Umetnost pevanja:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Veröffentlicht: |
Beograd
Fak. Muzičke Umetnosti
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 259 S. |
| ISBN: | 9788683745845 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV035624773 | ||
| 003 | DE-604 | ||
| 005 | 20090915 | ||
| 007 | t | ||
| 008 | 090713s2007 |||| 00||| srp d | ||
| 020 | |a 9788683745845 |9 978-86-83745-84-5 | ||
| 035 | |a (OCoLC)645420683 | ||
| 035 | |a (DE-599)BVBBV035624773 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a srp | |
| 049 | |a DE-12 | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Cvejić, Biserka |d 1923-2021 |e Verfasser |0 (DE-588)132376725 |4 aut | |
| 245 | 1 | 0 | |a Umetnost pevanja |c Biserka i Dušan Cvejić |
| 264 | 1 | |a Beograd |b Fak. Muzičke Umetnosti |c 2007 | |
| 300 | |a 259 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 0 | 7 | |a Physiologie |0 (DE-588)4045981-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Singstimme |0 (DE-588)4156941-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Singstimme |0 (DE-588)4156941-6 |D s |
| 689 | 0 | 1 | |a Physiologie |0 (DE-588)4045981-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Cvejić, Dušan |e Verfasser |0 (DE-588)129827592 |4 aut | |
| 856 | 4 | 2 | |m Digitalisierung BSBMuenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017679839&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n oe | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-017679839 | ||
Datensatz im Suchindex
| _version_ | 1804139297413005312 |
|---|---|
| adam_text | SADRŽAJ
Uvod
................................................................................................................1
Biserka Cvejić
........................................................................................................6
Dušan Cvejić
........................................................................................................13
Knjiga znanja i ljubavi
......................................................................................17
1.0.
Primenjena anatomija glasovnog aparata
...................................20
1.1.
Organi koji učestvuju u neposrednom proizvođenju
glasa i govora kao akustičkih fenomena
........................................20
1.1.1.
Aktivator
glasa
..................................................................................20
1.1.2.
Koštane strukture
.............................................................................20
1.1.3.
Respiracijski mišići
...........................................................................21
1.1.4.
Respiracijski trakt (disajni putevi)
.................................................21
1.1.5.
Generator glasa
.................................................................................22
1.1.6.
Hrskavice grkljana
-
neparne i parne
...........................................24
1.1.7.
Štitasta hrskavica
(cartílago
thyreoidea).......................................
24
1.1.8.
Prstenasta hrskavica
(cartílago
cricoidea)
....................................24
1.1.9.
Epiglotis
(cartílago
epiglottica)
-
poklopac grkljana
...................24
1.1.10.
Aritenoidne hrskavice (piramidne-cartilagines
arytenoideae)
.. 25
1.1.11.
Zglobovi grkljana
.............................................................................25
1.1.12.
Krikotireoidni zglob
..........................................................................25
1.1.13.
Krikoaritenoidni zglob
....................................................................25
1.1.14.
Fibrozno (vezivno) tkivo grkljana
.................................................25
1.1.15.
Mišići grkljana
...................................................................................25
1.1.16.
Unutrašnji mišići grkljana
...............................................................25
1.1.17.
Odmicači (abduktori)
.......................................................................26
1.1.18.
Primicači
(aduktori)
.........................................................................26
1.1.19.
Zatezači (tenzori)
..............................................................................26
1.1.20.
Spoljašnji mišići grkljana
.................................................................26
1.1.21.
Šupljina grkljana (lumen
laryngis)
................................................26
1.1.22.
Ventrikularni nabori
(plicae
ventriculares)
-
lažne glasnice
.....27
1.1.23.
Glasnice
(plicae
seu
chordae
vocales)
...........................................27
1.1.24.
Rezonator
glasa i artikulacijski prostor
.........................................27
1.1.25.
Ždrelo
(pharynx)
..............................................................................28
1.1.26.
Nos
......................................................................................................28
1.1.27.
Usna šupljina (cavum oris)
..............................................................29
1.1.28.
Jezik
....................................................................................................30
1.1.29.
Nepčano-ždrelni zatvarač
(velofaringealna válvula)
.................30
1.1.30.
Donja i gornja vilica
(mandibula
i maksila)
.................................31
1.2.1.
Anatomija organa koji učestvuju u razvijanju,
formiranju, održavanju i kontroli glasa
.........................................31
2.0
Fiziologija fonacij
e (pevanja)
........................................................33
2.1.
Aktivator
glasa
..................................................................................34
2.1.1.
Fiziologija disanja
.............................................................................34
2.1.2.
Tipovi disanja
....................................................................................34
2.2.
Generator glasa
..................................................................................36
2.2.1.
Teorije
о
nastanku (emitovanju) glasa
..........................................39
2.2.2.
Mehanička teorija
..............................................................................39
2.2.3.
Mioelastična teorija
..........................................................................39
2.2.4.
Aerodinamička teorija
.....................................................................40
2.2.5.
Neurohronaksična teorija
................................................................40
2.2.6.
Biofizička teorija
................................................................................41
2.3.
Rezonator
glasa
.................................................................................41
2.3.1.
Supraglotične strukture
(anatomski elementi organi iznad glasnica)
..................................42
2.3.2.
Infraglotične strukture (anatomski elementi ispod glasnica)
.....42
2.4.
Organi koji učestvuju u razvijanju, formiranju
i održavanju glasa i govora
.............................................................45
2.4.1.
Živčani sistem
...................................................................................46
2.4.1.1.
Cerebro-spinalni živčani sistem sadržan u lobanji
.....................46
2.4.1.2.
Periferni živčani sistem
...................................................................47
2.4.1.3.
Spinalni živci
.....................................................................................47
2.4.2.
Autonomni vegetativni nervni sistem
..........................................48
2.4.3.
Čula
-
oko, uho, senzibilitet
...........................................................48
2.4.4.
Endokrini sistem
...............................................................................48
2.4.5.
Uslovni refleksi (pevački modeli, navike)
....................................49
2.4.6.
Sistem povratne sprege
(feed
-
hack system)
..................................50
2.4.7.
Fonacijski automatizmi
....................................................................51
3.0.
Psihologija i pevanje
.......................................................................53
3.1.
Sfera zapažanja
.................................................................................53
3.2.
Sfera emocija
.....................................................................................56
3.3.
Sfera volje
...........................................................................................57
3.4.
Psihička svojstva pevačeve ličnosti
................................................58
4.0.
Akustika i osnovna svojstva glasa
................................................59
4.1.
Visina glasa (frekvencija, učestanost)
............................................61
4.2.
Jačina glasa (intenzitet)
.....................................................................61
4.3.
Boja glasa (tembr)
..............................................................................62
4.4.
Izdržavanje tona (trajanje
tona, la durata del suono)
......................63
4.5.
Raspon glasa
......................................................................................64
4.6.
„Nosivost glasa
(portata della
voce, Tragfähigkeit, Poletnost).......64
5.0.
Simbioza
nauke i umetnosti u pevanju
.......................................67
5.1.
Disanje (dah-respiracija)
.................................................................67
5.1.1.
Tipovi disanja u pevanju
.................................................................69
5.1.2.
Razvoj tipova disanja
.......................................................................71
5.1.3.
Pevačko disanje (dah)
.......................................................................73
5.1.4.
Mehanizam pevačkog daha
............................................................74
5.1.4.1.
Udisanje (inspirijum)
.......................................................................74
5.1.4.2.
Količina udahnutog vazduha
.........................................................75
5.1.4.3.
Zadržavanje daha
.............................................................................76
5.1.4.4.
Kočenje daha
.....................................................................................76
5.1.4.5.
Izdisanje (ekspirijum)
.......................................................................77
5.1.4.6.
Vežbe disanja bez tona (nema respiracija
-
respirazione muta)
... 77
5.1.4.7.
Način disanja pri različitim intenzitetima glasa
.........................78
5.1.4.8.
Cilj učenja disanja
.............................................................................79
5.2.
Sažetak i saveti
...................................................................................79
6.0.
Oslonac
-
potpora
tona (appoggio)
................................................81
6.1.
Fiziologija
apoda
..............................................................................82
6.2.
Vrste
apoda
........................................................................................83
6.3.
Impedanca
..........................................................................................85
6.4.
Mišljenja pedagoga i
pevača o
apođu
...........................................86
6.5.
Sažetak i saveti
...................................................................................90
7.0.
Ataka
-
početak tona
-
zapev
.........................................................94
7.1.
Analiza atake
.....................................................................................94
7.1.1.
Priprema tona
(Ansatz) ....................................................................94
7.1.2.
Početak tona (ataka
- Einsatz)..........................................................95
7.1.2.1.
Meka ataka
........................................................................................96
7.1.2.2.
Tvrda ataka
.......................................................................................96
7.1.2.3.
Šuštava ataka
....................................................................................97
7.1.2.4.
Posebne atake
....................................................................................97
7.1.3.
Završetak tona
(Absatz) ...................................................................97
7.1.3.1.
Meki završetak
..................................................................................97
7.1.3.2.
Šuštavi završetak
..............................................................................97
3.3.3.3.
„Stenjući završetak
..........................................................................97
8.0.
Vibrato
................................................................................................99
8.1.
Mehanizam
vibrata
..........................................................................99
8.2.
Vrste
vibrata
.....................................................................................100
8.3.
Poremećaji
vibrata
-
ispravljanje
..................................................100
9.0.
Registri
............................................................................................103
9.1.
Mehanizam registara
.....................................................................103
9.2.
Pitanje postojanja registara
...........................................................104
9.3.
Podela
registara
..............................................................................105
9.3.1.
Kontraoktavni registar
...................................................................105
9.3.2.
Grudni registar
...............................................................................160
9.3.3.
Srednji registar
................................................................................106
9.3.4.
Registar glave (visoki registar)
.....................................................106
9.3.5.
Falset
(falsetto) .................................................................................
107
9.3.6.
Fistula
(Fistelstimme) ......................................................................107
9.3.7. Kastratski glas.................................................................................107
9.3.8.
Supratenorski glas
..........................................................................107
9.3.9.
Najviši, „mali registar
..................................................................107
9.4.
Pitanje
-
jedan ili više registara?
..................................................107
9.5.
Izjednačavanje registara
.................................................................109
9.6.
Položaj larinksa u raznim registrima
...........................................110
9.7.
Prelazni tonovi između registara
(pasaži,
il passaggio famoso)
............................................................
Ill
9.8.
Neki tipični primeri za izjednačavanje
registara i pevanje pasaža
..............................................................112
9.9.
Neke osobenosti registara ženskog glasa
...................................113
9.10.
Zašto ima više žena pevača?
............................................. ............114
11.11.
Pokrivanje glasa
...............................................................................114
10.0.
О
rezonatorima
...............................................................................118
10.1.
Mehanizam
rezonatora
...................................................................118
10.2.
Telesná
i vazdušna rezonanca
......................................................119
10.3.
Rezonator
glave
...............................................................................120
10.4.
Grudni
rezonator
.............................................................................122
И.О. О
pedagogiji u pevanju
................................................................126
11.1.
Pronalaženje talenata
......................................................................126
11.1.1.
Srednje muzičke škole
....................................................................127
11.1.2.
Horovi
(profesionalni i amaterski)
..............................................127
11.1.3.
Individualisti sa lepim glasom
......................................................127
11.1.4.
Muzičari instrumentalisti sa lepim glasom
................................128
11.1.5.
DeČjihorovi
......................................................................................128
11.2.
Ocena
glasa na prijemnom ispitu
.................................................128
11.3.
Problemi vokalne pedagogije
.......................................................129
11.3.1.
Razvoj vokalne pedagogije
...........................................................129
11.3.2.
Prvi kontakt sa učenikom
..............................................................130
11.3.2.1.
Muzičko biografski podaci
...........................................................130
11.3.3.
Prvi časovi
.......................................................................................132
11.3.3.1.
Formiranje instrumenta
.................................................................132
11.3.3.2.
Plan budućeg rada sa učenikom
..................................................133
11.3.4.
Položaj
tela
pri pevanju
.................................................................137
11.3.5.
Klasifikacija glasa
...........................................................................140
11.3.5.1.
Opšti podaci
....................................................................................140
11.3.5.1.1.
Akusticko
pedagoški nalaz
............................................................141
11.3.5.1.2.
Anatomsko-fiziološki nalaz
..........................................................142
11.3.5.2.
Klasifikacija glasa u toku studija pevanja
...................................144
11.3.5.3.
Klasifikacija profesionalnih glasova
............................................145
11.3.6.
Razvoj i usavršavanje glasa
..........................................................151
11.3.6.1.
Razvoj muzikalnosti. Muzički jezik
.............................................152
11.3.6.2.
Stvaranje pevačkih navika
............................................................153
11.3.6.3.
Vokalni sluh
....................................................................................156
11.3.6.4.
Muzičko-vokalni materijal za usavršavanje glasa
....................158
11.3.6.4.1.
Tehničke vežbe glasa
.....................................................................160
11.3.6.4.2.
Vokalize
...........................................................................................160
11.3.6.4.3.
Umetničko vokalne melodije
........................................................161
11.3.6.4.4.
Način učenja novog vokalnog
dela
...............................................162
11.4.
Vidovi vokalizacije i ukrasi u pevanju
........................................163
11.4.1.1.
Legato
................................................................................................164
11.4.1.2.
Kantiléna...........................................................................................
165
11.4.1.3.
Portamento
i
glisando
.....................................................................165
11.4.2.
Pokretljivost glasa
(agilita) ............................................................
165
11.4.2.1.
Triler
(trillo)......................................................................................
267
11.4.3.
Filiranje
tona
....................................................................................167
11.4.4.
Mecavoče
(Mezza voce)
...................................................................169
11.4.5.
Ukrasi
(Abbellimenti)
......................................................................169
11.5.
Artikulacija.......................................................................................
170
11.5.1.
Vokali
...............................................................................................170
11.5.2.
Formanti
..........................................................................................171
11.5.3.
Konsonanti
.......................................................................................173
11.5.4.
Rad
pojedinih
organa artikulacijsko-rezonantnog
prostora u
pevanju
..........................................................................175
11.6.
Uporedenje vokalne i instrumentalne tehnike
............................177
11.7.
Kratak osvrt na nastajanje i razvoj škole pevanja,
operske muzike i solo pesme
.........................................................179
11.7.1.
Škole pevanja
...................................................................................179
11.7.2.
Razvoj operske muzike
..................................................................180
11.7.3.
Razvoj solo pesme
...........................................................................183
11.8.
Sažeci i saveti
о
nekim bitnim
problemima vokalne tehnike
........................................................184
11.8.1.
Vokalna tehnika
..............................................................................184
11.8.2.
PevaČkidah
......................................................................................186
11.8.3.
Oslonac
(apodo, appoggio
ital.)
.....................................................188
11.8.4.
Duboki dah
(fiato profondo)
..........................................................189
11.8.5.
Otvoreno, slobodno grlo
(gola aperta)
.........................................189
11.8.6.
Prelazni tonovi
(passaggio)
...........................................................190
11.8.7.
„Rupe u glasu
.................................................................................190
11.8.8.
Pevanje
„napred
ili pozadi
...........................................................191
11.8.9.
Pevanje
„na
dole
............................................................................192
11.8.10.
Visoka impostacija
..........................................................................192
11.8.11.
Korisnost upotrebe slikovitih
izraza u vokalnoj pedagogiji
.........................................................193
12.0.
Refleksije
о
nekim problemima
profesionalne vokalne umetnosti
..............................................196
12.1.
Stupanje u teatar
.............................................................................196
12.2.
Izgled pevača na operskoj sceni
...................................................197
12.3.
Zadatak pevača u operskoj predstavi
.........................................198
12.4.
Stil
.....................................................................................................199
12.5.
Učenje nove uloge u operi
.............................................................202
12.6.
Strani jezici na kojima se najčešće
peva
......................................205
12.7.
Dan predstave
.................................................................................206
12.7.1.
Pevanje na dan predstave
.............................................................206
12.7.2.
Šminkanje
........................................................................................206
12.7.3.
Raspevavanje i vokaliziranja
pre
predstave
...............................206
1 2.7.4.
Potpisivanje ugovora za
vreme
predstave
.................................207
12.7.5.
Agent, impresario, menadžer
.......................................................207
12.8.
Opersko, koncertno i kamerno pevanje
......................................207
12.8.1.
Solistički koncerti
............................................................................210
12.9.
Konkursi i kursevi usavršavanja
(Master class)..........................
211
1 2.10.
Odnos pevač
-
dirigent
-
režiser
..................................................213
12.10.1.
Modernizam u operskoj muzici i režiji
.......................................215
12.11.
Pomoćna sredstva za učenje pevanja
..........................................216
12.11.1.
Magnetofon (kasetofon)
................................................................216
12.11.2.
Ploče
.................................................................................................217
12.11.3.
Video uređaji
...................................................................................218
12.12.
Pevati odgovarajući fah
.................................................................219
13.13.
O kamernoj
operi
.............................................................................221
0
brizi za glas
....................................................................................................223
13.0.
Briga
о
glasu
...................................................................................226
1 3.1.
Poremećaji pevanog glasa i njihovo lečenje
...............................226
13.1.1.
Poremećaj pevanog glasa i profesionalne bolesti
......................238
13.1.2.
Profesionalne bolesti glasa sveštenih lica
...................................239
13.1.3.
Ocena
radne sposobnosti
..............................................................241
13.2.
Higijena i režim života pevača
.....................................................242
1 3.3.
Trema
................................................................................................245
Zaključak
...........................................................................................................249
Važniji pojmovi
................................................................................................251
Literatura
............................................................................................................261
|
| any_adam_object | 1 |
| author | Cvejić, Biserka 1923-2021 Cvejić, Dušan |
| author_GND | (DE-588)132376725 (DE-588)129827592 |
| author_facet | Cvejić, Biserka 1923-2021 Cvejić, Dušan |
| author_role | aut aut |
| author_sort | Cvejić, Biserka 1923-2021 |
| author_variant | b c bc d c dc |
| building | Verbundindex |
| bvnumber | BV035624773 |
| ctrlnum | (OCoLC)645420683 (DE-599)BVBBV035624773 |
| format | Book |
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| id | DE-604.BV035624773 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T21:41:51Z |
| institution | BVB |
| isbn | 9788683745845 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017679839 |
| oclc_num | 645420683 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 259 S. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Fak. Muzičke Umetnosti |
| record_format | marc |
| spelling | Cvejić, Biserka 1923-2021 Verfasser (DE-588)132376725 aut Umetnost pevanja Biserka i Dušan Cvejić Beograd Fak. Muzičke Umetnosti 2007 259 S. txt rdacontent n rdamedia nc rdacarrier Physiologie (DE-588)4045981-0 gnd rswk-swf Singstimme (DE-588)4156941-6 gnd rswk-swf Singstimme (DE-588)4156941-6 s Physiologie (DE-588)4045981-0 s DE-604 Cvejić, Dušan Verfasser (DE-588)129827592 aut Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017679839&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cvejić, Biserka 1923-2021 Cvejić, Dušan Umetnost pevanja Physiologie (DE-588)4045981-0 gnd Singstimme (DE-588)4156941-6 gnd |
| subject_GND | (DE-588)4045981-0 (DE-588)4156941-6 |
| title | Umetnost pevanja |
| title_auth | Umetnost pevanja |
| title_exact_search | Umetnost pevanja |
| title_full | Umetnost pevanja Biserka i Dušan Cvejić |
| title_fullStr | Umetnost pevanja Biserka i Dušan Cvejić |
| title_full_unstemmed | Umetnost pevanja Biserka i Dušan Cvejić |
| title_short | Umetnost pevanja |
| title_sort | umetnost pevanja |
| topic | Physiologie (DE-588)4045981-0 gnd Singstimme (DE-588)4156941-6 gnd |
| topic_facet | Physiologie Singstimme |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017679839&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT cvejicbiserka umetnostpevanja AT cvejicdusan umetnostpevanja |