Ars nova: French and Italian music in the fourteenth century
More so than for any other period in Western music of the past millennium, our collected knowledge of 14th-century music is contained in, and advanced through, scholarly articles. As yet, no monograph gathers the received opinions on style, composers and works of this period. This book attempts to r...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2009
|
| Schriftenreihe: | Music in medieval Europe
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | More so than for any other period in Western music of the past millennium, our collected knowledge of 14th-century music is contained in, and advanced through, scholarly articles. As yet, no monograph gathers the received opinions on style, composers and works of this period. This book attempts to redress the balance. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXIV, 569 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9780754627081 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
¡χ
Seríes
Preface
x¡
Introduction
хні
PART I PERIODIZATION AND BOUNDARIES
1
Nino Pirrotta
(1984),
Novelty and Renewal in Italy,
1300-1600 ,
in Nino
Pirrotta, Music and Culture in Italy from the Middle Ages to the Baroque:
A Collection of Essays, Cambridge, Mass.: Harvard University Press, pp.
159-74;
406-8. 3
2
Nino Pirrotta
(1984), Ars
Nova and
Stil Novo ,
in Nino Pirrotta, Music and
Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays,
Cambridge, Mass.: Harvard Univiversity Press, pp.
26-38, 373-75. 21
3 Reinhard Strohm (1992), Magister Egardus
and Other Italo-Flemish Contacts ,
L
ars
nova italiana del trecento,
6,
pp.
41-68. 37
4
Ursula
Günther (1978), Problems
of Dating in
Ars
Nova and
Ars Subtilior ,
L
ars
nova italiana del trecento,
4,
pp.
289-301. 65
PARTII
SOURCES
5 Reinhard
Strohm
(1984),
The
Ars
Nova
Fragments
of Gent , Tijdschrift van
de
Vereniging voor Nederlandse Musiekgeschiedenis,
34,
pp
. 109-31. 81
PARTIU
MUSIC THEORY
6
Sarah
Fuller
(1985-86),
A Phantom Treatise of the Fourteenth Century? The
Ars
nova ,
The Journal of Musicology,
4,
pp.
23-50. 111
PART IV COMPOSERS
7
Michael P. Long
(1983),
Francesco
Landini
and the Florentine Cultural
Élite ,
Early Music History,
3,
pp.
83-99. 141
8
Anne Hallmark
( 1992),
Gratiosus, Ciconia, and Other Musicians at Padua
Cathedral: Some Footnotes to Present Knowledge ,
L
ars
nova italiana del trecento,
6,
pp.
69-84. 159
9
John
Nádas
(1986-1987),
Further
Notes
on Magister
Antonius Dictus
Zacharias
de Teramo , Studi Musicali,
15,
pp.
167-82,16,
pp.
175-76. 175
vi
Ars
nova
10 Andrew Wathey (1994), Musicology,
Archives
and Historiography , in
Barbara Haggh, Frank Daelemans and
André
Vanrie
(eds),
Musicology and Archival
Research: Colloquium Proceedings, Brussels
22-23.4.1993,
Bruxelles: Bibliotheca
Regia Belgica,
pp.
3-26. 193
PARTV LITERARY STUDIES
11
Pierluigi Petrobelli
(1975),
Un leggiadretto velo ed altre cose petrarchesche ,
Rivista italiana di musicologia,
10,
pp.
32-45. 219
12
Lawrence Earp
(1991),
Lyrics for Reading and Lyrics for Singing in Late Medieval
France: The Development of the Dance Lyric from Adam
de la
Halle to
Guillaume
de Machaut ,
in Rebecca A. Baltzer, Thomas Cable and James I. Wimsatt
(eds),
The Union of Words and Music in Medieval Poetry, Austin: University of Texas
Press, pp.
101-31. 233
13
Nino Pirrotta
(1966),
On Text Forms from Ciconia to Dufay , in Jan LaRue
(ed.),
Aspects of Medieval and Renaissance Music: A Birthday Offering to
Gustave
Reese, New York: W.W. Norton, pp.
673-82. 265
14
David Fallows
(1995),
Leonardo Giustinian and Quattrocento Polyphonic Song ,
in
Renato Borghi
and
Pietro Zappala
(eds), L
edizione critica tra testo musicale e
testo letterario, Lucca: Libreria Musicale Italiana,
pp.
247-60. 275
PART
VI
SECULAR SONG
15
Nino Pirrotta
(1984),
New
Glimpses of an Unwritten Tradition , in Nino Pirrotta,
Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of
Essays, Cambridge, Mass.: Harvard Univiversity Press, pp.
51-71, 377-80. 291
1
б
Brooks Toliver
(1992),
Improvisation in the Madrigals of the Rossi
Codex , Acta
musicologica,
64,
pp.
165-76. 315
17
Michael Long
(1987),
Landing s Musical Patrimony: A Reassessment of Some
Compositional Conventions in Trecento Polyphony , Journal of the American
Musicological Society,
40,
pp.
31-52. 327
18
Elizabeth Eva Leach
(2001),
Machaut s
Balades
with Four Voices , Plainsong
and Medieval Music,
10,
pp.
47-79. 349
19
Yolanda Plumley
(2003),
Playing the Citation Game in the Late Hth-Century
Chanson , Early Music,
31,
pp.
20-39. 383
PART
VII
SACRED MUSIC
20 Kurt von
Fischer
(1973/1974),
The Sacred Polyphony of the Italian Trecento ,
Proceedings of the Royal Music Association,
100,
pp.
143-57. 403
21
Michael Scott Cuthbert
(2004),
Zacara s
D amor
languire
and Strategies for
Borrowing in the Early Fifteenth-Century Italian Mass , in Francesco
Zimei (ed.),
Antonio
Začara
da Ter amo e il suo tempo, Lucca: Libreria Musicale Italiana,
pp.
338-57. 419
Ars
nova vii
PART
VIII
MOTETS
22
Daniel
Leech-Wilkinson
(1995),
The Emergence of
ara
novď,
The Journal of
Musicologi,
13,
pp.
285-317. 443
23
Andrew Wathey
(1998),
Myth and Mythography in the Motets of Philippe
de
Vitry ,
Musica e storia,
6,
pp.
81-106. 477
24
Virginia
Ervin Newes (1977),
Imitation in the
Ars
Nova and
Ars Subtilior ,
Revue
Belge de Musicologie,
31,
pp.
38-59. 503
25
Margaret Bent
(1991),
Deception, Exegesis and Sounding Number in Machaut s
Motet
15 ,
Early Music History,
10,
pp.
15-27. 525
PART IX PERFORMANCE PRACTICE
26
Christopher Page
(1977),
Machaut s Pupil
Deschamps on
the Performance of
Music: Voices or Instruments in the Mth-century Chanson , Early Music,
5,
pp.
484-91. 541
27
Lawrence Earp
(1991),
Texting in
15th-century
French Chansons: A Look
Ahead from the 14th Century , Early Music,
19,
pp.
194-97; 200-201; 203-7;
209-10. . 549
Index
561
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| series2 | Music in medieval Europe |
| spelling | Ars nova French and Italian music in the fourteenth century ed. by John L. Nádas, Michael Scott Cuthbert Farnham [u.a.] Ashgate 2009 XXIV, 569 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Music in medieval Europe Includes bibliographical references and index More so than for any other period in Western music of the past millennium, our collected knowledge of 14th-century music is contained in, and advanced through, scholarly articles. As yet, no monograph gathers the received opinions on style, composers and works of this period. This book attempts to redress the balance. Geschichte 1300-1400 gnd rswk-swf Music / Italy / 500-1400 / History and criticism Music / France / 500-1400 / History and criticism Musique - France - 500-1400 - Histoire et critique Musique - Italie - 500-1400 - Histoire et critique Muziek gtt Musik Music France 500-1400 History and criticism Music Italy 500-1400 History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Frankrijk gtt Italië gtt Frankreich Italien Italien (DE-588)4027833-5 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Frankreich (DE-588)4018145-5 g Musik (DE-588)4040802-4 s Italien (DE-588)4027833-5 g Geschichte 1300-1400 z DE-604 Nad́as, John Louis 1947- (DE-588)140060685 edt Cuthbert, Michael Scott (DE-588)1044273100 edt Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017661957&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ars nova French and Italian music in the fourteenth century Music / Italy / 500-1400 / History and criticism Music / France / 500-1400 / History and criticism Musique - France - 500-1400 - Histoire et critique Musique - Italie - 500-1400 - Histoire et critique Muziek gtt Musik Music France 500-1400 History and criticism Music Italy 500-1400 History and criticism Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4027833-5 (DE-588)4018145-5 (DE-588)4143413-4 |
| title | Ars nova French and Italian music in the fourteenth century |
| title_auth | Ars nova French and Italian music in the fourteenth century |
| title_exact_search | Ars nova French and Italian music in the fourteenth century |
| title_full | Ars nova French and Italian music in the fourteenth century ed. by John L. Nádas, Michael Scott Cuthbert |
| title_fullStr | Ars nova French and Italian music in the fourteenth century ed. by John L. Nádas, Michael Scott Cuthbert |
| title_full_unstemmed | Ars nova French and Italian music in the fourteenth century ed. by John L. Nádas, Michael Scott Cuthbert |
| title_short | Ars nova |
| title_sort | ars nova french and italian music in the fourteenth century |
| title_sub | French and Italian music in the fourteenth century |
| topic | Music / Italy / 500-1400 / History and criticism Music / France / 500-1400 / History and criticism Musique - France - 500-1400 - Histoire et critique Musique - Italie - 500-1400 - Histoire et critique Muziek gtt Musik Music France 500-1400 History and criticism Music Italy 500-1400 History and criticism Musik (DE-588)4040802-4 gnd |
| topic_facet | Music / Italy / 500-1400 / History and criticism Music / France / 500-1400 / History and criticism Musique - France - 500-1400 - Histoire et critique Musique - Italie - 500-1400 - Histoire et critique Muziek Musik Music France 500-1400 History and criticism Music Italy 500-1400 History and criticism Frankrijk Italië Frankreich Italien Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017661957&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT nadasjohnlouis arsnovafrenchanditalianmusicinthefourteenthcentury AT cuthbertmichaelscott arsnovafrenchanditalianmusicinthefourteenthcentury |