters with music through listener actions
title_exact_search	Encounters with music through listener actions
title_full	Encounters with music through listener actions Tim Cordell
title_fullStr	Encounters with music through listener actions Tim Cordell
title_full_unstemmed	Encounters with music through listener actions Tim Cordell
title_short	Encounters with music through listener actions
title_sort	encounters with music through listener actions
topic	Music appreciation Musikhören (DE-588)4075127-2 gnd Musik (DE-588)4040802-4 gnd
topic_facet	Music appreciation Musikhören Musik
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017680624&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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