The Oxford handbook of computer music:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VII, 611 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9780195331615 |
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| 245 | 1 | 0 | |a The Oxford handbook of computer music |c ed. by Roger T. Dean |
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Datensatz im Suchindex
| _version_ | 1804139255393419264 |
|---|---|
| adam_text | Contents
Contributors
ix
ι.
Introduction: The Many Futures of Computer Music
3
Roger T. Dean
Part I. Some Histories of Computer Music and Its Technologies
2.
A Historical View of Computer Music Technology
11
Douglas Keislar
3.
Early Hardware and Early Ideas in Computer Music: Their
Development and Their Current Forms
44
Paul Doornbusch
4.
Sound Synthesis Using Computers
85
Peter Manning
Part II. The Music
5.
Computational Approaches to Composition of Notated
Instrumental Music: Xenakis and the Other Pioneers
109
James Harley
6.
Envisaging Improvisation in Future Computer Music
133
Roger T. Dean
Sounding Out
7.
Computer Music: Some Reflections
151
Trevor
Wishart
8.
Some Notes on My Electronic Improvisation Practice
161
Tim Perkis
VI
CONTENTS
9.
Combining the Acoustic and the Digital: Music for Instruments
and Computers or Prerecorded Sound
167
Simon Emmerson
Part III. Creative and Performance Modes
10.
Dancing the Music: Interactive Dance and Music
191
Wayne
Siegel
11.
Gesture and Morphology in Laptop Music Performance
214
Garth Paine
12.
Sensor-Based Musical Instruments and Interactive Music
233
Atau Tanaka
13.
Spatialization and Computer Music
258
Peter Lennox
14.
The Voice in Computer Music and Its Relationship to Place,
Identity, and Community
274
Hazel Smith
15.
Algorithmic Synesthesia
294
Noam Sagiv, Roger T. Dean, and Preya
Bailes
16.
An Introduction to Data Sonification
312
David Worrall
17.
Electronica
334
Nick Collins
18.
Generative Algorithms for Making Music: Emergence,
Evolution, and Ecosystems
354
Jon McCormack, Alice Eldridge, Alan
Dorin,
and Peter Mcllwain
Part IV. Cognition and Computation of Computer Music
19.
Computational Modeling of Music Cognition and
Musical Creativity
383
GeraintA. Wiggins, Marcus T. Pearce, and Daniel
Müïlensiefen
CONTENTS
Vil
20. Soundspotting:
A New Kind of Process?
421
Michael Casey
Sounding Out
21.
Interactivity and Improvisation
457
George E. Lewis
22.
From Outside the Window: Electronic Sound Performance
467
Pauline
Oliveros
23.
Empirical Studies of Computer Sound
473
Freya Bailes
and Roger T. Dean
Part V. Cultural and Educational Issues
24.
Toward the Gender Ideal
493
Mary
Simoni
25.
Sound-Based Music
4
All
518
Leigh
Landy
26.
Framing Learning Perspectives in Computer Music Education
536
J0ran
Rudi
and Palmyre Pierroux
Appendix: A Chronology of Computer Music and Related
Events
557
Paul Doornbusch
Index
585
The Oxford Handbook of Computer Music
offers a state-of-the-art cross section of the
most field-defining topics and debates in
computer music today. A unique contribu¬
tion to the field, it situates computer music
in the broad context of its creation and
performance across the range of issues
—
from music cognition to pedagogy to
socio¬
cultural
topics
—
that shape contemporary
discourse in the field.
Fifty years after musical tones were
produced on a computer for the first time,
developments in laptop computing have
brought computer music within reach of
all listeners and composers. Production
and distribution of computer music have
grown tremendously as a result, and the
time is right for this survey of computer
music in its cultural contexts. An impres¬
sive and international array of music
creators and academics discuss computer
music s history, present, and future with
a wide perspective, including composi¬
tion, improvisation, interactive perfor¬
mance, spatialization, sound synthesis,
sonification. and modeling. Throughout,
they merge practice with theory to offer
a fascinating look into computer music s
possibilities and enduring appeal.
Roger T. Dean is Research Professor of
Sonic Communication at the University
of Western Sydney. A composer and per¬
former, he is also Founder and Artistic
Director of austraLYSIS. He has published
widely in both music and biology, and is
author of Hvperimprovisation: Computer
Interactive Sound Improvisation
(2003)
and Sounds from the Corner: Australian
Contemporary Jazz since
1973 (2005).
The Oxford Handbook of
COMPUTER MUSIC
•
Brings together leading scholars, composers, and performers from across
the globe to discuss the full range of issues in the field
•
Is invaluable for students, scholars, and professionals who
create, perform, and study computer music
•
Features in-depth discussion of both the psychology of
computer music and its cultural contexts
•
Is based in full and up-to-date coverage of the history
arid development of computer music
•
Offers fascinating insights into the perspectives of real-time creators
and their involvement with their functional interfaces
•
Has a uniquely detailed chronology that supplements all of these
aspects and places them in the context of musical developments in the larger arena
Freya
Bailes,
Michael
Casey, Nick Collins.
Roger
T. Dean,
Paul Doornbuseh, Alan
Dorin,
Alice Eld ridge, Simon Emmerson, James
H
alley,
Douglas Keislar, Leigh
Landy,
Peter Lennox, George
Ľ.
Lewis. Peter Manning,
Jon McCormack. Peter Mcllwain, Daniel Miillensiefen, Pauline
Oliveros.
Garth Paine. Marcus T. Pearce. Tim Perkis. Palmyre Pierroux, J0ran
Rudi,
Noam Sagiv, Wayne
Siegel.
Mary
Simoni.
Hazel Smith, Atau Tanaka.
Gemitii
A. Wiggins, Trevor ishart. David VC
orral
1
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| spelling | The Oxford handbook of computer music ed. by Roger T. Dean Oxford [u.a.] Oxford Univ. Press 2009 VII, 611 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Computer music History and criticism Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Computermusik (DE-588)4113239-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Computermusik (DE-588)4113239-7 s Elektronische Musik (DE-588)4014355-7 s b DE-604 Dean, Roger T. 1948- Sonstige (DE-588)126791074 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017647554&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017647554&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The Oxford handbook of computer music Computer music History and criticism Elektronische Musik (DE-588)4014355-7 gnd Computermusik (DE-588)4113239-7 gnd |
| subject_GND | (DE-588)4014355-7 (DE-588)4113239-7 (DE-588)4143413-4 |
| title | The Oxford handbook of computer music |
| title_auth | The Oxford handbook of computer music |
| title_exact_search | The Oxford handbook of computer music |
| title_full | The Oxford handbook of computer music ed. by Roger T. Dean |
| title_fullStr | The Oxford handbook of computer music ed. by Roger T. Dean |
| title_full_unstemmed | The Oxford handbook of computer music ed. by Roger T. Dean |
| title_short | The Oxford handbook of computer music |
| title_sort | the oxford handbook of computer music |
| topic | Computer music History and criticism Elektronische Musik (DE-588)4014355-7 gnd Computermusik (DE-588)4113239-7 gnd |
| topic_facet | Computer music History and criticism Elektronische Musik Computermusik Aufsatzsammlung |
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