Bakhtin and the movies: new ways of understanding Hollywood film
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2009
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references (p. 217-229) and index Includes filmography |
Beschreibung: | XI, 239 S. 23 cm |
ISBN: | 9780230202962 |
Internformat
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250 | |a 1. publ. | ||
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600 | 1 | 4 | |a Bakhtin, M. M. / (Mikhail Mikhaĭlovich) / 1895-1975 |
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Datensatz im Suchindex
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adam_text | The theories of the Russian literary critic and philosopher Mikhail Bakhtin
(1895-1975)
are highly suggestive for helping to understand cinema, yet
their usefulness has yet to be fully and accessibly articulated in relation to
the key debates of Film Studies. At the heart of this text is the key notion
of chronotope, which Flanagan adapts to show how time and space fuse
together in cinematic narrative. Similarly crucial are the Bakhtinian
concepts of dialogism and polyphony, which help to address fundamental
questions about film form and reception.The unfinalizable Bakhtinian
word seems to hold great significance for a changing media world where
meanings seem constantly renewable, and diffuse practices of spectatorship
outgrow earlier, rigid models of interpretation. Via case studies of a
diverse range of films (from Die Hard
4.0
to House of Games, The Searchers
to The Incredibles), this book vividly demonstrates that Bakhtin s theories
can bring about an exciting intervention into some of the most contested
areas of film theory.
BAKHTIN AND THE MOVIES NEW WAYS OF UNDERSTANDING HOLLYWOOD FILM MARTIN
FLANAGAN RN CM; ;N CONTENTS ACKNOWLEDGMENTS IX ABBREVIATIONS OF BAKHTIN
CIRCLE WORKS XI INTRODUCTION 1 MIKHAIL BAKHTIN (1895-1975) 2 DIALOGISM:
SPECTATOR, TEXT AND CONTEXT 6 A NOTE ON TWO ASPECTS OF AUTHORSHIP 15 1
DIALOGISM AND FILM STUDIES: THE DIALOGIC SPECTATOR 17 INTRODUCTION:
BAKHTIN AND THE NOVEL 17 EARLY CHRISTIAN METZ AND CINE-SEMIOTICS 23
PSYCHOANALYTIC AND APPARATUS THEORIES: THE POSITIONING OF THE SPECTATOR
31 MAKING MEANING, CONSUMING MEANING: NEO-FORMALIST AND CULTURAL STUDIES
MODELS 39 TWO-WAY TEXTUALITY? 48 2 CHRONOTOPE I: TIME, SPACE, NARRATIVE
- GET READY FOR RUSH HOUR 53 INTRODUCTION: BIG LOUD ACTION MOVIES 53
FORMS OF THE CHRONOTOPE 56 ADVENTURE TIME IN ANCIENT GREECE AND
HOLLYWOOD 62 ACTION HEROES AND THEIR WORLDS 69 SPACE AND PLOT 74 THE
MOVIE AS ROLLERCOASTER RIDE 79 3 CHRONOTOPE II: TIME, SPACE AND GENRE IN
THE WESTERN FILM 83 INTRODUCTION 83 TIME AND MYTH: GENERIC MEMORY 90
SPECTACLE AND LANDSCAPE: THE STAR AS MONUMENT 96 WOMEN AND DOMESTIC
SPACE 101 THE HORROR OF MISCEGENATION 105 LONE STAR: CROSSING BORDERS
110 SPACE, MASCULINITY, REPRESENTATION 113 RE-PRESENTING THE PAST:
CHALLENGING NOTIONS OF CINEMATIC TIME 118 VIII CONTENTS PRINT THE
LEGEND 123 CONCLUSION: THE CHRONOTOPE AND GENRE 124 4 POLYPHONY:
AUTHORSHIP AND POWER 127 INTRODUCTION 127 THE POLITICS OF REPRESENTATION
132 EYES WIDE SHUT 136 THE FRAMER FRAMED 141 NOIR MOTIFS IN HOUSE OF
GAMES 145 BREAKING THE CLASSICAL FRAME 148 CONCLUSION: MAMET AND
POLYPHONY 153 5 HOLLYWOOD CALLING: CINEMA S TECHNOLOGICAL ADDRESS 155
INTRODUCTION 155 SHINY HAPPY PEOPLE ? QUESTIONS OF CGI AESTHETICS 160
FILMED ENTIRELY ON LOCATION : THE WORLDS OF TOY STORY 2 AND THE
INCREDIBLES 164 REMEDIATING THE ADDRESS 173 CONCLUSION 178 CONCLUSION:
MAKING IT REAL 181 NOTES 189 FILMOGRAPHY 216 BIBLIOGRAPHY 217 INDEX 230
|
any_adam_object | 1 |
author | Flanagan, Martin |
author_GND | (DE-588)138739110 |
author_facet | Flanagan, Martin |
author_role | aut |
author_sort | Flanagan, Martin |
author_variant | m f mf |
building | Verbundindex |
bvnumber | BV035573252 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.P42 |
callnumber-search | PN1995.9.P42 |
callnumber-sort | PN 41995.9 P42 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 45000 AP 45100 |
ctrlnum | (OCoLC)319209523 (DE-599)BVBBV035573252 |
dewey-full | 791.4301 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4301 |
dewey-search | 791.4301 |
dewey-sort | 3791.4301 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | 1. publ. |
format | Book |
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spelling | Flanagan, Martin Verfasser (DE-588)138739110 aut Bakhtin and the movies new ways of understanding Hollywood film Martin Flanagan 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2009 XI, 239 S. 23 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 217-229) and index Includes filmography Bakhtin, M. M. / (Mikhail Mikhaĭlovich) / 1895-1975 Bakhtin, M. M <1895-1975> (Mikhail Mikhaĭlovich) Bachtin, Michail Michajlovič 1895-1975 (DE-588)118505653 gnd rswk-swf Motion pictures / History Motion pictures / Philosophy Dialogism (Literary analysis) Film Geschichte Philosophie Motion pictures History Motion pictures Philosophy Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Bachtin, Michail Michajlovič 1895-1975 (DE-588)118505653 p DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628794&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628794&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Flanagan, Martin Bakhtin and the movies new ways of understanding Hollywood film Bakhtin, M. M. / (Mikhail Mikhaĭlovich) / 1895-1975 Bakhtin, M. M <1895-1975> (Mikhail Mikhaĭlovich) Bachtin, Michail Michajlovič 1895-1975 (DE-588)118505653 gnd Motion pictures / History Motion pictures / Philosophy Dialogism (Literary analysis) Film Geschichte Philosophie Motion pictures History Motion pictures Philosophy Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)118505653 (DE-588)4017102-4 (DE-588)4078704-7 |
title | Bakhtin and the movies new ways of understanding Hollywood film |
title_auth | Bakhtin and the movies new ways of understanding Hollywood film |
title_exact_search | Bakhtin and the movies new ways of understanding Hollywood film |
title_full | Bakhtin and the movies new ways of understanding Hollywood film Martin Flanagan |
title_fullStr | Bakhtin and the movies new ways of understanding Hollywood film Martin Flanagan |
title_full_unstemmed | Bakhtin and the movies new ways of understanding Hollywood film Martin Flanagan |
title_short | Bakhtin and the movies |
title_sort | bakhtin and the movies new ways of understanding hollywood film |
title_sub | new ways of understanding Hollywood film |
topic | Bakhtin, M. M. / (Mikhail Mikhaĭlovich) / 1895-1975 Bakhtin, M. M <1895-1975> (Mikhail Mikhaĭlovich) Bachtin, Michail Michajlovič 1895-1975 (DE-588)118505653 gnd Motion pictures / History Motion pictures / Philosophy Dialogism (Literary analysis) Film Geschichte Philosophie Motion pictures History Motion pictures Philosophy Film (DE-588)4017102-4 gnd |
topic_facet | Bakhtin, M. M. / (Mikhail Mikhaĭlovich) / 1895-1975 Bakhtin, M. M <1895-1975> (Mikhail Mikhaĭlovich) Bachtin, Michail Michajlovič 1895-1975 Motion pictures / History Motion pictures / Philosophy Dialogism (Literary analysis) Film Geschichte Philosophie Motion pictures History Motion pictures Philosophy USA |
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