Instruments and their music in the Middle Ages:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey [u.a.]
Ashgate
2009
|
| Schriftenreihe: | Music in medieval Europe
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index. index |
| Beschreibung: | xxv, 529 S. Ill., Notenbeisp., Faks. |
| ISBN: | 9780754627623 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
vii
Series Preface
xi
Introduction
xiii
PART I CLASSIFICATIONS AND LISTS OF INSTRUMENTS
1
Edmund A. Bowles
(1954), Haut
and
Bas:
The Grouping of Musical Instruments
in the Middle Ages ,
Musica Disciplina,
8,
pp.
115—40. 3
2
Christopher Page
(1982),
German Musicians and Their Instruments: A
1
4th-
Century Account by
Konrad
of Megenberg , Early Music,
10,
pp.
192-200. 29
3
Joscelyn Godwin
(1977),
Mains divers acors , Early Music,
5,
pp.
148-59,
[39-52]. 39
4
Anthony Baines
(1950),
Fifteenth-Century Instruments in Tinctoris s
De
Inventione
et
Usu
Musicete ,
The
Galpin
Society Journal,
3,
pp.
19-26. 53
5
Richard
Rastali
(1974),
Some English Consort-Groupings of the Late Middle
Ages
,
Music and Letters,
55,
pp.
179-202. 61
PARTII
KEYBOARDS
6
Edmund A. Bowles
(1966),
On the Origin of the Keyboard Mechanism in the
Late Middle Ages , Technology and Culture,
7,
pp.
152-62. 87
7
Edwin M. Ripin
(1975),
Towards an Identification of the Chekker , The Galpin
Society Journal,
28,
pp.
11 -25. 105
8
David Kinsela
(1998),
The Capture of the Chekker , The Galpin Society Journal,
51,
pp.
64-85. 123
9
Edwin M. Ripin
(1974),
The Norrlanda Organ and the Ghent Altarpiece , in
Gustaf
Hilleström_(ed.),
Festschrift to Ernst Emsheimer,
Studia
instrumentářům
musicae
popularis,
III, Stockholm:
Nordiska
Musikforlager,
pp.
193-96, 286-88,
f
145-55]. 145
PARTIU
PLUCKED STRINGS
10
Howard Mayer Brown
(1983),
The Trecento Harp , in Stanley Boorman
(ed.),
Studies in the Performance of Late Medieval Music, Cambridge: Cambridge University
Press, pp.
35-73. 159
11
David Fallows
( 1977), 1
Sth-Century
Tablatures
for Plucked Instruments: A
Summary, a Revision and a Suggestion , Lute Society Journal,
19,
pp.
7-33. 207
12
Christopher Page
(1981),
The ISth-Century Lute: New and Neglected Sources ,
Early Music,
9,
pp.
11 -21. 241
v,-
Instruments and their Music in the Middle Ages
13
Laurence Wright
(1977),
The Medieval Gittern and
Citóle:
A Case of Mistaken
Identity , The Galpin Society Journal,
30,
pp.
8-42. 253
PART IV BOWED STRINGS
14
Howard Mayer Brown
(1989),
The Trecento Fiddle and its Bridges , Early
Music,
17,
pp.
308-29. 293
15
Mary Remnant
(1968),
Rebec, Fiddle and Crowd in England , Proceedings of
the Royal Musical Association,
95,
pp.
15-27. 315
16
Mary Remnant
(1969),
Rebec, Fiddle and Crowd in England: Some Further
Observations , Proceedings of the Royal Musical Association,
96,
pp.
149-50. 331
17
Christopher Page
(1974),
An Aspect of Medieval Fiddle Construction , Early
Music,
2,
pp.
166-67. 335
18
Keith Polk
(1989),
Vedel
and
Geige -
Fiddle and Viol: German String Traditions
in the Fifteenth Century , Journal of the American Musicological Society,
42,
pp.
504-46. 337
PARTV WINDS
19
Peter Downey
(1984),
The Renaissance Slide Trumpet: Fact or Fiction? , Early
Music,
12,
pp.
26-33. 383
20
Herbert W. Myers
(1989),
Slide Trumpet Madness: Fact or Fiction? , Early
Music,
17,
pp.
382-89. 391
21
Keith Polk
( 1989),
The Trombone, the Slide Trumpet and the Ensemble
Tradition of the Early Renaissance , Early Music,
17,
pp.
389-97. 399
22
Ross W. Duffin
(1989),
The
trompette des ménestrels
in the ISth-century
alta
capella
,
Early Music,
17,
pp.
3 97^02. 409
23
Timothy J. McGee
(1992-95),
Misleading Iconography: The Case of the
Adimari Wedding
Cassone ,
Imago Musicae, IX-XII, pp.
139-57. 415
24
Ross W. Duffin
(1997),
Backward Bells and Barrel Bells: Some Notes on the Early
History of Loud Instruments , Historic Brass Society Journal,
9,
pp.
113-29. 435
PART VI REPERTORY
25
Lloyd Hibberd
(1946),
On Instrumental Style in Early Melody , Musical
Quarterly,
32,
pp.
107-30. 455
26
Timothy J. McGee
(1986),
Instruments and the
Faenza
Codex , Early Music,
14,
pp.
480-90. 479
27
Edmund A. Bowles
(1958),
Musical Instruments at the Medieval Banquet ,
Revue
Belge de Musicologie,
12,
pp.
41 -51. 489
28
Edmund A. Bowles
( 1958),
Musical Instruments in Civic Processions during the
Middle Ages ,
Acta
Musicologica,
33,
pp.
147-61. 501
Index 5J7
|
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| title_exact_search | Instruments and their music in the Middle Ages |
| title_full | Instruments and their music in the Middle Ages ed. by Timothy J. McGee |
| title_fullStr | Instruments and their music in the Middle Ages ed. by Timothy J. McGee |
| title_full_unstemmed | Instruments and their music in the Middle Ages ed. by Timothy J. McGee |
| title_short | Instruments and their music in the Middle Ages |
| title_sort | instruments and their music in the middle ages |
| topic | Musical instruments / Europe / History / To 1500 Music / 500-1400 / History and criticism Middeleeuwen gtt Muziekinstrumenten gtt Geschichte Mittelalter Musik Music 500-1400 History and criticism Musical instruments Europe History To 1500 Instrumentalmusik (DE-588)4129951-6 gnd Musikinstrument (DE-588)4040851-6 gnd |
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