Russian and Soviet views of modern Western art: 1890s to mid-1930s
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Berkeley [u.a.]
Univ. of California Press
2009
|
| Schriftenreihe: | The documents of twentieth-century art
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XV, 347 S. Ill. |
| ISBN: | 9780520221031 9780520253728 |
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| 245 | 1 | 0 | |a Russian and Soviet views of modern Western art |b 1890s to mid-1930s |c ed. by Ilia Dorontchenkov. Translated by Charles Rougle |
| 264 | 1 | |a Berkeley [u.a.] |b Univ. of California Press |c 2009 | |
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| 490 | 0 | |a The documents of twentieth-century art | |
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| 648 | 4 | |a Geschichte 1800-1900 | |
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| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Art, Modern |y 19th century |v Sources | |
| 650 | 4 | |a Art, Modern |y 20th century |v Sources | |
| 650 | 4 | |a Art criticism |z Russia |x History |y 19th century | |
| 650 | 4 | |a Art criticism |z Russia |x History |y 20th century | |
| 650 | 4 | |a Art criticism |z Soviet Union | |
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Datensatz im Suchindex
| _version_ | 1804139227617689600 |
|---|---|
| adam_text | CONTENTS PREFACE AND ACKNOWLEDGMENTS XIII INTRODUCTION 1 RUSSIAN
CRITICISM BEFORE THE REVOLUTION: 1890S-1917 I FACING EUROPE:
IMPRESSIONS, CONTACTS, AND CRITICISMS 27 1 MARK ANTOKOL SKII, NOTES ON
ART 11897) 28 2 IGOR GRABAR , DECLINE OR RENAISSANCE? A SURVEY OF
CONTEMPORARY TRENDS IN ART (1897) 30 3 VLADIMIR STASOV,
NINETEENTH-CENTURY ART: PAINTING (1901) 32 4 VASILY KANDINSKY, AN
ARTIST S TEXT (1918) 34 5 ANDREI BELYI, ON THE BORDER OF TWO CENTURIES
(1930) 35 6 PAVEL MURATOV, ON GRAND ART (1907) 36 7 SERGEI DIAGHILEV
[AND DMITRII FILOSOFOV], THE BASES OF ARTISTIC JUDGMENT (18991 .... 40
8 SERGEI DIAGHILEV, EUROPEAN EXHIBITIONS AND RUSSIAN PAINTERS (1896)
41 9 SERGEI DIAGHILEV, THE EXHIBITION IN HELSINGFORS (1899) 42 10
VLADIMIR STASOV, EXHIBITIONS (1898) 43 11 GRIGORII MIASOEDOV, LETTER
TO VLADIMIR STASOV (1898} 45 12 VLADIMIR STASOV, THE COURT OF MIRACLES
|1899I 46 13 IGOR GRABAR , AROUND EUROPEAN EXHIBITIONS (1904) 48 14
VASILY KANDINSKY, A LETTER FROM MUNICH (1909-10) 50 II WESTERN
INFLUENCES: SYMBOLISM, IMPRESSIONISM, POST-IMPRESSIONISM, AND THE GOLDEN
FLEECE EXHIBITIONS 55 15 IVAN KONEVSKOI, BOCKLIN S PAINTING (1900) 57
16 ALEXANDRE BENOIS, MAURICE DENIS 11901] 59 17 IGOR GRABAR , AROUND
EUROPE (1902) 61 18 ALEXANDRE BENOIS, AN ARTIST S CONVERSATIONS: 1. ON
IMPRESSIONISM 11899) 62 19 IGOR GRABAR , AROUND EUROPE: LETTERS ON
CONTEMPORARY ART (1902) 64 20 GEORGII PLEKHANOV, THE PROLETARIAN
MOVEMENT AND BOURGEOIS ART (1905) 65 21 STEPAN LAREMICH, THE AUTUMN
SALON (1904) 67 22 ALEXANDRE SHERVASHIDZE, CEZANNE (1905) 68 23
MAKSIMILIANVOLOSHIN, ASPIRATIONS OF THE NEW FRENCH PAINTING (1908) 69
24 PETR KONCHALOVSKII. LETTERS FROM PARIS TO ILIA MASHKOV (1908) 71 25
PAVEL MURATOV, THE GOLDEN FLEECE SALON (1908) 74 26 IGOR GRABAR ,
MOSCOW EXHIBITIONS 11909) 75 I 1 1 MATISSE, PICASSO, AND THE SHCHUKIN
AND MOROZOV COLLECTIONS 77 27 LAKOVTUGENDKHOL D, S. I. SHCHUKIN S
FRENCH COLLECTION (1914) 81 28 NATAL IA SEVEROVA [NORDMAN], INTIMATE
PAGES 11910) 89 29 VASILII KAMENSKII, KARTINIIA [19U1 92 30 SERGEI
MAKOVSKII, FRENCH ARTISTS IN THE MOROZOV COLLECTION (1912) 93 31 BORIS
TERNOVETS, THE MUSEUM OF MODERN WESTERN ART IN MOSCOW (THE MOROZOV
SECTION) (1922-23) 96 32 NIKOLAI BRESHKO-BRESHKOVSKII, THE SALON
(1910) 100 33 ALEXANDRE BENOIS, THE SALON AND BAKST S SCHOOL (1910)
100 34 ILIA REPIN. THE IZDEBSKY SALON (1910) 101 35 LAKOVTUGENDKHOL D,
THE AUTUMN SALON (1910) 102 36 BORIS TERNOVETS, LETTER TO NADEZHDA
SHAMSHINA (1911) 103 37 ALEXANDRE BENOIS, MOSCOW IMPRESSIONS (1911)
104 38 BORIS BUGAEV [ANDREI BELYI], STAMPED CULTURE (1909) 105 39
BORIS ANREP, APROPOS OF AN EXHIBITION IN LONDON WITH PARTICIPATING
RUSSIAN ARTISTS 11913) 106 40 ALEXANDRE BENOIS, MORE ON NEW TRENDS IN
ART (1912) 108 41 S. KHUDAKOV, LITERATURE, ART CRITICISM, DEBATES, AND
LECTURES (1913) 110 42 SERGEI BULGAKOV, BEAUTY S CORPSE (APROPOS OF
PICASSO S PAINTINGS) (1915) 111 43 IVAN AKSENOV, PICASSO AND THE
ENVIRONS (1917) 114 IV CUBISM AND FUTURISM 127 44 E. DMITRIEV, WHAT IS
CUBISM? (1912) 129 45 LAKOVTUGENDKHOFD, A LETTER FROM PARIS (1912)
131 46 GEORGII PLEKHANOV, ART AND SOCIAL LIFE (19121 132 47 DAVID
BURLIUK, CUBISM (SURFACE-PLANE) (1912) 133 48 NADEZHDA UDAL TSOVA,
DIARY (1912-13) 137 49 MIKHAIL MATIUSHIN, ON DU CUBISME BY METZINGERAND
GLEIZES (1913) 138 50 ALEKSANDR SHEVCHENKO, THE PRINCIPLES OF CUBISM
AND OTHER CURRENTS IN PAINTING FROM AH AGES AND NATIONS (1913) 144 51
NIKOLAI KULBIN, CUBISM (1915) 145 52 KAZIMIR MALEVICH, ON NEW SYSTEMS
IN ART: STATICS AND SPEED (19191 149 53 NIKOLAI PUNIN. ESCAPES FROM
CUBISM (1923) 153 54 SITLART, BOCCIONI S FUTURIST SCULPTURE
EXHIBITION (1913) 156 55 GENRIKH TASTEVEN, FUTURISM: TOWARDS NEW
SYMBOLISM (19141 158 56 VELIMIR KHLEBNIKOV AND BENEDIKT LIVSHITS, ON
MARINETTI S VISIT TO RUSSIA (19U) .... 160 57 NIKOLAI BERDIAEV, THE
CRISIS IN ART (19171 162 58 R. LA. [ROMAN JAKOBSON], FUTURISM (1919)
163 V ART AND NATIONALITY: POLEMICS AND REACTIONS 167 59 SERGEI
MAKOVSKII, ART SURVEY (19101 168 60 LAKOVTUGENDKHOL D, THE RUSSIAN
SEASONS IN PARIS (19101 171 61 ALEXANDRE BENOIS, ICONS AND THE NEW
ART (1913) 173 62 DAVID BURLIUK, THE NOISY BENOIS 1 AND THE NEW
RUSSIAN NATIONAL ART (1913) 174 63 NATALIA GONCHAROVA [LL IA
ZDANEVICH], FOREWORD TO THE GONCHAROVA EXHIBITION CATALOGUE (1913) 175
64 ALEKSEI GRISHCHENKO, ON THE TIES OF RUSSIAN PAINTING TO BYZANTIUM AND
THE WEST, 13TH-20TH CENTURIES: THOUGHTS OF AN ARTIST (1913) 177 65
MIKHAIL LE DANTIU, THE PAINTING OF THE EVERYTHINGISTS IC. 1914) 180 66
GEORGII LAKULOV, BENEDIKT LIVSHITS, AND ARTUR LOURIE, WE AND THE WEST
(1914) 184 67 VLADIMIR MAYAKOVSKY, RUSSIA. ART. WE (1914) 185 RUSSIAN
AND SOVIET CRITICISM AFTER THE REVOLUTION VI THE INTERNATIONAL OF ART
AND THE GREAT UTOPIA 189 68 CLARA ZETKIN, REMINISCENCES OF LENIN (1924)
190 69 ALEKSANDR BOGDANOV, OUR CRITIQUE. ESSAY ONE: ON ARTISTIC
HERITAGE 11918! 191 70 VLADIMIR FRICHE, THE ART OF THE LABOR COMMUNE
(1918) 192 71 DECREE OF THE SOVIET OF PEOPLE S COMMISSARS ON THE
NATIONALIZATION OF THE SERGEI SHCHUKIN ART GALLERY (19181 193 72 PAVEL
MURATOV, THE MUSEUM OF WESTERN ART IN MOSCOW (1920) 194 73 VASILY
KANDINSKY, THE MUSEUM OF THE CULTURE OF PAINTING (1920) 195 74 VARVARA
STEPANOVA, DIARY ENTRY (1919) 196 75 NIKOLAI PUNIN, THE THIRD
INTERNATIONAL (1919) 197 76 KONSTANTIN KRAINII [UMANSKII], THE
INTERNATIONAL OF ART (THE TASKS CONFRONTING THE INTERNATIONAL UNION OF
FINE ARTS WORKERS) 11919) 199 77 VASILY KANDINSKY, THE GREAT UTOPIA
(1920) 199 78 IZO EDITORIAL (1921) 201 79 ABRAM EFROS, WE AND THE WEST
119201 202 80 NIKOLAI PUNIN, TATTIN [AGAINST CUBISM) 11921) 203 81
JANSEN, ON THE EXCHANGE OF ART EXHIBITIONS WITH WESTERN EUROPE (1921)
204 82 BORIS ARVATOV, TOWARD PROLETARIAN ART (1922) 205 83 PAVEL
MURATOV, PREDICTIONS 11922) 207 84 VASILII CHEKRYGIN, ON THE EMERGING
NEW PHASE OF ALL-EUROPEAN ART (1922) 209 85 VIKTOR PERELMAN, FROM THE
WANDERERS TO HEROIC REALISM (1923) 210 86 NIKOLAI PUNIN, A RESPONSE TO
FRENCH ARTISTS 11924) 212 87 LAKOVTUGENDKHOL D, ONCE AGAIN ON FRENCH
ARTISTS AND US (1924) 212 88 NIKOLAI PUNIN, THE USSR AND FRENCH
ARTISTS 11924) 2U VII NEW VISIONS OF WESTERN ART 215 89 R.LA. [ROMAN
JAKOBSON], LETTERS FROM THE WEST: DADA 11921) 218 90 EL [LAZAR]
LISSITZKY, EXHIBITIONS IN BERLIN (1922) 219 91 LEON TROTSKY,
FUTURISM (1923) 221 92 VLADIMIR MAYAKOVSKY, A SEVEN-DAY INSPECTION OF
FRENCH PAINTING (1923) 222 93 ALEKSANDR RODCHENKO, RODCHENKO IN PARIS:
LETTERS HOME (1927) 231 94 LAKOVTUGENDKHOL D, THE ARTISTIC CULTURE OF
THE WEST (1928) 232 95 LA.T-D [LAKOVTUGENDKHOL D], THE ART OF
CONTEMPORARY AMERICA (1928) 236 VIII EXPRESSIONISM AND GEORGE GROSZ 239
96 VLADIMIR WEIDLE, NOTES ON WESTERN PAINTING: 1. THE END OF
EXPRESSIONISM (1923) . . 240 97 BORIS ARVATOV, EXPRESSIONISM AS A
SOCIAL PHENOMENON: APROPOS OF ECKART V[ON] SYDOW, DIE DEUTSCHE
EXPRESSIONISTISCHE KULTUR UND MALERI (BERLIN, 1920) (1922) 243 98
NIKOLAI RADLOV, INTRODUCTION TO GEORG MARZINSKI S THE EXPRESSIONIST
METHOD IN PAINTING 11923) 244 99 NIKOLAI TARABUKIN, APROPOS OF THE
GERMAN ART EXHIBITION (1924) 246 100 OSIP BRIK, ECCE HOMO (1923) 248
101 ABRAM EFROS, GEORGE GROSZ (1923) 249 102 VIKTOR PERTSOV,
FOREWORD TO THE RUSSIAN TRANSLATION OF GEORGE GROSZ AND WIELAND
HERZFELDE S ART IS IN DANGER: THREE ESSAYS (1926) 254 103 ANATOLII
LUNACHARSKII, ART IS IN DANGER (1926) 255 1X CREATING A MODEL FOR
REVOLUTIONARY ART 257 104 ALEKSEI FEDOROV-DAVYDOV, ON THE NEW REALISM
IN CONNECTION WITH WESTERN EUROPEAN TRENDS IN ART (1925) 258 105 ABRAM
EFROS, REVOLUTIONARY ART OF THE WEST (THE STATE ACADEMY OF ARTISTIC
SCIENCES EXHIBITION) [1926] 260 106 IVAN MATSA (JANOS MACZA), THE ART
OF CONTEMPORARY EUROPE (1926) 262 107 ANATOLII LUNACHARSKII, DISCUSSION
ON AKHRR (1926! 266 108 EMELIAN LAROSLAVSKII, AGAINST LEFTIST PHRASE
MONGERING AND UNFAIR CRITICISM (APROPOS OF COMRADE A. KURELLA S
ARTICLE) (1928) 267 109 ALFRED KURELLA, FROM RUSSIA S REVOLUTIONARY
ART TO PROLETARIAN ART: RESPONSES AND QUESTIONS FOR THE CRITICS (1928]
268 110 ALEKSEI MIKHAILOV, DIEGO RIVERA (1929) 269 111 ALEKSEI
FEDOROV-DAVYDOV, MILITANT ART: JOHN HEARTFIELD, PROLETARIAN ARTIST
(19321 . . 272 X CHANGING VIEWS OF WESTERN ART 275 112 BORIS TERNOVETS,
THE CONTEMPORARY FRENCH ART EXHIBITION IN MOSCOW (1928] 277 113 TS.
PLOTKIN, THE FRENCH IN MOSCOW (19281 280 1U NIKOLAI PUNIN, VLADIMIR
VASIIEVICH LEBEDEV 11928] 283 115 SERGEI ROMOV, FROM DADA TO
SURREALISM: ON PAINTING, LITERATURE, AND THE FRENCH INTELLIGENTSIA
(1929] 285 116 SERGEI ROMOV, CONTEMPORARY FRENCH PAINTING (1929] 286
117 FRIDA ROGINSKAIA, AGAINST THE CULT OF THE FRENCH (19301 288 118
IVAN MATSA LLANOS MACZA), TO THE HIGHEST LEVEL! (1931) 290 119 ALEKSEI
MIKHAILOV, COMRADE BOGORODSKII S TRIP ABROAD (1931) 292 120 DMITRII
LEBEDEV, THE MUSEUM OF MODERN WESTERN PAINTING MUST LIVE! (19301 ....
293 121 OSIP MANDELSTAM, A JOURNEY TO ARMENIA: THE FRENCH (1933) 294
122 D. MEL NIKOV, CEZANNE AND CEZANNISM (1921] 296 123 DAVID ARKIN,
RTOBERT] FAL KAND MOSCOW PAINTING (1923) 297 124 NIKOLAI TARABUKIN,
THE STILL LIFE AS A PROBLEM OF STYLE (1928) 299 125 NIKOLAI PUNIN,
MIKHAIL LARIONOV S IMPRESSIONIST PERIOD (19281 301 126 AMSHEI
NIURENBERG, THE PISSARRO EXHIBITION: LETTER FROM PARIS 11929] 302 127
ALEKSANDR SEVERDENKO, RESPONSE TO AN IMPRESSIONIST (1929] 302 128
ANATOLII LUNACHARSKII, THE PAINTER OF HAPPINESS: ON VIEWING RENOIR S
CANVASES (1933) 303 XI THE END OF AN ERA 305 129 POLIKARP LEBEDEV,
AGAINST FORMALISM IN SOVIET ART (1936) 306 130 NINA LAVORSKAIA, AN
EYEWITNESS ACCOUNT OF THE CLOSING OF THE MUSEUM OF MODERN WESTERN ART
(1988) 307 CHRONOLOGY 311 ACRONYMS 323 SELECTED BIBLIOGRAPHY 325 LIST OF
ILLUSTRATIONS 331 INDEX 333
|
| any_adam_object | 1 |
| author_GND | (DE-588)139027300 |
| building | Verbundindex |
| bvnumber | BV035573159 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6447 |
| callnumber-raw | N6447 |
| callnumber-search | N6447 |
| callnumber-sort | N 46447 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LH 61060 LH 64190 LH 64674 |
| ctrlnum | (OCoLC)264039759 (DE-599)BVBBV035573159 |
| dewey-full | 709.04 701.18094709041 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography 701 - Philosophy of fine & decorative arts |
| dewey-raw | 709.04 701.18094709041 |
| dewey-search | 709.04 701.18094709041 |
| dewey-sort | 3709.04 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1921-1937 gnd Geschichte 1890-1920 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1921-1937 Geschichte 1890-1920 |
| format | Book |
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| genre | (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| geographic | Russland Sowjetunion Russland (DE-588)4076899-5 gnd Sowjetunion (DE-588)4077548-3 gnd Westliche Welt (DE-588)4079237-7 gnd |
| geographic_facet | Russland Sowjetunion Westliche Welt |
| id | DE-604.BV035573159 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:40:44Z |
| institution | BVB |
| isbn | 9780520221031 9780520253728 |
| language | English |
| lccn | 2008054649 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017628703 |
| oclc_num | 264039759 |
| open_access_boolean | |
| owner | DE-12 DE-83 DE-11 DE-255 DE-Y7 |
| owner_facet | DE-12 DE-83 DE-11 DE-255 DE-Y7 |
| physical | XV, 347 S. Ill. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Univ. of California Press |
| record_format | marc |
| series2 | The documents of twentieth-century art |
| spelling | Russian and Soviet views of modern Western art 1890s to mid-1930s ed. by Ilia Dorontchenkov. Translated by Charles Rougle Berkeley [u.a.] Univ. of California Press 2009 XV, 347 S. Ill. txt rdacontent n rdamedia nc rdacarrier The documents of twentieth-century art Includes bibliographical references and index Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1921-1937 gnd rswk-swf Geschichte 1890-1920 gnd rswk-swf Geschichte Art, Modern 19th century Sources Art, Modern 20th century Sources Art criticism Russia History 19th century Art criticism Russia History 20th century Art criticism Soviet Union Kunst (DE-588)4114333-4 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Russland Sowjetunion Russland (DE-588)4076899-5 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Westliche Welt (DE-588)4079237-7 gnd rswk-swf (DE-588)4135952-5 Quelle gnd-content Russland (DE-588)4076899-5 g Kunstkritik (DE-588)4033659-1 s Westliche Welt (DE-588)4079237-7 g Kunst (DE-588)4114333-4 s Geschichte 1890-1920 z DE-604 Sowjetunion (DE-588)4077548-3 g Geschichte 1921-1937 z Dorontchenkov, Ilia 1961- Sonstige (DE-588)139027300 oth SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628703&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Russian and Soviet views of modern Western art 1890s to mid-1930s Geschichte Art, Modern 19th century Sources Art, Modern 20th century Sources Art criticism Russia History 19th century Art criticism Russia History 20th century Art criticism Soviet Union Kunst (DE-588)4114333-4 gnd Kunstkritik (DE-588)4033659-1 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4033659-1 (DE-588)4076899-5 (DE-588)4077548-3 (DE-588)4079237-7 (DE-588)4135952-5 |
| title | Russian and Soviet views of modern Western art 1890s to mid-1930s |
| title_auth | Russian and Soviet views of modern Western art 1890s to mid-1930s |
| title_exact_search | Russian and Soviet views of modern Western art 1890s to mid-1930s |
| title_full | Russian and Soviet views of modern Western art 1890s to mid-1930s ed. by Ilia Dorontchenkov. Translated by Charles Rougle |
| title_fullStr | Russian and Soviet views of modern Western art 1890s to mid-1930s ed. by Ilia Dorontchenkov. Translated by Charles Rougle |
| title_full_unstemmed | Russian and Soviet views of modern Western art 1890s to mid-1930s ed. by Ilia Dorontchenkov. Translated by Charles Rougle |
| title_short | Russian and Soviet views of modern Western art |
| title_sort | russian and soviet views of modern western art 1890s to mid 1930s |
| title_sub | 1890s to mid-1930s |
| topic | Geschichte Art, Modern 19th century Sources Art, Modern 20th century Sources Art criticism Russia History 19th century Art criticism Russia History 20th century Art criticism Soviet Union Kunst (DE-588)4114333-4 gnd Kunstkritik (DE-588)4033659-1 gnd |
| topic_facet | Geschichte Art, Modern 19th century Sources Art, Modern 20th century Sources Art criticism Russia History 19th century Art criticism Russia History 20th century Art criticism Soviet Union Kunst Kunstkritik Russland Sowjetunion Westliche Welt Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628703&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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