Anri Sala:
Saved in:
| Main Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London [u.a.]
Phaidon
2006
|
| Series: | Contemporary artists
|
| Subjects: | |
| Online Access: | http://deposit.dnb.de/cgi-bin/dokserv?id=2852147&prov=M&dok_var=1&dok_ext=htm Inhaltsverzeichnis Klappentext |
| Physical Description: | 158 S. zahlr. Ill. 29 cm |
| ISBN: | 0714845272 9780714845272 |
Staff View
MARC
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Record in the Search Index
| _version_ | 1805092568962170880 |
|---|---|
| adam_text |
ANRI
SALA
MARK GODFREY
HANS
ULRICH
OBRIST
LIAM
GILLICK
CONTENTS
INTERVIEW 007 Hans Ulrich
Obrist
in
conversation
with Anri
Sala.
SURVEY
033
Mark Godfrey, Articulate Enigma: The Works of
Ami Sala.
FOCUS
103
Liam
Gillick, Now I See: One Work by
Ami Sala.
ARTIST'S
CHOICE 111
Ervin Hatibi, Song
Full of Love for Roaches,
2004;
Untitled,
2002.
ARTIST'S WRITINGS
117
Political,
1983 (118);
It Has
Been Raining Here,
2001 (119);
Notes for Missing Landscape,
2001
(120);
Notes for Mixed Behaviour,
2003 (122);
Notes for time after
time,
2003 (123);
La Distance
du
Passant: Fragments from an ongoing
conversation with Hans
Ulrich
Obrist,
2000-4 (126);
Làk-kat
subtitles,
2004 (136);
Notes for Three Minutes,
2004 (140).
CHRONOLOGY
145
Bibliography
(15 5).
ANRI SALA's work is often about obscurity - obscurity of images but also of language and experience - which can render it both vexingly subtle and uncomfortably immediate. In the video Ghostqames (2002), translucent crabs scuttle away from a flashlight beam on a dark beach. The horse in time after time (2003) stands beside a busy motorway as headlights from passing cars draw perilously nearer. In other instances, this obscurity can be simply beautiful, like the strobe light reflecting ՝ off a reverberating cymbal in Three Minutes (2004) or the game of football played by the children in Missing Landscape (2001). When Sala confronts the history and current events of his native Albania, he does so with the same subtle immediacy. The video Intervista (1990), for example, is equal parts ■ documentary, memoir and mystery. It depicts Sala's search for the lost sound reel from an interview with his mother conducted at the 1977 Albanian Youth Congress. Finally, after enlisting lip-readers to supply the missing dialogue, Sala plays it for his mother, who reacts with shock at the words of her younger self, words not so much her own as the Communist Party's. During the course of Intervista's filming, the Albanian economy collapses, unleashing civil unrest across the country. The film ends with Sala's mother reflecting on her youthful beliefs, now tempered by experience: Ί think we've passed on to you the ability to doubt. Because you must always question the truth.' Working in a range of media - including video, photography and installation - and having been raised in Tirana, educated
in Paris and now settled in Berlin, Anri Sala represents a truly contemporary international vision. The impact of his work - featured at the world's top venues and exhibitions, including Manifesta (2000) and the Venice Biennale (1999, 2Ū01 and 20Ü3) ֊ endorses Sala's conviction that art can transcend cultural references without losing any of its specificity nor, indeed, its power In the Survey, MARK GODFREY weaves the artist's primary themes - sound, language, absence and presence, repetition - into an celebration of the work's 'inbetweenness'. HANS ULRICH OBRIST conducts his most extensive interview to date with Sala, covering the artist's early career, the innovative display features of his recent exhibitions, and his latest - and in some ways most ambitious - project. LIAM GILLICK's Focus centres on Sala's 2004 film Now I See, a music video of sorts that deftly defies expectations. In the Artist's Choice, two poems by Albanian poet Ervin Hatibi recall the inscrutable immediacy of Sala's own work. Artist's Writings include project notes on several of Anri Sala's key works, the subtitles from his 2004 video Làk-kat and extracts from an ongoing conversation with Hans Ulrich Obrist that spans Sala's artistic career. |
| any_adam_object | 1 |
| author | Godfrey, Mark 19XX- Obrist, Hans Ulrich 1968- Gillick, Liam 1964- |
| author_GND | (DE-588)137043678 (DE-588)120656779 (DE-588)121805115 (DE-588)122986032 |
| author_facet | Godfrey, Mark 19XX- Obrist, Hans Ulrich 1968- Gillick, Liam 1964- |
| author_role | aut aut aut |
| author_sort | Godfrey, Mark 19XX- |
| author_variant | m g mg h u o hu huo l g lg |
| building | Verbundindex |
| bvnumber | BV035587376 |
| classification_rvk | AP 94100 LI 99999 |
| ctrlnum | (OCoLC)255746241 (DE-599)DNB981139396 |
| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770 |
| dewey-search | 770 |
| dewey-sort | 3770 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| format | Book |
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| id | DE-604.BV035587376 |
| illustrated | Illustrated |
| indexdate | 2024-07-20T10:13:39Z |
| institution | BVB |
| isbn | 0714845272 9780714845272 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017642657 |
| oclc_num | 255746241 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-11 DE-255 DE-188 DE-739 |
| owner_facet | DE-19 DE-BY-UBM DE-11 DE-255 DE-188 DE-739 |
| physical | 158 S. zahlr. Ill. 29 cm |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Phaidon |
| record_format | marc |
| series2 | Contemporary artists |
| spelling | Godfrey, Mark 19XX- Verfasser (DE-588)137043678 aut Anri Sala Mark Godfrey ; Hans Ulrich Obrist ; Liam Gillick London [u.a.] Phaidon 2006 158 S. zahlr. Ill. 29 cm txt rdacontent n rdamedia nc rdacarrier Contemporary artists Sala, Anri rero Sala, Anri 1974- (DE-588)122986032 gnd rswk-swf Videokunst (DE-588)4188229-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Film-Installation (DE-588)4738273-9 gnd rswk-swf Sala, Anri 1974- (DE-588)122986032 p Film-Installation (DE-588)4738273-9 s Videokunst (DE-588)4188229-5 s Ästhetik (DE-588)4000626-8 s DE-604 Obrist, Hans Ulrich 1968- Verfasser (DE-588)120656779 aut Gillick, Liam 1964- Verfasser (DE-588)121805115 aut Sala, Anri 1974- Sonstige (DE-588)122986032 oth http://deposit.dnb.de/cgi-bin/dokserv?id=2852147&prov=M&dok_var=1&dok_ext=htm KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017642657&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017642657&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Godfrey, Mark 19XX- Obrist, Hans Ulrich 1968- Gillick, Liam 1964- Anri Sala Sala, Anri rero Sala, Anri 1974- (DE-588)122986032 gnd Videokunst (DE-588)4188229-5 gnd Ästhetik (DE-588)4000626-8 gnd Film-Installation (DE-588)4738273-9 gnd |
| subject_GND | (DE-588)122986032 (DE-588)4188229-5 (DE-588)4000626-8 (DE-588)4738273-9 |
| title | Anri Sala |
| title_auth | Anri Sala |
| title_exact_search | Anri Sala |
| title_full | Anri Sala Mark Godfrey ; Hans Ulrich Obrist ; Liam Gillick |
| title_fullStr | Anri Sala Mark Godfrey ; Hans Ulrich Obrist ; Liam Gillick |
| title_full_unstemmed | Anri Sala Mark Godfrey ; Hans Ulrich Obrist ; Liam Gillick |
| title_short | Anri Sala |
| title_sort | anri sala |
| topic | Sala, Anri rero Sala, Anri 1974- (DE-588)122986032 gnd Videokunst (DE-588)4188229-5 gnd Ästhetik (DE-588)4000626-8 gnd Film-Installation (DE-588)4738273-9 gnd |
| topic_facet | Sala, Anri Sala, Anri 1974- Videokunst Ästhetik Film-Installation |
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